Top 1200 Never Ending Story Quotes & Sayings - Page 11

All those - or most of those - who went through the experience during the Second World War - they want to remember more - more and more. It's never enough because we feel that we have to tell the story. And no one can tell the story fully.

When topics are complex and meaty, don't create a never-ending email thread. It's amazing how much time people waste composing and reading carefully-worded essays, when a 5 minute in-person chat would resolve the whole thing.

Now, I want to explain something to you guys. I don't have an ending joke, because I don't tell jokes. I tell real-life stories and make them funny. So, I'm not like the average comedian. They have an ending joke; they always holler Peace! I'm out of here, and walk off stage. So, basically, when I get through performing on stage, I just walk off.

I know plenty people, and I've done it myself, where you lock yourself inside for four days and you a watch a whole series. It's like watching a never-ending movie. It's great not to have to wait for the next season or the next week.

We, in America, love a story - we need a story to get involved in. But then everything becomes more about how the story protects a certain perception as we pick sides.

I find it, as ever, very unprofitable to have much to do with men. It is sowing the wind, but not reaping even the whirlwind; onlyreaping an unprofitable calm and stagnation. Our conversation is a smooth, and civil, and never-ending speculation merely.

I think that after divorce, I took my life a little bit more seriously, because you have to face endings in a way that you maybe never - death in one thing, but an ending in your own chapter. It's so clearly placed there for you with divorce.

The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.

Those ancients who in poetry presented the golden age, who sang its happy state, perhaps, in their Parnassus, dreamt this place. Here, mankind's root was innocent; and here were every fruit and never-ending spring; these streams--the nectar of which poets sing.

True love doesn't have a happy ending, because true love never ends. Letting go is one way of saying I love you.

I never told a victim story about my imprisonment. Instead, I told a transformation story - about how prison changed my outlook, about how I saw that communication, truth, and trust are at the heart of power.

I couldn't tell you what the standing is in radio, I'm in the streaming world. I'm in the podcasting world. Radio just sounds archaic almost. It's a never-ending battle. I'm so glad I'm retired so I don't have to see the nonsense.

To love in the sense of passion-love is the contrary of to live. It is an impoverishment of one's being, an askesis without sequel, an inability to enjoy the present without imagining it as absent, a never-ending flight from possession.

At any moment, one company stands in the spotlight of the middle ring in the stock market's never-ending circus. It may not be the biggest corporation in the world, or the most profitable, but somehow it both mirrors and leads the market's broader action.

The Danger of a Single Story”, which has resonated with me immensely every time I read it. “Power is the ability not just to tell the story of another person, but to make it the definitive story of that person. The Palestinian poet Mourid Barghouti writes that if you want to dispossess a people, the simplest way to do it is to tell their story, and to start with, “secondly.

I was never a comic book guy. I like the movies when I see them, especially the origin stories. I never felt like I could be on the set, at 3 o'clock in the morning, tired, with 10 important decisions to make, and know, intuitively, what the story needs. For me, I'd be copycatting and not inventing. I've never said yes to one.

Skies are crying, I am watching, Catching teardrops in my hands. Only silence, as it's ending, Like we never had a chance. Do you have to make me feel Like there's nothing left of me?

The principle of the endless melody is the perpetual becoming of a music that never had any reason for starting, any more than it has any reason for ending.

A lot of people think that they are really cool because they don't outline. In my writing group, they would say, "I will never outline. I let the characters take me." C'mon, man - I outline the story, but it's only like one page. It's a list of possible reversals in the story, like things where everything will just change because of this certain reveal or this certain action. Then I start really digging into the character because, to me, I don't care what the story is.

Death is never an ending, death is a change; Death is beautiful, for death is strange; Death is one dream out of another flowing.

We have to accept that making movies is a never-ending process of occasional progress, frequent setbacks, and unexpected curveballs being thrown our way. Navigating that process requires stamina, curiosity, openness, and creative fire.

In the never-ending battle between order and chaos, clutter sides with chaos every time. Anything that you possess that does not add to your life or your happiness eventually becomes a burden.

I am convinced that it is not the fear of death, of our lives ending, that haunts our sleep so much as the fear that as far as the world is concerned, we might as well never have lived.

I am convinced that it is not the fear of death, of our lives ending that haunts our sleep so much as the fear... that as far as the world is concerned, we might as well never have lived.

Where do the evils like corruption arise from? It comes from the never-ending greed. The fight for corruption-free ethical society will have to be fought against this greed and replace it with 'what can I give' spirit.

I don't want you to think that I'm being willfully obtuse, but I've never really grasped how point of view could be regarded as a matter of choice independent of story. Point of view is intimately interwoven into the story that you want to tell - it is an aspect of it.

.. then when the hurt goes, anger takes its place; when the anger runs out of system, loneliness steps in to take over. it's a never ending circle of emotions; every lost emotion being replaced by another.

Franklin's illness...gave him strength and courage he had not had before. He had to think out the fundamentals of living and learn the greatest of all lessons - infinite patience and never ending persistence.

I lack the skill to hold a story line for the length required for a novel or even a short story. I have never had an idea that could withstand a hundred thousand words, or even ten thousand words of rubber meeting the road.

Loneliness is the inability to share your story, your Unique Self story. For most people, the move beyond loneliness requires us to share our story with a significant other. For the spiritual elite, the receiving of our own story - and the knowing that it is an integral part of the larger story of All-That-Is - is enough. But for most human beings, loneliness is transcended through contact with another person.

I treasure the Bible. I live in it and work on it all the time. But it is not the word of God. It's the tribal story of a particular people, and the best thing about that story is that the story keeps growing and evolving.

All the seven deadly sins are man's true nature. To be greedy. To be hateful. To have lust. Of course, you have to control them, but if you're made to feel guilty for being human, then you're going to be trapped in a never-ending sin-and-repent cycle that you can't escape from.

When an acting teacher tells a student 'that wasn't honest work' or 'that didn't seem real,' what does this mean? In life, we are rarely 'truthful' or 'honest' or 'real'. And characters in plays are almost never 'truthful' or 'honest' or 'real'. What exactly do teachers even mean by these words? A more useful question is: What is the story the actor was telling in their work? An actor is always telling a story. We all are telling stories, all the time. Story: that is what it is all about.

I write about things that scare me. I've never written a snake story in my life. I myself have never written a story about snakes because they don't scare me. I write about rats because they scare the hell out of me.

Of course, I'm being rude. I'm spoiling the ending, not only of the entire book, but of this particular piece of it. I have given you two events in advance, because I don't have much interest in building mystery. Mystery bores me. It chores me. I know what happens and so do you. It's the machinations that wheel us there that aggravate, perplex, interest, and astound me. There are many things to think of. There is much story.

If you're a father of a child who dies, it's an experience that never leaves you. It scars you forever and ever and ever. And so when I do any kind of story with somebody who's in the same position as my daughter was, there's no question that something comes out of me and embraces that story in a way that only a father who lost a child could.

We're vulnerable to repeating history, especially if we don't know what's driving us. For example, it may be a family tradition to marry someone with addiction problems, or who is an injured bird in need of caretaking. Or, you may be drawn to guys who remind you of your distant, unavailable father -- or your ill-tempered mother -- with the unconscious belief that you can take an old story, and through the power of your love, give it a new, happy ending.

The bigger point here is that golf is a good metaphor for one's life. The challenge of golf for me is trying to learn new rules. It's something you always have to work at; you don't get perfect at golf. It's the never-ending quest for betterment.

We can continue to fight. We can continue to kill - and continue to be killed. But we can also try to put a stop to this never-ending cycle of blood. We can also give peace a chance.

How many times do you read about 'the Cinderella story,' the story of the underdog, the story of the ordinary human being, often subjected to cruelty and ignorance and neglect, who somehow triumphs?

If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.

There is no plateau of resting or stabilising. Once you are interested in how things evolve, you have a kind of never-ending perspective, because it means you are interested in articulating the evolution, and therefore the potential change, the potential redefinition.

Part of success is having a good story, and as a journalist, I totally understand. But it meant that my many, many years of focus and hard work got kind of prepackaged into a Cinderella story. I'm super grateful that it happened, but it left me feeling like I never got to be a full human in the experience.

Remember how he handled the Iran-contra Never Ending Scandal from Hell? He went on national television, the President of the United States, and said it wasn't his fault, because he was not aware, at the time, of what his foreign policy was.

In an age of never-ending health fads, it's comforting to learn that one of the healthiest activities you can do has existed for millennia. It's called reading. Yes, books are not just entertaining or educational: they can also improve your mental health.

As it turned out, Welcome was where I lost everything, and gained everything. Welcome was the place where my life was guided from one track to another, ending me to places I'd never thought of going.

While Max appears to greatly admire Wallace as a writer and feel compassion for him as a man, he is never starry-eyed, or pulls his punches. Every Love Story is a Ghost Story is as illuminating, multifaceted, and serious an estimation of David Foster Wallace's life and work as we can hope to find.

I never want to co-write. People never just write a quarter of a book, do they? I don't think you can get your story across.

I never know the endings when I write. It's a turnoff when you know the ending. You lose much of your incentive to write when you already know. It's like seeing a movie a second time.

I never fixed a story. I didn't make judgments, I let the listener make judgments. When I got to the end of the story, if it had a moral, I let the listener find it.

In our past lies our future. By our own hands and decisions we will be damned and we will be saved. Whatever you do, put forth your best effort even if all you're doing is chasing a never ending rainbow. You might never reach the end of it, but along the way you'll meet people who will mean the world to you and make me...mories that will keep you warm on even the coldest nights

Story is the umbilical cord that connects us to the past, present, and future. Family. Story is a relationship between the teller and the listener, a responsibility. . . . Story is an affirmation of our ties to one another.

Since 2010, Hillary Clinton's State Department, with the aid of Brazil, France, and Canada and in league with the Clinton Foundation and other 'philanthropists,' put into place something like a never-ending coup, an everlasting intervention.

When I was 16, I knew I was gay. I loved a lot. But I lived as a straight guy, because there are people in my town who don't understand my story. I never told. I never wanted to show what was inside my heart.

After 'American Idol,' I got a lot of 'stuck up' rumors that just fueled the never-ending flames of high school drama. Thankfully, my real friends always stood up for me and knew I wasn't like that.

The story of the Kelly system is a story of secrets - or if you prefer, a story of entropy.

The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him

I always imagined myself somehow as an electron around some atom, and you're just, like, bouncing around and spinning. There was a never-ending supply of places to go, people to see, things to do, and fitting it all in became kind of an art.

The story of my life is profoundly unclear. It is a rock-and-roll story and, at the same time, a story of my walk with Christ. The two are melded together in ways both unpredictable and unsure.

For me as a writer, the story has always taken precedence over everything else. I have never sat down to write with broad, sweeping ideas in mind, and certainly never with a specific agenda.