Top 1200 Never Ending Story Quotes & Sayings - Page 17

Orwell says somewhere that no one ever writes the real story of their life. The real story of a life is the story of its humiliations.

There must be a story within him/her that wants to come out. That's the reason why 'Dil Chahta Hai,' 'Lagaan,' and 'Rang De Basanti' worked so well: Ashutosh, Farhan, and Rakesh had a story inside them. It's very important that the director should have the fire in the belly to tell the story.

I had never been out covering a story, but boy, was that fun.

The idea that a story has to be 'exceptional' in order to be worth telling is curious to me. What if we looked at every single person's story as a site of possibly infinite meaning? What if we came to believe that there isn't hubris or narcissism in thinking your story might be worth sharing - only a sense of curiosity and offering?

I guess that's the story of life: what you most fear never happens, but what you most yearn for never happens either. This is the difference between life and fiction. I suppose it's a good trade-off. But I'm not sure.

Bimal Roy never kept comedy out of the story line.

With live-action I think we'd have lost the universal appeal of the Persepolis story. With live-action, it would have turned into a story of 'the Other' - people living in a distant land who don't look like us. It might have been exotic, but also a "Third-World" story.

For never was a story of more woe than this of Juliet and her Romeo.

With Sugarland, it never felt like we were finished telling our story.

I never plan. I never know what the next page is going to be..... But that's the fun of writing a novel or a story, because I don't know what's going to happen next.

Alison [McGhee] and I have known each other since the summer of 2001. One evening we were sitting around talking about how we wished we had a good story to work on. Alison said: Why don't we work on a story together? I said: A story about what? And Alison said: A story about a short girl and a tall girl.

Real life is never quite as interesting as the story told afterward.

But it was an ending.

I was a lousy journalist. I could never be objective. Sometimes I invented the whole story.

People call me a 'model-actress,' when I just never started with that... it's not my story.

I understand it's seductive to use green technologies, for people who want to believe it. But it is a hoax in the sense that it's nothing more than another of the never-ending issues, political issues by the left, by the Democrat Party, to advance their ultimate agenda of bigger and bigger government and more and more control.

Lastly get emotionally connected to your story so you can deliver it, you know, if you can't deliver the emotions to your script there's no point to your story. Story is the key.

Everything's a story - You are a story -I am a story.

People love dogs. You can never go wrong adding a dog to the story.

I reread 'Nicholas and Alexandra' in my early twenties, and I never forgot the story.

I write - and read - for the sake of the story... My basic test for any story is: 'Would I want to meet these characters and observe these events in real life? Is this story an experience worth living through for its own sake? Is the pleasure of contemplating these characters an end itself?

What's the problem with 'never?' It keeps you from trying. It ensures that you will fail. End of story.

Selling a book or story has never become absolutely automatic for me.

I never want to be the all-knowing god of the story, manipulating what's to happen or the action.

Myth is never a single story. It is always a tree with many branches.

When I want to explain why empowering girls and women is critical to fighting poverty, I often tell a person's story. It's easier to relate to a personal story than to global data telling us that the majority of the billion people who live on less than $2 per day are women and girls. We are often told to never treat a person like a statistic.

It's all still about having a good story. You have to have a good story as your anchor, as your main focus. So for me, personally, I just like to concentrate on writing the best book I can, and if there's other stuff that goes along with it, that's awesome, as long as the story is central.

I'm really trying to just keep this internal, and be faithful to the story and the characters, and keep 99.9% of my brain there, serving the story. It's a great network. It's the golden network of cable, so it's totally an honor to be there and tell this story, but I try not to think about anything beyond that.

The chorus-ending from Aristophanes, raised every night from every ditch that drains into the Mediterranean, hoarse and primeval as the raven's croak, is one of the grandest tunes to walk by. Or on a night in May, one can walk through the too rare Italian forests for an hour on end and never be out of hearing of the nightingale's song.

Never take a mulligan on a par 3. A "hole in three" is not a fun story to relive.

The last story you should write is the most important story. You should start with a story that is just an amusing, entertaining, fun story to write and learn your writing chops with the least important things before you start applying them to the most important things.

I get up in front of a bunch of kids and say 'Hey, I'm gonna tell you a new story. Who wants to be in a new story?' Well some kid always sticks up their hand and that gives me a name, but it doesn't give me a story. I just say whatever comes to my mind and usually it's not that good. Every once in a while, however, I say something that turns into a really good story.

I'm astonished by how much journalists stay with the story, try to get to the truth of the story, maybe give years of their life to it, maybe go over to Syria, maybe lose their life. Then, the next day, it's a new story.

I didn't use anybody's story. I used the context and the structure of the situation. People were so, so desperate to tell their story and begin to digest their experience - like turning it into a story - that after the fist few weeks I could go with a pad and pencil and take notes. People didn't seem at all bothered by that.

I had no intention of replacing Arnold [Schwarzenegger]. There were a few things that made me want to do the movie. They were the script which had a different direction to it, and it was a chance to do a very different Quaid. I didn't read the short story until I went to college.Reading the story had a different effect on me of how I pictured him to be and the tone of the story was different. In the story, he's a bit more of an everyman.

I've never read Joseph Campbell, and I don't know all that much about story archetypes.

The old story is a story of measurement. And the New Story is to bring measurement and meaning together. You cannot measure meaning.

I never liked Gandalf the White as much as Gandalf the Grey, and I never liked him coming back. I think it would have been an even stronger story if Tolkien had left him dead.

In the unlikely story that is America, there has never been anything false about hope.

But if the world is watching, we might as well tell the truth. And the truth is, the church doesn't offer a cure. It doesn't offer a quick fix. The church offers death and resurrection. The church offers the messy, inconvenient, gut-wrenching, never-ending work of healing and reconciliation.

I'll tell you a secret. Old storytellers never die. They disappear into their own story.

Your excuses will never be as good as the story of how you got it done.

Never again shall a single story be told as though it were the only one.

I never regret anything... I just lie about it or change the story.

We have never heard the devil's side of the story, God wrote all the book.

The Indian story has never been written. Maybe I am the man to do it.

The director of 500 Days of Summer is doing the Spider-Man movie. That's not necessarily the movies I want to make, but it's all about the story, and if you connect to the story, and you feel you can tell that story better than anyone else, then great. Jon Favreau killed Iron Man, I loved it.

A story, to me, has a particular sprite, like the angel of the spirit of that story - and it's my job to attend to what it wants to do. When I tell the story of Cinderella, the sprite does not want me to make it into an allegory of the fall of communism. The sprite would be unhappy if I did that.

I love my story. I wouldn't change it. It gives it character. It's never been on a silver spoon.

But oh! the Latin!-Madame, you can really have no idea of what a mess it is. The Romans would never have found time to conquer the world if they had been obliged first to learn Latin. Lucky dogs! they already knew in their cradles the nouns ending in im. I on the contrary had to learn it by heart, in the sweat of my brow.

Of one thing I am perfectly sure: God's story never ends with 'ashes.

The baby explodes into an unknown world that is only knowable through some kind of a story – of course that is how we all live, it’s the narrative of our lives, but adoption drops you into the story after it has started. It’s like reading a book with the first few pages missing. It’s like arriving after curtain up. The feeling that something is missing never, ever leaves you – and it can’t, and it shouldn’t, because something is missing.

I'm not sure if my story will become a movie. Some of my western friends sent my story to people they know in the movie industry. But one consistent response was there aren't any main western characters in my story, so it's unlikely to be made into a movie in English.

One of the things that I was kind of holding on to from 'The Daily Show' was there was an exhaustion that I would feel because we just kind of got caught up in the news cycle. You tell a story, and that's an interesting story, and then the next day we have to drop it and talk about something else. That's so unfair to the story and the people.

The Underground Railroad was a spy network for the North and that story has never been told.

For me to do a story, something has to happen to someone. It's a story in the way you learn what a story is in third grade, where there is a person, and things happen to them, and then something big happens, and they realize something new.

There never were any roles for my kind of acting. That's the story of my life.

I never work from an outline, and often I don't know how the story will end.

We have all heard the story of the man who preached so well and lived so badly, that when he was in the pulpit everybody said he ought never to come out again, and when he was out of it they all declared he never ought to enter it again.

If you always start with the worst hand, you never have a bad-beat story to tell.