Top 1200 Never Ending Story Quotes & Sayings - Page 18

A prime example of 'turning the other cheek' would be the United States allowing Canada to exist as a country. Sure, we could take over Canada with ease. We'd certainly benefit from conquering a country rich in natural resources and never-ending comedic talent. Instead, we decide to make friends and treat them with the utmost respect.

I don't like to give the sob story: growing up in a single-parent home, never knew my father, my mother never worked, and when friends came over I'd hide the welfare cheese. Yo, I failed ninth grade three times, but I don't think it was necessarily 'cause I'm stupid. I didn't go to school. I couldn't deal.

In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.

The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway.

There's a story behind every old ballad or work song or nonsense song that I ever knew. Sometimes it's a fascinating story. A story of people struggling for freedom, struggling to get along in this old world.

If the other fellow can't tell you his story, you can never be sure he isn't trying to kill you.

I think the difference between a lie and a story is that a story utilizes the trappings and appearance of truth for the interest of the listener as well as of the teller. A story has in it neither gain nor loss. But a lie is a device for profit or escape. I suppose if that definition is strictly held to, then a writer of stories is a liar - if he is financially fortunate.

Sometimes I'm considered, I guess, a subtle actor. Maybe I'm less of a showman and more just trying to tell the story. I don't know what the perception is. I just want to tell the story so the story as a whole works as opposed to just making sure that I work.

The fountain of youth is like the monkeys paw in the W. W. Jacobs story. It never ends well.

If I wait for the great definitive story of my people to come around, I'm never going to work.

Without the Naval Uprising of 1946, the story of India's freedom will never be complete.

The ideas always have to be in service of the story. And that's what Scott and the writers did - they weren't trying to beat you over the head with an idea; they had a story they wanted to tell, and they had ideas, so they used the story as a way of fleshing out the ideas. It all depends on where they want to go with it.

Most of the time, when the mainstream media reports on something, it never tells the whole story.

I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.

I never work from an outline, and often I dont know how the story will end.

When you make movies, you have to be preoccupied with the social problems, otherwise there is no point in making a movie. To have a story, you need a social problem. Not necessarily a problem, but something to get the idea for a story, otherwise there's no story.

I wrote the story myself. It's all about a girl who lost her reputation but never missed it.

I could never have a mistress, because I couldn't bear to tell the story of my life all over again.

There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.

You are one miniscule piece of a never-ending cycle. In fact, you're not even a piece. You're just a holder for billions and billions of other pieces. Whether that's organic components, living organisms inside your body, bacteria or whatever it is, you're just part of the soup of the universe, so just try to enjoy what's good about it.

Some of the writers definitely got inspired by some of the story lines, but we are evolving in the 'Daredevil' story. So when it comes to 'Elektra', they didn't follow one of her specific story lines, you know. They really tried to capture what comes through the comics, but there's not one specific storyline.

One of the ways in which writers most show their inventiveness is in the things they tell us about how they write. Generally speaking, I don't like to make a plan before I've written a story. I find it kills the story - deadens it, makes it uninteresting. Unless I'm surprised by something in a story, the reader's not going to be surprised either.

I think because it is a very well-saturated story,episode of Justified in Hannibal, and we've all heard it in some frame of a story, we've heard the urban legend of waking up in a bathtub with a kidney missing. It felt like if we are telling an organ-harvesting story, it was really about quickly selling the iconography of an organ-harvesting story, and then being able to mask that as a perfect way for Hannibal Lecter to go shopping for his menu.

One of the best ways to convince someone is to use a telling example, a story, a narrative. When Steve Jobs announced a new product, he told a story, exzlaining how a product would change the world as we know it. He turned Apple into a story whose challenges and adventures you want to hear about.

Some literature is knowledge, some is just data. But if I can get a "happy" ending - which is when for the characters I'm writing about, something happens that they move from wherever they are in the beginning to knowledge or wisdom, they know something they never would have acknowledged or realized if it hadn't been for my book - that for me is what literature does.

In the whole story of the world, bananas have never once been a special treat.

There are no choices that are really a detour that will take you far from where you're wanting to be - because your Inner Being is always guiding you to the next, and the next, and the next. So don't be concerned that you may make a fatal choice, because there aren't any of those. You are always finding your balance. It's a never ending process.

I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality.

No story ever looks as bad as the story you've just bought; no story ever looks as good as the story the other fellow just bought.

That's why the virgin birth never gets rid of the human mother. The story only gets rid of the human father. So Jesus' life was the life of God nurtured through the Virgin Mary. That's because the virgin birth died as a literal story as soon as we discovered that women had an egg cell. It's interesting to watch what the Roman church did about that.

The fundamental difference between the mystery story and the ghost story is the fact that a mystery demands a solution for its effectiveness; a ghost story is necessarily unsolvable; the reader must be willing to accept the fact that nothing is proved.

Young people don't want to be second to anyone. Everyone wants to be an overnight star. Look how many years I had to wait, how many roads I had to travel, how many songs I had to sing. And now I'm just beginning, never ending.

I have never made a game that wasn't explicitly about empowering players to tell their own story.

I have not chosen to create a linear story, but a series of different narratives: in the end there are five plays that almost, but don't quite, add up to one play... I start with the story of Candide, being performed as a play within a play, to bring the audience up to speed with the story.

But when I say it isn't meant for anyone's eyes, I don't mean it in the sense of one of those novel manuscripts people keep in a drawer, insisting they don't care if anyone else ever reads it or not.The people I have known who do that, I am convinced, have no faith in themselves as writers and know, deep down, that the novel is flawed, that they don't know how to tell the story, or they don't understand what the story is, or they haven't really got a story to tell. The manuscript in the drawer is the story.

It's never been integral to the story that I take my clothes off. I've always had clauses in my contracts saying no nudity and no body doubles... I admire actresses who can do it without feeling exploited. As long as it's their own free will, I think it's great. It's not a moral judgement, I've just never felt comfortable doing it - I'm too modest.

I usually grow sick of my short-story characters and think, 'I never want to see you again.'

There is a story of an Oxford student who once remarked, "I despise all Americans, but have never met one I didn't like."

I never punched in anything when I recorded Imaginaryland. Where the title came from is a whole other story.

We may be willing to tell a story twice, never to hear it more than once.

Comic books are just a way to show a story. Then there are the movies, and television and exhibits like this that take the stories and make them seem so realistic. In the comic book, you're just reading a story - hopefully a good, exciting story that whets your appetite for all of this stuff to come.

In this tradition a story is 'holy,' and it is used as medicine," she told Radiance magazine. "The story is not told to lift you up, to make you feel better, or to entertain you, although all those things can be true. The story is meant to take the spirit into a descent to find something that is lost or missing and to bring it back to consciousness again.

The story of the Underground Railroad is the story of American heroes, and who doesn't want to hear a story about American heroes?

At the beginning when you're writing and building the beats of the story, everything that you put in there seems very essential to the story. However, when you have the movie finally edited and it's 4 four hours long, you realise that some of the events and some of the beats can be easily lifted but the essence of the story remains intact.

In the end, this is a difficult story to sum up. The making of the atomic bomb is one of history's most amazing examples of teamwork and genius and poise under pressure. But it's also the story of how humans created a weapon capable of wiping our species off the planet. It's a story with no end in sight. And, like it or not, you're in it.

Besides the fear of ending up with the totally wrong person, the first time between two persons is underscored by two things: desire and awkwardness. The awkwardness of the first time when two individuals touch each other is never lost on the young...or the old.

I used to feel defensive when people would say, 'Yes, but your books have happy endings', as if that made them worthless, or unrealistic. Some people do get happy endings, even if it's only for a while. I would rather never be published again than write a downbeat ending.

A book suggests a whole world and story that I could have never thought of in a million years.

There aren't often plus size, very real normal women in film. It's never their story.

Within your culture as a whole, there is in fact no significant thrust toward global population control. The point to see is that there never will be such a thrust so long as you're enacting a story that says the gods made the world for man. For as long as you enact that story, Mother Culture will demand increased food production today- and promise population control tomorrow.

The vampire was real. It was only that his true story had never been told.

It never gets easier to tell your story. Each time you speak it, you relive it.

Life is a thing of many stages and moving parts. What we do with ease at one time of life we can hardly manage at another. What we could not fathom doing when we were young, we find great joy in when we are old. Like the seasons through which we move, life itself is a never-ending series of harvests, a different fruit for every time.

'The Immigrant Story,' which took me about twenty-five years to write, was a very simple story, but I couldn't think of how to tell it. Then twenty years after I started it, I found this one page and realized it was going to be the story. That's the only way you get it sometimes.

But I have never had the privilege of unhappiness in Happy Valley. California is about the good life. So a bad life there seems so much worse than a bad life anywhere else. Quality is an obsession there—good food, good wine, good movies, music, weather, cars. Those sound like the right things to shoot for, but the never-ending quality quest is a lot of pressure when you’re uncertain and disorganized and, not least, broker than broke. Some afternoons a person just wants to rent Die Hard, close the curtains, and have Cheerios for lunch.

I never wanted anything to happen to my parents, but a hero needs an origin story.

Ivanka's work is never-ending. Whether it's meeting with workers looking to bridge a skills gap, visiting female engineers building innovative robotics, speaking to leaders around the world about the importance of female entrepreneurship and much more, Ivanka has been quietly racking up long-term successes for the country.

An important part of any good mystery story like 'Original Sin' is that it's not just a game of 'Clue' with surprise after surprise after surprise, but the goal is to tell a story in the midst of that. Even once you know the solution to the mysteries, it's far from the whole story.

If it is true ... that no one has a life worth thinking about whose life story cannot be told, does it not then follow that life could be, even ought to be, lived as a story, that what one has to do in life is to make the story come true?

When we realize that there is never a single story about any place, we regain a kind of paradise.