Top 1200 Never Ending Story Quotes & Sayings - Page 2

Doing 'YHA' felt as if I was shooting for a film because it was a love story with a definite ending and good script.

Because I come from the theater, I use the images of the theater and of movies a great deal when I write. I see the story in my head. I have to break down the outline of a story first. I have to know where I'm going. Usually I have a good beginning and a good ending, and then I think, "Now I have to find my way through it."

I want an ending that’s satisfying. I’m more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don’t like when it just seems to putter out. I mean, life is chaotic enough.

It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.

A happy ending is always possible if you are willing to keep the story moving to get there.

In this one book are the two most interesting personalities in the whole world - God and yourself. The Bible is the story of God and man, a love story in which you and I must write our own ending, our unfinished autobiography of the creature and the Creator.

The incredible thing happens at the beginning of the story always, you notice, not the end. A Sherlock Holmes story is never a trick story.

Even knowing the ending was sad, I wouldn't have deprived myself the beauty of the story.

Eternity is everywhere, it stretches endlessly in all directions, never beginning and never ending. Merge with it. Embrace it. Be free and disciplined.

And she never could remember; and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book.

To come up with the ending to a story and then work backwards is like tying your shoe with one hand only.

If you want a happy ending, that depends, of course, on where you stop your story.

so the story goes but theres something you should know before i walk away and i blow the ending i never want to be without you oh no here i go now you know what i feel about you theres no running must have been wrong to doubt you oh there i go no control and i'm fallen so now you know

My eye is fixed not on the ending of the book but on the feeling of that ending.

Success is never ending, failure is never final.

But the people who took the bus didn't experience the city as we experienced the city. The pain made the city more beautiful. The story made us different characters than we would have been if we had skipped the story and showed up at the ending an easier way.

Julio's Day is a story of one man's life, but it's a great more than that as well. It's the story of the life of a century, also told as if a day. Beginning with Julio's birth in 1900 and ending with his death in 2000, the graphic novel touches on most of the major events that shaped the 20th century.

Wherever I go, I'll always see you. You'll always be with me. And there's no happy ending coming here, no way a story that started on a night that's burned into my heart will end the way I wish it could. You're really gone, no last words, and no matter how many letters I write to you, you're never going to reply. You're never going to say good-bye. So I will. Good-bye, Julia. Thank you for being my friend. Thank you for being you.

Regardless of anything, I'm gonna write my own story and my own ending.

He felt a little lost, after that experience. Lost as the girls on their knees. It was a never-ending story of young girls losing themselves, such that they were no longer humans with any souls or characters, but pretty girls with fat asses and nice tits.

To become a big movie star like Joan Crawford you need to wear blinders and pay single-minded attention to your career. Nobody paid attention to me, including me. I was the original Cinderella girl, looking for the happy ending in the fairy story. But my fantasy prince never came.

Just that maybe … maybe you don’t want to change the story, because you don’t know what a different ending holds.

Every story is flawed, every story is subject to change. Even after it is set down to print, between covers of a book, a story is not immune to alteration. People can go on telling it in their own way, remembering it the way they want. And in each telling the ending may change, or even the beginning. Inevitably, in some cases it will be worse, and in others it just might be better. A story, after all, does not only belong to the one who is telling it. It belongs, in equal measure, to the one who is listening.

Not every story has a happy ending, but that doesn’t mean it’s not worth telling.

In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography.

In this one book are the two most interesting personalities in the whole world--God and yourself. The Bible is the story of God and man, a love story in which you and I must write our own ending, our unfinished autobiography of the creature and the Creator.

The sad ending is only because the author stops telling the story. But it still goes on. It's just untold.

I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.

He flung his arms around her neck, but only once he saw Silvertoungue's back was turned. He never knew with fathers. "I'll save him, Meggie!" he wispered in her ear. "I'll bring Dustfinger back. This story will have a happy ending.I swear!

Whether or not this story has a happy ending depends, of course, on who is reading it. Whether you are a wolf or a girl.

The most important part of a story is the ending. No one reads a book to get to the middle.

I've remade a few movies and they all have one thing in common: great endings. If you're going to remake something, make sure that ending is tight. It's a little less challenging, if you have a great ending. If you don't have a great ending, don't remake the movie.

In a film, you only have a finite amount of time, and you're so concerned with saying what happened and making it a gripping short story with a satisfying ending.

I felt like Alan Turing's story was such an important story to tell, and it was so wonderful to write the script and other people find it and say, 'I never heard this story.' It's such an amazing story that people don't believe it.

I do open endings on purpose. I expect a lot from my readers. I want them to do much of the work, because I believe that the story is built by the reader, not by the writer. I like having an open ending to a standalone fantasy, because it allows a continuing story to be written in the hearts of the readers.

Your future is your own again. And I consider that to be a happy ending to the story.

Each of us is our own story, but none of us is only our own story. The arc of my own personal story is inexplicably and intrinsically linked to the story of my parents and the story of my neighbor and the story of the kid that I met one time. All of us are linked in ways that we don't always see. We are never simply ourselves.

Subtlety chases the obvious up a never-ending spiral and never quite catches it.

You know not every book has to have a happy ending, but it has to have a satisfying ending.

Do not yield to Satan's enticements; rather, stand firm for truth. The unsatisfied yearnings of the soul will not be met by a never-ending quest for joy amidst the thrills of sensation and vice. Vice never leads to virtue. Hate never promotes love. Cowardice never gives courage. Doubt never inspires faith.

The happy ending is hardly important, though we may be glad it's there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn't dead.

True stories seldom have endings. I don't want a happy ending, I want more story.

Long Gone is the type of book that should come with a warning. It’s a compulsively readable, highly addictive story. The ending will leave you breathless.

In life, every ending is just the start of another story.

And the story of love is a long sad tale ending in graves.

I usually have a general idea of where the story is going, but I try to avoid planning in too much detail. The best endings are those that emerge only after I've thought long and hard about the various ways the story might end. Then I choose the ending that seems surprising yet somehow inevitable.

Everything we do really is just a little marker on the long road to death. And sometimes that’s overwhelmingly depressing to me, and sometimes it makes me feel kinship and forgiveness. We’ve all got the same ending to the story. The way we make that story more elaborate, I got to respect.

Do you know, we're right underneath Springtime Parish? This place is the opposite of springtime. Everything past prime, boarded up for the season. Just above us, the light shines golden on daffodils full of rainwine and heartgrass and a terrible, wicked, sad girl I can't get back to. I don't even know if I want to. Do I want to be her again? Or do I want to be free? I come here to think about that. To be near her and consider it. I think I shall never be free. I think I traded my freedom for a better story. It was a better story, even if the ending needed work.

We’d turn our lives into a terrible adventure. A true-life horror story with a happy ending. A trial we’d survive to talk about.

I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and ending.

All these years I've had a story in my mind, the story about us that never really existed. And because of that story, I've kept you framed up on the wall in a little box of nostalgic moonlight.

Struggle is a never ending process. Freedom is never really won, you earn it and win it in every generation.

True love never has a happy ending, because there is no ending to true love.

A happy ending isn't really the end. It's just the place where you choose to stop telling the story.

I want to have an ending where people say: "That's the most shocking ending I've ever seen in a mainstream horror film."

When I'm putting a story together, I generally know the ending and a couple of the points halfway through, and I've got sort of an idea about the beginning, and although I do write the story one sentence at a time, when I'm thinking it up, I'm thinking it up all at once.

I want an ending that's satisfying. I'm more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don't like when it just seems to putter out. I mean, life is chaotic enough.

It's the oldest story in the world. Boy loves girl. Boy loses girl. Boy gets girl back thanks to the unethical behavior of megalomaniacal mad scientists who never met a corpse they wouldn't try to resurrect. Anyone coming within a hundred yards of my happy ending had better pray that they're immune to bullets. - Shaun Mason

The timing of death, like the ending of a story, gives a changed meaning to what preceded it.

The world was ending then, it's ending still, and I'm happy to belong to it again.