Top 1200 New Artists Quotes & Sayings - Page 2

I realize I was more of a curiosity to the older Nashville artists than the new ones.

Insecurity prevents young artists from 'flying' and older artists from being 'down to earth.' Young artists should work on their confidence and the older ones on their humility.

To be born again is, as it were, to enter upon a new existence, to have a new mind, a new heart, new views, new principles, new tastes, new affections, new likings, new dislikings, new fears, new joys, new sorrows, new love to things once hated, new hatred to things once loved, new thoughts of God, and ourselves, and the world, and the life to come, and salvation.

I have to plead basic ignorance of most new jazz artists here.

Everything we do helps the new artists in the long run.

While working for Diplomat Records, I helped several artists with their online branding and social media. Once I left the label, I worked directly with artists and noticed many artists were overlooked and underrated if they weren't in 'XXL' or 'The Source.'

When I first came to New York, in the '70s, artists were certainly divided about the Andy Warhol persona, and about the work. I thought it was utterly cool - I thought the Factory was utterly glamorous - but there were a lot of artists I really admired and respected who were older that kind of dismissed it, couldn't get it, and felt that there was a lack of seriousness about it.

Hip hop is just a reflection of what's going on, or where the art is....Technology definitely gives artists a new mind, new voice and creativity. Right now people need to be more places at once....so whatever can get people to the next level to be efficient is how technology is going to be used......The danger is if people are relying too much on the machines, that new mind and new voice always has to come from within.

Music is now becoming 'free,' and it's very difficult for new artists to start.

I'm always going to talent scout and try to find new artists to work with.

I think these days, new artists have a tendency to try to cut corners.

I want to make sure that I sign dope artists, old and new, just to make sure that we come up with something new and creative.

Twitter is the new rock magazine of the modern age. When I was a kid, we had magazines and journalists and interviews and articles and pinups and posters to follow our favourite artists. Nowadays? Twitter is actually the new rock magazine.

The lockdown has affected all the artistes, especially the daily soap artists and the new faces of the television industry.

Here at Z100, we're kind of famous for breaking new artists and watching their careers bloom.

I don't know if there are artists out there who love their own records. I haven't met any, and I'm kind of extreme in the other direction, but therein lies the impetus to keep working and keep making new songs and new records.

A lot of artists have been persuaded into doing whatever they can do to gain attention. The media, of course, will position and promote the worst of them to the front page. The sidewalk to crime becomes the marketing campaign. These artists have seen it work and sell millions and millions of records for other artists.

The New York Times is the worst newspaper in the world and it's extremely vicious to artists.

There's a lot of concern that London is changing and artists are being forced to move to new areas.

What do these so-called artists mean when they preach the discovery of the'new'? Is there anything new? Everything has been done, everything has been discovered.

Once avant-garde artists receive official recognition, they start a double life. In one, they inspire younger artists to do more. In the other, they inspire a mass of imitators who make the work respectable and exclusionary. The artists and their art become intellectual brand names.

There are certainly some artists in New York that I would love to work with. One is Sarah Michelson.

I like working with new artists.

Music changes every three months. There's always new artists coming out. There's always new sounds. There is always a new hit coming out. You gotta stay relevant as much as you can and feed your fans as much as you can.

Bad artists ignore the darkness of human existence. Good artists often get stuck there. Great artists embrace the full catastrophe of our condition and find beyond it an even deeper truth of peace, healing, and redemption.

There's certain artists that are meant to have certain paths and go the way of the corporate world. And then there are artists who are artists.

There's lots of R&B blogs that I like going on and it basically just names new music that isn't out and won't be out for a long time and stuff. It just gives you an insight on what's coming up next and finding out about new artists.

Artists have been used over and over again since the early 1980s as the legitimizers of a neighborhood in New York. And entrepreneurial artists, meaning people who themselves start out as painters, musicians, dancers, and who open a café, a bar, a restaurant, or even a co-op art gallery - they unintentionally develop the kinds of attractions that bring the middle class with some kind of cultural ambition.

Creative arts, new inventions, and new ideas spring from those blessed with imagination, and magic stimulates imagination. It is no coincidence that many artists, writers, and dancers are interested in magic.

The new artists coming through were very materialistic and Hollywood, not so engaged in communication.

I remember the excitement of being a new artist. When up and coming artists ask me like, "Any advice you have for me?" I always say, "Take it all in because you'll never be a new artist again".

I've always associated consciousness with artists like Bob Marley or Joni Mitchell or Bob Dylan. You know, artists that really talked about what was going on in the world and really artists that are timeless.

When I hear other artists that are new and fresh and exciting, then I get excited.

I want to be a manager for new artists, get real estate.

Before 1994, many South Africans used theater as a voice of protest against the government. But with the end of apartheid, like the artists who watched the fall of the Iron Curtain in Europe, theater had to find new voices and search for new issues.

My advice to new artists is to embrace a broader concept of timelessness than vintage or retro.

I will be developing artists for my new label. The rest is in God's Hands.

I think the entrepreneurial activities that make art visible and attractive are what lure people into the amusement park that SoHo has become or that Bushwick or Williamsburg has become. It's not that outsiders come to an area because they hear artists are living there. A lot of people came who were not that interested in living with artists, but they were interested in living like artists and socializing the way that they thought artists socialized.

Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.

Had opened a gallery I already had strong connections with New York, because I was taking work on consignment from New York dealers. So I already knew a great many of the dealers and the artists here. It wasn't cold for me.

Visual artists use drones to capture beautiful new images and camera angles.

You see artists hailed as a new generation of independents, only to be enlisted to leverage product.

I'm developing artists for my new record label, my son's band, Intangible, being one of them.

In New Orleans, bounce music was prevalent. That was all they wanted to hear. It was new and trendy, and it was hot, and it was taking off. Artists were coming out of everywhere. They did some great songs, some really catchy, fun songs. That was just the feel of New Orleans music.

Art today is a new kind of instrument, an instrument for modifying consciousness and organizing new modes of sensibility . . . . Artists have had to become self-conscious aestheticians: continually challenging their means, their materials and methods.

I'm just hoping that, as more black artists take control of the narratives that are out there, more opportunities will come around for artists of colour. We want to make the same waves that the white artists do.

We want to empower artists and filmmakers to forge new paths.

I like to work with artists from around the world. There are so many new inspiring filmmakers.

I believe that humanity now is desperately calling for new ideas. These new ideas must come from spiritual teachers and artists, from poets and philosophers, from educators and ecologists, from postal clerks and miners and traffic cops and nurses and waiters and musicians and cooks and cleaners and from...Regular People Everywhere. That is to say, from YOU.

I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.

I came at a time where male artists where dominating, so I had to do something quick to get people's attention. I wanted to let people know that women artists can hold their own compare to the men. Sex got their attention, while I open the road for the other female artists.

Hip-hop artist, especially the older ones, are the ones who new hip-hop was a worldwide phenomenon before the mainstream caught on, so hip-hop artists are forward thinkers. We want to stay with the new.

When you are new and working with senior artists, it is their responsibility to make you comfortable.

I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.

There's a rumbling with young artists and young filmmakers that are dying to get different points of view, different stories, out there. It's all changing and happening and they're able to maybe not play their movies in theaters but get them on the internet. This is the new wave, the new world.

The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.

The artists could be dead, but some of them are not so distant from us, and make us feel as if they are alive with us. Such artists are worth calling "contemporary artists".

That's the way it was in New York City in the early Seventies, all the artists hung out together.

It's hard for new artists to keep hold of what they own.

I've had so many conversations with new artists trying to figure out their careers.