Top 1200 New Music Quotes & Sayings - Page 11

If you listen to soul music, or R&B music, or Blues music, a lot of that came from church music and spiritual music, and music has always been a really really powerful tool that people have used to get them closer to God - whatever they define God as. And for me that's always been part of what drew me to it and keeps me coming back for more.

I had already been a young singer. And once, as a profession, I was a young singer, what you would call a soprano in England, but I was an alto in singing Jewish music in bar mitzvahs and weddings and synagogues throughout New York City because, after Israel, New York is probably the biggest Jewish community in the world.

My father did not bother that I play not a classical music. He always congratulated me for my development in music, I mean in any music but, he hang on to continue training at the Academy of Music... however, I never mentioned to my teachers that I trained myself at weekends in clubs.

I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.

God had infinite time to give us.... He cut it up into a near succession of new mornings, and, with each, therefore, a new idea, new inventions, and new applications.

The public doesn't want new music; the main thing it demands of a composer is that he be dead.

Enjoy music. Not the kind that rocks and rolls, but the music of the masters, the music that has lived through the centuries, the music that has lifted people. If you do not have a taste for it, listen to it thoughtfully. If you do not like it the first time, listen to it again and keep listening.

The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.

That's the beauty with music in the digital age: you're always one follow away from experiencing something new.

I went to the London Academy Of Music and Dramatic Art and returned to New York where I started my career.

I think there is a big difference between the music business and music. And my relationship is to music, not music business. I think the business will keep changing, but music won't. Music will be there.

Writing for UrbanMoms has awarded me a multitude of amazing opportunities. I have traveled to new places; alone and with my family. I have discovered new products, new books, new trends and new restaurants, and been able to share them with my readers. I've met other wonderful writers and many incredible celebrities.

I really like coming across all types of different music, and hearing new things.

Sometimes an artist is lost and needs to find a new direction for himself or his music.

I use iTunes for downloading music, but I always decline when prompted to update this or that new version.

It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.

With my ninth mind I resurrect my first and dance slow to the music of my soul made new.

John Ottman's music has emerged...as a brilliant new sound in the spectrum of Motion Pictures.

It is impossible to approve in Catholic publications of a style inspired by unsound novelty which seems to deride the piety of the faithful and dwells on the introduction of a new order of Christian life, on new directions of the Church, on new aspirations of the modern soul, on a new vocation of the clergy, on a new Christian civilisation.

One of my pleasantest memories as a kid growing up in New Orleans was how a bunch of us kids, playing, would suddenly hear sounds. It was like a phenomenon, like the Aurora Borealis -- maybe. The sounds of men playing would be so clear, but we wouldn't be sure where they were coming from. So we'd start trotting, start running-- 'It's this way! It's this way!' -- And sometimes, after running for a while, you'd find you'd be nowhere near that music. But that music could come on you any time like that. The city was full of the sounds of music.

All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.

I turn on the radio. I'm a really big fan of old-fashioned dial radio. I love WNYC and NPR and also 88.3 in New York, which is the jazz station, and it's usually good for background music. If I'm not in New York City or by a traditional radio, I'll stream it on my phone, although I usually try not to look at my phone first thing in the morning.

After 10 years, I have been touring for 20, playing basically the same type of music, a four-piece or three-piece type of music with loud, crashing drums and screaming vocals. It gets to the point where you're looking for something new, and you don't want to do something that's way too left-field, for fear that it might seem contrived.

My experience with Dino Jr. proved that making new music was a worthwhile pursuit.

Sanctification is the outcome and inseparable consequence of regeneration. He who is born again and made a new creature receives a new nature and a new principle and always lives a new life.

The way you change and help music is by tryin' to invent new ways to play

The history of music is nothing more than the history of art-music or classical music, the music that was commissioned by aristocrats.

I'm not a musician, I can't read music, but I came from a family of music fans. Not mad music fans, but people who like music. Both of my parents can play the piano. They were very good dancers, which I am not.

The more people are listening to music and experiencing it, the more value for both the music companies and the artist, especially when their financial model is built around that . With the music industry, everybody is starting to understand that doesn't begin with a piece of music.

I listen to a lot of alternative types of music: I listen to a lot of Chinese music, I listen to a lot of Asian music. It might surprise you, but I listen to a lot of Arabic music. And I don't care - music is music.

When you are 28, 29 years old... you are aware that this is going to be your last big contract of your career. You have to make up your mind: What is it that I want? Do I want to find something new, a new culture, a new league, a new language, new teammates, a new city? And what is it that I need to be happy? What is it that I need to perform?

Indie music is 'it' now. It's kind of a revolution to the music: 1980s, 1990s music was getting very sanitized; they were complying with the music industry. Music was getting more and more dead in a way. Now, because of the social climate that's very severe, the artists are compelled to start being real. It's really great that indie music is now.

I've kind of shut myself off to a lot of new music because I don't want to be influenced by it.

My creativeness stems from my love of music. Music is pure emotion. Music is the infinity sign. Music is self-expression in its purest form - it's how I express my anger, my self-doubt, my love. I think my music is very vulnerable and very expressive, very transparent.

When a new coach comes to a new club with new ways, new ideas, the players have to adapt.

....the popular music of Jamaica, the music of the people, is an essentially experiential music, not merely in the sense that the people experience the music, but also in the sense that the music is true to the historical experience, that the music reflects the historical experience. It is the spiritual expression of the historical experience of the Afro-Jamaican.

I'm a big fan of certain new acts. I love any genre of music, and I think it's really great to see that there are new artists coming through. It's kinda funny to think that I'm like the old man on campus now. But I'm really happy for groups like One Direction. I think they're really good guys.

I think people were looking for something new in the EDM scene and found it in my music.

Today, I find inspiration in music, art, traveling the world, and meeting new people.

The development of new instrumental and vocal idioms has been one of the remarkable phenomena of recent music.

The whole rise of new adult contemporary music and smooth jazz was a nice surprise.

Maybe I'm biased because I'm from there. It's close enough to New York but it's not swallowed up by New York's hustle and bustle. Philly's busy enough. There are tons of record stores and record-head friends and plenty of D.I.Y. shows. It's a place where people pass through and bands don't usually skip on tour. There are lots of music resources but it's not too over the top.

I'm thrilled that country music fans like my stuff, but so do a lot of people outside of country music, people who just love music. My goal is more to reach music lovers than to appeal to a genre. I love country music, and I'm proud to represent it, but I don't obsess over it as a category.

For me, to turn people on to new music, on to things that are going on in the world, is important.

With the new ways of getting music out, you don't need a label if you're a legacy artist.

If there's a new idea, a new invention, or a new gas, or a new whatever you know, It should be brought at least into the open instead of carrying these same old burdens around with you.

They were and still are a groundbreaking band. Even though they haven't released any new music in ages, you can put on the first Black Sabbath album and it still sounds as fresh today as it did 30-odd years ago. And that's because great music has a timeless ability: To me, Sabbath are in the same league as the Beatles or Mozart. They're on the leading edge of something extraordinary.

I don't worry about new young bands. The bounty of life is infinite and so is music and so are opportunities.

I've always been a fan of music where you can hear new things each time you listen.

I can see myself retiring from rapping, but I don't think from music. After that, I think I'd just go into some other kind of music, 'cuz I'm a worldwide fan of music, all types of music, all cultures, so I'll always be involved.

My intentions with any of my music is to keep it futuristic and updated and be experimental and try new things.

Now, it's almost impossible to go out and do a film about a new form of music.

If you look at the history of music, you have classical composers, church music, pop music, etc. Music that's existed for centuries. I think there are some songs that are close to immortal. They will last longer than we will in this lifetime.

I just want everybody to know my music and get to know my squad, Remy Boyz; just to show people New Jersey. New Jersey got talent, too. I mean, everybody sleeps on us, and they put us as the underdog.

New Yorkers think they have everything, all the best art and music. But really L.A. is a better place.

Music is now becoming 'free,' and it's very difficult for new artists to start.

To be able to wake up and know I get to do music every single day - arrange music, compose music, write music and to be with my four best friends in the world, and just to go and do performances and to tour, it's honestly a dream come true.

I don't feel bound by the ebbs and flows of musical trends, or what's happening with new music in general.

Most people we observe who practice self-discovery just get caught up in a new description, a new "ism", a new religion, a new god. But nothing changes.

I'm so blessed that I can still be here to bring the music and have new generations of fans. My Pops would be so proud.