Top 1200 New Music Quotes & Sayings - Page 17

When we started, I was just having fun with it I didn't even know about doing it for a living. It was a new style of music, a combo of punk and metal.

I never want to lose the audience's attention or break up the party, but at the same time, it would be weird not to do some new music.

We've taken Japan's 'idol' music genre of pretty girls singing and dancing and added 'kawaii metal,' which is totally new.

I love music, particularly Radiohead, TV on the Radio, The XX and Tribes - they're a great new band from Camden and well worth a look at.

I'm constantly fighting with my manager to reduce the amount of time I have to spend on promotional activities, so I can get back in the studio and work on new music.

Being from a background of dance music and what you might call club music or electronic music, I think something that gets neglected in that scene is personal vulnerability.

I use Twitter mostly, and then whenever I just want to preview some new music that I record, I take to Snapchat or TikTok.

I love being able to reach people directly, but in an ideal scenario, I would not have to rush the release of new music… but the message is still there.

I don't believe in good music and bad music anymore. I'm through with that phase of my life. Sometimes I just wanna feel good, so I put on a good record. But mostly I'm more of a businessman than a music fan, so I'm listening to music in terms of, is this effective or not effective?

If someone asked what kind of music I play, I wouldn't say I'm a folk singer; however, if folk music means music for the people, and playing music to entertain them and share different messages, then sure, I'd like to think that I'm part folk singer.

What is interesting in this is the exchange of music that occurred between New Orleans and Cuba, I mean, they had ferries that would go from one port to another.

My mom played me all kinds of music, from Ella Fitzgerald to Celine Dion. I listened to everything growing up, old and new.

We need a new Hank Williams, a new Jimmy Webb. We need new writers, a new Tom Petty. We need people that write what they feel and what they see - things that are relevant.

I'm making music for the people. If y'all love the music, y'all gonna buy the music.

I make music to make you sick of fake music, hate music like devil worshippin Satan music. So say your prayers, your Hail Marys and Jesuses. Take two sticks, tape 'em together and make a crucifix.

Basically the message is: Steal It! Art, music, culture, the odd book and the slab of cheese... the new will be built upon the ruins of the old.

Every philharmonic orchestra merely interprets the composer. My goal was to create new music by that composer. In doing so, I wanted to find the painter's creative center and become familiar with it, so that I could see through his eyes how his paintings came about and, of course, see the new picture I was painting through his eyes - before I even painted it.

Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?

My music library has about every genre of music possible. I've really gotten into Ray LaMontagne, He makes amazing music, so I listen to him, and he's a great artist.

For anyone who doesn't know his work, Andreas Vollenweider is a harpist who creates very atmospheric, new agey music that's totally beautiful.

Punk was originally about creating new, important, energetic music that would hopefully threaten the status quo and the stupidity of the 1970s.

to deny that music powerfully influences our thoughts and conduct is either ignorant or a deliberate lie. Anyone who listens to music has been moved by it. It's music, that's the point.

That era in the late '80s through the '90s was really when the music was so new, fresh, energetic, but still creative. It hadn't quite gotten corporatized yet.

YouTube is a good way to discover new music now because it comes up with that thing at the side with other artists you might like.

One of the great virtues, apart from the pleasure of performing these works, is that it's opened up an entirely new, expansive repertoire of American Jewish music.

Enough of clouds, waves, aquariums, water-sprites and nocturnal scents; what we need is music of the earth, everyday music..music one can live in like a house.

When I moved to New York, I fell head over heels back into country music and probably 'cause I missed something about Texas.

Whenever I go to New York I try to soak up as much live music as I can, including as many nights at the opera as I can manage.

I treat every album as a new beginning, so I'm asking myself, 'What is pop music now? What are people consuming?' and I take these things into effect.

There's consciousness in my music, and my music comes from a conscious place. And when people say that, I certainly take it as a compliment. But my job, in terms of selling my music, is to be universal and to try to get it to everybody.

I was trying to write new music, but there was nothing I was reacting against. It turned out 'Worlds' itself became something for me to to resist.

Music can be just one-sided if you hear it, but if you see it with a visual and an image, it opens up a whole new world. I feel like it's all connected.

Hip hop started in NY so it's important that New Yorkers realise that to talk about NY music and its sound should not be a small-minded conversation. Music is supposed to evolve. It's supposed to be going through changes, it's not supposed to sound exactly the same as what it did when it started. NY hip hop has to be allowed to move on and grow and expand.

An echo of music, a face in the street, the wafer of the new moon, a wanton thought - only in the iridescence of things the vagabond soul is happy.

Everybody started calling my music rock and roll, but it wasn't anything but the same rhythm and blues I'd been playing down in New Orleans.

I always listen to music, my passion and vice is music, I will be denied access to heaven because of the number of CDs I own, and I have gluttony for all types and colours of music.

Musical theater must adapt to the fact that music is done by people. The new generation will do something different. That is great! That is good.

I just wanted to express myself and put out music of how I'm feeling - give back to my fans and gain new ones in the process.

We actually do generate some new cells, some new neurons. So in the case of trauma there is the potential for there to be some new neural development which gives the person the chance to create new circuitry.

I always like to play very contemporary concepts of swing right next to New Orleans music because it highlights continuum.

We're girls and we're feminine so it naturally comes into the music but at the same time we intentionally put beauty and females and also Japanese culture J-pop into the music so it creates unique music.

I think it's important to remember that music supervision is not just about a fantastic record collection or knowledge of music, although that certainly helps for aspiring music supervisors.

I find there is room in music to talk with music. It may expand ways people can participate with music. It doesn't sound hokey or like some kind of voice-over.

[David] Bowie went on to make best-selling music - funk, dance music, electronic music, while also being influenced by cabaret and jazz.

At the root of all power and motion, there is music and rhythm, the play of patterned frequencies against the matrix of time, Before we make music, music makes us.

Music in New Orleans has always been the heartbeat that drives the city. It was that even before Katrina, and that's what we had to rely on after the storm.

'Mi Gente' is a song that embodies a special moment in music - a new sound of a Latino culture on the rise and being embraced globally.

I find it inspiring and I always think when I'm working on something new, whether it's a new kind of character or a new kind of story or new kind of camera, it gets my creative wheels spinning.

You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.

New Orleans is a great city. My favorite part is the music. I love being to walk on the street and dance with strangers. It's really fun.

I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.

The new atheism as an old atheism, except it's much more aggressive. The new atheism wants to destroy religion. That's a very different thing. The arguments are not new, it's the aggression that's new.

In an odd way, Donald Trump and maybe Brexit is gonna be great for inspiring a new wave of socially conscious political music.

Although I miss my family and friends when I'm away from Amsterdam, I've never had that feeling of missing a city like I have with New Orleans. Especially for the music.

New directions in science are launched by new tools much more often than by new concepts. The effect of a concept-driven revolution is to explain old things in new ways. The effect of a tool-driven revolution is to discover new things that have to be explained.

I don't listen to music, actually. Obviously I go to clubs; I stand in elevators; a lot of my friends are musicians; I hear music all the time. But I don't have my own collection of music.

I love working and writing new songs. But sometimes you need to wait, to have something in your mind, and then you can let yourself play music.

In Africa, music is for everything, Music was originally used for community. That was what music was for.

And to understand this, I think this is a most important point where I would like always to be understood what we do with the New York Philharmonic. That the meaning of the music is number one.

Of course we've lost so many superstars who've made jazz what it is. We've lost so many musicians who created new things and changed the way we think about music and who took jazz to a new level. So jazz is suffering from that. But we still have a lot of incredible people playing jazz in the world. We have a lot of people leading the way.