New Orleans just wasn't anything for me. I didn't fit in. I just couldn't get adjusted.
All of us who lived outside of New Orleans were horrified and heartbroken by what we saw when Katrina hit, the floods that followed the hurricane that happened.
New Orleans is the only city in the world you go in to buy a pair of nylon stockings they want to know your head size.
I was a very poor young black boy in New Orleans, just a face without a name, swimming in a sea of poverty trying to survive.
In '71 or '72 I returned to New Orleans and stayed there. I started cooking Louisiana food. Of all the things I had cooked, it was the best-and it was my heritage.
Housing vouchers are a vital lifeline for many people I know in New Orleans and around the country, including struggling artists.
New Orleans is not in the grip of a neurosis of a denied past; it passes out memories generously like a great lord; it doesn't have to pursue "the real thing."
Although I miss my family and friends when I'm away from Amsterdam, I've never had that feeling of missing a city like I have with New Orleans. Especially for the music.
New Orleans is awake all night, and every night is a party.
There are a lot of places I like, but I like New Orleans better.
I'd love to live in New Orleans. I love the freedom of it - for good and for bad.
It is wonderful to hear of the relief efforts that are finally coming to New Orleans and the rest of the region, but as well all know, it is simply not going to be enough.
I have a love / hate relationship with the city of New Orleans, which is the strongest kind of relationship.
Watching the scenes out of New Orleans, if you turn down the sound it could be the Sudan or any Third World country. But it's not. it's the United States of America.
I don't think I can go back to New Orleans. I don't think that's possible.
'Downtown Love.' I made that with one of my homies in New Orleans. The story is tragic, and the song is emotional. It's my favorite. I'm most proud of that; it's such a creative piece.
I have a love/ hate relationship with the city of New Orleans, which is the strongest kind of relationship.
I'm from New Orleans, and I know that people do like to sit and talk and drink and, you know, have conversation; you have dialogue.
New Orleans taught me that mourning takes many different forms. Where I'm from, mourning is spirited. It is loud.
There could have been more planning in New Orleans, but you look at all the devastation that happened there - have we gotten to 3,000 deaths yet? For that magnitude of a disaster, that's not all that bad.
All New Orleans music is based off dance music, even jazz.
New Orleans is a great place, a place of celebration. But on the other hand, there's a reality to it, there's violence, there's misguided youth.
I always like to play very contemporary concepts of swing right next to New Orleans music because it highlights continuum.
I'm very fond of Tennessee Williams' plays, and when my husband and I went to New Orleans in the late 1970s, we saw 'A Street Car Named Desire.'
New Orleans jazz is a complex and embracing art form that began about the same time as the blues and encompassed many of its excellences.
I don't have a chance [on being elected Mayor of New Orleans]. I'm running on the gay marriage, no religion, legalization and taxation of marijuana platform.
In New Orleans, we like to interact with the crowd. We don't like people sitting down.
New Orleans is a great city. My favorite part is the music. I love being to walk on the street and dance with strangers. It's really fun.
Music in New Orleans has always been the heartbeat that drives the city. It was that even before Katrina, and that's what we had to rely on after the storm.
Well, I'm reading about the battle of New Orleans right now. I've got an eclectic reading list.
Creole is New Orleans city food. Communities were created by the people who wanted to stay and not go back to Spain or France.
We won't look at New Orleans, St. Louis or Memphis again without thinking about making 'Mississippi Grind.' We have a lot of memories.
It's senseless. I've lost several uncles, I've lost my best friend to gun violence in New Orleans.
Logistically, moving from Miami and New Orleans all the way to Seattle isn't the easiest thing. Really, for my dog, she was kind of the biggest hurdle to get here.
Leaving New Orleans also frightened me considerably. Outside of the city limits the heart of darkness, the true wasteland begins.
In contrast to New Orleans, there was only minimal looting after the horrendous 1995 earthquake in Kobe, Japan - because, when you get down to it, Japanese aren't blacks.
You get a taste here in New Orleans that you don't get anywhere else in the country.
If you loose the sounds comming out of New Orleans, you loose apart of the american language.
From the food to the Mardi Gras Indians to the brass bands and the second liners parading through the street, Jazz Fest presents New Orleans in one place.
The longer you live in New Orleans, the more unfit you become to live anywhere else.
At 14, I was playing in clubs until 3 A.M. My dad was the district attorney of New Orleans and my mother was a judge, so I saw hookers and drugs but I never wanted that life.
Being gay and coming up in New Orleans was not easy. At first I was very terrified and very timid.
In my hometown of New Orleans, grief is a public spectacle that, somewhat paradoxically, necessitates celebration. The dead are not mourned so much as they are posthumously venerated with music and dance.
What city has given the world more in terms of American culture than New Orleans? There is none. Not New York. Not L.A. Not Chicago. Not anywhere, in the sense that African American music has gone around the world twenty times over, and it's continuing to evolve. It is our greatest cultural export.
Everyone in New Orleans has been welcoming me as family. Everywhere I go, they always say, 'Put on for the city, baaay-bee.'
Everybody started calling my music rock and roll, but it wasn't anything but the same rhythm and blues I'd been playing down in New Orleans.
If there was no New Orleans, America would just be a bunch of free people dying of boredom." -Judy Deck in an e-mail sent to Chris Rose
I was the vampire Lestat again. I was back in action. New Orleans was once again my hunting ground.
Madame Lily Devalier always asked "Where are you?" in a way that insinuated that there were only two places on earth one could be: New Orleans and somewhere ridiculous.
I think the idea that you can go this alone is - was a huge mistake. And unfortunately, there was a price paid in terms of suffering and pain for people in New Orleans.
Werner Herzog, when I auditioned for 'Bad Lieutenant,' he had never seen any of my films. He thought I was this actress living in New Orleans and it was my first job.
An American has not seen the United States until he has seen Mardi-Gras in New Orleans.
New Orleans is still the place where you find out that you have a doppelganger and feel lucky - but somehow unsurprised - to learn that his name is Mad Bottom.
I suppose when I was a kid, and I went to movies, and later went to some plays on my own when I got a little older, in New Orleans, where I was living then, I zeroed in on the actor.
I was on a strict diet to stay in shape for 'Jack Reacher,' but each day on set in New Orleans, catering dropped off delicious food at my trailer.
I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
We moved around so much when I was a kid, the place I call home is New Orleans because at least I can remember the names of some of the streets there.
New Orleans has an incredible culture. Everybody brings up food first, but I realized there's a lot more to that in terms of music and art and people and history.
What is interesting in this is the exchange of music that occurred between New Orleans and Cuba, I mean, they had ferries that would go from one port to another.
I love the fans here in New Orleans. They show so much love.
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