Top 1200 New Work Quotes & Sayings - Page 19

In terms of my work with Nike, obviously signing Michael Jordan to a $500,000 contract in 1984 set a new precedent for the business side of the game.

The world of digital media is being transformed. A bunch of new businesses can be reinvented, thanks to social graphs, the mobile internet, and the new shopping habits of the young. Those are going to create a whole generation of cool new companies.

The reason I wanted to work with New Look was that they wanted to stick with one designer and do lots of collections a year.

In New York, all the crews read 'The New Yorker.' In Los Angeles, they don't know from 'The New Yorker.'

We are seeing a new wave of young biologists that are attacking old problems with new tools and fresh ideas, leading to new types of bio startups and creating a much-needed engine to drive Silicon Valley into the next century.

Fashion is an archetype: you're trying to build a silhouette, and that is very similar to building up a building because you're trying to create a new structure, a new proportion, a new shape, and you're using a material to cut which is a bit mathematical. That idea of finding something new in terms of proportion is something that drives me.

I'll have long, straight hair, like down to my back, when I go to Heaven. And I'm not even going to work out, but I'll be in shape. It's a whole new program up there.

Prog didn't really go away. Just took a catnap in the late Seventies. A new generation of fans discovered it, and a whole new array of bands and solo artists took it on into the new millennium.

I always wanted to have a career that would keep me at home in New York so I can work in the theater all the time and be involved in the creative process from the ground up.

Steve worked tirelessly to promote conservation, wildlife, and the environment, and his work enabled the plight of endangered species to reach a whole new audience.

The most powerful sign is that your work no longer enchants you - it's not deep, delightful, and mutually satisfying. When this happens, it may be time to look for new challenges.

I met my new partner [in Indiana] and she asked if I wanted to move out of New York. I said yeah, and we got a house that's way cheaper than renting a closet in New York.

My mum used to work in New York in Spike Lee's shop, she did the outfits for the video for P.M. Dawn's "Set Adrift on Memory Bliss".

I've the highest respect and regards for Shankar sir. He has taken Tamil cinema to a new level. I would have loved to work with him, but there are some date hassles.

People who work with me say I have a four-step response to new ideas: rejection, reconsideration, acceptance, ownership. I need to listen more patiently.

For 12 years, I have been traveling from New Mumbai to Mumbai for work and every small things.

The most common reason new mothers return to work sooner than they'd like to is because they can't afford to go without their salaries any longer.

When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them.

My familiarity with the successful use of very long steel ropes for mining purposes naturally suggested their adaptation to the new purpose of deep sea work.

The work of art shows people new directions and thinks of the future. The house thinks of the present.

When you work for long, you know things about your craft, but how differently you are going to project it so that it can still look new is what I am constantly trying.

In a play, certainly, the subject is of more importance than in any other work of art. Infelicity, triviality, vagueness of subject, may be outweighed in a poem, a novel, or a picture, by charm of manner, by ingenuity of execution; but in a drama the subject is of the essence of the work-it is the work. If it is feeble, the work can have no force; if it is shapeless, the work must be amorphous.

Adjusting to a new path and a new direction will require new qualities and strengths, and these qualities are always exactly what we need to acquire in order to accomplish the great things ahead in our life.

It is part of the educator's responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.

Every time you enter into a job it's a whole new universe. There's a new language with a new power structure. If you are in an all Black cast its a different dynamic, the same with an all male cast or a crew that is mainly women.

When I write new worlds, I work in layers, building and throwing out, and building anew.

When I was a kid I used to pray every night for a new bicycle. Then I realised that the Lord doesn't work that way so I stole one and asked Him to forgive me.

Increasingly, the work we do is enabled more and more by new IT, including automation, robotics, and intelligent platforms.

The work that we do during the winter is very important; we have a new bike and it's important to develop it during this time, and we start with this test.

The Relativity theory, the copernican upheaval, or any great scientific convulsion, leaves a new landscape. There is a period of stunned dreariness; then people begin, antlike, the building of a new human world. They soon forget the last disturbance. But from these shocks they derive a slightly augmented vocabulary, a new blind spot in their vision, a few new blepharospasms or tics, and perhaps a revised method of computing time.

I think the Winter Olympics are definitely on a smaller scale than the summer games, but with the inclusion of cool new sports like slopestyle skiing and snowboarding, it is going to breathe new life into them and attract a whole new crowd.

I think it's nearly impossible to be original now. For anything revolutionary to happen again, new instruments have to be invented. A new kind of guitar, maybe, and a new way to play it. There are only so many ways to manipulate sound, if you look at it scientifically.

I tell myself that, regardless of what source I draw on, I'm writing a new work for reasons peculiar to me and not an adaptation, and so feel, in the end, justified in singing it my way.

New material demands new methods, and new methods fling a challenge to old convention.

We must take the abiding spiritual values which inhere in the deep experiences of religion in all ages and give them new expression in terms of the framework which our new knowledge gives us. Science forces religion to deal with new ideas in the theoretical realm and new forces in the practical realm.

Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!

The master secret of happiness is to meet the challenge of each new day with the serene faith that: "All things work together for good to them that love God."

When you play the old songs, it's awesome and I love it, but it's not work because everyone already knows it and it's easy. I have to break the crowd in on a new song and that's what is kind of cool and fun.

I never let myself forget that I'm really lucky in my work to be able to discover so many people and places, and to have the opportunity to bring some of their stories to new audiences.

There is still a lot of hard work that we as a country need to do. They can't look to any one individual, whether it's Barack or it's the next new hope that's going to appear to be that savior.

My weekends start at about 4 P.M. on Friday afternoon, when I let go of work and leave my colleagues to crawl through the rest of the day in our New York offices.

I wanted to play roles which offered new ways of viewing black women and black people in general- and I have done that. And I have always, whether I needed to pay the rent or not, I've always turned down roles which I thought were stereotypical. And so when I look at my body of work in that respect, I am really happy. Because I feel my work does say something positive and that was what I always set out to do.

Too often, researchers on the cusp of a new discovery are held back by needless red tape and paperwork, meaning their innovative work cannot be capitalised on.

All our efforts to guard and guide our children may just get in the way of the one thing they need most from us: to be deeply loved yet left alone so they can try a new skill, new slang, new style, new flip-flops. So they can trip a few times, make mistakes, cross them out, try again, with no one keeping score.

I'm sensitive about the criticism [for not producing new playwrights], yes. But I'm hip to it as well. I read 500 new plays a year, and 99.99 percent of them are not good. I see no reason to do a new play just because it's new. It's like kissing your sister, a virtue, but so what? It seems to me more worthwhile to take a proven playwright and say, Write something for us.

With the new day comes new strength and new thoughts.

To me, new friends, new genres, new person-to person chemistry is the DNA of EDM.

I'd love to work in a restaurant. You get to meet new people all the time and constantly socialize. There are no dull moments when you're serving. It would definitely be a fun job to have.

I use poetry to help me work through what I don’t understand, but I show up to each new poem with a backpack full of everywhere else that I’ve been.

The primary reason for failure is that people do not develop new plans to replace those plans that didn't work.

I travel a lot, but I'd love to go back to cities such as Paris, Las Vegas, New York, and London with my family. When I'm there touring with the band, I have to work, and it's no fun at all.

I can focus on writing, or I can get lost in wonderfully fun but endless conversations and produce nothing new at all. I count on those people who enjoy my work to understand this.

I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.

I'm in the film industry, and I very seldom go to the theater now. It could be work, not being in New York, that sort thing - because in New York, you do go to theaters; you can walk to a theater and then walk to a restaurant. But in places you have to drive out to the cineplex to see a movie, it's starting not to be worth it anymore. It's like the days when you went to get a book at the public library. You don't have to do that anymore. You just go on your iPad and all of a sudden you're reading The Duchess of Malfi.

I think that new artistic challenges help you grow both as a person, as an artist, and then they feed back into your other work, and tend to magnify it.

We need to work tirelessly to help create new jobs and good jobs here in Florida.

Economic progress is the work of the savers, who accumulate capital, and of the entrepreneurs, who turn capital to new uses.

Critics of the Wall Street protesters claim that they have old ideas, nothing new, and they're never going to work. Wait a minute., that sounds like this show.

Cryptocurrencies are not evil and are not for money launderers and scammers. They are for entrepreneurs, technologists, change-the-world dreamers, and anyone who believes they can (and will) enable new business models, new types of organizations, and new ways to service consumers and businesses alike.

My mum used to work in New York in Spike Lee's shop; she did the outfits for the video for P.M. Dawn's 'Set Adrift on Memory Bliss.'