Top 1200 Nice To See You Quotes & Sayings - Page 20

I don't view myself as a particularly intelligent people, but I do have one ability that I've demonstrated over and over again, that's helped me see things that other people for whatever reason have not seen. That's that most people see what they expect to see, what they want to see, what conventional wisdom tells them to see. I guess it could be stated that most people only hear the music, not the lyrics of human events.

It's only possible to see people when one is able to see the world as others see it.

I like to see things. I see a lot more art than I'd like to see. We have to be polite and see the art shows of people we know. We see a lot of art.

Usually when I see myself in a film or on television, there's about a six-month period where I can't look at it because all I'll see are the mistakes. I'm just appalled by the person that I see.

I think when you're collecting, the best advice is just 'see see see see.' The more you get used to the nuances of the art world and what people are doing and whose opinion matters, the more you can tune your own collection and know that these are works that do count; these are artists that will be of relevance tomorrow.

When I see children, I see the face of God. That's why I love them so much. That's what I see.

Wave to the nice tourists, Sparkle. I promise it won't cause pestilence and firestorms." Elena bit the inside of her cheek at Aodhan's glare-she'd never seen anyone crack his reserved shell. "Sparkle and Bluebell, nice." "Never," Aodhan said, hands stubbornly on the girder, "ever repeat that. Illium seems to have forgotten I promised to separate his tongue from his mouth should he utter it again in this immortal lifetime.

I think people are just shocked to see me walking around. It's weird. When they see you on TV, they don't expect to see you in a store.

Blind people don't decide to see. Jesus says, 'See!' and they see.

What you see is not what we see. What you see is distracted by memory, by being who you are, all this time, for all these years.

We see parts of each other, and we put them together. But if I want to see you in totality, you need to move away; we need space between us. Across the street, I can see all of you at once, but then I also see this huge vista of space surrounding you, coming in and compressing you.

If you look at music, you see theme, variation, you see symmetry, asymmetry, you see structure, and these are related to skills in the real world.

They tried boiling books, but that didn't work very well." "I'm surprised they haven't tried boiling one another." "Oh, it's been tried," Galladon said. "Fortunately. something happens to us during the Shaod—apparently the flesh of a dead man doesn't taste too good. Kolo? In fact, it's so violently bitter that no one can keep it down." "It's nice to see that cannibalism has been so logically ruled out as an option," Raoden said dryly

The 'how' has a great effect on what we see. To say that 'what we see' is more important than 'how we see it' is to think that 'how' has been settled and fixed. When you realize this is not the case, you realize that 'how' often affects 'what' we see.

We don't see the people that vice destroys. We just see the glamour of it - everywhere we look, from billboard signs to movies, to newspapers, to magazines. We see the destruction of human life.

The nice thing about the queen of Flanders' daughter, had been that she did not laugh at him. A lot of people laughed at you when you went after the Questing Beast - and never caught it - but Piggy never laughed. She seemed to understand at once how interesting it was, and made several sensible suggestions about the way to trap it. Naturally, one did not pretend to be clever or anything, but it was nice not to be laughed at. One was doing one's best.

The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.

People see what they wish to see. And in most cases, what they are told that they see.

...you find your genius by looking in the mirror of your life. Your visible image shows your inner truth, so when you're estimating others, what you see is what you get. It therefore becomes critically important to see generously, or you will get only what you see; to see sharply, so that you discern the mix of traits rather than a generalized lump; and to see deeply into dark shadows, or else you will be deceived.

Panorama is the first word for landscape in Greek. It was about [how today] we see everything, we get to see everything, everything is shown to you whether you want it or not, but all of the time you only see fragments of reality. The big picture we really don't see; it's kind of hard to make it up.

I don't see here on this side; but I will see on the other side. I know I'll get to see. I know I'll get to walk those golden streets and I'll get to see Shadrach, Meshach and Abednego; and I'll get to see the Lord. Oh yes I will.

Everywhere I go, I see very much the same thing. I see the same compassion for people who live half a world away. I see the same concern about events beyond these borders. And, increasingly, I see the same conviction that we can and we must join together to stop the scourge of AIDS and poverty.

I think Phoenix is a place where people see the potential. They see the young core that we have. They see the fan base, the wonderful city.

When I see bacon, I see a pig, I see a little friend, and that's why I can't eat it. Simple as that.

You see in Islam, you see in Christianity, you see in Africa, in different religions, in Buddhism and Hinduism, there is a strong commitment to refugee protection.

The older you get, the more you learn to see what you've been taught to see. When you're a kid, you see what's there.

If people recognize me when I'm out in public, I'm very nice to them. I'm very nice to people even when they don't recognize me. I don't even mind if people come up to me while I'm eating dinner, but if they recognize me while I'm having sex, I refuse to sign autographs.

I love archival films very much. I spent thousands of hours watching archive footage. Every time I see it, I see something. Sometimes I think I know this footage, but two years later, I see it again, and I see something new.

I equate fame towards people who know your work, people who will see your work. But all that stuff, like with the Genies and stuff like that, it was so much fun. It's so much fun and it's nice when it comes, but that's not what it's all about.

Some good leaders are rough around the edges and some leaders are difficult. Some have difficult personalities and some are really nice to be around, but those are not the qualifications. The qualifications are their desire to see us achieve more, their desire to push us to be the best we can be. Not for their selfish gain, but because they believe that we have something to offer.

To see Grant Fuhr starring, to see Claude Vilgrain and Tony McKegney, it was very important for me to see to follow my dream.

I'm excited to see what comes my way, see what I'm interested in next, and just see what happens.

Guru's family gave me a piece of his ashes. I saw the gold box of ashes that his father had when we had the memorial service. He had a nice giant gold box that had his name on it. It was really nice. I know all the family members had ashes that they all spread and took on their own. So I said lemme ask is it cool if I have some.

I'm very realistic in my outlook on everything in life. When I look ahead in my mind to see what's going to happen next, I see the good and I see the bad.

You see so many beautiful things happening in this world, and you see so many things that make you want to cry and crawl under a rock. But there's an underlying feeling of magic and mystery in everything that I live for. I feel like all of my art is trying to get people to see that underlying, subtle energy that lives within everything that we see and what we don't see in this world.

I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.

You can never be sure of anything, can you? But I developed a very good relationship. I don't think China want to see a destabilized North Korea. I don't think they want to see it. They certainly don't want to see nuclear on - from their neighbor. They haven't liked it for a long time. But we'll have to see what happens.

I don't see the world as you see it. I see it as a game, and my aim is to complete it. What you live for is what you die for: To make a little name, grab some fame and the high score.

I want to see my niece and nephew grow up, to see their children... I get crazy at the idea that a time will come when I won't see Daniel and Allegra anymore.

I actually had a small kangaroo - and I'm not kidding this time. I was holding a small kangaroo, baby kangaroo ... it was very nice to me this time. Do you know what it did afterward? I gave it some milk, and it just spit it all over me. I was like, Is this a thank-you for just being nice and petting the kangaroo? I got milk all over myself. I guess I deserved that from the story last year.

For me, I look at a pilot and go, 'I see the landscape. I see the characters. I see the direction and the potential of the story.' And I also go, 'That didn't work. I could change that. Maybe that works. I don't know. We'll see.' For me, I look at it, as an actor, as what can I improve upon?

When anything is blocking my head or there's worry in my life, I just go sit on Mars or something and look back here at Earth. All you can see is this tiny speck. You don't see the fear. You don't see the pain. You don't see thought. It's just one solid speck. Then nothing really matters. It just doesn't.

'Do you know what Ed Gein said about women?' [...] '"When I see a pretty girl walking down the street I think two things. One part of me wants to take her out and talk to her and be real nice and sweet and treat her right."' I stop finish my J&B in one swallow. 'What does the other part of him think?' Hamlin asks tentatively. 'What her head would look like on a stick...'

Everything we see hides another thing, we always want to see what is hidden by what we see.

See what you can do. See what you want to do. See what you will do about it. Find your way out.

In this world we do not see things as they are. We see them as we are, because what we see depends mainly on what we are looking for.

Everything we see hides another thing, we always want to see what is hidden by what we see, but it is impossible. Humans hide their secrets too well.

I didn't know I was depressed until years later. Actually, I went to the Minirth-Meier Clinic for ADD. I got tested for ADD. So, that's nice. It's nice to know you got ADD. So, that puts you on medication. Did that for years. Then got tested for clinical depression. So, finally when they tell you this, you go, 'ahhh, this is great.' So, now this explains events in your life and how you handle them. But our society frowns on it and they don't want their heroes to have these issues, but unfortunately I do.

Thanks to photography, the eye grew accustomed to anticipate what it should see and to see it; and it learned not to see nonexistent things which, hitherto, it had seen so clearly.

The essence of intercultural education is the acquisition of empathy-the ability to see the world as others see it, and to allow for the possibility that others may see something we have failed to see, or may see it more accurately. The simple purpose of the exchange program...is to erode the culturally rooted mistrust that sets nations against one another. The exchange program is not a panacea but an avenue of hope.

People used to see things that disgusted them and say, 'I never want to see that again.' Now we've reached the point where we see things that are disturbing and revolting to us, but we want to see more and more of it.

As a teenager, my brother's girlfriend came into my life, and I just thought she was the bomb. I followed her around, and she could just say anything, and it would influence me. She took me to my first nice restaurant, bought me my first nice handbag, and took me to my first Alvin Ailey show when I was 14, which changed my life.

I cannot see the short, white curls Upon the forehead of an Ox, But what I see them dripping with That poor thing's blood, and hear the ax; When I see calves and lambs, I see Them led to death; I see no bird Or rabbit cross the open field But what a sudden shot is heard; A shout that tells me men aim true, For death or wound, doth chill me through.

People are hungry for God. Do you see that? Quite often we look but do not see. We are all passing through this world. We need to open our eyes and see.

I can use movie as a language. Not only could it send a good message, I could let people know about my thinking and how I see the world, how I see the colour, how I see the music, how I see everything.

The thing is that pictures are everywhere. The question is what we don't see, and why don't we see so much. I just see it.

Parading our own brilliance and exulting in other people's errors is not very nice. For that matter, even wanting to parade our own brilliance and exult in other people's errors is not very nice, although it is certainly very human.

I don't know how the other senators see me. I hope they see me as a farmer. That's really what I am. But I don't think they see me on a tractor or fixing equipment. I hope they see me grounded, as somebody who has common sense.

People look at you and see a product. They don't see a soul. They see an empty hole.

We have to face up to systemic racism. We see it in jobs, we see it in education, we see it in housing. But let's be really clear; it's a big part of what we're facing in the criminal justice system.