Top 1200 Nice Work Quotes & Sayings - Page 18

I think it was the first time in my life I ever felt like I looked “good”. Do you know what I mean? That nice feeling when you look in the mirror, and your hair’s right for the first time in your life? I don’t think we should base so much on weight, muscles, and a good hair day, but when it happens, it’s nice. It really is.

Joy of life... depends upon a certain spontaneity in regard to sex. Where sex is repressed, only work remains, and a gospel of work for work's sake never produced any work worth doing.

Work, work, work, but what mark do we leave, what point do we make? People who are too beholden to work become like erasers: as things move forward, they leave in their wake no trace of themselves.

I have a bad reputation in England, and I don't know why. Maybe it's something that has just followed me. But one thing I always say is that 90% of the people I've played with would say I'm an amazing guy, a great teammate. Other people, those who work on the gate at every stadium I've played at, will tell you I am a humble guy and a nice person.

Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy.

In a play, certainly, the subject is of more importance than in any other work of art. Infelicity, triviality, vagueness of subject, may be outweighed in a poem, a novel, or a picture, by charm of manner, by ingenuity of execution; but in a drama the subject is of the essence of the work-it is the work. If it is feeble, the work can have no force; if it is shapeless, the work must be amorphous.

Don’t have work-life balance - at least in the sense of trying to escape from work so you can have a life. Work should be fun - so make work enjoyable and satisfying for everyone - among other reasons because it pays off.

Leisure is non-work for the sake of work. Leisure is the time spent recovering from work and in the frenzied but hopeless attempt to forget about work.

Most poor people are not on welfare. . . I know they work. I'm a witness. They catch the early bus. They work every day. They raise other people's children. They work every day. They clean the streets. They work every day. They drive vans with cabs. They work every day. They change beds you slept in these hotels last night and can't get a union contract. They work every day . . .

I've taken people and fired them over a period of a year. I've fired them over a period of a month. I've fired them over a period of a day or a week, nice and easy, slow. The one thing that a firing always has in common is the next day they wake up and they hate Donald Trump, no matter how nice you are.

It felt like an indulgence. Going back was painful, but, at the same time, it was nice to live with them again for a few pages. I got to live with my brother again for the entire book. Of course as I'm writing the book, I'm getting closer and closer to the end and I know what that means. I knew exactly where I was heading. It was really difficult, but it was nice to make them come alive for those scenes. It was good.

He's a cousin of some friends of the Lightwoods or something. He's nice. I promise." "Nice, bah. He's gorgeous." Magnus gazed dreamily in his direction. "You should leave him here. I could hang hats on him and things." "No. You can't have him." "Why not? Do you like him?" Magnus's eyes gleamed. "He seems to like you. I saw him going for your hand out there like a squirrel diving for a peanut.

I just want to say that um, I'm just really, really shocked at like how nice our world is because it's just so nice. Like oh my God! Like, the other day, like I was sitting there and I saw these magazines and they said I was pregnant, and like, it's so true. Like America, believe everything you read. Because, like, you're smart and I'm stupid. Like for real. Come on y'all.

The problem is we need toughness. Honestly, I think Jeb[Bush] is a very nice person. He's a very nice person. But we need tough people. We need toughness. We need intelligence and we need tough.

I was educated in line with the basic premise: work work work. You are only a valuable human being if you work. This is utterly wrong. Half working, half dancing - that is the right mixture. I myself have danced and played too little.

I think awards are good for the movie. They can bring a new audience to the movie. I've always claimed that things like that don't get you work. Work gets you work. That's my blue-collar, protestant work ethic.

Most people only work enough so that it feels like work, whereas successful people work at a pace that gets such satisfying results that work is a reward. Truly successful people don’t even call it work; for them, it’s a passion. Why? Because they do enough to win!

I'd like to help other comedians and when I get a little older I'd like to open up a nice comedy club that is straight classy, with a straight restaurant and a chef. The whole thing, red carpet, and treating people nice, for people to come back and have a good time. That's the kind of comedy club I want to open up.

At least 90 percent of my work is in situ. For me, it's not only to work with the architecture and space, it's also to work with the time, to work with the people who are involved with the place. It's also dealing with history. It takes all this into account. Other works can be placed in different environments, but they always follow a rule. This is usually not the case for work in situ, because even if they are transported, they remain there forever or they are destroyed.

We say, 'You may drink at the age of 21 but not at the age of 20.' Why? Because humans like to create terribly neat categories out of nature because it allows us a nice, tight social organization. The truth is, nature doesn't care that we like nice, neat social organizations. Nature likes variety.

Don't have work-life balance - at least in the sense of trying to escape from work so you can have a life. Work should be fun - so make work enjoyable and satisfying for everyone - among other reasons because it pays off.

I understand all the work to be of a nonabstract nature regardless of the style, form, or explicit subject matter because all the work... is concerned with evoking experiences that are in themselves - and their relationship to you, the viewer - the ultimate subject and content of the work. I want to equate the experience of the work with its meaning.

A work of art does not need an explanation. The work has to speak for itself. The work may be subject to many interpretations, but only one was in the mind of the artist. Some artists say to make the work readable for the public is an artist’s responsibility, but I don’t agree with that. The only responsibility to be absolutely truthful to the self. My work disturbs people and nobody wants to be disturbed They are not fully aware of the effect my work has on them, but they know it is disturbing.

Well, I always tried to look nice and be feminine even in the worst tragedies and crisis, there's no reason to add to everyone's misery by looking miserable yourself. That's my philosophy. This is why I always wore makeup and jewelry into the jungle-nothing too extravagant, but maybe just a nice gold bracelet and some earrings, a little lipstick, good perfume. Just enough to show that I still had my self-respect.

I don't spend a lot of time online. My mother's really good at picking out if she sees a really great review, and she'll forward it to me. She's like my little Internet filter. It's always nice to see something going up; if I want to find something on Nathan Fillion, I do know where to look, but I've got a nice little delivery system in my mom.

Through our long career we never got to work together until 2013 when we signed 'Club 60.' Until then I always liked him from afar. I knew Farooque Sahab was a decent person, a warm person, but it was only after I met him during this shoot that I realized what an enormously nice and genuine person he was.

A tenor player named Bud Revels there at the time. A lot of really nice associations amongst the students. Garry Dial was a returning student. He actually got me on Red Rodney's band subbing a little bit. I gigged some with Red when I was 21 in 1988. So I had a lot of nice associations that came from [ Laguardia School of Arts]. But a lot of my education was going on in the clubs. Hearing music and sitting in.

Fresh out of college, you tend to join a company because it's a job. But, you tend to stay because it becomes a career; you start to feel at home. In the beginning of your career, you're focused on you: 'I like this place because I'm doing rewarding work; they take good care of me; the people are nice; there's runway for me,' etc.

The motto of Harvard isn't 'nice,' it's truth. The motto of Yale isn't 'light and nice,' it's light and truth.

Beyonce is my role model. You know how people say, 'What would Jesus do?' I always say, 'What would Beyonce do? In her career, what decisions would she make?' And I really think it helps me guide my career and be really nice to every fan and every person that I work with.

The way to win is to work, work, work, work and hope to have a few insights And you're probably not going to be smart enough to find thousands in a lifetime. And when you get a few, you really load up. It's just that simple.

I don't really get philosophical, but I believe that nice people are strong and usually in my horror stories, I don't like to write about the old standard where some rotten guy gets chased by a mean spirit that gets him in the end.I'd rather write about nice people that are menaced from outside by some sort of evil power and who sort of slug it out.

We met because Chad was in one of my classes, and I was looking for someone to write music with. I knew that he wrote his own music, and he seemed nice, so I found out he was going to be in a practice room, practicing his trumpet. He'd already said he was too busy to hang out or hear any new people or work on any music, so I stalked him.

Work, hard work, intelligent work, and then more work.

There is a single theme behind all our work-we must reduce population levels. Either governments do it our way, through nice clean methods, or they will get the kinds of mess that we have in El Salvador, or in Iran or in Beirut. Population is a political problem. Once population is out of control, it requires authoritarian government, even fascism, to reduce it.

I never liked that ending either. More love streaming out the wrong way, and I don't want to be the kind that says the wrong way. But it doesn't work, these erasures, this constant refolding of the pleats. There were some nice parts, sure, all lemondrop and mellonball, laughing in silk pajamas and the grain of sugar on the toast, love love or whatever, take a number. I'm sorry it's such a lousy story.

I work in the margins. The margins are where you'll find the nice people. You'll find real friends. You'll find honesty. You'll find integrity. You'll find relationships that will last you for a lifetime and will be there to support you in the bad times, which are the only relationships that matter anyway. Relationships that are all about power and money aren't worth having.

Destiny, quite often, is a determined parent. Mozart was hardly some naive prodigy who sat down at the keyboard and, with God whispering in his ears, let music flow from his fingertips. It's a nice image for selling tickets to movies, but whether or not God has kissed your brow, you still have to work. Without learning and preparation, you won't know how to harness the power of that kiss.

I don't hire people who have to be told to be nice. I hire nice people.

The achievements of an organization are the results of the combined effort of each individual. People who work together will win, whether it be against complex football defenses, or the problems of modern society. Individual commitment to a group effort - that is what makes a team work, a company work, a society work, a civilization work.

There has to be some more regulation. But our kids have this incredible buffet of they can work in genomics, they can work in pre-omics, or they can work in robotics, or they can work in this, or they can work in that. And within the next five years there will be entirely new industries that come out of nowhere that kids are working in that would have been inconceivable when they started college. Not when we started college.

Some people work to have a weekend and so on the weekend they genuinely don't think about anything apart from the fact that they're on their weekend. Some people are like that so maybe some people would be like, "Yeah that'd be great. Take away my anxiety and give me a nice lounge chair." But I would be so not interested in that.

Now the world believes in Kurds, as they have become partners in that region. The West doesn't believe in the Iraqi government - not in Maliki before or Abadi today. It doesn't believe in Syria in any way, nor in Iran. So the Kurds could maybe work together with the Western world to bring stability to the region. It's a nice change, coming as it is after hundreds of years of the struggle of the Kurds.

Work Does Not Need You, You Need Work. Through Work, Destiny Unfolds. Your work is to discover your work and then with all your heart give yourself to it.

I chose Bagdasarian Productions when I heard from some colleagues at work who were buying story boards at the time back in the early '90. I met the man once when I came in with the first half of the story board and the only thing he said when looking at the first half of the board was, "It's so nice to see someone using their imagination."

I was only 26 when I started my career. Those days I only wanted to work. When my films did not work, I didn't know what to do. But I never went to anyone for work. Work came in search of me.

To the young: Work, work, work, and then work some more!

You ever say a phrase you say all the time at the wrong time, feel like a complete idiot? Something like, 'You, too. You, too.' I was getting out of the cab at the airport, and the driver goes, 'Hey, have a nice flight.' 'You, too. You, too. You have a nice flight, too - in case you ever fly some day.

I like people, I really do. I like meeting people. But most of the time I would rather be at home reading a book than reading in a bookstore. It's a performance, and it ends up being all right, and then you have a nice shot of bourbon afterwards, and it's all good. I want to please people. I want to be nice. I want to be liked. As a result I say yes to everything. But it takes a lot of vital energy out of me.

I spent a long time experimenting, saying, 'Here's a record that's free, or $5 if you want a nice version or $250 if you'd like a really nice coffee-table thing.' Everything felt like the right thing to do at the time and then six months later would feel tired. And I would feel tired. So that's one reason for returning to a major label.

If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.

Oh, I think Neymar would be a nice guy I'd like to meet. Messi, too. Cristiano Ronaldo. I think they are guys that their lives would encourage me. They would be nice people to meet and know more about their stories, to evolve and grow more with their stories. I think it would be cool to meet them.

As a guitarist and a lot of the times as a singer, I don't feel that comfortable and you really feel that when there's not an electric guitar or a nice beat to back it up. But, I enjoy challenges as a rule. I have always felt that what doesn't kill you, will make you stronger. I have learned to love with the rawness a little bit more and I know what I need to work on a little bit more as the tour goes on.

Once a week I would meet up with the coolest teacher and we'd go over my work. All my friends were like, Soooo... once a week at lunch you meet up with Mr. Schulenberg to talk about poetry. They all thought I was having sex with my teacher. But I really just loved to write and it was a nice outlet.

A great day on tour would be if I would say a two-hour drive, so you can wake up and you don't have to leave right away. You can go get breakfast somewhere nice that someone recommends in the town, and it turns out to be good. Then you can kind of check out the town, someone might recommend you to a cool thrift store, a record store, a nice park or something. You can have some time to yourself.

I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.

I don't work for money any longer. I'm fortunate enough not to need to work for money, but I work for pride; I work because I love to work, and so the idea that one could lose control of one's own name and that things could be produced with your name on that you were not proud of scared me.

You don't need the painful memories, because either you've resolved them. Denying always makes them want to come back. Denial is a mechanism that doesn't work. But allowing them to come back in little by little, those memories, you can begin to be quite comfortable with them, and it's even nice to have that as part of the map of your life.

So the best way to understand poetry, which is made by men, is to imitate, and that goes back to making work as a kind of doorway into new work, as opposed to making work as a mirror of the old work.

I was sort of like a kid in a candy store, realizing it was fun making beats without the perceived burden that every track I did had to be a some progressive sample masterpiece. It was nice to blow off steam and work on those songs. For me, that’s what 'The Outsider' was about in general: forget everything, I’m just gonna follow my own music, and make the music I want to make.