Top 100 Nightclubs Quotes & Sayings - Page 2

I love the mix of people who hang out at nightclubs now. Their individuality is an inspiration to me. The music they listen to, the clothes they wear and the way they wear them defines a street style that I love.

America, the Idea of: We yearned for its beer and jazz, its smoke-filled nightclubs, its Edward Hopper bars, the melancholy of rainy Manhattan Gershwin nights... the America we yearned for has gone. Did it ever exist?

It's great being a producer! Why am I wasting my career writing and directing? Those are actual jobs in which you work. Being a producer, it's kind of like you just go to the set, yell at a couple of people, and then stay up all night dancing in nightclubs.

I found it hugely insulting that people believed I'd go so far out of my way - living with Playmates, vacationing with actresses, showing up at nightclubs - to act out a lifestyle that would amount to a charade. If I was gay, I'd be gay all the way.

We're all driven to premieres or nightclubs and seen the rope separating those who can enter and those who can't. Well, there's also velvet rope we have inside of us, keeping others from knowing our feelings.

'Jack & Diane' was originally about race. I was playing nightclubs, and I was seeing new American couples, mixed-race couples. I thought it was cool. The song was my effort to make a song about that, but of course the record-company guy didn't like it.

What I'm nostalgic for is the idea of an edge in New York. There used to be these fringes of the city where civilization sort of ended, and therefore young people could live cheaply, or open nightclubs or art galleries, or even squat. That fringe moved out to New Jersey and Brooklyn. The whole idea of the metropolis is the centralization of like-minded souls, and when the central real estate becomes too expensive, the dreamers, the young poets, and the artists will go elsewhere.

I think I was very lucky that I didn't get well-known until my early thirties. If it had happened when I was younger, you might have seen me falling out of nightclubs. I think I conducted myself as a much better human being because I was already married when all that came along (I got married five months after I got the role as Will).

A cultural thing that is funny to me is that every time I go out in D.C. after a show, all the nightclubs and restaurants are owned by Iranians and Afghans. It's funny to me how we lost our countries but we gained the nightlife.

I don't know why I am liked. I think it's probably because I've just been normal, not been flash or tried to hurt anybody. I'm not one for going out and going to nightclubs. I'd rather stay in and watch a good movie.

I love David Bowie and Cher and Diana Ross. I wanted to follow in their footsteps. So I set out to do that in a rock-'n'-roll band in Atlanta, Georgia. That led me to nightclubs and to the sort of Andy Warhol experience of creating a personality.

I sit at home and read books. I watch movies. I watch television. I go and play golf. I don't go to nightclubs. I don't go out to dinner that often. I'm not a big party guy.

We're all driven to premieres or nightclubs and seen the rope separating those who can enter and those who can't. Well, there's also a velvet rope we have inside of us, keeping others from knowing our feelings.

My dresser and I have the hots for the new rugby ace Danny Cipriani. We have a shrine in my dressing room - press photos of him on the field looking swarthy and fit, and snaps of our boy emerging from Mayfair nightclubs, looking sexy and dishevelled.

She went out in the city with its lights like a radioactive phosphorescence, wandered through galleries where the high-priced art on the walls was the same as the graffiti scrawled outside by taggers who were arrested or killed for it, went to parties in hotel rooms where white-skinned, lingerie-clad rock stars had been staying the night their husbands shot themselves in the head, listened to music in nightclubs where stunning boyish actors had OD'd on the pavement.

Writing is for men who can think and feel, not mindless sensation seekers out of nightclubs and bars. But these are bad times. We are condemned to work with upstarts, clowns who no doubt got their training in a circus and then turned to journalism as the appropriate place to display their tricks.

Many nightclubs from this era were very loud and very dark. Plus some of the best ones were incredibly crowded. To begin with, I could seldom get back far enough to get people into frame from head to foot and when I could, people would be constantly walking in front of me all the time. Then I bought a 24-mm lens and only had to be four or five feet away.

When I was younger I would often go to nightclubs and sit in the best-lit corner to look at what people chose to wear, or I'd go out and around the city - to places where people express their sense of what they think looks good. So, I get a sense of that, and then I try to interpret it.

I always did healthy things. I didn't sit around in nightclubs. Sure, I had my fair share of fun, but no one could ever accuse me of being a dilettante and doing nothing. I was always on this unbelievable quest to go and do.

Once I got to be about twenty-five, I got interested in the music of the time. I started smokin' dope, I started drinking, I started slowing down and trying to find myself. I didn't want to work in nightclubs.

Like this. The wristbands you get at nightclubs next to all the bracelets? It's always the details that give me the ideas. It's fun to play with fashion because it is a fantasy. Each morning you dress to become a different woman. Fashion helps.

I've never been "celeb-y" actor. You know, you don't catch me falling out of nightclubs at three o'clock in the morning. Well, very rarely! But I find it all a bit baffling, the whole celeb thing and I don't really get it.

My father, Larry McKelvey, he was the man in Moncks Corner. He ran illegal nightclubs where everyone went, ran around in red leather pants, claimed he partied with Rick James. If you needed anything in Moncks Corner, you saw Larry McKelvey.

During Prohibition, Atlantic City created the idea of the speakeasy, which turned into nightclubs and that extraordinary political complexity and corruption coming out of New Jersey at the time. The long hand that they had-and maybe still do-even had to do with presidential elections.

Because I take very seriously the idea that I can make an impact in the world, I hold back my voice so I can make more of an impact when I do use it. A cause like One Billion Rising is something I want to scream about, and I want you to take that scream seriously because I don't fall out of nightclubs. I don't have photographers capture me spending untold amounts on a handbag.

All the awards in the world, you can get into all the nightclubs, they'll send you the nicest clothes. Nothing better than walking into your dad's restaurant and seeing a smile on his face and knowing that your mom and dad and your sister are real proud of you.

I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.

I would do nightclubs and concerts - particularly concerts, which is mostly what I did - and only people who already agreed with me would show up. People weren't going to come and inadvertently turn on their television set and find this offensive stuff coming out.

I'd seen all the great entertainers by the time I was 14 or 15. My mother was artistic. My father was a bookmaker, so he had access to all those nightclubs, and he was smitten by certain artists, and we would go see them. We'd see comics like Sid Caesar and Milton Berle - those kind of artists - many of whom I worked with later in my life.

Some people say that you should go to all the parties, to the nightclubs, the Viper Room, and make contacts, and I look at them and say, 'You don't want to have contacts with those people.' Look at what happened to River Phoenix [who died in 1993 of a drug overdose outside the Viper Room]. If you get caught up in that, it ruins you. Hollywood is garbage.

Well, I couldn't play an instrument. I'd just stand up front and announce the numbers. They had me sing a little, but that was a horrible mistake. I can't carry a tune in a bucket. We played black theaters and nightclubs all over hell. One-nighters. Apollo Theater in Harlem and the Earle Theater in Philly - That was big time for blacks.

When I became religious, it was full-force for me. And, through the lifestyle of being out on the road with non-Jewish musicians, in non-Jewish nightclubs and going all over the world - getting out of the shtetl - opened me up to having experiences that other religious men might not have to think or worry about.

For us to ignore by inaction the slaughter of American civilians and American soldiers, whether in nightclubs or airline terminals, is simply not in the American tradition. Self-defense is not only our right, it is our duty.

I used to look at older people who bothered to still attend nightclubs and couldn't help but wonder why. Didn't they realise how foolish they looked? Of course, now that I'm one of those people myself, I have decided that such rules don't apply to me.

I worry about a lot of things, but I don’t worry about achievements. I worry primarily about whether there are nightclubs in Heaven.

Visually I've always liked the 20s 30s for film. I do these because I like the music. I like the clothes. I like the way the women and the guys look. There are soldiers and sailors and gangsters with the machine guns in their violin cases. It's a very colorful era of New York, full of great theater and great nightclubs and great jazz.

We played nightclubs for seven years solid before we got a record deal, and then 'Cowboys From Hell' and 'Vulgar Display Of Power,' we toured non-stop four years for those records, and we developed the most brutal, loyal fan base on the face of the earth.

I was born in the south of France, I moved to Paris 30 years ago. I was running nightclubs and restaurants, so that was my business - working until six o'clock every morning, and then one day I noticed my wife. We opened the gallery together. She got pregnant, she was 22, I was 35, and it was time for me to change my life, and I decided to wake up early - wake up at the time I used to sleep.

I think people look at dance music and see it as kind of a bad thing, and bad people hang out in nightclubs, but it never felt that way for me. Growing up in Chicago, music was the thing that saved me, that kept me on the straight and narrow.

You know, I run the Vegas Deluxe website and that really is 24 hours a day, seven days a week. And we have more stars going through this city with shows. We have more disc jockeys playing in nightclubs here, we have more parties, more of everything than any other city in the world. So it's non-stop.