Top 1200 Nightmare On Elm Street Quotes & Sayings - Page 17

I'm really anti-option, so computers have been my nightmare with recording. I don't want endless tracks; I want less tracks. I want decisions to be made.

Honestly, to tell you the truth, being trapped in any video game sounds like a living nightmare to me. In most video games, the point is it's a fight for survival, so I think it would be a terrifying place to live.

Love, unrequited, robs me of my rest: Love, hopeless love, my ardent soul encumbers: Love, nightmare-like, lies heavy on my chest, And weaves itself into my midnight slumbers!

Most apocalyptic fiction makes it very clear that it's the end of the world. But 'Bird Box' hasn't convinced me of that. Is 'Bird Box' instead a suburban neurotic nightmare? I don't think so. But it's fun to consider.

Besides, all my New York friends were in the negative, nightmare position of putting down society and giving their tired bookish or political or psychoanalytical reasons, but Dean just raced in society, eager for bread and love.

Pitching in the big leagues is a dream. Preparing to pitch in the big leagues is a nightmare!

Travel in car, because you can stop. Air travel any more is a nightmare. I think it's the same for everyone. If I have a choice to stand in line to get x-rayed, or see scenery, I'll take scenery.

It is a good viewpoint to see the world as a dream. When you have something like a nightmare, you will wake up and tell yourself that it was only a dream. It is said that the world we live in is not a bit different from this.

In fact I have nightmares about having children. I want to carry a baby and feel the life within me and in my dream, I do. But every time after it's born, there's this incredible fear, this pounding pulse of fear. It's a real bad nightmare.

The way history is currently taught in schools, jumping from Hitler to the Henrys, is like a nightmare vision of Star Wars, where you have episode four before you have episode one. The sense of going on a journey, of chronology and continuity, is incredibly important to the imagination.

If you believe a black cat is bad luck, people think you're crazy, but plenty of times, if I see a black cat down my street, I turn around and go the other way. Even if I'm late. I'll be late for the airport and be in a limo, and if I see a black cat, I'll be like, 'Sir, you have to turn around and go down the next street.'

Working on 'SNL,' you can have a really stressful experience or a really bad week, and I could see how much of a nightmare that could be for someone who doesn't have a network of buddies going through that with them.

Any Black person in amerika [sic], if they are being honest with themselves, have got to come to the conclusion that they don't know what it feels like to be free. We aren't free politically, economically, or socially. We have very little power over what happens in our lives. In fact, a Black person isn't free to walk down the street. Walk down the wrong street, in the wrong neighborhood at night, and you know what happens.

In Shanghai, I saw great contrasts. On one street there would be impressive shops selling copies of the latest word in glamorous European fashion, and around the corner on a back street there were poor families crammed into one room with a naked light bulb. One evening I heard a Chinese family singing "Happy Birthday." It was weird. You would have thought that they'd have their own happy birthday song. Every dominant society in the world - whether it's French or British or American - imposes its culture on less developed societies.

I saw in Chicago, on the street where I was visiting my sister-in-law, this "Urban Renewal" and it means one thing: "Negro removal." But they want to tear the homes down and put a parking lot there. Where are those people going? Where will they go? And as soon as Negroes take to the street demonstrating, one hears people say, "they shouldn't have done it." The world is looking at America and it is really beginning to show up for what it is really like. "Go Tell It on the Mountain." We can no longer ignore this, that America is not "the land of the free and the home of the brave."

Tatoo your name across my heart, so it will remain / not even death could make us part / what kind is it / It could be a sweet dream or a beautiful nightmare / either way I don't want to wake up from you.

Robert Englund's done an amazing job over the years playing Freddy. Everybody that's a fan of 'Nightmare' loves Robert and you know so that's a challenge when you've got to step in a big man's shoes like that, so it's scary but it's also exciting.

Robert Englund's done an amazing job over the years playing Freddy. Everybody's that's a fan of "Nightmare" loves Robert and you know so that's a challenge when you've got to step in a big man's shoes like that, so it's scary but it's also exciting.

When I turn on the TV in Russia I see a general calmly claiming that our missiles are ahead of the latest American models by three five-year plans. It's a nightmare. We are creating a concept of the enemy, just as they did in the Soviet era. This is a giant step backward.

Everything that's happening in our world is a function of what is going on inside of people. We are violent in our minds. We are violent with one another. We walk past one another in the street and don't even look nor make eye contact - don't speak. We can be outraged about the missiles and the planes. I'm more outraged that somebody will walk past me in the street and not look me in the face and say good morning.

Survivors told me that sleep was a great escape from the nightmare that was Jonestown. I also longed for bedtime each night at Escuela Caribe; sleep allowed me to forget where I was for a few hours.

When I first started painting, I had an interesting nightmare about Cleveland - I dreamed the houses there were encased in this free-floating cage structure. I guess Cleveland was a confining place for me, even though my parents weren't too conservative.

-"Nick?" "I'm still here, Laurant." -"Did you tell Tommy we slept together?" "No, but you just did. He's standing right here." She fell asleep. But this time she didn't have any dreams or nightmare.

I like street performance because it's garbage time. The subway is garbage time: no one can say I'm wasting their time because they've already thrown that time into the subway. If they don't want to see me they can go to the other end of the platform. But on the street I do feel this disgust towards the audience: why would you waste your time looking at me? Why are you being so respectful of me? You should attack me.

It's happening: Lou Dobbs' dream come true and Silicon Valley's worst nightmare. We're already seeing the reverse brain drain as smart immigrants take their U.S. educations and experience building companies and creating technology back to their home countries.

The impact of QE on generating more lending by Wall Street to Main Street and in generating more employment and increasing overall investment in the economy is quite modest. QE probably limited the initial collapse of the economy in 2008, and likely had a very small positive impact on economic growth, but its broader impact on jobs and growth in the economy seems not very big.

Now I no longer live in our clear, rational world; I live in the ancient nightmare world, the world of square roots of minus one.

Once Now You See Me proved that that tone could work, which I'm sure was a nightmare for them in post - is this too serious? Do we have to say that magic really does exist or not? - I can take that and have fun with the tone that they established.

Pick up any history book, and I suggest you begin with studying the 20th century, and you will find that a large part of the history of our species has all the characteristics we would normally associate with a nightmare or an insane hallucination.

I see America through the eyes of the victim. I don’t see any American dream; I see an American nightmare.

As soon as reality breaks, as soon as we're separated from the phsical world, the cracks begin to appear in our minds. And through them seeps the madness that has always been there, flowing into your skull like a liquid nightmare.

What I really remember is that people camped out everywhere, and the fact everybody expected it might turn into a big nightmare with all sorts of hassles because back in those days everybody was smoking pot and taking acid.

I've got a 20 inch neck, a narrow waist and big bulging thighs so stuff off the rack doesn't fit. It's a nightmare to shop for shirts and trousers that are going to fit, because they'll be tight in one place and all baggy everywhere else.

America is not so much a nightmare as a non-dream. The American non-dream is precisely a move to wipe the dream out of existence. The dream is a spontaneous happening and therefore dangerous to a control system set up by the non-dreamers.

We must avoid the spiritual disease of the Church that can become self-referential: when this happens, the Church itself becomes sick. It’s true that accidents can happen when you go out into the street, as can happen to any man or woman. But if the Church remains closed onto itself, self-referential, it grows old. Between a Church that goes into the street and gets into an accident and a Church that is sick with self-referentiality, I have no doubts in preferring the first.

Albania in 1994 was the strangest place I've ever seen. It was like walking into the looking glass: falling apart, paranoid people, anarchy, no one farming, full of thieves. It was beyond any Third World country. They were living in their own private nightmare.

The dirty little secret of what used to be known as Wall Street securities firms-Goldman Sachs, Morgan Stanley, Merrill Lynch, Lehman Brothers, and Bear Stearns-was that every one of them funded their business in this way to varying degress, and every one of them was always just twenty-four hours away from a funding crisis. The key to day-to-day survival was the skill with which Wall Street executives managed their firms' ongoing reputation in the marketplace.

From my mother's sleep I fell into the State, And I hunched in its belly till my wet fur froze. Six miles from earth, loosed from the dream of life, I woke to black flak and the nightmare fighters. When I died they washed me out of the turret with a hose.

What I had heard about TV is that it's very rigid - that you have to hit your mark, look a certain way, do certain things, that there is no freedom artistically - and that's my worst nightmare. I don't work well in rigid environments.

I feel like there's a dangerous culture among young actors of going to posey joints and socialising - not doing hard work. I don't want to go and hang out in Soho House L.A. That's literally my worst nightmare. I'd rather be at home reading scripts.

He (Tesla) was 84, and he died in a hotel, completely broke and alone. In love with a pigeon. This is a nightmare. I'm in hell. This is hell. I'm talking about Tesla in my puke. Tesla was the electric Jesus. I can't breathe.

I still have a stammer that I can control by not opening a sentence with a hard consonant, or by concentrating for a moment, breathing softly down. Growing up, the 'Our Father' was lovely, made for me, the 'Hail Mary' was gorgeous, and 'Glory Be to the Father' was an absolute nightmare.

Working on 'Nightmare Before Christmas,' I had endless arguments, like the studio saying, 'You can't have a main character that's got no eyeballs!' 'How is anybody going to feel for somebody with just eyesockets?' You know? So, it's those kind of things that really wear you down.

People speaking into handheld devices while they walk down the street and saying to the device, "I'm walking down the street now." People are enslaved. I was just up in the country for a few days last week and it was great: no television, no telephone, no nothing. I walked through the woods, sat around, smoked. And it was lovely. I think the desire to be free has mutated, and we now live in an era when the slaves celebrate their slavery - this whole corporate concept of being part of a "team" at work.

I’m not doing anything wrong, I’m not obstructing anyone’s access. When I have a crowd I make sure that the crowd makes room for people. I’m an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.

The intimate and the infinite are tangled together in this incandescent book, lit by Aristotle’s bright spark of a daughter. Lucid even in nightmare, The Sweet Girl slips sideways around the philosopher to examine the lives of girls and women when we were not yet human.

I think being a guest star on an ongoing TV show can be a nightmare, and I've done it a lot. You're walking into this family who's very comfortable where they are, and you have to jump on the train and be artificially comfortable. That's a very hard thing to do.

Young black men are guilty of criminal behavior not because of the alleged crimes they might commit but because they are the product of a collective imagination paralyzed by the racism of a white supremacist culture they can only view them as a dangerous nightmare.

My nightmare scenario is that the government saves Citibank once again, as well as the other banks, and business resumes as usual. Then, the next time the system breaks, it breaks much, much bigger.

What is much harder to handle is the sense that you have to live up to the mark someone else has set for you. The grades become too important, the competition too frantic, the fear of disappointing those who believe in you turns into an overwhelming nightmare.

The only thing worse than a crappy TV show which Paddy Chayevsky couldn't have conceived in his worst nightmare is two megacorps fighting over who thought of the crappy show first.

Bringing the astronaut's nightmare to life so vividly is a remarkable accomplishment but Alfonso and Jonas Cuaron want more than just the adrenaline ride - they're feeding our wonder and inviting us to think deeply about profound questions of existence.

The part of me which wanders through my mind and never sees or feels actual objects, but which lives in and moves through my passions and my emotions, experiences this world as a horrible nightmare.

Melting pot Harlem-Harlem of honey and chocolate and caramel and rum and vinegar and lemon and lime and gall. Dusky dream Harlem rumbling into a nightmare tunnel where the subway from the Bronx keeps right on downtown.

For millions, the retirement dream is in reality an economic nightmare. For millions, growing old today means growing poor, being sick, living in substandard housing, and having to scrimp merely to subsist.

I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.

The relatively conscious whites and the relatively conscious blacks, who must, like lovers, insist on, or create, the consciousness of the others in order to end the racial nightmare and acheive our country.

The truth of actually working on a movie set is that you're in the midst of a logistical nightmare. There are so many things going on. There are many factors that keep your ideal scenario from ever happening. And you're rarely going to get that.

The moral angle to the foreclosure crisis - and, of course, in capitalism we're not supposed to be concerned with the moral stuff, but let's mention it anyway - shows a culture that is slowly giving in to a futuristic nightmare ideology of computerized greed and unchecked financial violence.

God doesn't seem to talk to people like he used to. Who's he talking to now? I don't know. Then I'm walking down the street in Manhattan one day, and I realize maybe it's those guys you see walking down the street talking to themselves. You know, those guys that are like, 'I can't! No, I can't!' Maybe the other side of that conversation is God going, 'You're the new leader.' 'No I can't!' They're not crazy - they're reluctant prophets.