Top 1200 No Sense Quotes & Sayings - Page 17

I enjoy Chicago as one of the great American cities. When I come here and take a taxi from the airport, I meet a young man from Somalia. I meet a young man from Eritrea who engages with this nation with a sense of hope and a sense of desire. But we also we know that there are other elements of this nation that are toxic.

There is a heavy Mexican Catholic streak in my movies, and a huge Mexican sense of melodrama. Everything is overwrought, and there's a sense of acceptance of the fantastic in my films, which is innately Mexican. So when people ask, 'How can you define the Mexican-ness of your films?' I go, 'How can I not?' It's all I am.

There are estimated to be fewer that 50 prodigious savants worldwide. If we were brought together, it would be disappointing in the sense of us having different abilities. One thing that would make me feel united with them would be the sense of us having grown up in isolation.

Science is nothing but trained and organized common sense differing from the latter only as a veteran may differ from a raw recruit: and its methods differ from those of common sense only as far as the guardsman's cut and thrust differ from the manner in which a savage wields his club.

What the Clintons have always done is embraced challenging. They can't have enough photo opportunities with Al Sharpton or Jesse Jackson. They communicate to blacks that they agree with their challenging identity. So, in a sense, Hillary is blacker than Barack Obama. Their alignment with this black identity makes them 'black' in a metaphorical sense, I guess.

The thing about Gambit is that he's a man who knows how to adapt to survive. He plays things by ear, depending on the situation, and never feels obligated to follow the rules, because the only rules that matter are his own sense of honor. Ultimately, that sense of honor includes 'doing no harm' - at least, not to the innocent.

I found that with Rooney, her instincts in films was always to underplay and to sort of reduce down what was necessary to bring you in - a sense of economy, a sense of scale, which just seemed to understand the medium so well. When you see that in a younger actor, I always think it speaks to incredible knowledge. I can't exactly figure out where that comes from, that confidence to know how to be quiet.

I got very lucky to work with Wes Craven, very early on in my career, and continued to work with Wes for almost 19 years. I learned so much from him, and about his sense of story and his sense of horror, and that was great to be a part of.

When the old way of seeing was displaced, a hollowness came into architecture. Our buildings show a constant effort to fill that void, to recapture that sense of life which was once to be found in any house or shed. Yet the sense of place is not to be recovered through any attitude, device, or style, but through the principles of pattern, spirit, and context.

What stops me from taking myself seriously, even though I am essentially a serious person, is that I find myself extremely ridiculous, not in the sense of the small-scale ridiculousness of slap-stick comedy, but rather in the sense of ridiculousness that seems intrinsic to human life and that manifests itself in the simplest actions and the most extraordinary gestures.

People need a sense of purpose. Gross margins are not the stuff of which dreams are made. And even without going so far as to talk of dreams, you cannot inspire people to take action, create or motivate without instilling a sense of purpose, especially when times are difficult.

During long periods of history, the mode of human sense perception changes with humanity’s entire mode of existence. The manner in which human sense perception is organized, the medium in which it is accomplished, is determined not only by nature but by historical circumstances as well

It's just not a good idea to drink and drive; that is just common sense. But common sense is not that common!

All civilization in a sense exists only in the mind. Gunpowder, textile arts, machinery, laws, telephones are not themselves transmitted from man to man or from generation to generation, at least not permanently. It is the perception, the knowledge and understanding of them, their ideas in the Platonic sense, that are passed along. Everything social can have existence only through mentality.

What is wrong with us human beings, and has been wrong since time immemorial, is that without ever stating it in so many words, we believe that we have entered the realm of immortality. We behave as if we are never going to die - an infantile arrogance. But even more injurious than this sense of immortality is what comes with it : the sense that we can engulf this inconcievable universe with our minds.

Although not of the quality of my later work, I feel there is some quality to it [my early work] in an art sense, and probably some additional quality in a biographical sense.

The Bolshevists would blow up the fabric with high explosive, with horror. Others would pull down with the crowbars and with cranks--especially with cranks. . . . Sweating, slums, the sense of semi-slavery in labour, must go. We must cultivate a sense of manhood by treating men as men.

Puerto Rican independence movement wasn't just rooted in some sort of personal intransigence or some passionate Latino temperament. It was rooted in economic and political reality at the time. It also made sense since the founding principles of the United States are supposedly based on government by the consent of the governed, and the sense that all men are created equal.

Compulsion in the literal Sense is maliciously misrepresented, by supposing it authorizes Violences committed against the Truth. The Answer to this; by which it is prov'd, that the literal Sense does in reality authorize the stirring up Persecutions against the Cause of Truth, and that an erroneous Conscience has the same Rights as an enlighten'd Conscience.

I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue. If it does, I can feel a sense of momentum - the poem finds a reason for continuing.

I stepped onto the spiritual path moved by an inner sense that I might find greatness of heart, that I might find profound belonging, that I might find a hidden source of love and compassion. Like a homing instinct for freedom, my intuitive sense that this was possible was the faint, flickering, yet undeniable expression of faith.

It is impossible - now, at this point in the long journey of human culture - to avoid the sense that pain is necessity; that it is neither accident, nor malformation, nor malice, nor misunderstanding, that it is integral to the human character both in its inflicting and in its suffering, this terrible sense Tragedy alone has articulated, and will continue to articulate, and in so doing, make beautiful...

What is wanted is men of principle, who recognize a higher law than the decision of the majority. The marines and the militia whose bodies were used lately were not men of sense nor of principle; in a high moral sense they were not men at all.

We need to bridge our sense of loneliness and disconnection with a sense of community and continuity even if we must manufacture it from our time on the Web and our use of calling cards to connect long distance. We must “log on” somewhere, and if it is only in cyberspace, that is still far better than nowhere at all. (264)

It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past. Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.

I give the name of cosmic sense to the more or less confused affinity that binds us psychologically to the All which envelops us. The existence of this feeling is indubitable, and apparently as old as the beginning of thought... The cosmic sense must have been born as soon as man found himself facing the forest, the sea and the stars.

Truth usually makes no sense. If your desire is for everything to make perfect sense, then you should take refuge in fiction. In fiction, all threads tie together in a neat bow and everything moves smoothly from one point to the next to the next. In real life, though... nothing makes sense. Bad things happen to good people. The pious die young while the wicked live until old age. War, famine, pestilence, death all occur randomly and senselessly and leave us more often than not scratching our heads and hurling the question 'why?' into a void that provides no answers.

Television has to reflect back to you your own sense of security. It also has to mirror your sense of your own decency and your own limitations.

No sense in no sense innocence of what of not and what of delight. In no sense innocence in no sense and what in delight and not, in no sense innocence in no sense no sense what, in no sense and delight, and in no sense and delight and not in no sense and delight and not, no sense in no sense innocence and delight.

So really what it comes down to, it's God. Wherever you look, it's God appearing as this, that, that...and what you really love and appreciate in each form is the divine formless out of which each form comes. But to be able to sense that you have to sense it in yourself first. And that is seeing the beauty in everything, that's really what it means.

I don't want to talk about today's market anymore because nobody can make sense of what the market is. It's all over the map. There's a bunch of lunatics out there throwing money away. I'm sick and tired of it. It's lunacy. Punch me in the head and tell me I'm stupid, but that's the way I feel. There's no sense to it anymore.

The kind of theater that I do is sort of 'narrative realism,' which I think in the broadest sense is legitimate to say is mainstream. I mean, in a certain sense, Suzan-Lori's plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.

If youth is the period of hero-worship, so also is it true that hero-worship, more than anything else, perhaps, gives one the sense of youth. To admire, to expand one's self, to forget the rut, to have a sense of newness and life and hope, is to feel young at any time of life.

After having been lost in the world, suddenly, through the pressure of suffering, the realization comes that the answers may not be found out there in worldly attainment and in the future. That's an important point for many people to reach. That sense of deep crisis-when the world as they have known it, and the sense of self that they have known that is identified with the world, become meaningless.

This is how we came by our factions: Candor, Erudite, Amity, Abnegation and Dauntless." Max smiles. "In them we find administrators and teachers and counselors and leaders and protectors. In them we find our sense of belonging, our sense of community, our very lives.

I regularly see constituents, speak to people who feel let down by the justice system quite fundamentally, and these are people who don't make the headlines. These are people who have felt that their sense - their grief, their sense of injustice has been compounded by a system that just doesn't work, that just doesn't listen to victims, that effectively disempowers them all too often.

I think American guys tend to be a bit more forward, a bit more chatty and open than the Brits. The Brits seem to have a darker sense of humor, though I have met some Americans who have adopted bits of the British dry sense of humor as well.

For me, the biggest thing I've learned is how to be myself and the fact that viewers actually want to feel like they're getting to know you as a person. They value you because you're a reporter and you're bringing them new information, but they also want to feel like they get a sense of your sense of humor and what things you're interested in.

Tulse Luper, who without too many confessions, in a sense, is a fictive version of me. I have to say he has far more exciting adventures, and certainly a lot of them sexual, than ever I've experienced. But in a sense, what you do with an alter ego, you give them all sorts of permissions and licences which you know you'll never be able to embrace in your real life.

Before I begin a novel I have a strong sense of at least one central character and how the story begins, and a more vague sense of where things may wind up, but at some point, if the novel is any good at all, the story and characters take on lives of their own and take over the book, and the writer has to be open to that.

Work and self-worth are the two factors in pride that interact with each other and that tend to increase the strong sense of pride found in superior work teams. When people do something of obvious worth, they feel a strong sense of personal worth.

It's feeling the sense of responsibility, the sense of ownership, to step in, to try to solve any problem - and the humility to step back and embrace the better ideas of others. Your end goal, is what can we do together to problem-solve. I've contributed my piece, and then I step back.

It is a thousand times better to have common sense without education than to have education without common sense.

It depends on your specific conception of God, because belief can equally well leave you with this constant sense that you're coming up short and you're being judged and you're not doing quite the perfect thing. You know, I was brought up very religiously, and I never totally lost that sense, you know, that I'm screwing up.

All over the world today people have a very strong desire to find a sense of identity, and at the same time that's coupled with the rise of absolutely absurd wars that relate to ethnic identity. Perhaps there is something deeply ingrained in people that relates to a sense of belonging, and without that, identity doesn't seem as real as it should.

Sense is a line, the mind is a circle. Sense is like a line which is the flux of a point running out from itself, but intellect like a circle that keeps within itself.

It has always been more difficult for a man to keep than to get; for, in the one case, fortune aids, which often assists injustice; but, in the other case, sense is required. Therefore, we often see a person deficient in cleverness rise to wealth; and then, from want of sense, roll head over heels to the bottom.

I was 13 years old. I feel like I didn't have a sense of artistry, and I didn't have a sense of the music that I wanted to make, and every time I'd go into the studio, and I'd make my EP, a month later I'd scrap it and be like, 'I hate every song. I don't wanna do it.' Because that's how 13-year-olds are.

I grew up with a sense of tolerance. I don't know that there was any talk about gender differences. It was respect for people. So when I became a professional and saw that there were a lot of differences in the sense of how people lived their lives, I became respectful of their territory, of their thoughts and their ideas, and it was never a problem for me to feel that this is my sister, this is my brother.

You go from being with the guys all the time in the locker room, in practice, having a militarized brain in terms of this schedule, and then, all of a sudden, you are on your own. You lose a sense of purpose; you lose a sense of yourself. And you lose confidence. You find yourself saying, 'I was the best at this, and now I'm not the best.'

There is a residual sense for me, having grown up in the early '70s, that I did not know I had, which was a sense that the military are different than I. Because there was such a divide between the military world - and there still is, because there's no draft - and the civilian world is one of the rotten harvests of the Vietnam War, was this sort of bifurcation of America in that way.

My ethics, my sense of morality, my work ethic, my sense of compassion for suffering humanity, all of that comes directly out of the practice of poetry, as does my Buddhist practice. Poetry is a very important element in the history of Buddhism in general and in Zen in particular. It was really Zen that motivated me to change the way I perceive the world.

One of the most important elements of Caio-ness I wanted to keep was that left to right reading, where one form draws you... this movement in what is otherwise a fairly still art, that sense of pulling the eye. It involves a sense of time. To me that's esoteric and magical and playful, and if a painting doesn't have that, to me it's just canvas and paint. If it does have that, then it rises above its materials.

The kind of theater that I do is sort of ‘narrative realism,’ which I think in the broadest sense is legitimate to say is mainstream. I mean, in a certain sense, Suzan-Lori's plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.

Common sense tells us that the government's attempts to solve large problems more often create new ones. Common sense also tells us that a top-down, one-size-fits-all plan will not improve the workings of a nationwide health-care system that accounts for one-sixth of our economy.

The book I'm looking for,' says the blurred figure, who holds out a volume similar to yours, 'is the one that gives the sense of the world after the end of the world, the sense that the world is the end of everything that there is in the world, that the only thing there is in the world is the end of the world.

I am not sure one is capable of reflecting absurdity without having a strong sense of meaning. Absurdity makes sense only against a meaningful background. It is the deeper meaning that is shedding light on the absurdity. There must be a vanish point, a metaphysical horizon if you will where absurdity and meaning merge.

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed-he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog.

Angels can recognize the nature of our unique essence on the basis of nothing more than a brief conversation with us. From hearing the tone of our voice angels sense what we love; and from hearing what we say, angels sense our level of understanding.

I think there are definite parallels between sport and art. There's a real sense of sacrifice. There's a real sense of dedication that is needed in sport that I think you can attribute to art. I think so much of it is about bravery and courage, being an actor.