Top 1200 Norwegian Wood Quotes & Sayings - Page 19

Explore popular Norwegian Wood quotes.
Last updated on October 23, 2024.
It is surely a matter of common observation that a man who knows no one thing intimately has no views worth hearing on things in general. The farmer philosophizes in terms of crops, soils, markets, and implements, the mechanic generalizes his experiences of wood and iron, the seaman reaches similar conclusions by his own special road; and if the scholar keeps pace with these it must be by an equally virile productivity.
Sometimes we can lose the wood for the trees. Some specific issues dealt with in the book [Saving Calvinism]: the scope of election (who is saved?); the nature of the atonement (do we have to hold to penal substitution if we're Reformed?); the scope of the atonement (for whom did Christ die?); whether we have to hold to some sort of theological determinism (God ordains all that comes to pass).
Vlad made a mental note to amend the friend code: thou shalt not date the girl that thy best friend has a crush on...nor shalt thou try sticking thy best friend in the chest with a sharp hunk of wood.
Is not Fire a Body heated so hot as to emit Light copiously? For what else is a red hot Iron than Fire? And what else is a burning Coal than red hot Wood? — © Isaac Newton
Is not Fire a Body heated so hot as to emit Light copiously? For what else is a red hot Iron than Fire? And what else is a burning Coal than red hot Wood?
For me the noise of Time is not sad: I love bells, clocks, watches — and I recall that at first photographic implements were related to techniques of cabinetmaking and the machinery of precision: cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
The life of the wood, meadow, and lake go on without us. Flowers bloom, set seed and die back; squirrels hide nuts in the fall and scold all year long; bobcats track the snowy lake in winter; deer browse the willow shoots in spring. Humans are but intruders who have presumed the right to be observers, and who, out of observation, find understanding.
What happened is that in the middle of my life I went away and in my own sense of hubris, pride, cynicism, thought, I am an autonomous being in the world, I can control things, I am God.' But my experiment at being God failed! And they do have a great saying in AA: 'Get down off the cross, we need the wood!' And the important thing is to realise you are not the centre of the universe, you are not God.
Lik the tree falling in the forest," says Ira. "Huh?" "You know, the old question - if a tree falls in a forest and no one's there to hear it, does it really make a sound?" Howie considers this. "Is it a pine forest, or oak?" "What's the difference?" "Oak is a much denser wood; it's more likely to be heard by someone on the freeway next to the forest where no one is.
The dark is generous, and it is patient, and it always wins. It always wins because it is everywhere. It is in the wood that burns in your hearth, and in the kettle on the fire; it is under your chair and under your table and under the sheets on your bed. Walk in the midday sun, and the dark is with you, attached to the soles of your feet. The brightest light casts the darkest shadow.
How could Michelangelo have seen his David in a block of marble? Man began to make images only because he discovered them nearly formed around him, already within reach. He saw them in a bone, in the bumps of a cave, in a piece of wood. One form suggested a woman to him, another a buffalo, still another the head of a monster.
We've gone from a world in which Starbucks set a cutting-edge standard for mass-market design to a world in which Starbucks establishes the bare minimum. If your establishment can't come up with an original look, customers expect at least some sleek wood fixtures, nicely upholstered chairs, and faux-Murano glass pendant lights.
So imagine a fire going -- wood snapping the way it does when it’s a little green — the wind rattling the windows behind the curtains -- and one of those Chopin melodies that feel like sorrow and ecstasy all mixed together pouring from the keys -- and you have my idea of happiness. Or just reading, reading and lamplight, the sound of pages turning. And so you dare to be happy. You do that thing. You dare.
The colour of a British wood in autumn is predominantly yellow. There are relatively few European trees which have red leaves in the autumn. But there are splashes of crimson or rust-red colours from a few indigenous trees, like the rowan, as well as from introduced species, like the North American red oak.
Sometimes friends do foolish things. My father told me that true friends are like gold coins. Ships are wrecked by storms and lie for hundreds of years on the ocean floor. Worms destroy the wood. Iron corrodes. Silver turns black but gold doesn't change in sea water. It loses none of its brilliance or colour. It comes up the same. It survives shipwrecks and time.
Oh, I don't object, of course, to cutting wood from necessity, but why destroy the forests? The woods of Russia are trembling under the blows of the axe. Millions of trees have perished. The homes of the wild animals and birds have been desolated; the rivers are shrinking, and many beautiful landscapes are gone forever. And why? Because men are too lazy and stupid to stoop down and pick up their fuel from the ground.
I don't know who they are[my characters] . They're entirely invented characters. Maybe that's how I've been able to write so many books, because there are no boundaries for me. I can write a completely fantastical story like "Swept Away" or "Blinded by the Light" and then a non-comic drama like "Chicxulub" or something like "Birnam Wood" that has autobiographical underpinnings. Why not?
If the Lord tarries, there may yet be a grass-roots awakening that will overflow all sectarian barriers. There are a host of good people... who long for a visitation from heaven in old-time power. The kindling wood is scattered all round in all the churches. May God help us to rake off the ashes, uncover the live coals and may He blow upon us with the breath of His Spirit!
Ooo, let’s see, I need to get my spicy barbecue sauce. Definitely some oven mitts, ‘cause he’s gonna be hot from being flame-broiled. I need to get a couple of them apple trees to make wood chips so the meat be nice and appley tasting. Give it that extra yumminess, ‘cause I don’t like that Daimon flavor. Ack! (Simi)
Woodworking requires a completely different kind of thinking and problem-solving ability than writing. With writing, you take a set of facts and ideas, and you reason your way forward to a story that pulls them together. With woodworking, you start with an end product in mind, and reason your way backward to the raw wood.
All perfect things are saddening in effect. The autumn wood robed in its scarlet clothes, The matchless tinting on the royal rose Whose velvet leaf by no least flaw is flecked. Love's supreme moment, when the soul unchecked Soars high as heaven, and its best rapture knows, These hold a deeper pathos than our woes, Since they leave nothing better to expect.
From its fountains In the mountains, Its rills and its gills; Through moss and through brake, It runs and it creeps For awhile till it sleeps In its own little Lake. And thence at departing, Awakening and starting, It runs through the reeds And away it proceeds, Through meadow and glade, In sun and in shade, And through the wood-shelter, Among crags in its flurry, Helter-skelter, Hurry-scurry.
I'll never forget a Podcast I did with Dr Joseph Mercola when my bestseller, 'The Plant Paradox' had just come out. He was wild about the book, and apoligized that he had never heard of me before the book. He asked what I had been doing for so many years. I replied that I was merely following the Buddha's advice to 'chop wood and carry water.'
The spring is here, young and beautiful as ever, and absolutely shocking in its display of reckless maternity; but the Judas treewill bloom for you on the Bosphorus if you get there in time. No one ever loved the dog-wood and Judas tree as I have done, and it is my one crown of life to be sure that I am going to take them with me to heaven to enjoy real happiness with the Virgin and them.
I started off by doing everything myself, driving the truck, going to the woodshop, buying the wood, designing the furniture, cutting it out, making it myself, finishing it, polishing it, and delivering it, and writing the invoice and writing the letters, doing the books, doing the telephone bill and everything else like that.
Think of it! A few more boats, a few more planks of wood nailed together in a particular way at a thrifty cost and all those men and women whom the world can so ill afford to loose would be with us today. There would be no mourning in thousands of homes which now are desolate and these words need not have been written.
Clean lines have always been important to me, both in terms of interiors as well as fashion. For interiors, I am more interested in textures and surface treatments than bold color or print - the vein on a wood or the shine on a lacquer, for example. I know immediately when something isn't working - usually it's a question of consistency - and I make instantaneous decisions on how to remedy the situation.
I liked Bugs Bunny. He was pretty good. He's annoying as a duck and he's anti-proletarian. Daffy Duck I couldn't see what was going on with him. He seemed like he was angry about something. My favorite one though is Pinocchio. I liked that kid. He was made of wood. I liked that for a start. I also liked how he'd tell a lie and his nose would grow. I liked the morality of that.
I swore I would never get involved in my dad's life. But then he started blowing it. So I had to get involved, you know, but he's my dad, I can't send him to his room or ground him or go to his first grade play and scream, "Look at the fairy!" I was a wood nymph.
As a historian, I love every little detail, but whole long passages about wood paneling and journeys on horseback and every stop at every inn had to go out the window. I decided the history in the books should be like spice in a soup - a little went a long way. Like cilantro.
There's a lovely character in 'Under Milk Wood' called Mrs. Ogmore Pritchard and she's incredibly tidy and clean. She really is unbearably tidy and clean! And I terrorize my husband when he comes in sometimes from shooting and there's awful dead birds all over the hall that he calls me Mrs. Ogmore Pritchard.
In my opinion, if there is one extremely legitimate use for petroleum besides running wood chippers and front-end loaders to handle compost, it's making plastic for season extension. It parks many of the trucks [for cross-country produce transportation]. With the trucks parked, greenhouses, tall tunnels, and more seasonal, localized eating, can we feed ourselves? We still have to answer that burning question.
For soon the body is discarded, Then what does it feel? A useless log of wood, it lies on the ground, Then what does it know? Your worst enemy cannot harm you As much as your own thoughts, unguarded. But once mastered, No one can help you as much, Not even your father or your mother.
On his first hand he wore rings of stone, Iron, Amber, Wood and Bone. There were rings unseen on his second hand, One was blood in a flowing band, One was air all whisper thin, And the ring of ice had a flaw within. Full faintly shone the ring of flame, And the final ring was without name.
There's something about materials like copper, woods, stone, trees, shells. You walk outside and these materials are part of the world before we touched anything. There's a feeling of pleasure that many of us have in materials that have some presence before us, like clay and wood and copper.
When I was little, we lived on 8 acres and my mom had a horse. But when I was 7, my mom kicked my dad out, and then in order to feed us five kids, she got critters cheap or for free and raised them for food. We milked a cow, raised chickens, pigs and beef cattle. We heated our one-story house with wood and stayed cold all winter.
Come, seeling night, Scarf up the tender eye of pitiful day, And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale. Light thickens, and the crow Makes wing to th' rooky wood. Good things of day begin to droop and drowse, While night's black agents to their prey do rouse.
Angelina, Alicia, and Katie suddenly giggled. "What?" said Wood, frowning at this lighthearted behavior. "He's that tall, good-looking one, isn't he?" said Angelina. "Strong and silent," said Katie, and they started to giggle again. "He's only silent because he's too thick to string two words together," said Fred impatiently.
Indians walk softly and hurt the landscape hardly more than the birds and squirrels, and their brush and bark huts last hardly longer than those of wood rats, while their more enduring monuments, excepting those wrought on the forests by the fires they made to improve their hunting grounds, vanish in a few centuries.
I hover over the expensive Scotch and then the Armagnac, but finally settle on a glass of rich red claret. I put it near my nose and nearly pass out. It smells of old houses and aged wood and dark secrets, but also of hard, hot sunshine through ancient shutters and long, wicked afternoons in a four-poster bed. It's not a wine, it's a life, right there in the glass.
The benefits of a modest warming would outweigh the costs - by $8.4 billion a year in 1990 dollars by the year 2060, according to Robert Mendelsohn at Yale University - thanks to longer growing seasons, more wood fiber production, lower construction costs, lower mortality rates, and lower rates of morbidity (illness).
I am quite happy that the Beatles came and went. There is even a sort of glory in not having it go on forever. There is a complete body of work that went from A to Z and it is all pretty damn good stuff. The one thing I am particularly proud of is that nearly every single bit of it has some good message. I feel fortunate when I look back. Life is not easy, but I've been very lucky - and I'm touching wood as I say that.
Saying that, he was suddenly himself again, despite his lunatic hair and eyes: a man whose personal dignity went so deep as to be nearly invisible... It was more than diginity. Integrity? Wholeness? Like a block of wood not carved. The infinite possibility, the unlimited and unqualified wholeness of being of the uncommitted, the nonacting, the uncarved: the being who, being nothing but himself, is everything.
See with what force yon river's crystal stream Resists the weight of many a massy beam. To sink the wood the more we vainly toil, The higher it rebounds, with swift recoil. Yet that the beam would of itself ascend No man will rashly venture to contend. Thus too the flame has weight, though highly rare, Nor mounts but when compelled by heavier air.
If I wasn't acting, I would own a farm. Not like growing crops but maybe have a few animals like cows, and maybe an alpaca or a llama. I would chop wood all day. I would make a living doing that; it's, like, an idealistic scenario for me. It's very contrary to my upbringing, but maybe that's the appeal to it.
Cooking is just as creative and imaginative an activity as drawing, or wood carving, or music. And cooking draws upon your every talent--science, mathematics, energy, history, experience--and the more experience you have, the less likely are your experiments to end in drivel and disaster. The more you know, the more you can create.
One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones."
If I'm hitting 3-wood and everyone else is hitting driver, it's a level playing field. If I'm hitting driver straight, then I think I'm playing at a different level than everybody else.
When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It's only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.
So spirit is both the highest "level" in the holarchy, but it's also the paper on which the entire holarchy is written. It's the highest rung in the ladder, but it's also the wood out of which the entire ladder is made.
Beneath our feet a fairy pathway flows, The grass still glitters in the summer breeze, The dusky wood, and distant copse appear, And that lone stream, upon whose chequer?d face We mused, when noon-rays made the pebbles gleam, Is mirror?d to the mind: though all around Be rattling hoofs and roaring wheels, the eye Is wand?ring where the heart delights to dwell.
All the same, the fundamental truths which govern that art are still unchangeable; just as the principles of mechanics must always govern architecture, whether the building be made of wood, stone, iron or concrete; just as the principles of harmony govern music of whatever kind. It is still necessary, then, to establish the principles of war.
What has become clear to me is that it is not the inherent nature of being gay that causes such a reduced life; it is, rather, the social circumstances around being gay: the perceptions of it and the cultural norms that it is said to violate. As some of those norms have changed, I have been able to be gay, to have a marriage, to have a family, and to have - if there is wood to knock on - a fortunate and happy life.
It's energy intensification, where we essentially have, through our light bulbs and cars, the manpower of [hundreds of] people working on our behalf, helping our food being created, helping our materials like steel and plastic and wood and paper be created. Our lifestyles are incredibly energy intense.
The Bible is filled with stories about angels, but many of us have had our view of angels confused by popular misconceptions about them, the principal of which is that angels do not actually exist anymore than fairies do, or wood nymphs or water sprites. But they do exist, and the Bible attests to their existence innumerable times.
You know, there are good reasons to learn how to read. Poetry isn't one of them. I mean, so what if two roads go two ways in a wood? So what? Who cares if it made all that big a difference? What difference? And why should I have to guess what the difference is? Isn't that what he's supposed to say? Why can't poets just say what they want to say and then shut up?
A language like Ruby is a toolbox with some really neat little tools that do their job really nicely. JavaScript is a leather sheath with a really really sharp knife inside. That knife can cut anything, and with it you can do anything. You can kill a bear. You can catch fish. You can whittle a piece of wood into a pony. It's even a toothpick.
Howard was almost as fond of this hall as he was of his own shop. The Brownies used it on Tuesdays, and the Women's Institute on Wednesdays. It had hosted jumble sales and Jubilee celebrations, wedding receptions and wakes, and it smelled of all of these things: of stale clothes and coffee urns, and the ghosts of home-baked cakes and meat salads; of dust and human bodies; but primarily of aged wood and stone.
If I am practicing on the wire, and you pushed me, I would not move, and if you take a piece of wood and beat me up on the shoulder and the head, I would not move. You would not put me out of balance. You would not be able to. I am solid as granite when I am on the tight rope, and I should be.
[Phil wood] put on some [Igor] Stravinsky and say to follow the score, tell me to play me the opening to the Rite of Spring. Or, "I'm going to play you some 20th century obscure classical composer you don't know". Or, "Let's listen to some Charles Ives, let's sight read some Bartok violin duets", etc.
The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of wood smoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons.
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