Top 150 Notebooks Quotes & Sayings - Page 2

I've been slightly obsessed with paper and notebooks. Among my most precious possessions is a small light-blue, breviary-sized volume - four-and-a-half inches wide, seven inches tall - made by a company called Denbigh.

There are many different kinds of PCs. You have fixed, virtual, tablets, notebooks, ultrabooks, desktops, workstations. What you find in commercial PCs, business PCs, is that there's a really long tail of usage on client devices.

When you're born in this world you're given a ticket to the Freak Show. And when you're born in America, you're given a front row seat. And some of us get to sit there with notebooks.

If she were a writer she would collect her pencils and notebooks and favourite cat and write in bed. Strangers and lovers would never get past the locked door.

As an introverted kid who lived in the middle of nowhere, my stories made up the whole of my social life. That meant that while other kids cultivated hobbies like skateboarding or playing the piano, I sat at home scribbling in notebooks.

The first song I wrote was called "You" and it was a love song about somebody who didn't even exist. I remember them all because I used to always write terrible poetry. I keep all my notebooks.

I established my first writing routine when I was 13. The school year had just ended, and I'd won a stack of books for being the best student in a number of subjects. The pile included several 60-leaved notebooks that I decided to fill with short stories.

For years and years I carried these notebooks around with me - I had hundreds of pages of notes, these fragments that consisted of biographical anecdotes, diary passages, critical rants, agitations, scenes of my marriage.

The only crush I have is on Chris Colfer. I’m madly in love with him… I just, like, I doodle in my prop notebooks, ‘I heart Chris Colfer’ over and over and over again.

Sunday is a likely day to write a poem. Because poetry is a piece of language flying around: you'll find notebooks, something on your phone. It's about finding them and getting them off that crumpled piece of paper and onto my computer.

I've been poked fun of throughout my career by fellow actors for my notes that I take. I have spiral notebooks that I carry with me on every project I do, and I take notes just so that if I have to relive a scene, if I have to go back, I know what I did.

The notebooks of Paul Brunton represent the acme of wisdom on the nature of human spirituality. Every serious student of this subject will profit enormously by becoming acquainted with Brunton's seminal work.

There came this point where I sat down with all my notebooks and I had to start to write, when I thought: this whole notion of writing for the person who understands nothing, the average reader... He has to die! I can't have him in my head. And so the person I started writing for was the homicide detective.

I have lots of notebooks around, because one great advantage of writing by hand-in addition to how much it slows you down-is that it makes me write at the speed that I feel I should be composing, rather than faster than I can think, which is what happens to me on any keyboard.

I can't predict how reading habits will change. But I will say that the greatest loss is the paper archive - no more a great stack of manuscripts, letters, and notebooks from a writer's life, but only a tiny pile of disks, little plastic cookies where once were calligraphic marvels.

I write all over the house. Because I write in longhand, I can go anywhere I want... I have some notebooks here and there, and then I type it in and pull it out, and I do the revisions all over the place.

When I'm filling notebooks I'm trying to pin down what I'm really interested in and to find those details that are so hard to come by, details that I can look at and believe are right on the mark. Things which bring a novel to life. They can take a while to come.

I like to believe that I don't think of myself as a writer. I am an amateur. Back when I was teaching, I wrote when I could. Weekends were good typewriter time. Now, it's whenever I feel there's something to be put on paper. I don't care what time it is, though I always write in the notebooks at night.

People are curious. A few people are. ... They will put things together, knowing all along that they may be mistaken. You see them going around with notebooks, scraping the dirt off gravestones, reading microfilm, just in the hope of seeing this trickle in time, making a connection, rescuing one thing from the rubbish.

It is often we come the closest to the essence of an artist... in his or her pocket notebooks and travel sketchbooks... where written comments and personal notes provide an intimate insight into the magical mind of a working artist.

I always write my first draft in longhand, in lined notebooks. I move around the house, sitting where I like, and watch the words spool out in front of me, actually taking a lot of pleasure in the way they look in my strange handwriting on the page.

I keep threatening to keep a formal journal, but whenever I start one it instantly becomes an exercise in self-consciousness. Instead of a journal I manage to have dozens of notebooks with bits and pieces of stories, poems, and notes. Almost every thing I do has its beginning in a notebook of some sort, usually written on a bus or train.

In the morning a man walks with his whole body; in the evening, only with his legs. RALPH WALDO EMERSON, Journals and Miscellaneous Notebooks Greek architecture is the perfect flowering of geometry.

I carry a small spiral notebook with me at all times and have been doing this for many years. There's a shoe box in my closet filled with these notebooks, each riddled with notes and impressions, ideas, schemes, and soup recipes.

I've seen Leonardo Da Vinci notebooks which are filled with tiny, messy scrawls written in mirror image across the page. I'd love to know how he kept all his projects going at once.

My little notebooks were beginnings - they were the ground into which I dropped the seed... I would work in this way when I was out in the crowds, then put the stuff together at home.

Negatives are the notebooks, the jottings, the false starts, the whims, the poor drafts, and the good draft but never the completed version of the work The print and a proper one is the only completed photograph, whether it is specifically shaded for reproduction, or for a museum wall.

I spend a lot of time preparing. I think a lot about what I want to do. I have prep books, little notebooks in which I write everything down before a sitting. Otherwise I would forget my ideas.

I work fitfully, in hope rather than in expectation, invent methods which last a week, and fill notebooks with tiny, illegible writing which often defies my own attempts to decipher it.

I was sickly as a child and gravitated to books and drawing. During my early teen years, I spent hundreds of hours at my window, sketching neighborhood children at play. I sketched and listened, and those notebooks became the fertile field of my work later on. There is not a book I have written or a picture I have drawn that does not, in some way, owe them its existence.

I've already got notebooks full of ideas for new music, so I'm gonna kind of nurture that just like I do all of my ideas and perfect it until it's ready and then I'll just let it go.

I write with a Uni-Ball Onyx Micropoint on nine-by-seven bound notebooks made by a Canadian company called Blueline. After I do a few drafts, I type up the poem on a Macintosh G3 and then send it out the door.

What comics sacrifice and what lives they live - I know that most of their lives, their adult lives, they're sitting around or walking around with notebooks, writing things down. Usually they're fairly sensitive. Usually they're very bright. And that makes them poets.

Usually, I have a lot of acquaintance with the story before I start writing it. When I didn't have regular time to give to writing, stories would just be working in my head for so long that when I started to write I was deep into them. Now, I do that work by filling notebooks.

You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.

A writer will write with or without a movement; but at the same time, for Chicano, lesbian, gay and feminist writers-anybody writing against the grain of Anglo misogynist culture-political movements are what have allowed our writing to surface from the secret places in our notebooks into the public sphere.

I won't say if nerd is the right term, but I'm a big, big cricket fanatic. I just cannot stop thinking, talking cricket. I do carry notebooks and make notes to look at improving and developing my own game.

I started writing an album on flights to Africa and Brazil, but it was crazy because I left the notebook on the plane. It had seven or eight songs in it. After that, I'm not writing any more songs on notebooks - and I keep my Blackberry close!

The lyrics seem to follow the music, and that's usually how I write. I write more about what comes out of my mouth while I'm writing the chords, and that seems to work better than filling up notebooks of what I think is really cool poetry, and try to put it on a song. That usually sounds like it's taped on.

I have notebooks and sketchbooks for ideas. I also have drawers full of envelopes covered in quick outlines, scenes or scraps of dialogue that I don't want to forget. I tend to grab whatever's to hand and just get the thing down before it's lost. It's not what you would call a streamlined system.

I was a total education geek. I loved school. I loved learning. I loved doing homework. All of my books and notebooks from high school are underlined and highlighted and there are notes all over the margins. And you know, I was a theater kid too. I was all over the place.

I write by hand in my notebooks and number the drafts, so I know how crazy I can get with this. Some writers, like my teacher Marilynne Robinson, she only writes one draft. I've thought about this a lot; I think it's because she writes it 80 times in her head before it comes out.

She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.

I remember I used to go school with guys who couldn't afford notebooks, pens, paper: the necessary tools needed in order to survive in school. It's a lot of kids in Gary who are at a disadvantage without that.

My garage/office is strewn with Post-its, cards, folders, notebooks, yoga mats and multicoloured pens, all purchased in a quest to unlock a magic way of working that will ensure my ascension to next-level creativity.

At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can't forget it-it will haunt you till it's written.

Ever since I was a girl, I have written about one to five pages every day - on napkins, on scrap paper, in notebooks and tablets, on the walls in my room as a teenager, and in orange paint on the cheap white plastic blinds in my room.

'Memoryhouse' came out, and there wasn't a single review and zero sales, and after about a year, it was deleted. So I recorded The 'Blue Notebooks' on a little indie label, and my attitude was, 'Well, if nobody is listening, I might as well keep doing what I'm doing'.

I collect words and phrases and cut things out of newspapers and keep scrapbooks and write down ideas in my phone or 10,000 notebooks all around my house. It's not very organised, but I keep collecting, so I did have a lot of material to help me to write songs.

Like so many aspiring writers who still have boxes of things they've written in their parents' houses, I filled notebooks with half-finished poems and stories and first paragraphs of novels that never got written.

It never failed—I'd buy a new journal, write like a madwoman for ten pages, then lose total interest in the process. Three months later, I'd start the whole process all over again. I think I just liked buying new notebooks.

There came this point where I sat down with all my notebooks and I had to start to write, when I thought: this whole notion of writing for the person who understands nothing, the average reader ... He has to die! I can't have him in my head. And so the person I started writing for was the homicide detective.

If I don't write down a thought - or an image or a line of poetry - the instant it comes to mind, it vanishes, which explains why I have pens and notebooks in my pants and coat pockets, the car, the bicycle basket, on one or two desks in every room including bathrooms and the kitchen.

I don't carry notebooks and I don't consciously store ideas. I try not to think that I am a writer and I am pretty good at doing that. I don't like writers, but then I don't like insurance salesmen either.

As the new work fills my notebooks, I've come to realize that the characters in my stories were so real because I really did want to get close to people, I really did want to know them. It was just easier to do it on paper, one step removed.

I was the kind of kid who couldn't really stop making up stories during class. I didn't do very well academically because I was always drawing these little doodles in the margins of my notebooks and I wasn't bringing home the best grades.

If I spend a year and a half writing a script, the first year will be outlining in notebooks. It's just the way I work, definitely not necessarily the best way.

When I was still in prep school - 14, 15 - I started keeping notebooks, journals. I started writing, almost like landscape drawing or life drawing. I never kept a diary, I never wrote about my day and what happened to me, but I described things.

When Bugs Bunny walks into rehab, people are going to turn and look. People at rehab were stealing my hats and pens and notebooks and asking for autographs. I couldn't concentrate on my problem.

I've always liked language and been a big reader. I always loved books as objects. My favorite time of year as a child was September when we'd go buy all kinds of notebooks and pens and markers for school. I think I wanted to be a writer just so I'd be able to fill up all those pages.