Top 1200 Notes Music Quotes & Sayings - Page 3

Explore popular Notes Music quotes.
Last updated on April 17, 2025.
Peter Townsend Music is the silence between the notes.. So could it be said that dance is the stillness between the steps?
At a very early age I began to thump on the piano alone, and it was not long before I was able to pick out a few tunes? I also learned the names of the notes in both clefs, but I preferred not be hampered by notes.
Perhaps it is to prepare to hear some day the music of the spheres that I am always turning my ears to the music of streams. There is indeed a music in streams, but it is not for the hurried. It has to be loitered by and imagined. Or imagined toward, for it is hardly for men at all. Nature has a patient ear. To her the slowest funeral march sounds like a jig. She is satisfied to have the notes drawn out to the lengths of days or weeks or months. Small variations are acceptable to her, modulations as leisurely as the opening of a flower.
The diversity in the human family should be the cause of love and harmony, as it is in music where many different notes blend together in the making of a perfect chord. — © Abdu'l-Bahá
The diversity in the human family should be the cause of love and harmony, as it is in music where many different notes blend together in the making of a perfect chord.
Nobody has done Mariah Carey whistle-tone notes in country music that I've heard of, and if you're capable of doing it, you might as well add it in.
For at the hour of death you became a celebrated film star, it is a moment of glory for everyone, when the choral music scales the top notes.
Note-taking is important to me: a week's worth of reading notes (or "thoughts I had in the shower" notes) is cumulatively more interesting than anything I might be able to come up with on a single given day.
Sometimes when working on TV, especially when doing procedural cop work, you can refer to your notes. Your notes, of course, do contain, naturally, all the information you need.
There's an effort to reclaim the unmentionable, the unsayable, the unspeakable, all those things come into being a composer, into writing music, into searching for notes and pieces of musical information that don't exist.
["I Don't Feel at Home in This World Anymore" ] really jumped off the page. And there were so many specific notes within the context of the script. Music cues, for instance.
When I read, I take notes and underline things. So reading is a vigorous process for me, but I read in bed. My poor husband is trying to go to sleep, and I'm reaching over him to get the Post-it notes.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.
It can't be any new note. When you look at the keyboard, all the notes are there already. But if you mean a note enough, it will sound different. You got to pick the notes you really mean!
For my fragrance, I knew I wanted something sweet but with a different side to it. I have a lot of vanilla notes and bakery shop scents, but then I also have muskier notes that make it a bit edgier. It's fun but also sophisticated.
When we are in health, all sounds fife and drum for us; we hear the notes of music in the air, or catch its echoes dying away when we awake in the dawn. — © Henry David Thoreau
When we are in health, all sounds fife and drum for us; we hear the notes of music in the air, or catch its echoes dying away when we awake in the dawn.
False notes can be forgiven, false music cannot.
The music is used as a backdrop. I take the kundalini and I play against the notes with it. I do a light show inwardly and outwardly with the vortexes of energy as you sit there. It's no big deal. It's just what I do.
Children are given Mozart because of the small quantity of the notes; grown-ups avoid Mozart because of the great quality of the notes.
Decorating is like music. Harmony is what we constantly strive for. At home, we want a peaceful atmosphere where the objects are the notes and nothing is off-key.
Music is a continual learning process. One finds new insights all the time. For me, it began at a very early age; from the beginning, there was something besides the notes.
You've got to know much more than the mere technicalities of notes. You've got to know sounds and what goes between the notes.
You have to have all these elements of a feature but with a third of the length. And also the development process - there are so many more steps in getting notes from the studio, getting notes from the network.
Simplicity is the final achievement. After one has played a vast quantity of notes and more notes, it is simplicity that emerges as the crowning reward of art.
There are notes between notes, you know.
I wish I finished music school, because then I feel like I could talk more about the dissonant notes.
After you free yourself from the incredible expectations of love through the media from the time you were so high, you realise that it's the spaces between the notes that make music.
Two or three notes of music can instantly make you feel sad or tense or afraid or angry. To do that in words is much more difficult.
Both of my mom's parents were music teachers, so I was hearing the fundamentals of playing the piano, what notes are, and all those things very early on.
Real music will make you more and more refined. It will become more and more silent. In fact, real music will help you to listen to silence, where all notes disappear, where only gaps remain. One note comes, disappears, and another has not come, and there is a gap. In that gap meditation flows in you.
My dad is in the music business in Nashville. I was the third child born in my family, and there are three notes in a chord, so that's how they came up with my name.
My advice for other female directors is look for people who really appreciate your vision and are willing to genuinely support you. When it comes time to taking notes on various cuts, if you have a smart producer, listen to her notes!
I opened the doors of my heart. And behold, There was music within and a song, And echoes did feed on the sweetness, repeating it long. I opened the doors of my heart. And behold, There was music that played itself out in aeolian notes: Then was heard, as a far-away bell at long intervals tolled.
It’s really strange, but they speak to me — the notes and the chords. So when I hear other people’s music, I can feel the composer. Whoever created that, I can see in their soul.
A poet never takes notes. You never take notes in a love affair.
Time and rhythm are the most important elements in music. If both aren't well conceived, organized, and executed, no amount of notes will make the piece a meaningful artistic experience.
When I create a character, I do it with the directors, and I take their notes and try to have my notes meet in a common ground. I don't create characters myself, and I don't really think that's my job. I'm not a prep person at all - plus, I'm just a lazy procrastinator.
English is like music. The English language is really fit for singing. The notes match the feelings, and it makes sense.
A famous violinist once said. Music transcends words. By exchanging notes, you get to know one another, to understand one another. As if your souls were connected and your hearts were overlapping. It's a conversation through instruments. A miracle that creates harmony. In that moment, music transcends words.
The silence between the notes is the good part for me. I find that to be a very important part of music that is often lacking. — © Leon Redbone
The silence between the notes is the good part for me. I find that to be a very important part of music that is often lacking.
My voice is unadorned. I don't try for perfection. I try to be honest and truthful and soulful with the voice I have. If I make mistakes in notes, or there are cracks in notes, I don't fix them. That's the way it is.
You make mental notes. You're a coach, so you make mental notes from matchups, to who steps up in the playoffs to who doesn't, different types of players.
One series of notes, high and delicate, sang of a sweet moonlight kiss gone sour; another line of music rippled with regret over opportunities forever lost.
I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too.
I just write notes all day on my phone, and when I write songs it becomes a patchwork of these smaller notes that I had, mixed with stuff in the moment.
College is a place where a professor's lecture notes go straight to the students' lecture notes, without passing through the brains of either.
When comedy is good, it's jazz. The beats of it, the looseness, the improvisational part, the music-the way you hit the inflection, the high notes of a joke. It's all melody to me.
People are always asking me to do Shakespeare - at home, at colleges, on film locations, in restaurants. It's like playing a piece of music, getting all the notes. It's great therapy.
It is really hard to do comedy; it takes a lot of energy and focus. It's rather like music: It's a lot of hitting notes precisely.
Music is one of the closest link-ups with God that we can probably experience. I think it's a common vibrating tone of the musical notes that holds all life together.
It is really hard to do comedy; it takes a lot of energy and focus. It's rather like music: It's a lot of hitting notes precisely — © Christine Baranski
It is really hard to do comedy; it takes a lot of energy and focus. It's rather like music: It's a lot of hitting notes precisely
While human nature largely determines how we hear the notes, it is nurture that lets us hear the music.
A lot of the music video stuff I've worked on is mostly me pitching ideas, and then if [the artists] have notes or thoughts, I'll integrate them into the idea.
A fragrance is a veritable story, told and explained in scent, in notes, in impressions. It's a score based on the emotions of each instant, a captivating music of the senses.
Sometimes, when I play music, I feel as if I am giving life. ... It isn't just notes on the paper anymore: you are recreating the thought, transmitting it. It becomes shareable, but it can never be kept. You go through and at the same time you let go of the experience. That is part of the wonder of music: it can never be kept; it is ephemeral and at the same time enduring.
Music is a gestalt. Songs are a life force and they have specific vocabulary to them. You hear a few notes, and they take you into a world of association.
As you get older, some top notes drop off and bottom notes appear, which I quite like. You listen to Leonard Cohen or Johnny Cash, and you see the advantage of the lower end.
I've been poked fun of throughout my career by fellow actors for my notes that I take. I have spiral notebooks that I carry with me on every project I do, and I take notes just so that if I have to relive a scene, if I have to go back, I know what I did.
As a kid, I was always listening to music. I would just go in to my room and put on an album, read the lyrics, and just spend hours and hours in there. Plus, my sister Laurie played piano (in fact she taught me my first few notes) so music was always around one way or another.
I knew from the start that I wanted my life to be about music. I taught myself the notes of the piano aged three, and then I spent the next few years deconstructing chords to figure out how to play them. At 11, I researched online the sort of music school I wanted to attend, printed out the details, and handed them to my parents.
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