Top 1200 Notes Music Quotes & Sayings - Page 4

I type my sermon notes into my BlackBerry, then I upload my sermon notes to my blog, my Facebook page and some of the information to my Twitter account. That's 100,000 people I'm sharing the Gospel with by the virtue of typing it into my BlackBerry as opposed to writing it down. That is being efficient with my time.

I take a lot of notes. Maybe it's a product of me taking so many notes, but I have a pretty good memory for episodes, and some of the other actors will ask me questions about things, so I have this sense of responsibility that I have to be the one to remember some of the details.

I wasn't the best student, and for some reason, I always got music. While other people were having trouble figuring out notes on a page, I could listen to it once and play it back.

I think whenever you're around Kanye, you gotta take notes. The advice is taking notes, because everything he does and everything he says is very detailed and very up front. He's always one hundred what he says.

Guitar playing, as currently understood, has more to do with sports than it does to do with music. It's an Olympic challenge type of situation. The challenges are in the realm of speed, redundancy, choreography, and grooming... ...clouds of educated gnat-notes.

There are no wrong notes in jazz: only notes in the wrong places.

I think whenever you're around Kanye [West], you gotta take notes. The advice is taking notes, because everything he does and everything he says is very detailed and very up front. He's always one hundred what he says.

When Kanye gets to a point where he can actually put a couple of notes together either vocally or two bars of valid music playing an instrument, then he might have a right to criticize somebody else.

I just chuck a bunch of words down and whether they find themselves into a song... I have lots of weird notes on my phone. I often come up with a phrase that I really like, I write it down and it stays in my notes folder, and when I'm writing I will scroll through and see if it kind of fits and if I can mould a verse around it.

The closest thing to an outline is, because my memory is so bad now, if something occurs to me that I think might be important or pivotal, a lot of times I'll scribble notes down somewhere until I can get back to the book. Of course half the time I look at those notes the next morning and think, "What was that about?"

And, as my father used to tell me growing up, "Play it beautiful, play it beautiful." He said, "I don't care if you don't hit all of the notes. If you don't move a person's heart, it's not music."

A guitar is so tactile, and when you're playing bends - and bending notes is a big part of my style - there are so many notes within the note you're bending from and the note you're bending up to.

Diatonic, he heard the word in his head. Chromatic, pentatonic, hexatonic, heptatonic, octatonic, each iteration of the scale opening innumerable possibilities for harmony. He thought about the Pythagorean major third, the Didymus comma, the way the intervals sound out of tune rather than as though they were different notes. This, he thought, was where his brilliance at mathematics bled into his love of music; music was the realm in which his mathematical brain danced.

I'm a guy where my perfect pitch has been altered by the fact that I usually tune up to what's going on. When I was a kid, it was horrible! If two notes were playing right next to each other, and they were dissonant, it would drive me nuts. If it was something that sounded like it was in between notes, it'd make me cringe.

Maybe it didn’t seem like a big deal to you Zach. But now, I hope you understand. My world was collapsing. I needed those notes. I needed any hope those notes might have offered. And you? You took that hope away. You decided I didn’t deserve to have it.

With music, you can create instant trust with an audience. You can hear three notes, and you surrender to it, whereas it takes you about ten minutes of language before people begin to trust you in a play.

Music is my life. Music runs through my veins. Music inspires me. Music is a part of me. Music is all around us. Music soothes me. Music gives me hope when I lose faith. Music comforts me. Music is my refuge.

Poetry is either something that lives like fire inside you -- like music to the musician or Marxism to the Communist -- or else it is nothing, an empty, formalized bore around which pedants can endlessly drone their notes and explanations.

With films, I just scribble a couple of notes for a scene. You don't have to do any writing at all, you just have your notes for the scene, which are written with the actors and the camera in mind. The actual script is a necessity for casting and budgeting, but the end product often doesn't bear much resemblance to the script--at least in my case.

When I worked in theater, I was always writing things on Post-it Notes and sticking them on screens or desks. Twitter has given me a way of continuing to post those notes, only a lot of other people see them, too.

In jazz improv, there is no such thing as wrong notes, only notes that are better chosen and it's not about the note you play, it's about the note you play next.

I grew up writing thank-you notes. Real, honest-to-goodness, pen-and-ink, stamped and posted letters. More than simple habit, it's about what the commitment to expressing your thoughts and feelings in writing says about the character of the writer. About the joy such notes bring to the reader.

With some actors, if I have upward of 10 notes, I don't want to give them all 10 notes and overwhelm them. I usually parse them out three or four at a time.

Poets, on the face of it, have either got to be easier or to write their own notes; readers have either got to take more trouble over reading or cease to regard notes as pretentious and a sign of bad poetry

A good way to work on alternate picking is to choose three or four notes, and work on those. Too often, players who are trying to improve their right hand dexterity get hung up by playing too many notes with the left hand.I hear a lot of players running whole scales from the sixth string to the first , and playing them really sloppy.Keeping it very basic-and using only a few notes-and playing slowly with perfect rhythm is a task in itself.

Our life a harp is, with unnumbered strings, And tones and symphonies; but our poor skill Some shallow notes from its great music brings.

I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.

The kids of today have taken over the music business - most of them very young. Simply because they write and jot down a few notes, they have the idea that they can write songs.

I'm putting out music that I love, and they're basically just stories of my life and how I try and teach myself to think about things. They're kind of like notes to self, basically.

One needs only to study a certain positioning of the hand in relation to the keys to obtain with ease the most beautiful sounds, to know how to play long notes and short notes and to achieve certain unlimited dexterity. A well formed technique, it seems to me, can control and vary a beautiful sound quality.

Music is an important thing of energy. And there are a lot of wonderful aspects that come with it and vibrations, the physical vibrations, the movement of notes through an instrument and creating a wave that resonates into our spirit.

Jazz is my adventure. I'm after new chords, new ways of syncopating, new figures, new runs. How to use notes differently. That's it. Just using notes differently.

My dad noticed some kind of talent on piano when he asked me to play a couple random songs on piano when I was 6 and I just did it. I attempted lessons but I was just so bad at reading notes. I would read "Three Blind Mice" by ear, so learning notes was almost impossible.

When I was a kid, three years old, I couldn't walk by the piano without reaching up and trying to play a few notes on it. There are kids who are just drawn to listening to music and dancing to it and trying to conduct.

I write letters to my right brain all the time. They're just little notes. And right brain, who likes to get little notes from me, will often come through within a day or two.

It's nice to hear when someone gets something and the sincerity is enough to tickle you. They can have the wrong notes but the essence of it is there, so it makes you laugh, because even when Frank [Zappa]'s music is sad, it makes me laugh.

The way you hold the bow, the way that violinists are trained to produce a note, is really different. I'm not an expert in classical music. I don't want to say something that ends up in print and somebody comes running after me with a shovel, but they're taught for each note to stand alone in a very deliberate kind of way, which is really different than how notes are strung together in old-time music to create rhythm.

I went through eight years of classical piano lessons without being able to read notes. I only have to hear a melody to be able to play it. It used to freak my piano teacher out when he finally noticed that notes don't make any sense to me and that I played by ear.

It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.

Country music... doesn't bend notes in the same way, so I suppose it's very English, really. Even though it's been very Americanized, it feels very close to me, to my roots, so to speak.

I keep a journal and just kind of take notes. I don't really so much sit down and write songs - I just take a lot of notes, and sometimes I sit down and put them all together.

The lovely thing is, if Marvel had a Spider-Man movie over at Sony or something, they own the rights to the character, and the editors and producers make suggestions and get notes and things. But you're talking about Matthew Vaughn and Jane Goldman. They're two of the best people in the world. The notes are just things like, "This is absolutely brilliant."

Silence is very important. The silence between the notes are as important as the notes themselves.

Faith is reason plus revelation, and the revelation part requires one to think with the spirit as well as with the mind. You have to hear the music, not just read the notes on the page.

I definitely take notes, but I feel like sometimes if I take too many notes, it kind of bogs down my mind a little bit. So, I just write down stuff that I need to remember for the game.

Growing up, even finding all those notes that you write in first grade to your future self of like what you want to be when you grow up - it was always music.

I try to apply colors like words that shape poems, like notes that shape music.

You have to be ready, and also you have to discard notions that are fondly held by a lot of musicians, about sequences and notes and about scales and musical systems as a whole. If you think of music as a language, the space part is where you throw out all the syntax.

I'm a compulsive note-taker, and I used to feel self-conscious about pulling out my little notebook and taking notes during a casual conversation. Then I noticed that people really seemed to enjoy it; the fact that I was taking notes made their remarks seem particularly insightful or valuable. Now I don't hold myself back.

Big companies are like marching bands. Even if half the band is playing random notes, it still sounds kind of like music. The concealment of failure is built into them.

Color is a big part of what I do. It's like music. There are only so many notes in the scale, but there are endless permutations; there's no limit to the number. Color on the walls or furniture can reflect back and distort the reality of the true colors of lipsticks and eye shadow.

For me, when I watch something without music, I'm instantly thinking, "Okay, what am I going to do here? How am I going to convey this?" I take notes and really think about that.

The year after I graduated college I had a job in a library. When people underlined passages in the library books, or made notes in the margins, the books were sent to me. I erased the lines and the notes. Yes, that was my job.

I've been thinking about a cookbook. I've been making notes and promising myself I'll do it some day. I have an idea for a cookbook and music together.

Painting is similar to music. You get a couple or words or notes or chords that excite you, and you just follow them and add a bit more and see where it takes you. That's the thrill for me. It still is a thrill, which is amazing after all this time.

When you get up, the night and day is a contradiction. But you get up at 4 A.M. That first blush of blue is where the night and day are trying to find harmony with each other. Harmony is the notes that Mozart didn't give you, but somehow the contradiction of his notes suggest that. All contradictions of his notes suggest the harmony.

The way we move within time is a kind of dance. We are always keeping time within one rhythm or another. Music, of course, is exemplary. One reason we love music so much is that it's so complete and the notes harmonize with one another in time to make a beautiful, ideal statement; not like our daily life where the rhythms are more subtle or hard to find or are constantly being interrupted or changed in ways that aren't so easy to handle.

When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.

I'm not sure that I could give notes to someone that I revere. That's a general challenge of directing, giving notes to someone you revere. The other big contribution to this, which most people I show footage to take note of is Mauro Fiore's cinematography is unbelievable.

Get the most out of everything in your life; the happiness and the sadness, the success and the failure...get a good perspective of what life is all about. Let the orchestra of your life play all the notes, the high notes, the low rumblings of the difficulties and perplexities that all we all face.