Top 1200 Now And Then Quotes & Sayings - Page 5

Every now and then you'll say something that didn't quite work. But the important thing is, as a comic, you try to learn why it didn't. And then you adjust and figure out how to either make it work or just abandon it because it's just not funny.

I remember when I was younger I used to write in my diary: I want my luck to be spread. “Never give me anything too lucky all at once. I'll take a little luck now and then, but spread it for seventy years. “Now that all of this is happening, I'm sure the rest of my life will be ruined.

Sweet Beatrice, wouldst thou come when I called thee? BEATRICE Yea, signior, and depart when you bid me. BENEDICK O, stay but till then! BEATRICE 'Then' is spoken; fare you well now... (Much Ado About Nothing)

Dreamily the Princess stood up. "I'm not sure if I can walk," she said. "Then I'll carry you." "Is that what love is?" "I no longer know what love is. A week ago I had a lot of ideas. What love is and how to make it stay. Now that I'm in love, I haven't a clue. Now that I'm in love, I'm completely stupid on the subject.

Now and then, there's a fool such as I.

Like, for example, way back then,[George W.] Bush could have passed immigration reform, just like [Barack] Obama could have when he first came in. And both of them passed on it, so now they leave it for now.

It's now or never. This is simple to say, but then to live like that is not easy at all, I'm sorry. You have to be aware enough so that you can see situations as they pass in front of you and be able to catch the instant, whatever it is. Many times, you just don't see the moment when you were yawning and then it's too late.

Many heroic things happened during slavery. And remember that there was a national movement away from it even at the time. The era of Reconstruction and then the subsequent dismantling of Reconstruction sent us in a tailspin. Then we had the Civil Rights movement. Now we have our first non-white president. We have a pattern of moving apart and then coming back together throughout the history of this country. Each time, we come closer.

There's the cool factor, right? You see your face on a sign or your name on something, like, 'Ahh! Here I am!' And then there's a huge responsibility and the scary part of it, which is like, 'Now what happens?' And then you realize, 'Oh, yeah, this is my job.'

Then me and my dad came up to Hull, our heads were turned and then the next week I was signing for Hull at 17. It all happened quite quickly but I was buzzing for it and it has benefited me now. It's been an unbelievable journey so far.

I like a good cry every now and then. It releases something. There are times in my life when I'm meant to cry, but I don't actually cry. But then I can be walking down the street and it's been a few months, and things get on top of me - that's when I find myself crying.

I got my degree in acting and theater, and then I had a teacher who told me to take a class with The Groundlings. And for a second, I thought, 'Well, I don't know about that. I'm a serious actress.' And then I did, and I loved it, and I said, 'Ah, well, I guess this is what I'm going to do now.'

Oft in the stilly night, Ere slumber's chain has bound me, Fond memory brings the light Of other days around me; The smiles, the tears, Of boyhood's years, The words of love then spoken; The eyes that shone Now dimmed and gone, The cheerful hearts now broken.

I paint from the top down. From the sky, then the mountains, then the hills, then the houses, then the cattle, and then the people.

Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo.

It's not them, it's you. It's not there, it's here. It's not then, it's now.

What we used to have in Britain was professions, and then we had industry. Then at some point, maybe with Margaret Thatcher, we suddenly industrialised our professions. And now we have lawyers with products and banks with products, and lecturers and teachers with products.

When we see the shadow on our images, are we seeing the time 11 minutes ago on Mars? Or are we seeing the time on Mars as observed from Earth now? It's like time travel problems in science fiction. When is now; when was then?

Now is then's only tomorrow.

Then I sit down, work at it, because now I have a convincing feeling about what that place wants to be, you see? And it's not just me. Me and my talent comes in taking that consensus and then making something wonderful out of it - a work of art.

People still talk about sampling as this new, progressive problem in music. There are technologies now where you can glean the polyphonic information out of a sample and then put that back in and then score it for five instruments. You don't need digital audio to sample; you can rewrite things.

If space is a fabric, then of course fabrics can have ripples, which we have now seen directly. But fabrics can also rip. Then the question is what happens when the fabric of space and time is ripped by a black hole?

I really wasn't very involved politically with anything up until that point. Then I started reading about the second Palestinian Intifada, and I spoke to friends in activist and journalism circles. Then, somehow by complete luck, I ended up at Democracy Now.

When I look back at the past and think of all the time I squandered in error and idleness,... then my heart bleeds. Life is a gift... every minute could have been an eternity of happiness! If only youth knew! Now my life will change; now I will be reborn.

Before birth; yes, what time was it then? A time like now, and when they were dead, it would be still like now: these trees, that sky, this earth, those acorn seeds, sun and wind, all the same, while they, with dust-turned hearts, change only.

I enjoyed writing in school. I don't know that I was all that good at it in school. I worked at it later. I feel comfortable writing now. I enjoy writing now. I suspect, like most college students, I viewed writing then to be more tedious.

I don't need to do that many weights but every now and then I do the bar, with 25-30 kilos on either side, which amounts to roughly probably my body weight. I lift this up above my head, then drop it and lift it up again.

Knowing what I now know I would never have done anything so fatuous; but then I never would have known what I know now had I not.

There is a city myth that country life was isolated and lonely; the truth is that farmers and their families then had a richer social life than they have now. They enjoyed a society organic, satisfying and whole, not mixed and thinned with the life of town, city and nation as it now is.

In the beginning, I would find a character I understood. That was my focus. Not now - but you basically get offered the exact same thing you just did. Which I find hilarious. I did 'The Vow,' and then I had every love story you can imagine thrown at me. And now I'm getting offers for comedies.

The difference is that was then, this is now.

Having grown up so familiar with creating a pleasing facade, I now end up compelled to reveal things inside and say, 'Okay, now you really see me. Do you still love me?' And then it's never enough; it always has to be total self-revelation.

And isn't that weird? Think about this, when you're born, you nurse on your mama. And then you get a little older, you go to applesauce. And then you see these toddlers walking around with these Ziploc baggies full of Cheerios. Then you get to be my age, and the doctor wants you to start eating Cheerios to watch your cholesterol. Then you lose your teeth, you go to applesauce. I now know why old men like women with really big boobs. They see a trend. I mean, they call it a nursing home, hello.

If not you, then who? If not now, then when?

Malthus argued a century and a half ago that man, by using up all his available resources, would forever press on the limits of subsistence, thus condemning humanity to an indefinite future of misery and poverty. We can now begin to hope and, I believe, know that Malthus was expressing not a law of nature, but merely the limitation then of scientific and social wisdom. The truth or falsity of his prediction will depend now, with the tools we have, on our own actions, now and in the years to come.

We are now as I wished we could be then.

Crimson flames tied through my ears Rollin' high and mighty traps Pounced with fire on flaming roads Using ideas as my maps "We'll meet on edges, soon," said I Proud 'neath heated brow. Ah, but I was so much older then, I'm younger than that now. Half-wracked prejudice leaped forth "Rip down all hate," I screamed Lies that life is black and white Spoke from my skull. I dreamed Romantic facts of musketeers Foundationed deep, somehow. Ah, but I was so much older then, I'm younger than that now.

Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, "You can't touch that now because you're a pop star."

Honey, you [Michael Jackson] gotta pick a race first. All of a sudden you're a black man, then you're Diana Ross, now you're Audrey Hepburn. Then he's got the little beard going on. He's like Lord of the Rings, the entire cast. Michael's about to jump species.

Well there is a lot of work here for younger and older musicians now. Our Ministry of Culture has now really embarked on changing things for artists, and it is getting much better. We just have to organize ourselves as artists, and then things will be better.

The vicissitudes of life resemble one of those gilded balls seen in a fountain. Thrown up by the force of the water, it flies up and down - now at the top, catching the rays of the sun, now cast into the depths, then again shooting up, sometimes so high that it escapes altogether, and falls to the ground.

What matters now, the only thing that matters right now is that whatever you think of the conservative movement and whoever you think is or isn't one, no matter who you think they are, they cannot unify around the concept of beating a Democrat. That's what you have to learn. If that's the movement you want to be part of, then you have at it.

They try to paint the picture that I was this downtrodden, ugly girl who was unpopular in school and in life, and then I got this role and now I’m awesome. But the truth is that I’ve been awesome, and then I got this role.

I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.

Now, this one might be a little stringy, but then again, it's fiddle player." That isn't fiddle player, it's piccolo player." How can you tell?" It's PIPING hot!" Then blow on it first!

When I was in New York working for [Frederick] Kiesler, at night I listened to Jean Shephard who lasted from 1957 until 1976 and then went off the air. But also I was listening to Long John Nebel. Now, Long John was what Art Bell and George Noory do now.

If not now, then when ? If not you, then who ?

When they were introduced, he made a witticism, hoping to be liked. She laughed extremely hard, hoping to be liked. Then each drove home alone, staring straight ahead, with the very same twist to their faces. The man who'd introduced them didn't much like either of them, though he acted as if he did, anxious as he was to preserve good relations at all times. One never knew, after all, now did one now did one now did one.

And people are always saying: 'Well, you go to Hollywood and you get yourself a film career or a TV series, and then you can do anything you want. Because then you've got the clout.' That had always sounded like a lot of hooey to me, but now I think it's true, unfortunately.

Incubated. And then raised. And then beheaded. And then plucked. And then cut up. And then put on a grill. And then put on a bun. Damn, it's gonna take a while. I don't have time. Scrambled!

I just think there's more paparazzi, there's more cable TV, there's millions of networks now, there's more paparazzi. People liked gossip then, and they like gossip now.

You've got to shake your fists at lightning now, you've got to roar like forest fire You've got to spread your light like blazes all across the sky They're going to aim the hoses on you, show 'em you won't expire Not till you burn up every passion, not even when you die Come on now, you've got to try, if you're feeling contempt, well then you tell it If you're tired of the silent night, Jesus, well then you yell it Condemned to wires and hammers, strike every chord that you feel That broken trees and elephant ivories conceal

The clouds were building up now for the trade wind and he looked ahead and saw a flight of wild ducks etching themselves against the sky over the water, then blurring, then etching again and he knew no man was ever alone on the sea.

We saw the children and the women with their babies and then I heard the poouff — the flame had broken through the thatched roof and there was a yellow- brown smoke column going up into the air. It didn't hit me all that much then, but when I think of it now — I slaughtered those people. I murdered them.

I can be an artist a posteriori, not a priori. If my pictures tell the story, our story, human story, then in a hundred years, then they can be considered an art reference, but now they are not made as art. I'm a journalist. My life's on the road, my studio is the planet.

I think if you look at Andre then and now, you look at two different models. Of course it's personal preference, I think Andre now is a great role model for the kids. He has started training differently than he was before, and so on and so on.

I co-pastor now, so I preach six months, then another guy preaches six months. So that's really why I'm preparing for January, because I'll finish in June; then I'll be writing and doing other projects for the rest of the year.

If we don't act now, then we will go back to what has happened before and then of course the whole thing begins again and he carries on developing these weapons and these are dangerous weapons, particularly if they fall into the hands of terrorists who we know want to use these weapons if they can get them.

My pictures had and have secret lives, and so there were things I did not tell, a lot of stuff I did not say back then which I'm saying now... I intend to continue allowing forms of secret life to paintings I'm working on right now because it excites me to do that.

Now Europe are experiencing a wave of eroding solidarity, first of certain societies and then entire governments. At the same time, we have two giant new challenges to meet: the migration movement and terror. And then Great Britain is thinking about leaving the EU. That should suffice as a description.