Top 88 Npr Quotes & Sayings - Page 2

This infantile sense of order tended to infect my life at large. Up at 5:30 a.m., coffee, oatmeal, perhaps sausage (homemade), and fresh eggs giving one of the yolks to Lola. Listening to NPR and grieving more recently over the absence of Bob Edwards who was the sound of morning as surely as birds. Reading a paragraph or two of Emerson or Loren Eiseley to raise the level of my thinking. Going out to feed the cattle if it was during our six months of bad weather.

Fox News is no monopoly. It is a singular minority in a sea of liberal media. ABC, NBC, CBS, PBS, NPR, CNN, MSNBC vs. Fox. The lineup is so unbalanced as to be comical - and that doesn't even include the other commanding heights of the culture that are firmly, flagrantly liberal: Hollywood, the foundations, the universities, the elite newspapers.

It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.

For me, the key is I always have to be the same person.If someone was to hear me say something on Fox and hear me say something different on NPR, they would say, 'The guy is a hypocrite.'

Looking back on the event, I find myself thinking there are three approaches to journalism represented here. One is the "cool" approach of traditional journalism, including network broadcasting in which NPR is no exception. One is the "hot" approach of talk radio, which has since expanded to TV sports networks and now Fox TV. The third is the engaged approach of weblogging.

'I haven't used the veto pen very often since I've been in office,' Obama told NPR. 'Now, I suspect there are going to be some times where I've got to pull that pen out. And I'm going to defend gains that we've made in healthcare; I'm going to defend gains that we've made on the environment and clean air and clean water.'

But there were alternative media outlets. Oh sure, and you know who listens to them? Pansy, overeducated know-it-alls, and you know who listens to them? Nobody! Who's going to care about some PBS-NPR fringe minority that's out of touch with the mainstream? The more those elitist eggheads shouted "The Dead Are Walking," the more most real Americans tuned them out.

Fact-checking is a terrible way to report on Donald Trump's lying . It's like we enter into a dialogue with him. It's as though, he says "A," and we check "A," and it gives it no context. Saying that he's "misstating" is an even worse way of covering it. That's NPR's ridiculous policy of not calling his lies "lies." It's really destructive.

There are still many questions about how law enforcement responded to the shooting at the Pulse nightclub in Orlando.To get some answers, media organizations, including NPR, have asked for tapes of the 911 calls and other recordings. So far, authorities have not released that audio, only edited transcripts. Doing more, they say, would re-victimize the survivors.

A friend of mine pointed out to me, "Why do you separate your writing and your music?" I got (writers) Rick Moody and Jonathan Ames to do the first one, and it just kind of gathered steam; then NPR picked it up. It is a nice way for me to marry both sides of my career, a move that's probably culminated in me dropping the name John Wesley Harding.

Print works! It works as a business proposition - our print readers [of the Mother Jones] not only provide revenue in the form of subs and ads, but they are a core part of our donor community; 10 percent give us a donation on top of their subscription; that's about the same rate as NPR gets from its listeners.

I started out doing production work on promos, stuff like that. I didn't think it was cool to be working for NPR. I didn't need anything to be cool. I just wanted something to do that would be interesting. It was fun. I didn't think of it as anything else but fun.

I turn on the radio. I'm a really big fan of old-fashioned dial radio. I love WNYC and NPR and also 88.3 in New York, which is the jazz station, and it's usually good for background music. If I'm not in New York City or by a traditional radio, I'll stream it on my phone, although I usually try not to look at my phone first thing in the morning.

NPR fired me for telling the truth. The truth is that I worry when I am getting on an airplane and see people dressed in garb that identifies them first and foremost as Muslims. This is not a bigoted statement. It is a statement of my feelings, my fears after the terrorist attacks of 9/11 by radical Muslims.

For me, the key is I always have to be the same person. If someone was to hear me say something on Fox and hear me say something different on NPR, they would say, 'The guy is a hypocrite.'

Yesterday NPR fired me for telling the truth. The truth is that I worry when I am getting on an airplane and see people dressed in garb that identifies them first and foremost as Muslims. This is not a bigoted statement. It is a statement of my feelings, my fears after the terrorist attacks of 9/11 by radical Muslims.

As much as I'd like to think and as much as people mistakenly think my audience is blue collar people in the heart of America, my audience is basically, in the States, an NPR audience. I play college towns in the summer because that's who comes to see me.

I wrote "Win" for people on both sides, legitimately on both sides. If you're a Democrat listening to this right now, you - the whole playbook is in this book. If you're a Republican, and you're frustrated because Barack Obama is a great communicator, the playbook is in this book. And if you're a corporation who wants to satisfy his - their employees, how to do it is in this book. And finally, if you're an employee and you want to get a raise, whether at NPR or anyplace else, it's in this book.

I was asked by an NPR reporter once, why don't I talk about race that often. I said it's because I'm a neurosurgeon. And she thought that was a strange response. And you say - I said, you see, when I take someone to the operating room, I'm actually operating on the thing that makes them who they are. The skin doesn't make them who they are.

Last year, on a long car trip, I was listening to Rush Limbaugh shout. I usually agree with Rush Limbaugh; therefore I usually don't listen to him. I listen to NPR: "World to end-poor and minorities hardest hit." I like to argue with the radio.

I don't believe, folks, that the media people you see on TV every day from NPR to CBS to ABC to NBC to wherever are ever gonna admit they're irrelevant, and they're not gonna start acting like it, and they're never gonna say, "Gee, you know what? We might have to alter the way we're -" It isn't gonna happen, even if it means the end of them.

There's no comparison between NPR and the propaganda that you hear from Rush or from Sean Hannity, the news movement conservatives that are just laying out, slathering out the disinformation and the lies, as I discuss in my book, 'Lies and the Lying Liars Who Tell Them: A Fair and Balanced Look at the Right.'

I'm driving down the freeway the other day, on my way to Knott's Scary Farm probably, and I hear this report on NPR that the whole lemmings thing was faked in the 1950s. They were shooting a wildlife documentary in the '50s, they found a group of lemmings, and the crew chased them all off a cliff. No lemming has ever jumped off a cliff, purposefully, ever. Isn't that unbelievable?

I'm interested is the oblique as a concept deeply connected to human lived experience, not separate from it. I was listening to an interview with film director Stephen Frears on NPR the other day and he said, "People's lives are never what you think they are," or something like that. Human lives are oblique. It makes sense to me that attending to them in language is as well.

It's essential that we understand things like the free-rider problem, but we also need to understand that, fortunately, humans are a little nicer than economists give them credit for. Some people actually leave money at roadside fruit stands; some people give money to NPR so we can listen to it.

I produced a play in New York that got nominated for an Outer Critics Circle Award for Best American Play.The play is called Stalking The Bogeyman. It was a story on This American Life, and my former roommate is the artistic director of the New York Repertory Theater. He heard the NPR show, contacted them, and essentially - shortest synopsis ever, like I'm the Cablevision guide button - it's the true story of a man stalking and plotting to kill the man who raped him when he was seven. It's by a brilliant reporter named David Holthouse.

I was asked by an NPR reporter once why don't I talk about race that often. I said, 'It's because I'm a neurosurgeon.' And she thought that was a strange response... I said, 'You see, when I take someone to the operating room, I'm actually operating on the thing that makes them who they are. The skin doesn't make them who they are.'

There's this American pretense, which is the pretense of the journalist with the view from nowhere - which has somehow morphed into the journalist who was born this morning. So, he doesn't know that Donald Trump lied yesterday, and the day before. So, he concludes that he doesn't know whether Trump lied accidentally or on purpose. You can only pretend not to know that if you don't know that he lied yesterday, and the day before. So, to my mind when NPR says they don't know if he's intentionally lying, they're lying. We have to be smarter about it.