Top 1200 Objects Of Desire Quotes & Sayings - Page 2

Explore popular Objects Of Desire quotes.
Last updated on December 11, 2024.
People, when they are frustrated with worldly desires, start changing the object: they start making otherworldly objects of desire - heaven, paradise, and all the joys of heaven. But it is the same trick, the mind is again befooling you. This is not the way of the intelligent person, this is the way of the stupid.
It may be added, to prevent misunderstanding, that when I speak of contemplated objects in this last phrase as objects of contemplation, the act of contemplation itself is of course an enjoyment.
The European who comes to America plunges into the virgin forest with wonder and delight; while the American who goes to Europe finds his greatest pleasure, at first, in hunting up the memorials of the past. Each is in quest of novelty, and is burning with the desire to gaze at objects of which he has often read.
I think the Harry Potter movies are proof that audiences love that stuff. They love the idea of magical objects and they like learning the rules of those objects and what they do.
Coordinating there Events and objects with remote events And vanished objects. Making ornaments Of accidents and possibilities. — © Vladimir Nabokov
Coordinating there Events and objects with remote events And vanished objects. Making ornaments Of accidents and possibilities.
Desire is the strongest human emotion - desire for a hat, desire for a dress; that's what drives people to buy and want things.
The intellect alone has an eye for viewing an essence, which it cannot see except in the true Cause, which is the Fount of all desire. Moreover, since all things seek to exist, then in all things there is desire from the Fount-of-desire, wherein being and desire coincide in the Same.
If nature had produced spontaneously all the objects which we desire, and in sufficient abundance for the desires of all, there would have been no source of dispute or of injury among men; nor would any man have possessed the means of ever acquiring authority over another.
Here lies the sense of literary creation to portray ordinary objects as they will be reflected in kindly mirrors of future times. . . . To find in objects around us the fragrant tenderness that only posterity will discern . . .
As life goes on, we accrue more and more loseable objects. Providence dictates that objects that are too large to lose, such as houses, always come with tiny little keys, specially designed to give you the slip.
The desire for bad art is the desire bred of habit: like the smoker's desire for tobacco, more marked by the extreme malaise of denial than by any very strong delight in fruition.
We can't just stop. We're not rocks-progress, migration, motion is... modernity. It's ANIMATE, it's what living things do. We desire. Even if all we desire is stillness, it's still desire for.
What is required is the finding of that Immovable Point within one's self, which is not shaken by any of those tempests which the Buddhists call 'the eight karmic winds': 1-fear of pain, 2-desire for pleasure; 3-fear of loss; 4-desire for gain; 5-fear of blame, 6-desire for praise; 7-fear of disgrace; [and] 8-desire for fame.
If everyone used the Internet to share the things they created themselves, what would that look like? I think it makes objects special again. I guess I'm not really advocating for no objects in the world, but rather the idea of creating within our present means.
Let those parents that desire Holy Children learn to make them possessors of Heaven and Earth betimes; to remove silly objects from before them, to magnify nothing but what is great indeed, and to talk of God to them, and of His works and ways. before they can either speak or go.
I believe that the first step in the setting of a real external world is the formation of the concept of bodily objects and of bodily objects of various kinds. — © Albert Einstein
I believe that the first step in the setting of a real external world is the formation of the concept of bodily objects and of bodily objects of various kinds.
If you are in the country, you should notice landmarks - that is, objects which help you to find your way or prevent you getting lost, such as distant hills, church towers, and nearer objects, such as peculiar buildings, trees, gates, rocks, etc.
Business reporting is not dealing with objects, it is dealing with relationships between objects.
The human desire to know why is as powerful as the desire to know what happened next, and it is a desire of a higher order.
The meditative state is the highest state of existence. So long as there is desire, no real happiness can come. It is only the contemplative, witness-like study of objects that brings to us real enjoyment and happiness.
In this relation, then, the proposed government cannot be deemed a national one; since its jurisdiction extends to certain enumerated objects only, and leaves to the several states, a residuary and inviolable sovereignty over all other objects.
I decided I should use the most obvious colours - the basic colours with simple names: red, purple, yellow, pink. I don't distort the objects, I don't change the objects, I draw them exactly as they are. I do the opposite with the colours.
We should see the desire for neatness, the desire for sharp impressions, as a desire in art.
The main objects of all science, the freedom and happiness of man. . . . [are] the sole objects of all legitimate government. A plaque with this quotation, with the first phrase omitted, is in the stairwell of the pedestal of the Statue of Liberty.
When objects are presented within the context of art (and until recently objects always have been used) they are as eligible for aesthetic consideration as are any objects in the world, and an aesthetic consideration of an object existing in the realm of art means that the object's existence or functioning in an art context is irrelevant to the aesthetic judgment.
Noir was a brainchild of the United States. And most of the creators of classic noir - novelists and screenwriters, directors and cameramen - were men. Women were their mysterious, sometimes villainous, always seductive objects of desire.
The one thing we should address is how design can play a role in the psychological durability of objects, to think of how objects can be engineered in a way that they will be good over time.
There is nothing wrong in wanting to get rich. The desire for riches is really the desire for a richer, fuller, and more abundant life, and that desire is praise worthy.
I believe the geometric proportion served the creator as an idea when He introduced the continuous generation of similar objects from similar objects.
While classical mechanics correctly predicts the behavior of large objects such as tennis balls, to predict the behavior of small objects such as electrons, we must use quantum mechanics.
I wanted to make new works of very contemporary objects, which I thought was interesting because many of them are manufactured in China, but these objects are universal, they go across all languages, all cultures.
A good government implies two things; first, fidelity to the objects of the government; secondly, a knowledge of the means, by which those objects can be best attained.
These two, I say, viz. external material things, as the objects of SENSATION, and the operations of our own minds within, as the objects of REFLECTION, are to me the only originals from whence all our ideas take their beginnings.
Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation (a desire that extends to an infinite number of women) but in the desire for shared sleep (a desire limited to one woman).
....love and desire enjoy a symbiotic relationship, meaning that one cannot exist without the other. Desire is an enemy to contentment; desire is illness, a feverish brain. Who can be considered healthy who wants? The very word want suggests a lack, an impoverishment, and that is what desire is: an impoverishment of the brain, a flaw, a mistake.
I came to painting through sculpture, to images through objects. I think that images sit in the middle, somewhere between objects and words.
Human wisdom remains always one and the same although applied to the most diverse objects and it is no more changed by their diversity than the sunshine is changed by the variety of objects which it illuminates.
To pray is to desire; but it is to desire what God would have us desire.
A thinking that approaches it objects openly, rigorously ... is also free toward its objects in the sense that it refuses to have rules prescribed to it by organized knowledge. It ... rends the veil with which society conceals them, and perceives them anew.
Profound desire, true desire is the desire to be close to someone. — © Paulo Coelho
Profound desire, true desire is the desire to be close to someone.
The Photograph belongs to that class of laminated objects whose two leaves cannot be separated without destroying them both: the windowpane and the landscape, and why not: Good and Evil, desire and its object: dualities we can conceive but not perceive... Whatever it grants to vision and whatever its manner, a photograph is always invisible: it is not it that we see.
The desire to build a house is the tired wish of a man content thenceforward with a single anchorage. The desire to build a boat is the desire of youth, unwilling yet to accept the idea of a final resting place.
The mind naturally makes progress, and the will naturally clings to objects; so that for want of right objects, it will attach itself to wrong ones.
In true meditation the emphasis is on being awareness; not on being aware of objects, but on resting as primordial awareness itself. Primordial awareness is the source in which all objects arise and subside. As you gently relax into awareness, into listening, the mind's compulsive contraction around objects will fade. Awareness naturally returns to its non-state of absolute unmanifest potential, the silent abyss beyond all knowing.
To be an actor is to be ambiguous in every form, which is a very hard way to live. You represent desire: the desire of the director and the desire of the audience, even if it's a subconscious desire. If a director is to work with you for two months, he must be in love with you in some way or another.
[Drawing should be] a journey of pleasure. Each step must present to the travellers' view objects that are eminently interesting, varied in their appearances, and attracting to such a degree as to excite in each individual thus happily employed the desire of knowing all respecting all he sees.
Strange the affection which clings to inanimate objects - objects which cannot even know our love! But it is not return that constitutes the strength of an attachment.
I don’t have a theoretical language for music. I’m really inspired by sculpture, so I like to say, ‘you’re not making music, you’re creating a space. You’re building a room, putting some objects in it, and seeing what happens to the objects over time.’
Photographs are but one link in a potentially endless chain of reduplication; themselves duplicates (of both their objects and, in a sense, their negatives), they are also subject to further duplication, either through the procedures of printing or as objects of still other photographs.
In the realm of ideas, of mental objects, those ideas whose properties are reproducible are called mathematical objects, and the study of mental objects with reproducible properties is called mathematics.
[Mathematics is] purely intellectual, a pure theory of forms, which has for its objects not the combination of quantities or their images, the numbers, but things of thought to which there could correspond effective objects or relations, even though such a correspondence is not necessary.
A museum is like a valuing machine. Museums and the industrial society started at the same moment, and they're really tied into each other. They've been all about displaying objects and the kind of wealth that can be derived from objects and promoting that point.
It is as much the conversations between objects as between us and objects that make museums so valuable. — © Antony Gormley
It is as much the conversations between objects as between us and objects that make museums so valuable.
In youth we are plagued by desire; in later years, by the desire to feel desire.
If desire causes suffering, it may be because we do not desire wisely, or that we are inexpert at obtaining what we desire. Instead of hiding our heads in a prayer cloth and building walls against temptation, why not get better at fulfilling desire? Salvation is for the feeble, that's what I think. I don't want salvation, I want life, all of life, the miserable as well as the superb.
By far the greatest part of those goods which are the objects of desire, are procured by labour; and they may be multiplied, not in one country alone, but in many, almost without any assignable limit, if we are disposed to bestow the labour necessary to obtain them.
Although, I admit, I desire, Occasionally, some backtalk From the mute sky, I can't honestly complain: A certain minor light may still Lean incandescent Out of kitchen table or chair As if a celestial burning took Possession of the most obtuse objects now and then --
Pictures often sit inside of pictures, but the edges of pictures and objects are rarely subjected to serious challenge; we are presented with distinct, whole pictures and objects.
Quit trying to find beautiful objects to photograph. Find the ordinary objects so you can transform it by photographing it.
And my desire,' he said, 'is a desire that is as long as a year; but it is love given to an echo, the spending of grief on a wave, a lonely fight with a shadow, that is what my love and my desire have been to me.
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