Top 1200 Offensive Line Quotes & Sayings - Page 2

I think that one-liners are very important and sometimes you don't even know when you're making the movie that it's going to be a great line. I remember when we did 'The Terminator' and I came to the line "I'll be back" I had no idea that it was going to be an important line.

I start out with words, with the idea, the line. Then after I get a line or two, I try to find what melodic line those lines would be suited to. As soon as I find the form I can finish the song in my head.

As a writer, you're always trying to say the best thing. You're always thinking about what's the best thing to say, and what's the hardest way to say it, and what's the best line? Sometimes the best line is the simplest line. Sometimes the best line is the line that evokes more feeling than actual wordsmithing.

I've got a line called Head's Up that's street wear slash rock wear, rock and roll. Kind of a little blend of a line within a line that's very high fashion.

I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.

Our military offensive is indispensable, since force must be met by force. But our social offensive is the extra weapon which the enemy cannot produce. Here the enemy meets democracy's strongest element-the ability to realize and satisfy the needs of its people without taking from them their freedom and dignity as human beings.

Sometimes my humor does offend people, and I've said it before: I don't write jokes to be offensive. I write jokes to be funny, and I guess what I find funny are things that other people sometimes find offensive. I would love nothing more than to never offend anyone, but it just doesn't seem to work out that way.

The poverty line in the U.S., for example, has nothing to do with the poverty line in India. It is a relative poverty line. It is reset from time to time but it is related to U.S. median income, so if I set that to be the absolute poverty line everyone in India would essentially be poor.

If you look at a shape like a straight line, what's remarkable is that if you look at a straight line from close by, from far away, it is the same; it is a straight line.

There are certain things that are probably too mean. I don't particularly like fat jokes. Those kind of bother me. But I guess what I was trying to say is, if I said I would never laugh at this, you could probably dig around and find a situation where I did laugh. I try not to be a hypocrite with that one. I find when there's a controversy about someone saying something offensive, I usually take the angle of, "Well, I don't know if that was offensive; it just wasn't funny." I generally don't gasp, "Oh my God!" I think people have been getting raked over the coals lately.

If you look at the offense like a fancy car, the offensive line is the engine. Even though we might have nice spinners and nice rims and tinted windows and some neat paint job, it doesn't mean crap without the engine. If the engine's not working, the car might look like a pretty nice car, but it's a piece of crap.

The straight line has a property of self-similarity. Each piece of the straight line is the same as the whole line when used to a big or small extent.

What is line? It is life. A line must live at each point along its course in such a way that the artist's presence makes itself felt above that of the model... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul's style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.

In books, you can just wallow in dialogue, and you can just wallow in written words. In screenplays, every line has to serve the purpose of the line that's implied before it and the line that's implied after it. Maybe five lines have to do the work of fifty lines.

I've always gone with Kafka's model of establishing the world from the first line, as in Kafka's famous line from Metamorphosis, "Gregor Samsa woke up from uneasy dreams to find himself transformed into a gigantic insect" (or beetle or cockroach, depending on the translation). I have to have that first line before I can go further.

If you would have told me when I was 24 years old, right before I went with Coach Carroll to USC, you're going to get to be the offensive coordinator for Pete Carroll and then offensive coordinator for Nick Saban, arguably maybe the two best coaches in all of football by the time you're 40 years old, I would have said, 'Where do I sign up?'

Islamic ethics is based on 'limits and proportions,' which means that the answer to an offensive cartoon is a cartoon, not the burning of embassies or the kidnapping of people designated as the enemy. Islam rejects guilt by association. Just as Muslims should not blame all Westerners for the poor taste of a cartoonist who wanted to be offensive, those horrified by the spectacle of rent-a-mob sackings of embassies in the name of Islam should not blame all Muslims for what is an outburst of fascist energy.

I think of shock as kind of an uptown form of surprise. Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.

I played on a line with Theo Fleury and German Titov, and I was actually center on their line.

There is a fine line I have to walk throughout the writing process in a novel. It is this line between drama and melodrama, and it is this line between evoking genuine emotional power and being manipulative.

Well, I think baseball should be fun, but there's always a line. There's a fine line with everything. Where's the line between making it fun and making it disrespectful.

People didn't know the difference between a blue line and a clothes line.

It is possible to combine a story line and plot line in the same work. Usually the storylines comes first, serving as a background to the plot line, but not always.

I've been Offensive Player of the Week. I've been Offensive Player of the Month.

Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one.

I've always tried to walk a line between being incisive and acerbic, but not mean. Sometimes I'm going to tip over the line a little bit, but that's usually a line I try not to cross.

I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.

Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.

Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.

It's a tough line, Japanese and western games. We wanted to blur that line.

In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful, white women with their arms stretched out to me over that line, but I can't seem to get there no how. I can't seem to get over that line.

The image people have of comedians staring defiantly over a stationary line of good taste is simply inaccurate. We don't approach this line, put our toes over it arrogantly and then scamper back to safety. The line doesn't exist.

A moment comes in war when the last line must be crossed. The line that separates what you hold dear from what total war demands. If he couldn't cross that line, the battle was over, and he was lost. His heart, the war. Her face, the battlefield. With a cry only he could hear, the hunter turned. And ran.

I just hope that I continue to keep a line between my private life and who I play, even if they are closely intertwined, and so I'm careful. I don't even know where my line is, but I know I have a line.

I still have no way to survive but to keep writing one line, one more line, one more line.

There's always a fine line that divides hostility from neutrality, and I don't want to pass that line.

Hatemongers like Media Matters take innocent statements like mine, Rush Limbaugh's, John Gibson's, and Bill O'Reilly's and make them offensive by posting them on the Internet, allowing the general public to hear words that were meant for people who already agree with us. Hey, Media Matters, you want to end offensive speech? Then stop recording it for people who would be offended.

If you write a good line, you write a good line, and the best line wins in television. It doesn't matter if you're the guy who gets the coffee or if you're the showrunner - best line wins. That's the beauty of television collaboration.

The two black lines on the armband means that they're the deceased's family. One line means they are either friends or acquaintances. One line of the arm, one line on the heart. The bastards who stood by my side with two lines, they'll be the hardest farewells I'll have to make in my life, and they're the luckiest fortune I've met in my lifetime.

Nagging questions remain: Where is the line between making the most of one's potential and reaching for the unattainable? Where is the line between education as a tool and education as a kind of magic? The line is blurred and that is why when education fails, disillusionment is so bitter.

Courage is soldiers fighting on the front line, or people living on the bread line.

There is a fine line between sensuousness and vulgarity. I will not cross that line.

I like the continuity of singing my lines together instead of going line by line.

I really like to play inside. I really like being able to go one-on-one with an offensive lineman every play. At defensive end, you're more running up the field and containing more than you are just against an offensive lineman.

In every operation there is an above the line and a below the line. Above the line is what you do by the book. Below the line is how you do the job.

In order to preserve a balance, while we aren't planning to build a missile defence of our own, as it's very expensive and its efficiency is not quite clear yet, we have to develop offensive strike systems. They [U.S.] should give us all the information about the missile defence, and we will be ready then to provide some information about offensive weapons.

There are many crooked lines and one straight line. Which is the line of truth? Why the straight line? Truth is always the shortest distance between two points.

We lie. That's what we do. You're selling me a line of bullshit and you want me to sell you a line of bullshit back so you can write a major line of bullshit and be paid for it.

The picket line is the best place to train organizers. One day on the picket line is where a man makes his commitment. The longer on the picket line, the stronger the commitment. A lot of workers think they make their commitment by walking off the job when nobody sees them. But you get a guy to walk off the field when his boss is watching and, in front of the other guys, throw down his tools and march right to the picket line, that is the guy who makes our strike. The picket line is a beautiful thing because it makes a man more human.

I don't care about Donald Trump himself. I care and I worry about the very big base that supports him because this kind of language would have been absolutely nonexistent maybe 15, 20 - by the way, I follow the American elections, and I have never seen someone who is that offensive. I have seen people who are stupid. But stupid and offensive, that's new.

Somebody once told me, ‘Manage the top line, and the bottom line will follow.’ What's the top line? It's things like, why are we doing this in the first place? What's our strategy? What are customers saying? How responsive are we? Do we have the best products and the best people? Those are the kind of questions you have to focus on.

I remember being a kid, and if you had to pee, well, you had to hold it until the commercial break. Then you rushed, and hopefully, if you're going to the kitchen for a snack, you'll be back before so you don't miss a line. If your sister sneezed or was talking over a line, there was no way of knowing what that line was or what the joke was.

I thought Clint Eastwood was cool in all the western movies, but I'm not gonna drive somewhere he's at and stand in line to see him. I told Missy, my wife, 'The only person I'd stand in line for is God Almighty. You made the universe? All right, I'll get in line!'

When you get above the line, you're above the line. So my thing is I just want to make music where I am always above that line.

I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue. If it does, I can feel a sense of momentum - the poem finds a reason for continuing.

My favourite British line is the West Highland line. It was built across moorland where no one had succeeded in building a road. So everything in that area is there because of the railway line.

When you are in the line of your duty, it is like standing in front of a line of posts, and every post is in line. But step one step aside, and every post looks as though it were not quite in line. The farther you get away from that straight line, the more crooked the posts will appear. It is the straight and narrow path of duty that will lead you and me back to the presence of God.

I look at how we got beat and I thought the hustle points and the energy points were all gauged through offensive rebounds. I thought in the second half they got so many second-chance opportunities they could really run. It just seemed like they were going up our guys' backs. When you don't get any offensive rebounds and they start going the other team's way, it's almost like a snowball effect.

We like to be punks. We like to still be kind of edgy and if being edgy means you might teeter on that line of being inappropriate, I'm still willing to teeter on that line, even at my age. But some of them go over that line and you've gotta draw that line somewhere.

For me there's always a line or two in a script, when you hit it you almost decide to do the whole movie off a line or two. You almost do it for the fun of getting to say a line or two like that. I don't have any specific plans, you know. I mean, if Seth Rogen calls with a great buddy pic, I'll be there.