Top 1200 Old Culture Quotes & Sayings - Page 19

There is an imagined thing called black culture. But culture is a construction. It is learned behavior, not innate. The black American experience is the American experience.

Her voice was slightly accented but her French was perfect. Someone who'd not just learned the language but loved it. And it showed with every syllable. Gamache knew it was impossible to split language from culture. That without one the other withered. To love the language was to respect the culture.

To make an absolutely gross generalization, I think a lot of people feel like if you're mixed, more often than not you're quote unquote white. So if you're mixed, you embrace the mainstream culture more than the African-American culture.

What's it like then?" asked Old Bailey. "Being dead?" The marquis sighed. And then he twisted his lips up into a smile, and with a glitter of his old self, he replied, "Live long enough, Old Bailey, and you can find out for yourself.

... while infants will sync with the human voice regardless of language, they later become habituated to the rhythms of their own language and culture ... ... humans are tied to each other by hierarchies of rhythms that are culture-specific and expressed through language and body movement.

Startup culture fosters laughter, debate, and a passionate, non-politically-correct focus on getting things done. And this startup of culture is something entrepreneurs struggle to maintain as the business grows. To ensure this environment continues, create a strong foundation and ensure everyone is on board.

In my art and life, I really strive to reverse the old adage that what you see is what you get. If I can be Coyote and practice my sneak-up, I can engage the viewers from a distance with one image and lure them in for exposure to another layer, which changes the initial view into quite a different reality. After all, that is what ethnic culture is all about - or even an ongoing relationship. What you see on the surface is never the same again one you begin to plumb the depths.

Every man has to settle down eventually. You know why you gotta settle down eventually? Because you don't want to be the old guy in the club. You know what I'm talking about. Every club you go into, there's always some old guy. He ain't really old, just a little too old to be in the club.

New Yorkers only cross water for visual culture if the water is an ocean. The East River throws us for a huge loop. If we started going to Queens and the Bronx for visual culture, many of our rent, space, and crowding problems would be over indefinitely.

We face a conflict between civilisation and culture, which used to be on the same side. Civilisation means rational reflection, material wellbeing, individual autonomy and ironic self-doubt; culture means a form of life that is customary, collective, passionate, spontaneous, unreflective and irrational.

Probably I'm more of a fan of the literary references than the pop-culture references. But I do go to the pop-culture well quite frequently because people, I think, are sort of inherently ready to laugh at that. It's a free laugh almost. Usually, everybody gets it.

Movies don't necessarily change culture. I don't know if we know for sure if movies change culture but we know for sure that they reflect culture.

Do you believe in God? Perhaps you aren't old enough. The reason old people believe in God is because they've given up believing in anything else, and one can't exist without faith in something.... God is a sort of burglar. As a young man you knock him down; as an old man, you try to conciliate him because he may knock you down. Moral: don't grow old.

Since most startups operate at a break-neck pace, with a concept to prove or a product to launch within a rapidly shortening runway of financing, company culture often gets shoved aside. This is a big, big mistake: Nobody serious about their business should put culture in the corner.

To have a healthy culture, you have to have stable health care financing and stable arts financing and stable sports financing, and if you don't have that, your culture becomes a parking lot.

I'll say - I have four kids! I married a woman when I was 24 years old. She was 13 years my senior. She had been married twice before. I adopted them. I was 24 and had a 17-year-old son instantly, an 11-year-old daughter, a 5-year-old, and a child on the way. So I had to learn how to become a parent very quickly.

Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas every day, we read novels by the millions, and buy records by the billions. 'We the people' affect the making and quality of most of our culture, but not our art.

We face a conflict between civilisation and culture, which used to be on the same side. Civilisation means rational reflection, material wellbeing, individual autonomy and ironic self-doubt; culture means a form of life that is customary, collective, passionate, spontaneous, unreflective and arational.

Like all people, we perceive the version of reality that our culture communicates. Like others having or living in more than one culture, we get multiple, often opposing messages. The coming together of two self-consistent but habitually incomparable frames of reference causes un choque, a cultural collision.

I really feel concerned about young people within our present culture. Our present culture, we have to change. Change is inevitable and I wasn't raised in our present culture but it has great pressure that as a young person I never had. Material pressure, social pressure, visual pressure, how you look, and I just try to appeal to young people to think for themselves, to be their own person, and to ask questions and also be very attentive to our planet and our environment.

I had never experienced anything like the response I got from people for Pirates of the Caribbean, where you meet a 75-year-old woman who had seen Pirates and somehow related to the character, and then five minutes later you meet a six-year-old who says, 'Oh, you're Captain Jack!' What a rush. What a gift. That was the challenge with Wonka, too--to be, in a sense, like Bugs Bunny. I find it magical that a three-year-old can be mesmerized by Bugs, but so can a 40-year-old or an 80-year-old. It's a great challenge to see if you can appeal to that huge an age range.

My mom was paralyzed from polio at the age of 2, abandoned by her husband, left with a 2-year-old, a 6-year-old and a 10-year-old, and so, we were raising her as much as she was raising us.

When you are 28, 29 years old... you are aware that this is going to be your last big contract of your career. You have to make up your mind: What is it that I want? Do I want to find something new, a new culture, a new league, a new language, new teammates, a new city? And what is it that I need to be happy? What is it that I need to perform?

A guy says, I'm so old that I forgot how old I am. An old woman says, I'll tell you how old you are. Take off your clothes and bend over. The man does this. The woman says, You're seventy four. The man says, How can you tell? The woman says, You told me yesterday.

I don't worry about getting old. I'm old already. Only young people worry about getting old. When I was 65, I had Cupid's eczema. I don't believe in dying. It's been done. I'm working on a new exit. Besides, I can't die now - I'm booked.

It so happens that certain songs becomes part of culture, and culture is a form of preserving patterns. Yes, we're Mexican, and we're proud to be, but we're also human. But like all cultures, there are retrograde elements and evolutionary elements. I think we'll chose to head towards the evolutionary ones and leave the others behind.

Food, for me, is society, and food is very political. Food is part of culture, and culture relies on art and creativity. If there is no art, there is no food, and there is no city.

In place of the old beliefs of a civilization based on godliness, judgment and historical loyalty, young people are given the new beliefs of a society based on equality and inclusion, and are told that the judgment of other lifestyles is a crime. ... The "non-judgmental" attitude towards other cultures goes hand-in-hand with a fierce denunciation of the culture that might have been one's own

In times of totalitarian or autocratic rule, music (indeed culture in general) is often the only avenue of independent thought. It is the only way people can meet as equals, and exchange ideas. Culture then becomes primarily the voice of the oppressed and it takes over from politics as a driving force for change.

I've always had a thing for old movies, old Hollywood. I've always just loved watching Marilyn Monroe and Greta Garbo. In all of those old movies from the '40s and '50s, women put themselves together so well, with a little bit of drama and elegance. That was fascinating to me growing up.

Somewhere in the child, somewhere in the adult, there is a hard, irreducible, stubborn core of biological urgency, and biological necessity, and biological reason that culture cannot reach and that reserves the right, which sooner or later it will exercise, to judge the culture and resist and revise it.

Generally speaking, I don't think people know a great deal about the Viking culture, apart from the label that is usually attached to them, either pillagers or deviants who came and brought back loot to Norway. It was an incredibly sophisticated, complex and layered culture. They had their own laws, many of which protected women.

Every people, every society, needs a culture of resistance, a culture of being difficult and disobedient, that is the only way they will ever be able to stand up to the inevitable abuse of power by whoever runs the state apparatus, the capitalists, the communists, the socialists, the Gandhians, whoever.

Popular culture is a contradiction in terms. If it's popular, it's not culture.

It just never occurred to me that a school’s policy and student culture could make a big difference in the way I would experience my body while on campus. I didn’t think there was anything to choose about a sexual culture. I’d only ever known the one I grew up in. But it did matter, and in ways I wouldn’t have even predicted.

I had the good luck a few years ago to visit the archeological site of Zippori in Israel ... I could see here displayed the Greek culture that Jesus decisively rejected, the same Greek culture that infiltrated the Christian religion soon after his death and has dominated Christianity ever since.

Once you have an innovation culture, even those who are not scientists or engineers - poets, actors, journalists - they, as communities, embrace the meaning of what it is to be scientifically literate. They embrace the concept of an innovation culture. They vote in ways that promote it. They don't fight science and they don't fight technology.

Well hip hop is basically the whole culture of the movement. There's the rap which is a form of hip hop culture. It could be breakdancing, freestyle dancing or whatever type of dancing that's happening now in the Black, Hispanic and White community.

Old politicians, like old actors, revive in the limelight. The vacancy which afflicts them in private momentarily lifts when, oncemore, they feel the eyes of an audience upon them. Their old passion for holding the centre of the stage guides their uncertain footsteps to where the footlights shine, and summons up a wintry smile when the curtain rises.

I have a massive Samoan family. And the Samoan culture has always played a massive part of my life. I've got hundreds of family on my dad's side that live in Samoa and in New Zealand. I've just been surrounded by the culture ever since I was a kid.

What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.

As a kid growing up in the 1950s I became acutely aware of the changes taking place in American culture and I must say I didn't much like it. I witnessed the debasement of architecture, and I could see a decline in the quality of things like comic books and toys, things made for kids. Old things seemed to have more life, more substance, more humanity in them.

The pedagogy of authoritarianism is alive and well in the United States, and its repression of public memory takes place not only through the screen culture and institutional apparatuses of conformity, but is also reproduced through a culture of fear and a carceral state that imprisons more people than any other country in the world.

The really interesting moment will be when you have a critical mass of people engaging through the networks, more than through the press and TV. When that happens, the culture of politics has to change, moving away from controlled one-way messages towards a political culture that is more questioning.

We are at that very point in time when a 400-year-old age is dying and another is struggling to be born - a shifting of culture, science, society, and institutions enormously greater than the world has ever experienced. Ahead, the possibility of the regeneration of individuality, liberty, community, and ethics such as the world has never known, and a harmony with nature, with one another, and with the divine intelligence such as the world has never dreamed.

The old actors in the old days, they used to go on tour, to get the play ready for the West End, and to learn their lines. The old timers used to say, "Be very careful, dear boy, what you get in to during the first weeks of a long tour."

Each part of life has its own pleasures. Each has its own abundant harvest, to be garnered in season. We may grow old in body, but we need never grow old in mind and spirit. No one is as old as to think he or she cannot live one more year.

I've always been interested in pop culture. Some of my colleagues think of pop culture as beneath them, or there's the ivory tower and then there's everybody else, and I never could buy into that wall that's been put up by so many people over the decades and even the centuries.

I would love to take an old space and restore it to exactly the way I want it. Like an old factory, just something with great bones and lots of character. I'd take an old house and flip it into something very modern inside, or the other way around.

I speak a lot about what I call "the trance of unworthiness" which is really epidemic in our culture, this sense of "I'm not enough," or "something's wrong with me." Most of us have some level of it because our culture has all these standards (handed down through our families) of what it means to be okay.

The Internet, too, has strong attributes of a public good, and has undermined the “private good” attributes of old media. Internet service providers obviously can exclude people, but the actual content -the values, the ideas- can be shared with no loss of value for the consumer. It is also extremely inexpensive and easy to share material. Sharing is built into the culture and practices of the Web and has made it difficult for the subscription model to be effective.

Poetry is often very critical of the culture from which it emerges. Quite often literary critics of a nationalist bent talk up the national culture, in a way that the literary texts don't. Poetry can bring out areas of denial and repression.

What if it turns out there really are witches and vampires and werewolves living right here alongside us? After all, what better disguise could there be than to get your image enshrined in the culture of the mass media? Anything that's described in artistic terms and shown in the movies stops being frightening and mysterious. For real horror you need the spoken word, you need an old grandpa sitting on a bench, scaring the grandkids in the evening.

All culture corrupts, but French culture corrupts absolutely.

As a consumer of culture, I like a wide range of emotions to be touched in art. It's funny but on the other side of it, I do feel that people that are trying to sell culture would like to see a narrower range of expression from their content-makers. Easier to sell I guess.

You cannot build a cultural identity without the images and sounds of your culture. Most countries in the third world - poor countries - they've lost their memories. Because everyday, films and cultural artifacts disappear. Film is also a memory - of the character and imagination of a culture.

You know, in our culture today, our Western, reductionist, Roman, linear, fragmented... culture, we don't ask how to make a pig happy. We ask how to grow it faster, fatter, bigger, cheaper, and that's not a noble goal.

Afghans think the burqa is a permanent part of culture. But, if you bring it to Europe, how would people react? Afghanistan doesn't want to change its culture, but it can change, all the time. So why are Afghans giving so much value to it? The burqa is not natural. It's not human nature.

There are also other areas. For example, culture. This is extremely important. We keep revisiting sport, judo, because I practice it, but other than that, there is also culture. Every year events that are in some way or other related to Russia take place in Japan.

As a biographer, I try to uncover the adventures and personalities behind each character I research. Once my character and I have reached an understanding, then I begin the detective work reading old books, old letters, old newspapers, and visiting the places where my subject lived. Often I turn up surprises, and of course, I pass them on.