Top 1200 Old Music Quotes & Sayings

I listen to a variety of music. I like everything from old Arabic music to Portuguese fados.

I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.

I started to write a lot of ballads that were sultry and had a Norah Jones-for-country kind of feel. I wanted to bring elements of old soul music and old country music.

From a very young age, music was very much in my house. I would sit with my mom, with the old LPs, listening to The Beatles and Carly Simon and Lionel Richie. The old LPs used to have the lyrics. From there, I would put on dance and music displays for my family, just to entertain them and make people laugh and smile.

People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.

Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever. Dates and periods are of interest only to the student of musical history. . . . All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago. All good music, whatever its date, is ageless - as alive and significant today as it was when it was written

I'm singing the way that I love to sing, which is like old soul, like old Al Green. I grew up about an hour from Memphis. So all that music that I grew up with - the Stax music and early rhythm n' blues - I'm doing that. I'm actually getting out from behind my guitar and I'm singing.

All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago.

My earliest memories of music are probably my dad listening to a bunch of outlaw country, but also old R&B and Ray Charles, Aretha Franklin. But, you know, I had rock phases and liked more modern R&B acts. I've always listened to all kinds of music, and I like all kinds of music.

Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever.

There's endless possibilities to taking music into the future by using music that actually was 100 years old.

Only in country music can you compare an old pickup truck and an old guitar to your wife and turn it into a love song... Thank God for country music.

We created Apple Music to make finding the right music easier for everyone - men and women, young and old.

You used to have to sing and convey emotion, and now, well, technically you can do anything with technology. It sucks for music today, but that's why that old music feels so good to me.

I love everything that's old, - old friends, old times, old manners, old books, old wine.

I started to music when I was about 19 years old. Most people that do music, they get training, or they develop themselves before they let their music out. For myself, I was actually developing myself and putting my music out at the same time.

I been doing music since I was 15 years old. I found it intriguing, just from liking and listening to music.

I noticed things in my computer music that were getting old, and I started to figure out that this has to do with the way the listener interacts with music.

I read a lot - surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I've loved since I was in high school. They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.

I guess my biggest influence was actually my Grandfather. He used to play old records on vinyl, and would play old jazz and soul music like Ella Fitzgerald, Billie Holiday and The Rat Pack and swing music.

Old music is the same as new music - it's just a different way of delivering it.

I have always loved creating and entertaining. It started with music, singing. I grew up in a household filled with music - not pop but old-school stuff, Ella Fitzgerald, Louis Armstrong.

As me being somebody that makes arguably nostalgic music, I cannot stand when somebody tries to make old music just to sound old.

Everybody knows in the business how I feel about country music. I'm an old traditionalist. Then they just call me an old man and stuck in my old ways, but with all the fans I've got out there, I can't be all that wrong. I do love traditional country music. I love the good stuff.

I listen to all kinds of music - new music, old music, music of my colleagues, everything.

I don't think the music that I do is nostalgic in any way; I don't think about going back to nice, old-fashioned music. I'm certainly influenced by old music, but I want to bring it slap-bang up to today.

The music I write, I feel, is not the kind of music for a 25-year-old.

I'm into old-time music, I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like.

My real interest in music was the old 78 records and the sound of the music. I loved it and began to realize that one of the main sounds on those old records I loved was the guitar.

You know when I started playing music as a young man I felt the need to be noticed and to prove myself. My motivation is much different now but what's still left is the love of music and the joy of entertaining people- the feeling that I make a difference, giving something back rather than just taking. Every year or two I come out with new music, or new arrangements of old music which keeps my show fresh.

I wouldn't have known when I was a teenager that when I was coming up to being a sixty-year-old woman that I'd be making music, I'd be recording music, talking about music, and incorporating my views on the world into the music-making. So it's a very rarefied place to be, and I'm very grateful for that.

The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.

It's old white ladies, old black ladies, old black men, who don't even listen. Everyone else, everyone who understands, likes Snoop Dogg. They like my music.

I was kind of, I would say, even obsessed with music. I wanted to start learning piano when I was six years old, and after that, my parents were very supportive and they took me to several kinds of music lessons. So music filled all my childhood.

I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.

It's been really interesting watching people's reactions to the new music, to the old music and also watching how modern young people will be standing in front of something going on like live music, and there's a camera in front of their face.

I liked seventeen-year-old me, I was happy when I was seventeen. I was this troubled goth kid that wore eyeliner and make-up to school and listened to punk-rock music and I loved my friends and I started to make music - I like seventeen-year-old me.

If you're only a fan of the old music, that music's gonna wind up sounding even older.

I think that this television medium, or whatever we call it now, is a really great frontier to turn people onto music - to new music or old music. It's a great platform where you've got people's ears, and you can throw something at them. I like to use it to the fullest that I can.

Honestly, I've been excited for music ever since I was 16 years old. I'll always love the music.

There's some connection between visual images and music. But there's plenty of old records where I have no idea what the band looked like, or even what sort of context the music was played in.

I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.

My purpose is to create music not for snobs, but for all people, music which is beautiful and healing. To attempt what old Chinese painters called 'spirit resonance' in melody and sound.

I could go old-school; I listen to a lot of old-school music, like Teddy Pendergrass, the Temptations, people like that. I'm an old-school dude, and I'm vibin' with stuff like that to clear my mind. I like listening to that old-school music.

When the Beatles cut old rock n' roll, they were recording music still in their performing repertoire, and besides, they never thought of the music as old.

I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.

What I do remember is visualization of the sound of music, seeing bodies in movement in relation to how music sounded, because my mother practiced at the keyboard a lot and I also went to her lessons. As a two year old, three year old I remember seeing things in movement.

Is not old wine wholesomest, old pippins toothsomest, old wood burn brightest, old linen wash whitest? Old soldiers, sweethearts, are surest, and old lovers are soundest.

I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.

I can't pretend that I don't subscribe to Internet music culture in that I discover new music and old music simultaneously.

In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and anyone could sing it, change the words, whatever. That is how humans treated music until the late 19th century. Now, with the Internet, we are going back to having tribal attitudes towards music.

I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.

Nowadays, especially when you think of electronic music, it's like, the producer is mostly the one who makes the music or the beats and everything. But I am more, since I'm that old, when I started to make music the producer was just sitting in the back shouting and drinking beer.

I love old-time music, I love country music and I love the American music that we have to offer the world. And any part of that is fine with me, as long as it's pure.

One of the things that's happened in the music I love over the past five, 10 years is that some people have gotten very old and continued to make music.

When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.

I've been a fan of old country music, like Willie Nelson, Patsy Cline. I think I'm drawn to it because of the sense of sadness and sort of loss that a lot of good old country music has.

My life has always been full of music..My father was a concert promoter when I was a kid so music has always been a part of my life growing up, furthering my desire to do music when I was old enough to create it on my own.

I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.

I think my style is quite grungy and punky. I love the '90s and the music from that time, and I love punk music. I'm also a fan of mixing vintage with some high fashion, which links back to my musical taste because I tend to mix old music with newer songs.