Top 1200 Old New York Quotes & Sayings - Page 16

In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weatherman could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York is in heavy boots.

Georgia O'Keeffe proposed that I live with her. She was in New Mexico then, and I wanted to be in New York.

Because I'm such a die-hard New Yorker, I was skeptical of Montreal being a New York double.

I think that I was lucky to have that period of time [ like coming to New York] because everything was so exciting and new.

For news, I follow 'The New York Times,' 'The New Yorker,' and 'ProPublica.' For entertainment, I like The A.V. Club and The Onion.

I was a young age, 16 years old, in Mexico. I traveled to these different countries, and I have the new style from Mexico and TNA. I wrestled two years in Florida, then back in Japan, and everything combined for a new style. It's different. I was looking for old school wrestling that looked new.

I love New York, I love the smell of New York... I love the subway.

If someone lives in New York, he's a New Yorker - they are entitled to the best medical system in the world.

I always sort of talk about - to myself at least, or to my friends, about wanting to just keep life very simple. I've found it most simple here in New York. You know, it's basically I have a, in a way, a 9-to-5 job, you know? I do eight shows a week. I live in New York City. I get to walk everywhere, and you know, just be one of the people of the city. And it's actually wonderful.

I didn't want to be driving to work everyday and sending out my Starbucks order. I didn't want to be in New York or L.A. I wanted to have space and I wanted to be in a remote place where all of us could just be ourselves and not worry about anyone trying to listen in or get in on that. I wanted to just be comfortable. I feel like being in a big city - as much as I find New York, in particular, very inspiring in a lot of ways - can also be claustrophobic.

So I went to New York City to be born again. It was and remains easy for most Americans to go somewhere else and start anew. I wasn't like my parents. I didn't have any supposedly sacred piece of land or shoals of friends to leave behind. Nowhere has the number zero been of more philisophical value than in the United States.... and when the [train] plunged into a tunnel under New York City, with it's lining of pipes and wires, I was out of the womb and into the birth canal.

But I was in awe of the painters; I mean I was new in New York, and I thought the painting that was going on here was just unbelievable.

You know, 88% of New Yorkers who have died from Covid are people of color. We are not 80% of the New York City population.

I'm regarded outside New York University as a looney tunes leftie, self-hating Jewish communist; inside the university, I'm regarded as a typical, old-fashioned, white male liberal elitist. I like that. I'm on the edge of both; it makes me feel comfortable.

The next time you're driving from New York to Boston on I-95, you should make a little detour in Pawtucket, Rhode Island, to visit the Old Slater Mill national historic landmark. It's the site of what is considered to be the first successful water-powered textile spinning mill in America.

The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young - I think I'm 28 years old in that - and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.

Manhattan is like Beverly Hills. And the soul of New York has moved to Brooklyn, where everything new and exciting seems to be.

Wardruna is a combination of old and new. I use historical instruments and new and electronic instruments and tools. I use drones and samples to build these huge sounds. Sometimes just a sound can trigger words or melodies. I don't have a romantic notion about the past; with Wardruna I wanted to create something new using something old.

Getting bogged down in old stories stops the flow of learning by censoring our perceptions, making us functionally deaf and blind to new information. Once the replay button gets pushed, we no longer form new ideas or conclusions - the old ones are so cozy.

We're called New Jersey but we're actually the suburbs of New York.

My wife and I sold our house New York and moved to Australia for a year; then we came back and spent almost three years bumming around the country in an old '61 VW van. We put the kids in school wherever we happened to be, but mainly we reveled in being rootless.

For 10 years while I was at ESPN, I lived at the Residence Inn in Southington, Connecticut, near Bristol. I did that because my wife had a great job in New York City, and we had a place in New York City, at 54th and 8th. On Friday, I would come back, and then on Sunday evening I would go back to the Residence Inn.

'EIla Enchanted' began in a marvelous writing course at New York City's The New School.

The cool thing for me about moving to New York was that I got to create a new family.

For a Bostonian... we live in the shadow of New York, and to be acknowledged by New Yorkers is really the greatest feeling.

In the summer New York was the only place in which one could escape from New Yorkers.

The fact that the infrastructure is falling apart is not necessarily because it's built poorly. The New York City subways were built in 1903. The fact that they're still running at all is an enormous success. The fact that New York City's bridges have held up as long as they have is extraordinary, and the engineers didn't have computers to tell them about tolerance. They overbuilt these things - traffic on them is like an ant on an elephant.

God does not patch up the old life, or make certain repairs on the old life; He gives a new life, through the new birth.

As a lover of New York, I hope New York remains as successful as a city, even though the very groups on whom the city depends - like artists - are not finding it easy to stay here. That's what it's been about, really, since the 1980s. You can kind of see that coming in the 1980s even though the rents were ridiculously low compared to what the rents are now.

Prepare for the new; expect the new; embrace the new. Otherwise, you'll just repeat what's old.

I had a teacher, he was 86 years old and his name was Luigi in New York City, and he said, 'Never stop moving. You get to reinvent yourself.' So you have to find ways to reinventing yourself. Especially today, because it's a whole different market - social media is so important.

New York City is filled with the same kind of people I left New Jersey to get away from.

My first job was in a movie theater. I worked at Cinema 6 in New City, New York. I was an usher. I sold popcorn.

The creative core of New York has never been native New Yorkers; it's people from all over the world.

New York and New Jersey are probably two of my favorite places to get really good surf in the summertime.

I wanted to study at the Art Students League in New York when I was young, but I didn't have the money. Then I was fortunate enough to become Johnny Cougar Mellencamp. At the time, I thought I'd make a couple of records and get back to painting. It never dawned on me that I'd be 64 years old and still making music.

Both God's love and God's wrath are ratcheted up in the move from the old covenant to the new, from the Old Testament to the New. These themes barrel along through redemptive history, unresolved, until they come to a resounding climax - in the cross.

For novelists, the imagination is everything. The trick is to guide one's imagination using research. I love using old maps. When I wrote my novels on London and New York, I found wonderful historical atlases. Paris has the most lavish maps of all.

I think in the old days, the nexus of weirdness ran through Southern California, and to a degree New York City. I think it's changed so that every bizarre story in the country now has a Florida connection. I don't know why, except it must be some inversion of magnetic poles or something.

From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.

I have to work hard and wear pants. I've worked really hard these last years, and since everything is coming together at the same time, I had to move the play back. I'm kind of in love with my theater agent. I'm a true naïve about the theater, a total innocent. He says to me, have you ever been to a rehearsal room? Do you realize you are opening at the Public in New York? You do understand that the audience will be New York theater people?

Movies are brand new. Film is less than 150 years old. It's brand new, compared to any other art form, all of which are thousands of years old.

Evelyn Waugh was in error when he said that in New York there was a neurosis in the air which the inhabitants mistook for energy. There was, rather, a tensile excitement in the air which made one think - made me think for many years - that time spent asleep in New York was somehow time wasted. Whether this thought has lengthened or shortened my life I shall never know, but it has certainly colored it.

I lived on my own when I was living in New York City when I was 18, working on a show. And that definitely kind of grows you up a little faster than a normal 18-year-old in college, so I think so. I think I've got some street smarts.

Here I am, ninety years old and ready for the cooling board, using a brand new Macintosh computer, and there you sit, twenty-two and gorgeous, fresh as a new peach, yet scrawling on a yellow legal pad like an old maid in a Victorian romance.

But I was in awe of the painters; I mean I was new in New York, and I thought the painting that was going on here was just unbelievable

I was born in New York City but grew up across the Hudson River in Alpine, New Jersey.

America has only three cities: New York, San Francisco, and New Orleans. Everywhere else is Cleveland.

New weapons require new tactics. Never put new wine into old bottles.

Far Rockaway is like the New Orleans of New York.

In the space of less than seven days, I attended a track meet in Boston, flew from there to Bowling Green for the National Jaycees, then to Rochester for the blind, Buffalo for another track meet, New York to shoot a film called The Black Athlete, Miami for Ford Motor Company, back up to New York for 45 minutes to deliver a speech, then into L. A. for another the same night.

There seems to be less obvious corruption in city government and New York politicians, they aren't Republican or Democrat, they're New Yorkers.

The more boring a newspaper is, the more it is respected. The most respected newspaper in the United States is The New York Times, which has thousands of reporters constantly producing enormous front-page stories about bauxite...The [New York] Post would write about bauxite only if famous celebrites were arrested for snorting it in an exclusive Manhattan nightclub.

The guys in New York don’t know the new media. San Francisco takes more risks as a culture.

People ask me all the time how I got hired onto the Office. Another common question is how do I manage to stay so down-to-earth in the face of such incredible success? ... A third frequently asked question is: "Girl, where you from? Trinidad? Guyana? Dominican Republic? You married? You got kids?" This is mostly asked by guys on the sidewalk selling I LOVE NEW YORK paraphernalia in New York City.

Well, let's put in this way, I grew up in West New York, New Jersey.

In the end, the only thing the true New Yorker knows about New York is that it is unknowable.

There's no borders or lines you can't cross anymore. Everything is getting blended with everything. That's the dope thing about music now. Some people don't like it, more of the older people. They want to, you know, go back to old-school New York hip-hop.

I was born in New York City, but I was raised in New Jersey, part of the great Jewish emigration of 1963.

It sounds stupid, but there's nothing like walking down the street and seeing a building that's older than 100 years old. I think London - not to sound pretentious - like New York, it's a big melting pot for all things and it's just got this energy that you can't find anywhere else.