Top 1200 Old New York Quotes & Sayings - Page 2

I would stay two years in San Francisco, then move to New York in the summer of 1991, for the love of a man who lived there. When I arrived in New York, I had a job waiting for me, courtesy of a bookstore I'd worked at in San Francisco, A Different Light. They had a New York store as well, and arranged an employee transfer.

I don't necessarily notice too much of a change in the sense of the kind of matches that I have in say a Los Angeles as opposed to a New York City. The big difference that I notice, and this is what all love as New York city and Philadelphia has treated me fantastically, but man, you cannot screw up in Philadelphia and New York.

The Green New Deal is for elitists who live in their high rises in New York City and see a dirty world around them because they're in New York City. I said New York City can pass a Green New Deal... Why not try it? Why not try it?

I've lived in New York when I've had nothing, and I've lived in New York when I had money, and New York changes radically depending on how much money you have. It's the texture of life.

I met my new partner [in Indiana] and she asked if I wanted to move out of New York. I said yeah, and we got a house that's way cheaper than renting a closet in New York.

The best part about fighting in New York is the New York fight fans, man - Vegas does not compare to the New York fight fans.

It couldn't have happened anywhere but in little old New York.

I kind of grew up on the East Coast, lived in New York for a while, then moved to L.A. So I'm not a New Yorker at all, but I'm much happier in New York; I've always liked it better.

It's about being open to what comes your way. I came to New York and saw 'Spelling Bee.' I said to myself, 'That's the greatest show ever, and I can't believe I'm not a part of it.' I felt the only way I'm going to get to be a part of something that good is to live in New York. So I moved to New York and ended up in 'Spelling Bee.'

I love shopping in New York just because you walk around and find a little store you've never saw before, and you're like, 'Oh what's that? This is my new favorite place.' I love that about New York.

I mean, if you look at all the great romantic screwbally kind of movies from the '30s and '40s, they're all in New York. Even 'Sleepless in Seattle,' a movie about Seattle, ends up in New York, of course. The whole country, even if they've never been to New York, knows about it... from the movies.

It's funny: I kinda still float under the radar. I'm not tall like a New York Knick; I'm not a heavy, strong New York Giant or New York Jet. I blend in pretty well. A lot of people don't recognize me too many places. More men recognize me than women.

Every year when it's Chinese New Year here in New York, there are fireworks going off at all hours. New York mothers calm their frightened children by telling them it's just gunfire.

New York, you got money on your mind. And my words won't make a dime's worth a difference, so here's to you New York.

"Gender trouble" is old. I mean, you know, in New York, it is old. I mean it's sweet. I mean people are really kind about it but it's like a former love affair you had and you're done.

Mayors of New York have been elected not because of their party label, but because of their philosophy and their approach overall, and that has been since time immemoriam in New York, that people are not party-oriented in New York.

New York has closed itself off to the young and the struggling. But there are other cities. Detroit. Poughkeepsie. New York City has been taken away from you. So my advice is: Find a new city.

I've made so many films in New York. There was an assumption I think a lot of people had that I am a New Yorker, that I am from New York, and I always felt like nothing could be further from the truth.

The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.

I really love New York. I just love the aesthetics and the spirit of New York. I've just always loved the energy of it. When you're flying into New York and you look out of the window, it's like you're flying into another planet. I've never stopped being amazed at it.

I've always liked lost, old New York.

But if you're from New York and you grew up here, you have it built into you - what a slice of pizza is supposed to be - in a way that people from outside of New York don't.

I grew up partially in L.A. and partially in New York. In L.A., anything goes because it's really temperate. There aren't any fashion rules dictated by weather, whereas in New York, of course, there are. New York is seasonal, and also it's a fashion mecca, so people are a little more aware of how they put things together.

I love holidays in New York. I love `em. I want to celebrate something all the time and New York has holidays for every day of the week, practically. I like holidays in New York City.

I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.

The trouble with New York today is that it's lost its balance. I love the new, greener New York, but it takes all kinds of worlds to make a World.

I've been back in New York a year and a half now. Before that I was on the West Coast for five years. There's no comparison between the two. You hear things in New York you don't hear anywhere else. Unless these guys go out. Quite a few make it out to the Coast. Of course, you can't stay in New York for ever. You have to move.

I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life.

I really believe that you grow up a certain way in New York. There's a New York morality, a sense of loyalty. You know how to win and lose. There's a thousand kids outside, you know who to push and who not to push. There's a sixth sense you develop just because it's New York.

I've always had a dream about New York. New York is an island... those bridges... the skyline... the dynamism.

I left New York after my mother died and, rather aimlessly, had settled in Istanbul for a change of scene. It was a rather dramatic gesture on my part, since I'd lived in New York for 20 years, but I felt I needed something different - the escalating expense and pressure of New York had begun to weary me.

Feeling is taboo, especially in New York. I read in some little magazine the other day that The New Yorker and The New York Times were sclerotic, meaning, "completely turned to rock." The critics here are that way.

Too pop for punk, too 'old school' for the New Wave, Mumps were a '70s era New York rock band, out of time.

If you've ever tried to move from L.A. back to New York, that's a pretty hard move. You forget how cramped things are in New York. You forget how dirty it is in New York. But, it's been the best move of my life, not necessarily for my career, but for my soul.

There are so many things I'd like to do. I'd really like to be in a period piece that takes place in old New York or old Hollywood and wear those costumes and that makeup.

New York City is still the art capital - every time I'm in New York, I'm thinking about competition.

Anywhere in New York, anywhere in the country, somewhere there's going to be a Coke sign. People identify with Coke. You can write a novel about New York and people from the country will read it if they feel that you've made them familiar with New York.

I have very specific advice for aspiring writers: go to New York. And if you can't go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests.

The New York Times will tell you what is going on in Afghanistan or the Horn of Africa. But it is no exaggeration that The New York Times has more people in India than they have in Brooklyn. Brooklyn is a borough of two million people. They're not a Bloomingdale's people, not trendy, sophisticated, the quiche and Volvo set. The New York Times does not serve those people.

New York is such a super power, New York can do anything, you know what I mean? They could do anything! When New Yorkers band together, they can really change the world.

I did my New York debut at 21. It was 'On the Town' at the George Gershwin Theatre. New York is my artistic home.

New York was the inspiration for The Heart of Rock and Roll and Workin for a Livin. There are a lot of songs in the streets of New York.

Shooting in New York is the shiznit, if I may be so bold. It was great. New York is a character. People who live here know that.

Le Cirque is strictly New York people. New York people don't eat at home; New York people go out.

As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?

I love holidays in New York. I love 'em. I want to celebrate something all the time, and New York has holidays for every day of the week, practically. I like holidays in New York City.

I thought, 'I'll come back to New York. I worked for the 'Aspen Times' when I lived in Aspen. I'll work for the 'New York Times' when I live in New York.' It didn't work out that way.

Home. It's being new and old all rolled into one. Measuring your new against old friends, old ways, old places, Knowing that as long as the old survives, you can keep changing as much as you want without the nightmare of waking up to a total stranger.

By and large, musicians respect New York audiences, and also are greatly concerned about New York reviews.

I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.

It's hard to leave New York: this is where my friends are, my parents are. It is so vital. The whole world seems to look to New York.

I do love to walk around in New York because people will notice me, smile, but they never bother anyone. New Yorkers are very cool. I love New York.

The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.

Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.

I love New York - maybe more than Los Angeles or London. I think I'm happiest in New York.

My father had this mythological sense of the old New York, and he used to tell me stories about these old gangs, particularly the Forty Thieves in the Fourth Ward.

It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.

Any time you get to come to New York and be near New York City, that is a very cool opportunity.

As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.

Well,’ I said, ‘Paris is old, is many centuries. You feel, in Paris, all the time gone by. That isn’t what you feel in New York — ’He was smiling. I stopped. ‘What do you feel in New York?’ he asked. ‘Perhaps you feel,’ I told him, ‘all the time to come. There’s such power there, everything is in such movement. You can’t help wondering—I can’t help wondering—what it will all be like— many years from now.