Top 1200 Old New York Quotes & Sayings - Page 20

Explore popular Old New York quotes.
Last updated on November 8, 2024.
No other city in the U.S. can divest the visitor of so much money with so little enthusiasm. In Dallas, they take away with gusto; in New Orleans, with a bow; in San Francisco, with a wink and a grin. In New York, you're lucky if you get a grunt.
I took my coffee into the dining room and settled down with the morning paper. A woman in New York had had twins in a taxi. A woman in Ohio had just had her seventeenth child. A twelve-year-old girl in Mexico had given birth to a thirteen-pound boy. The lead article on the woman's page was about how to adjust the older child to the new baby. I finally found an account of an axe murder on page seventeen, and held my coffee cup up to my face to see if the steam might revive me.
I have never lived in New York City, but a lot of people think that I am a New Yorker, because I was embraced by the Downtown scene since the 1980s. For the record I was born and raised in Los Angeles, California.
As each wave of technology is released. It must be accompanied by a demand for new skills, new language. Consumers must constantly update their ways of thinking, always questioning their understanding of the world. Going back to old ways, old technology is forbidden. There in no past, no present, only an endless future of inadequacy
There is an old and a new consciousness of the age. The old one is directed towards the individual. The new one is directed towards the universal. The struggle of the individual against the universal may be seen both in the world war and in modern art.
I found so much fun in the light shows and the multimedia shows of the hippies. That was when I was a student in the 1960s, and I was in New York, so I learned how to deal with writing, recording sound of other people, performance art - because that was a new territory, and I liked everything that was new and provocative. That interested me more than becoming anything specific.
During my eleven years as a New York City public school teacher, I saw firsthand the impact that poverty has on the classroom. In low-income neighborhoods like Sunset Park, where I taught, students as young as five years old enter school affected by the stresses often created by poverty: domestic violence, drug abuse, gang activity.
I've never been one for sitting on beaches. Let me tell you who I am: I'm a girl from New Jersey who moved to New York and worked in a bar while trying to make a living at what I really wanted to do, which was act.
New York is where it is going to begin, I think. You can see it coming. The insect experts have learned how it works with locusts. Until locust population reaches a certain density, they all act like any grasshoppers. When the critical point is reached, they turn savage and swarm, and try to eat the world. We're nearing a critical point. One day soon two strangers will bump into each other at high noon in the middle of New York. But this time they won't snarl and go on. They will stop and stare and then leap at each others
The Engineer is one who, in the world of physics and applied sciences, begets new things, or adapts old things to new and better uses; above all, one who, in that field, attains new results in the best way and at lowest cost.
Just because you read a report in the 'New York Times,' the 'Economist,' or, yes, 'The New Yorker' doesn't make it true. But we do know that a few people have evaluated that story with what strikes me as fairly objective standards of reason.
The notion, the invention of a country, is fairly new in the history of mankind. We tend to forget that. We want to protect our country. The country is something that's fairly new. It's 250 years old, maybe 300 years old, so it's bound to change and evolve also. Migration is part of that.
I just spent a lot of time on 'ER' for that eight years. I also started working when I was 16, so by the time I left 'ER,' I was 40 years old, I had this incredible experience, my wife had this great company, we had four kids, it was like, 'Let's go to New York and live for a while and make that the priority.'
We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.
Whenever conditions arise in which a new kind of replicator can make copies of itself, the new replicators will tend to take over, and start a new kind of evolution of their own. Once this new evolution begins, it will in no necessary sense be subservient to the old.
I like the 'Science Channel,' the 'Discovery Channel,' I like 'Discovery Times,' which is a fabulous hybrid of the 'New York Times' and 'Discovery Channel.' Maybe I'm just an old man, but I like to watch that stuff.
Old friends pass away, new friends appear. It is just like the days. An old day passes, a new day arrives. The important thing is to make it meaningful: a meaningful friend - or a meaningful day.
If I can challenge old ideas about aging, I will feel more and more invigorated. I want to represent this new way. I want to be a new version of the 70-year-old woman. Vital, strong, very physical, very agile. I think that the older I get, the more yoga I'm going to do.
The most violent revolutions in an individuals beliefs leave most of his old order standing. Time and space, cause and effect, nature and history, and ones own biography remain untouched. New truth is always a go-between, a smoother-over of transitions. It marries old opinion to new fact so as ever to show a minimum of jolt, a maximum of continuity.
New Jersey shaped who and what I am. Growing up in Jersey gave you all the advantages of New York, but you were in its shadow. Anyone who's come from here will tell you that same story.
If you want God to do something new in you, you cannot keep doing the same old thing. You have to do something different. And if you do, God will create new capacities within you. There will be new gifts and new revelations. But you've got to pray the price. You'll get out of this what you put into it.
New Yorkers tend to have a wall up. Being from the South, I didn't have that. It helped me meet a lot of people. And, as a Southerner, I love wearing color. New York is a sea of black. My popping out in pink was definitely noticed.
It is a quality of revolutions not to go by old lines or old laws, but to break up both and make new ones. — © Abraham Lincoln
It is a quality of revolutions not to go by old lines or old laws, but to break up both and make new ones.
My first experience in a movie theater was Dick Tracy. There was a scene with a guy with a Tommy gun and a wall of fire behind him. I panicked, screamed, and jumped out of my seat. And I ran six New York city blocks, running into the street and almost got hit by a bunch of cars and had my mom chasing after a panic-stricken four-year-old.
It is the quality of revolutions not to go by old lines or old laws; but to break up both, and make new ones.
You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.
New material demands new methods, and new methods fling a challenge to old convention.
When I write, I aim in my mind not toward New York but to a vague spot a little to the east of Kansas. I think of the books on library shelves, without their jackets, years old, and a countryish teen-aged boy finding them, and having them speak to him. The review, the stacks in Brentano's, are just hurdles to get over, to place the books on that shelf.
...you will do more harm than good by attempting to supplant old dogmas and customs with new dogmas. It will be the same in the end except that the old is less militant, less dangerous than a new order imposed by enthusiasts.
For out of old fields, as men saith, Cometh all this new corn from year to year; And out of old books, in good faith, Cometh all this new science that men learn.
The Old Testament filled this world with tyranny and injustice, and the New gives us a future filled with pain for nearly all of the sons of men. The Old Testament describes the hell of the past, and the New the hell of the future.
I think I infuse the music with a new passion. Part of this is because I have fallen in love: I am in love with the New York Philharmonic. The chemistry has just been right. Beyond expectation.
Woodie King Jr., in 1970, had started a company called the New Federal Theatre, which was ensconced at the Henry Street Settlement. I did a number of plays there, and I auditioned each time. The plays were mostly new. New York was very fertile ground; there was a plethora of African-American plays being done.
We are seeing a new wave of young biologists that are attacking old problems with new tools and fresh ideas, leading to new types of bio startups and creating a much-needed engine to drive Silicon Valley into the next century.
The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition. (Written in 1949, 22 years before the World Trade Center was completed.)
I live in New York, but I am always delighted to come to Europe because I am European and grew up here until I was 20. I am not only Italian, I am partly Swedish. When my parents divorced, I was three years old and went to live in Paris... when I am offered a film in Europe, I come with great enthusiasm!
Gramercy Tavern appeared on the cover of New York Magazine the day we opened, and it was five deep at the bar with people who were not necessarily here to dine. They just wanted to kinda sniff out the hot, new restaurant.
I've lived in New York City for over twenty years now, and every single day is like a new adventure. At this point, there are many places I'd love to visit, but I can't imagine living anywhere else on the planet.
I'm a New Yorker. I was there during 9/11 and I saw how, not only New York City stopped for a moment, we all took an inhale and exhale at the same time - the world united at that time, and it changed my life.
When I was in New York, I got to see Joan Rivers do an hour of material, and it blew my mind. I don't remember how old she was at the time, but she just had this edgy hour that had so much funny stuff in it, and she was so fearless. If you only watch her on the red carpet, you don't get a sense of what a legendary standup comedian she is.
In conversation the game is, to say something new with old words. And you shall observe a man of the people picking his way along, step by step, using every time an old boulder, yet never setting his foot on an old place.
I was at the New York Film Critics Circle Awards one year - they called me up when somebody canceled two days before the thing, and asked me to present some awards. So I went, and one of the funniest film moments I've ever had was when they introduced the New York film critics. They all stood up - motley isn't the word for that group. Everybody had some sort of vision problem, some sort of damage - I had to bury myself in my napkin.
I'm from New York.
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
Christina Baker Kline writes exquisitely about two unlikely friends—one, a 91-year-old survivor of the grinding poverty of rural Ireland, immigrant New York and the hardscrabble Midwest; and the other, a casualty of a string of foster homes—each struggling to transcend a past of isolation and hardship. Orphan Train will hold you in its grip as their fascinating tales unfold.
Yes'm, old friends is always best, 'less you can catch a new one that's fit to make an old one out of.
Annabeth, thank goodness, would be staying in New York. She'd gotten permission from her parents to attend a boarding school in the city so she could be close to Olympus and oversee the rebuilding efforts. "And close to me?" I asked. "Well, someone's got a big sense of his own importance." But she laced her fingers through mine. I remembered what she'd told me in New York, about building something permanent, and I thought—just maybe—we were off to a good start.
The Old (Testament) is in the New (Testament) revealed, the New is in the Old concealed.
I'm a New Yorker, and working in New York was divine for me. I loved working there and going to work there, which I've been able to do three or four times in my career, and I just love it. It's my favorite.
If it is bin Laden, he's a very intelligent guy. He's been planning his war for a long time. I remember the last time I met him in 1997 in Afghanistan. And bin Laden said to me "From this mountain, Mr. Robert, upon which you are sitting, we beat the Russian army and helped break the Soviet Union. And I pray to God that he allows us to turn America into a shadow of itself." When I saw the pictures of New York without the World Trade Center, New York looked like a shadow of itself.
I had just done what she does in the story just about a year earlier - I moved from New Jersey and came to New York and was working at a bar, and you know, trying to make it.
I produced a play in New York that got nominated for an Outer Critics Circle Award for Best American Play.The play is called Stalking The Bogeyman. It was a story on This American Life, and my former roommate is the artistic director of the New York Repertory Theater. He heard the NPR show, contacted them, and essentially - shortest synopsis ever, like I'm the Cablevision guide button - it's the true story of a man stalking and plotting to kill the man who raped him when he was seven. It's by a brilliant reporter named David Holthouse.
U.S. News Organizations observe the anniversary of September 11 with investigations about the nation's continuing vulnerability to terrorism. First, the New York Daily News reports that two of its reporters carried box cutters, razor kinves, and pepper spray on fourteen commerical flights without getting caught. Then ABC News reports that it smuggled fifteen pounds of uranium into New York City. Then Fox News reports that it flew Osama bin Laden to Washington, D.C., and videotaped him touring the White House.
To be born again is, as it were, to enter upon a new existence, to have a new mind, a new heart, new views, new principles, new tastes, new affections, new likings, new dislikings, new fears, new joys, new sorrows, new love to things once hated, new hatred to things once loved, new thoughts of God, and ourselves, and the world, and the life to come, and salvation.
At the time, I was reading this Miles Davis book, and he was talking about coming to New York right after he was in high school. It kind of made me feel like, "Yeah." I didn't want to go to college; I wanted to do stand-up. And I figured, "What's the point of doing stand-up around DC? I'm always going to be under-appreciated there because I started there." I felt like I was strong enough and unique enough that I should give it a big leash to shine. New York was the best thing that ever happened to me as a comedian.
The New York voice reflects its diversity, its foreignness, and, inevitably, the sense of superiority New Yorkers feel or come to feel. It says, without saying, We Know.
I realized the other day that I've lived in New York longer than I've lived anywhere else. It's amazing: I am a New Yorker. It's strange; I never thought I would be.
What is new, however, is always evil, being that which wants to conquer and overthrow the old boundary markers and the old pieties; and only what is old is good. The good men are in all ages those who dig the old thoughts, digging deep and getting them to bear fruit - the farmers of the spirit. But eventually all land is depleted, and the ploughshare of evil must come again and again.
Rather, to change a habit, you must keep the old cue, and deliver the old reward, but insert a new routine. — © Charles Duhigg
Rather, to change a habit, you must keep the old cue, and deliver the old reward, but insert a new routine.
Is not old wine wholesomest, old pippins toothsomest, old wood burn brightest, old linen wash whitest? Old soldiers, sweethearts, are surest, and old lovers are soundest.
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