Top 1200 Old Records Quotes & Sayings - Page 3

I am calling on all citizens with access to unreleased records pertaining to illegal, unconstitutional, or immoral government activities to return those records to their rightful owners, the American people.

I had my own booth at Fan Fair when I was 9 or 10 years old. I made a little record and I had a manager in Missouri, so we came up to Fan Fair to sell those records and try to get me a record deal. Clearly it wasn't meant to be at 10 years old, but my memory is that I went to use the bathroom, and I met Sylvia. I was in shock.

That old man dies prematurely whose memory records no benefits conferred. They only have lived long who have lived virtuously.

The Old Testament records the preparation for the coming of the Messiah. The Gospels record the coming of the Messiah, Jesus Christ our Lord. The book of Acts records the propagation of the gospel (the good news) concerning Jesus Christ. The Epistles (letters) explain the gospel and its implications for our lives. The book of Revelation anticipates and describes the second coming of Jesus Christ and the establishment of His eternal kingdom. From beginning to end, the Bible glorifies Jesus Christ and centers on Him. Its Christ-centeredness is one of its wonderful features.

No one sells records anymore. It's all about touring. It's all greatest hits records and box sets. And even those don't sell. People just go online.

I have a lot of vinyl, but I only buy old records on vinyl. Like secondhand. It's too expensive otherwise.

I'm very proud of my records, but my most natural creative tendencies have been in live performing. There's a beautiful element to recording and making records, but I've always felt a little shy with it.

I was never good at scratching, but I was good at collecting old records. Florida was a great place for that, because it's where people go to die.

There was an embarrassing moment in the White House earlier today. They were looking around while searching for George Bush's military records. They actually found some old Al Gore ballots.

I was buying old records a lot in my early teenage years and I was mostly drawn toward the artwork even more than the band itself. I loved the way the art set the scene for the music.

I think it's always been very natural. I don't write a diary - it's reflections and thoughts and feelings that come to me at a certain point, and when I go back to my old records, they capture the time I was in then.

I really don't think records should be made in the manner where you sit and write, and when you're finished writing, you start recording. That just seems conventional and old-fashioned to me.

People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.

A lot of those early blues records and soul records were pretty much live. It was what it was, and they had goofs and mistakes, but it still kept its charm. We have to remember to keep the feel. It's so important.

I get most of my inspiration from older records and older production styles, and that ends up rearing its head in the records that I make.

They say I spend too much money, so they take it and put it away for me. What do I spend it on? Oh, old records and presents and things.

We moved into the back, made it into a little 50s sitting room and started to sell the records. We had an immediate success. For one thing, these Teddy Boys were thrilled to buy the records.

I'm in no hurry to get old. But when I do, I'll be out to enjoy every last minute. I see myself at 90 in some nursing home, waving my walking stick about as I jive to Gene Vincent records.

Good rap records don't get too far, but rap records that are made for crossing over to white audiences do go a long way.

Bob Dylan's first couple of records in the 60's weren't considered cover records, but he only wrote one or two original songs on each album.

A lot of people make records where there are a couple songs worth listening to and you skip through the rest, and I don't want to do that because those records bore me pretty bad.

It's just natural, it's not a great disaster. People keep talking about it like it's The End of The Earth. It's only a rock group that split up, it's nothing important. You know, you have all the old records there if you want to reminisce.

I make an embarrassing amount of money for a borderline Marxist, just by selling 100,000 records. I don't sell millions of records, and I don't need to.

When you listen to early Leonard Cohen records or Joni Mitchell records, you feel like a window is being opened into someone's life.

The good thing about songwriting is you don't have to delineate between what's true and what's fiction; records aren't put on the shelf that way. Books are, movies are, but records aren't.

Sometimes I'd hear things on other people's records and I say I wanted it on my records, but Leslie Kong said, no, it wasn't right and that it wasn't my style.

I look at my career as a body of work, not just Queens of the Stone Age records. I'm in Eagles of Death Metal, I'm in Them Crooked Vultures; I make records with other people.

The first sign of real obsession with music was with an old wind-up gramophone that mum had thrown out into the garage. My parents gave me three old 45s - two Supremes records and one Tom Jones record - and I used to come home from school literally every day, go out to the garage, wind this thing up, and play them.

My kids love vinyl, I had to teach them how to put the needle on the records. Now they're worried about scratching the records, but it's incredible!

If I can go through what I've been through and do a television show with my son and then be a boy from the hood making records for the people I make records for, that's reality.

The government's collection authority, under the Patriot Act, is basically limitless. They can get the medical records and financial records, gun purchase records. And it also becomes part of another important issue that relates to the FISA court and the rest of the debate. It almost becomes a secret law, like there are two Patriot Acts. The one you read on the laptop essentially leads you to believe that there's some connection to terror .

I was 5 years old when I first broke into my mother's records and played Nat King Cole, and sat alongside the stereo and listened to Nat's music.

In rock n' roll, we don't sell records at all like we used to. Yet the artist still has to pay to make records. So you've just got to get out on tour and be smarter about your merchandising.

Anybody I have spoken to who has held a record says 'Records are meant to be broken.' They get excited when somebody has an opportunity to break one of their records and take the sport even further.

We made records to document ourselves, not to sell a lot of records. I still feel that way. I put out a record because I think it's beautiful, not necessarily commercial.

I don't think people buy records because of anything that happens on Facebook. They buy records cause they're friends say 'I bought this record and I love it.'

We have signed with Artemis Records. Originally they were our distributor for 'Group Therapy'. My former manager (Chip Quigley) started a record label (Recon Records) and had Artemis Records as their distributor. Unfortunately, the way the label was run meant that it didn't turn out the way that we thought it was going to be. We simply got into something that was different to what we initially thought

I think when I listen to old records, it puts me back in the atmosphere of what it felt like to make the record and who was there and what the room looked like. It's more a sensory memory.

Brass bands are part of my upbringing. Brass band records were among the first records I listened to.

There's some connection between visual images and music. But there's plenty of old records where I have no idea what the band looked like, or even what sort of context the music was played in.

In the past, so many of my records, really, have been sketches for records that never really got made.

Some people buy records just to dance to 'em. Some people buy records to listen to the radio. And there's people that buy records 'cause they listen to every song.

The sports page records people's accomplishments, the front page usually records nothing, but man's failures.

I love listening to old records to keep nostalgic feeling; it allows me to not lose the love for hip-hop.

I do have a collection of mid-century, small-press science fiction and fantasy hardcovers that is my most focused and dedicated collection. Everything else I tend more to acquire or amass than collect. I have vinyl records I listen to all the time when I work. But I don’t collect records. I just buy records where the price seems right and it’s music I actually listen to.

I'm so excited that my label Rocker Records has partnered with Cleopatra Records to put out this collection of RARE and UNIQUE kick ass rock !!!

The sacred rights of mankind are not to be rummaged for among old parchments or musty records. They are written, as with a sunbeam, in the whole volume of human nature, by the hand of the divinity itself; and can never be erased.

I've got four or five records in my head at a time that I try to work on and I would like to do a guitar trio record next - since The Police I've mostly made records with keyboards.

The house is in turmoil with records on every space. In the kitchen and in the dining room is covered with records. I don't have a big enough house to accommodate everything.

Both my parents worked, so I was home alone a lot, and I would listen to their records. They belonged to the Columbia House record club, so they had records!

The best bands kept making records and had this evolution, where by the end, by their commercial phase or sellout phase, the records are from outer space.

It is a fiction to imagine that the haphazard paper chits of old are more private than the modern digital alternative. Paper records have always presented a security risk.

Sinatra's melancholy was the melancholy of mass (old) media technology - the 'extimacy' of the records facilitated by the phonograph and the microphone, and expressing a peculiarly cosmopolitan and urban sadness.

It's always cool when you get immortalized on records. I am just happy that I have gotten to the level where rappers who can actually rap say my name in records, regardless if it's a diss or not.

I find with records, they become what they're going to become. They take on a power and a direction of their own. Part of making records is to honor that and not try to force it.

If you listen to old Jerry Lee Lewis records, he'll always - about nine times out of 10 have the lyrics different than the original record is.

My father had a passion for love. It's mostly what he talked about in his songs, and I still have his old records today.

Tower Records is like a temple to me. I'll stay there for hours. Nobody can shop for records with me. It drives them out of their minds.

Those early steps are very important in understanding the evolution. But in themselves, maybe now you need the later records to understand the significance of the earlier records!

I let my team pick what order the records go. I don't pick my own records. I'm a fan of my music regardless so you have to think outside of the box.