Top 1200 Old Song Quotes & Sayings

I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.

In the largest sense, every work of art is protest... A lullaby is a propaganda song and any three-year-old knows it... A hymn is a controversial song - sing one in the wrong church: you'll find out...

At 13 I taught myself piano from an old song book, and Joni Mitchell's 'Both Sides Now' was the first song I learned.

When I was 12, I wrote a legit song - about having my heart broken, of course, because I was 12 years old going on 40. I sang the song for my mom, and she asked, 'Where did you get that song?' I told her I wrote it, and she said, 'Really?' She looked at my grandparents and just said, 'Oh, boy.'

Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.

The song that I will sing is an old song, so old that none knows who made it. It has been handed down through generations and was taught to me when I was but a little lad. It is now my own song. It belongs to me. This is a holy song (medicine-song), and great is its power. The song tells how, as I sing, I go through the air to a holy place where Yusun (The Supreme Being) will give me power to do wonderful things. I am surrounded by little clouds, and as I go through the air I change, becoming spirit only.

I always loved that old song 'Banks of the Ohio' - it was always such a man's song, so I've always wanted to record it.

But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.

The best way to write a song is to think of something else and then the song kind of creeps in. The beginning makes no sense whatsoever. It just, like, rhymes. And then all of a sudden I'll go into, I am an old woman named after my mother.

Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public.

'No Scrubs' is a mean song for a lot of reasons. If you're 18, 19-year-old guy, or even 17, your friend just got a license. You don't have a real job yet. It's like that song asks you to be an adult way faster than you should.

Honestly, are we ever going to get over 'California Girls' by Katy Perry? I know it's old, but that song - I love that song!

Old school Janet Jackson is always good. I usually go old school, it's very rare that I pick a song from nowadays.

I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.

It is not only just a Indian phenomenon but it's happening the world over. People are taking old movies and remaking them; old serials are being made into web series. There is no harm in remixing the song if you do it well.

A song stylist is, like, to take an old folk song like "Delia's Gone" and do a modern white man's version of it.

The young are of age when they twitter like the old; they are driven through school to learn the old song, and, when they have this by heart, they are declared of age.

When that much time goes by, you're really listening to your old music differently. At the time it's written, it was the beginning of our career and with every song we're thinking, 'This is what's creating us.' Now, nothing is creating us. We're well-created. We're there. It becomes just pure pleasure and you become sort of an archeologist of your own music. You don't judge it, because what's the point? It's a 30-year-old song. It just becomes fun.

Music fills peoples with life. It doesn't have to be a 'happy song.' If you have that one song that relates to you, whether it's a sad song or a gangster song, whatever relates to you the most in that moment, it can literally get you through the day.

A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.

I always loved that old song Banks of the Ohio - it was always such a man's song, so I've always wanted to record it.

I've been on a real Credence Clearwater kick. I've been collecting their albums on CD -- right now I really like 'I Put a Spell on You.' I don't know who actually wrote it; it might be a traditional, or like, an old blues song, I haven't looked in the liner notes, but it's the first song on their first album. I love all the hits; I mean @#$%&, I like every one of them. I think my favorite song by John Fogerty is 'Have You Ever Seen the Rain?' They're my favorite American band of all time, totally.

Don't sing a song you can't carry off, like some 16-year-old kid singing 'My Way'. That song's not for you. You haven't lived that.

But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.

That's a nice song,' said young Sam, and Vimes remembered that he was hearing it for the first time. It's an old soldiers' song,' he said. Really, sarge? But it's about angels.' Yes, thought Vimes, and it's amazing what bits those angels cause to rise up as the song progresses. It's a real soldiers' song: sentimental, with dirty bits. As I recall, they used to sing it after battles,’ he said. 'I've seen old men cry when they sing it,’ he added. Why? It sounds cheerful.' They were remembering who they were not singing it with, thought Vimes. You'll learn. I know you will.

Johnny [Depp] got this rock 'n' roll old soul to him. If I say a song, he goes, 'Oh yeah. I know that song.' A song he shouldn't know, a song that's not his generation at all. So he might as well have been there.

When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.

With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.

'Beneath the Piano' by The Devil Makes Three somehow reminds me of an old Johnny Cash song. The song is a lot of fun and tells a story.

Now if you call 'Ain't No Half-Steppin' ' or 'Raw' an old-school song, I agree with you. But if you call Big Daddy Kane an old-school artist, I disagree with you.

I think maybe the vehicle for me was 'Sam Cooke's Greatest Hits.' It has a song called, 'Touch the Hem of His Garment.' Do you know that song? I kind of got obsessed with that song and started exploring and getting more of his old recordings with the Soul Stirrers and really getting into that super, super deeply.

I made my song a coat Covered with embroideries Out of old mythologies From heel to throat But the fools caught it, Wore it in the world's eyes As though they'd wrought it. Song, let them take it, For there's more enterprise In walking naked.

It'll never get old to hear a song that I wrote on the radio or to hear what someone experienced when they heard a song I wrote.

With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the defiance of life, only it was pitched in minor key, with long-drawn wailings and half-sobs, and was more the pleading of life, the articulate travail of existence. It was an old song, old as the breed itself--one of the first songs of the younger world in a day when songs were sad.

I cut a rap song once. It was a few years ago for my old show 'Buck Commander,' and it was a song called 'You're Short.' It was about my camera guy. We shot the video in Las Vegas, 'Ocean's Eleven' style!

The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.

Every week, Dennis Day sang an old Irish folk song. And next day in the fields, I'd be singing that song if I was working in the fields.

I love playing the new songs live. I hate playing a new song and then having to play an old song again, it feels really boring.

I realized probably when I was, like, 20 years old that the hardest thing to do is to write a pop song - not, like, a candy-pop, throwaway pop song.

The idea of old world instruments mixed with sci-fi, futuristic lyrics, playing baroque guitar on a song about a robot boy and a banjo solo on a song about white noise - that's our sense of humor.

In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.

Only in country music can you compare an old pickup truck and an old guitar to your wife and turn it into a love song... Thank God for country music.

I don't listen to a lot of new stuff. I just like the old stuff. It's all quite dramatic and atmospheric. You'd have an entire story in song. I never listen to, like, white music - I couldn't sing you a Zeppelin or Floyd song.

There's a story behind every old ballad or work song or nonsense song that I ever knew. Sometimes it's a fascinating story. A story of people struggling for freedom, struggling to get along in this old world.

I can't constantly be trying to write the unwritten song, the song that the 15-year-old girl needs. I need to write the song that I need.

If I just remix and release, no one will listen. I am adapting, changing the song and merging a new song into an old one.

I have struggled for decades now with the fear of and resistance to change - mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song 'I'm Old-Fashioned,' as sung by Ella Fitzgerald.

I wrote my first song when I was 6 years old. It was actually called 'Six Years Old.'

I got the idea for the song 'Bad Company' when I saw a poster for the Jeff Bridges movie, and it reminded of an old Victorian picture that I'd once seen, and it said, 'Beware of bad company.' So I sat down at the piano and started to write the song.

Growing up in Mississippi, the first song that I ever remember hearing, that captivated my mind and transported me from my bedroom out to the West, is a song called 'Don't Take Your Guns to Town' by Johnny Cash. That's when I was 5-years-old. And I played that song over and over again. I pantomimed it in school for show-and-tell.

Give me the end of the year an' its fun When most of the plannin' an' toilin' is done; Bring all the wanderers home to the nest, Let me sit down with the ones I love best, Hear the old voices still ringin' with song, See the old faces unblemished by wrong, See the old table with all of its chairs An' I'll put soul in my Thanksgivin' prayers.

If I wanted to make a quick buck, there's far easier ways of doing it. What I want is to provoke people. If you want a hit song, all you need to do is rewrite an old song. It might have been proven to work, but you won't be remembered the same way.

I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.

When I was maybe three years old, I was obsessed with this song 'Leader of the Band' by Dan Fogelberg. My mom took me to the mall and bought me a 45 of it. We would listen to that song all the time.

I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.

When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.

I always like Madonna; any Madonna song is good for me. Old school Janet Jackson is always good. I usually go old school. It's very rare that I pick a song from nowadays.

Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.

When I was five years old, me and my cousin got into a fistfight because when "That's the Way (I Like It)" came on the radio, he said, "That's my song," and I said, "No, that's my song."

What is that song they are singing Is it an old Yorkshire ditty you know like that 'On Ilkley Moor Bar T'at' " Ruby said "Nah it's a football song. It goes 'We hate Chelsea we hate Chelsea we are the Chelsea haters.