Top 1200 Old Song Quotes & Sayings - Page 5

'She's a Mystery to Me' was released in 1987, when I was 11 or something, and I absolutely adored the song. This song was written by Bono and The Edge, and the story goes that Bono woke up with the tune in his head, then thought that the only voice who could sing this song is Roy Orbison.

'Wanna Be That Song' has everything I want to say about love and about what I'm trying to be. I wanna be that part of your life, that song that means so much to you, the one that takes you back to that special place... the song that makes you laugh, the song that makes you cry when you need to cry, that makes you dance when you need to dance.

When you play the old songs, it's awesome and I love it, but it's not work because everyone already knows it and it's easy. I have to break the crowd in on a new song and that's what is kind of cool and fun.

Home. It's being new and old all rolled into one. Measuring your new against old friends, old ways, old places, Knowing that as long as the old survives, you can keep changing as much as you want without the nightmare of waking up to a total stranger.

A recording of a moment in time, where I was physically there, and it's now in a song for all eternity, in a way. It's really weird. I had written the song, but I'm also physically there in a way I'm physically inside the song, because I've recorded something that's in there.

Each person who ever was or is or will be has a song. It isn't a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their song instead.

That's one of my favorite songs of all time. It's so beautiful. It's an old song, sung by Nina Simone. This is the Cat Power cover. We pushed hard to get it and were lucky. It's so stunning.

To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.

'Kolaveri' is one song that people feel connected to. While I am bored of the song, it seems people aren't. I really can't say what worked. But I can definitely say that the song made me what I am today.

As an example, there is a Japanese composer / singer whose name is Tanimura [Shinji]: he has composed a song entitled entitled "Kazeno Komoriuta" and I have recorded my piano adaptation of this song and honestly I couldn't expect that it would be so difficult and challenging for me to perform my piano version of this beautiful song.

The easiest way I can describe what makes a pop song a pop song is that it's a song you want to hear over and over.

It was an old, old, old, old lady, And a boy who was half-past three; And the way they played together Was beautiful to see.

Your old home town's so far away, but inside your head there's a record that's playing, a song called 'Hold On

I've literally been in sessions with producers, writing for other people, and they're like, 'We need a song for this artist, and we need it to sound like this song.' They're literally saying, 'Rip off this song that was no. 1 last week,' and that's just so uninspiring.

Even the song that I did for Sanjay Leela Bhansali's 'Gabbar' is an old number. But working with Mr Bhansali was a dream come true.

What's amazing about a DJ set is when you're able to re-appropriate a song or give purpose to a song that people didn't really think it was supposed to have. Give it this sort of hidden power by playing it before this song and after that one. That it fits into this logic and it goes farther than you thought it could go.

I think folk music helps reinforce your sense of history. An old song makes you think of times gone by.

Other people, including me, have written books with main characters who were old and rich. Or old and brilliant. Old sages, old wizards, old rich people.

If you are a cabaret artist and you are mostly singing other people's songs, you're asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it's a song they know very well.

I'd like to sing you a song now about my old girlfriend. It's called "They'll Find Her When the Leaves Blow Away 'Cause I'm Not Raking 'Til Spring."

We used to do 'Venus' live for a long time but never got 'round to recording it because people would always say it's too old-fashioned a song.

For the rest of my life, the one song that people will remember -- regardless -- is "Conga" . . . I never get tired of singing it. It never gets old for me.

Even if I know that really it's not a great song, even if it's a naff song but I have a good memory of it, then to me that's a great song.

I was a young troubadour when I rode in on a song. And, I'll be an old troubadour when I'm gone.

I wake up in the morning and I say 'Ahh! Today's the day for a song! I'm going to write a song today!' And I do. I write a song.

I was five years old when I wrote my first song. It was out of longing for my father that I wrote it.

Bob Altman got nothing from the TV series 'M*A*S*H,' and the royalties for the theme song went to his oldest son, Michael, who wrote it as a 15-year-old poet!

Well, Neighbours wanted to do a song on the show, and they asked me what songs I had. I told them I'd just written this song, called Born to Try, and I had just gone overseas and spoken to some people from Song about it.

You could write a song about some kind of emotional problem you are having, but it would not be a good song, in my eyes, until it went through a period of sensitivity to a moment of clarity. Without that moment of clarity to contribute to the song, it's just complaining.

I have this idealistic and maybe naive thought that almost any song can be anything. If you record one song today, it would maybe be exciting and cool. But I could record the same song next week and it would be something completely different.

Doubt is an old disease. Faith is an old medicine. Compassion is an old doctor. Concern is an old nurse.

Inspiration and stealing are two completely different things. If somebody wants to make a song like "Stairway to Heaven" and writes a song on acoustic guitar, Led Zeppelin does not own every song that's on acoustic guitar for the rest of time.

I've got two old Volvos, two old Subarus, and an old Ford Ranger. If you've got an old car, you've gotta have at least several old cars, 'cause one's always gonna be in the garage.

It's hard to say a favorite song of my father's. I listen to all his stuff; a lot of the old stuff before the '70s.

When you finish a song, your first thought is going to be, 'Is this song a hit?' I hate that we think that way, because it kind of takes a little bit of the meaning out of the songs that are being written, but you're definitely going to think, 'Can this song be put on the radio?'

If I found out some gal was trying to steal my guy, I'd want to give her a black eye! Instead, I wrote this song. At the time I was writing each song [on this album], you could figure out the frame of mind I was in by listening closely. With every song I've ever recorded, I'm in it. I wouldn't write about it if I wasn't in it.

'So Icy' is always going to be one of my favorites because this is a song that blew my mind. I was just making beats for the fun of it. I went to the club and heard the song being played, so I asked the DJ to stop playing the song, and the whole club started rapping word for word.

In Holland, there's a song that goes, 'Redheads - they know how to kiss.' But that's obviously not a song I made. I don't know who made that song.

I consider the piano my 'main' instrument and have been playing for as long as I can remember. It seems to me that I might have come up with something resembling a song as early as 4 or 5 years old.

A song is a song. But there are some songs, ah, some songs are the greatest. The Beatles song 'Yesterday.' Listen to the lyrics.

It's always amazing seeing the song-writing process. A song just starts off as just an idea or a story you want to tell. It keeps building and building when you add the lyrics, the instruments, the vocals until you finally reach the finished song other people can enjoy.

It would be as naive to study the song of the nightingale, as it would be ridiculous to try and win a King's Gambit against a representative of the old chess guard.

I never start a song at the beginning; I always start in the middle, working with the original concept. That might be a loop or a vocal hook. A weird noise or a string sample. Once that's at the heart of the song, I work concertina-fashion, expanding the song forwards to the end and backwards to the beginning.

I feel like this song [Yello, "Oh Yeah"] was probably done in a couple of minutes in a studio. There was probably no thought behind it; they were just playing with some samples and threw it together. I feel like there's no dream behind the song. Usually there's a dream or some kind of passion attached to a song. This song feels very empty. It made a lot of money for the songwriters but at the expense of culture.

We'll be in our 60s performing 'Push It' somewhere. Good old 'Push It.' I don't know what it is about that song.

I don't sit down to write a country song. I don't sit down to write a rap song. I just sit down to write a song, you know what I mean? And I try to make that song the best it can be.

It's hard to say a favorite song of my father's. I listen to all his stuff - a lot of the old stuff before the '70s.

There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.

Every song I ever wrote, I wrote to be heard. So, if I was given a choice that 50 years from now I could either have a dollar or knowing that some kid was listening to my song, I'd go with the kid listening to my song.

Old wood best to burn, old wine to drink, old friends to trust, and old authors to read.

I write when I have to; I write when the song is done and I deal with the idea and I just go with it and I'll become what that song is all about until I have finished it. And when you do that, it makes the song more visual, it makes it more personal.

A song is a song. But there are some songs, ah, some songs are the greatest. The Beatles song Yesterday. Listen to the lyrics.

I remember writing lyrics for 'Take Me to Church' for a long time before I even had a song in mind for. It's not that I was trying to write that song for a year, but sometimes you just kind of collect lyrical and musical ideas and don't actually complete the song until you feel like they work together and have a home.

My idea was to release four four-song EPs, just like all the old Limey shoegaze bands used to do.

There's such a huge difference between a great arrangement of riffs and a song. Sometimes the two can be the same. But the difference is a song doesn't necessarily need a riff, whereas a riff doesn't necessarily mean you've got a good song on your hands.

I like how you sing that song. You sound like you're really old.

When I was in school, the first song I learned was of Simon and Garfunkel and The Beatles. I couldn't even pronounce their names but I was singing 'Hello Darkness my old friend' and 'Yellow Submarine.'

I'll make a song with Rick Rubin, a song with Beyonce, a song with Lenny Kravitz. I just believe in making good music. I'm not trying to section myself off into just making hard-core rap music.

I want to make people feel things when they hear my music I want to give a song to someone who is going through a break up, I want to give a song to someone who loves someone and can't tell them. A song for someone who has just fallen in love and a song for just people who are living their lives.

Every time I hear that Champions League song, it reminds me of hearing it for the first time in the old Olympic Stadium in Amsterdam.