Top 1200 Old Time Music Quotes & Sayings - Page 18

Constant travel brings old age upon a man; a horse becomes old by being constantly tied up; lack of sexual contact with her husband brings old age upon a woman; and garments become old through being left in the sun.

I don't like to criticize music and I had a really hard time picking out the song I hate for this because I end up seeing and working with musicians all the time.

I'm definitely influenced by the music. We dance to music, and you have to listen to it and phrase your dancing and movement in a certain way to compliment the music. We have to work hand in hand, the dancer and the music.

Music in Africa often contains messages. Music in Senegal, and Africa, is never music for music's sake or solely for entertainment. It's always a vehicle for social connections, discussions and ideas.

Playing someone drum 'n' bass for the first time in 'Pass Out' - they're like, 'Oh my God, what is this?' I'm having a lot of fun and a good time showcasing the music.

You can't say that people don't love music anymore because they do. If we say that all the music stopped, if music stops now, the world can't handle that. We need our music.

I never considered myself an Americana artist, but I'm a huge fan of old-time music from the States, the recordings that were made in the '20s and '30s. Trying to chase down the exact stylistic trappings of that stuff always felt like a dead end. That spirit of directness and economy, but also the poetic pungency of the writing and almost ugly, or raw, performance - all that seemed like the real message. I've just tried to somehow stay true to that feeling.

It takes a heap o' children to make a home that's true,And home can be a palace grand, or just a plain, old shoe;But if it has a mother dear, and a good old dad or two,Why, that's the sort of good old home for good old me and you.

That's the great thing about music. You can find some '60s pop record and feel completely invigorated by it, even though it's so old.

Basically the message is: Steal It! Art, music, culture, the odd book and the slab of cheese... the new will be built upon the ruins of the old.

There was no music at all during my childhood. The first time we heard music was when my eldest brother bought a tape recorder. Even then, only he was allowed to touch it. But in our house, we listened to legends such as Muhammad Rafi, Mehdi Hasan, Noor Jehan, Attaullah Khan Esakhelvi.

I'm from the school of putting a lot of hours of practice into playing. But at the same time you have to write original music - that's really important, because that's the things that's going to separate you from everybody else, that's going to give you your unique voice as a music that you create.

Age is a state of old mind. It gets to a point where if you get old enough, you forget how old you are, and that's the best thing. And then you walk around kind of like in a fog.

But why is it that in music, anything more than 5 years old - apart from a few hits - is never played on radio to the young public?

I'm actually in my 22-year-old son Jason's band, After Midnight Project. The music is like Coldplay-ish rock.

I'm addicted to routine. I don't know if that's because I moved around so much as child - by the time I was 12 years old, I had lived in about 10 different places. But I like going to the theater at a certain time.

The key to transforming mental models is to interrupt the automatic responses that are driven by the old model and respond differently based on the new model. Each time you are able to do this, you are actually loosening the old circuit and creating new neural connections in your brain, often referred to as self-directed neuroplasticity.

But that is a valid, continuing service that that music - which is, in some cases, 80 or 90 years old - is rendering. And proving its own timelessness.

Old Lights include the resurgent fundamentalists in every religion who put a freeze on history and fortify their adherents against the "new dark age" in which they are forced to live. "Back to the Bible," Old Lights shout; "back to the Koran," Old Lights thunder. But not everything Old Lights say is wrong. Much is right. Even a stopped clock is right twice a day, the old adage reminds us.

I think blues music is music of the soul. Of course, there are other forms. You could call some classical music blues music in that way.

I'm obsessed - not just interested, obsessed - with folk music, street music, the parallels between a country's street music and its so-called classical and intellectual music, the way certain scales have travelled right across the globe. All this ethnological and musical interaction fascinates me. Have you heard any trance music? That's the thing.

I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.

Collaboration has become really integral to my process. I play music so that I can spend time with my friends and communicate in that way. I experience so much joy in that process, because, you know, it's those times of getting together and playing music and all that comes with it that are the best for me.

I'm not talking about what came later [after the American underground punk scene], indie music, or whatever you want to call it, but the music that came before that - that's an important story. So many interviews with musicians get the time or context wrong. You have these older bands, usually men, who tell stories about "Oh, we got into this huge fight, this guy punched that guy," that's the wrong sort of story. My view of the time is truly pioneering.

I had wanted to play drums since the age of 9 when I saw a drum set in the window of a music store for the first time. We took lessons at a local music school and began playing together after about 6-9 months of lessons.

...as I reject the old time beliefs, it is not a matter of countering belief with belief, rather I can challenge the efficacy of old beliefs with sound arguments. We believe in nature and that human progress depends on the domination of man over nature. There is no conscious power behind it. This is our philosophy.

I was always taught as a kid that if there's anything you want in life, you've got to work towards it. I guess that sort of stayed with me, really. But also, for me, from the time I was like 10 years old, all I ever wanted to do was be in a band and make music. So to get the chance to do that, to live your dreams or wishes, I just seize it and try and run with it. I never sort of think, oh, the pressure, or it's too much. You're lucky to be doing it. It's a great gift to have, and I appreciate it.

Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.

Just like there's a hole in the ozone layer, there's a hole in the musical ecological layer [wrt lack of successful "conscious" music]... 'Traditional' music was brand new at one time... When you hear R&B today, do you believe it?

I was composing before I realised I was a composer. It came more or less naturally. There were a couple of old ladies lived next door to me, and I frequented their house more than I did my own, because it had all those marvellous things in that that old ladies do have. And they had a piano, and I used to play around with that; they showed me how to read music and I used to play to them.

By the time I get done with my fans and my music and my kids and my family and my fiance and my horses, well, they suffer too, but, I don't really have much time left to do anything else.

I'll say this: Google is the best 9-5 anyone could ever get. Awesome environment, I loved my time there, but I grew up with my dream to pursue music full time.

I think I get really into comfort music: '60s stuff, '50s stuff like Frankie Avalon. I love it - such simple songs, but so well written. That, and old French pop. I love that, because I don't speak French. It's all just pop music! But I love it because it just makes me focus on the melodies.

The way I enjoyed spending time most was dancing. That's from the time I was a very small child, When I was 4 or 5 years old, I remember already having a regime. It was the way I always identified myself.

I still write poetry from time to time, but my whole life is so music-oriented at this point that it's hard for me to even think about having other hobbies.

Music, for the moment, has been this hidden thing for me. For the first time, I am master of something. I am not used by someone else, like in movies or pictures, where you always have the happiness or disappointment of knowing it's you seen through someone else's point of view. You go to see a film and half of the pretty scenes are not in it-the ones you liked. Living with this frustration all the time, suddenly music came as the best thing for me at home, where no one can tell you anything.

What kind of music keeps its relevance? That's why I purposely try and avoid any particularly current trends in electronic music. I do actively stay away from the most popular rhythms of the moment. In six weeks' time, those will sound out-of-date.

I really think there are two genres of music: good music and bad music. And I'm just trying to be on the side of making good music.

the old man dance, where I tense up, shuffle my feet intermittently, complain about the music volume, and sit down for a rest.

Add there was that moment when my mother and father walked in the door disguised as old people. I thought the miles in the car had bent them, dulled their eyes, even grayed and whitened their hair and caused their hands and voices to tremble. At the same time, I found, as I rose form the chair, I'd gotten old along with them.

'Old Town Road''s the peak of me doing whatever I want to do with music. I was like, 'This one is special,' and I promoted it heavily on my account on Twitter.

I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.

When superstition is allowed to perform the task of old age in dulling the human temperament, we can say goodbye to all excellence in poetry, in painting, and in music.

I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like... except for Show Tunes.

I got so much love for classical music and I hear so much incredible music.You should know a bunch of music and have respect for all sorts of genres and styles of music.

The way you pronounce words the Puerto Rico way, it's not really global for music. Colombians speak some of the best Spanish in the world. So having a Colombian next to me every time I write makes my music more international.

If you give people unlimited time and money, they'll do things the same old way. But if they have to achieve the goal in a brief time, they'll either give up or try something new.

The New Kids took some hits for, you know, not writing their own music. But on a songwriting standpoint, I mean, I'd never written music before when I was in the group, ... Now the music is my music, so it's kind of like my baby, and that was a whole different experience.

When I was four years old, my mother put me into a school for early music education where you get perfect pitch and harmony and composition.

It's kind of dumb; everybody should be able to listen to the kind of music they want and just because you're a fan of a band for a longer period of time doesn't mean you have a greater stake of claim to the band or the music.

I was interested in music since I was 14 years old. What really got me started was the first Led Zeppelin album... absolutely.

Great old books of the great old authors are not in everybody's reach; and though it is better to know them thoroughly than to know them only here and there, yet it is a good work to give a little to those who have neither time nor means to get his own belief.

Music for a long time has been telling what the world is like. What music has to say now, in a manner that has both logic and emotion in it, is that the world has a structure persons could like; be stronger by.... [If] the world is the oneness of opposites - and music says it is - the world is given an everlastingly sensible basis; for what could be more sensible that to be calm and forceful at once, reposeful and intense at once?

When I was writing my autobiography, these songs came up from time to time which were important to me, and I realized that what they really represented was, they'd come from this age of shared music.

I guess I learnt to appreciate old Hindi-movie music from my dad and somewhere down the line picked up jazz as well.

When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'

There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.

Playing music was something I wanted to do since I was 11 years old, so when we went on tour and started selling records, it was an incredible, strange dream.

I have realised how exciting and easy it is to be a time traveller by looking at paintings and films and architecture and playing music or listening to it. I don't think you necessarily have to live in the present all the time.

My mom played me all kinds of music, from Ella Fitzgerald to Celine Dion. I listened to everything growing up, old and new.