Top 1200 Old Time Music Quotes & Sayings - Page 2

The memory of some bottles can stay with your for life. While the wine doesn't have to be old and rare, a great old bottle can be like a time capsule, capturing in its flavors and aromas the time and place of its creation.

I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.

There is 'a time to be born' - and born again, free of accumulated, encrusted sores of fears and prejudices, old hates, of cancerous wounds, old prides. And there is a time to die - a time for the blue, unburied child of our young years to be decently interred - and to get on with the living.

There's endless possibilities to taking music into the future by using music that actually was 100 years old.

I'm singing the way that I love to sing, which is like old soul, like old Al Green. I grew up about an hour from Memphis. So all that music that I grew up with - the Stax music and early rhythm n' blues - I'm doing that. I'm actually getting out from behind my guitar and I'm singing.

I was raised a musician and I played classic music, violin, in orchestras and music comedy theaters, I have music running around in my head all the time, and if I hear music that's too interesting, I have to pay attention to it.

I would play music every day from the time I was about 4 or 5 years old. Every time I would go from one end of the house to the other, I would pass the piano and play a few notes.

Everyone goes through those stretches. Everyone you talk to in this game, old coaches, old teammates, old players, whatnot, they all have those, 'Oh, I was 0-for-25, I was 0-for-30 one time.' I just try to not to get it that far, get it to that point and take it one at-bat as a time.

Is not old wine wholesomest, old pippins toothsomest, old wood burn brightest, old linen wash whitest? Old soldiers, sweethearts, are surest, and old lovers are soundest.

I was growing up in a communist time, especially, and the other music, the western music, was banned, so on radio half of the music was Chopin. So my colleagues and I were a little bit allergic to this music because it was everywhere - everywhere!

Honestly, I've been excited for music ever since I was 16 years old. I'll always love the music.

I was kind of, I would say, even obsessed with music. I wanted to start learning piano when I was six years old, and after that, my parents were very supportive and they took me to several kinds of music lessons. So music filled all my childhood.

I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.

There's a time and place for everything, and my focus is music. So that's what I prefer to spend most of my time doing, and not talk about making music.

It is a blessing to get old. It is a blessing to find the time to do the things, to read the books, to listen to the music. I have nothing now but praise for my life.

When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them.

And if you look around, if you listen to some music nowdays, I'm not so optimistic...I have the feeling that some of the young people I've met they think already, before they start playing, they think already about the product: how can we sell it....maybe my view is really very old fashioned nowadays, but I think art at any times needs time for development and this fast food bullshit is not working... younger guys: take your time, music is really a thing of long terms, actually it's a lifelong thing to learn and to develop your own stuff.

It's old white ladies, old black ladies, old black men, who don't even listen. Everyone else, everyone who understands, likes Snoop Dogg. They like my music.

Challenging is good, like good conversation, yes? Who wants to have dinner with the same old easy listening music sounding friends all the time?

I would rather be old for a shorter time than be old before my time.

I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.

We grew up with break-dancing and MCing, the old school, that whole era of just having a good time and knowing that the music was good.

While I have not ruled out the possibility of doing music, what I don't want to do is go onstage and perform old songs. I do, all the time, but I don't think it is artistically brave.

I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.

For me, being 10 years old and seeing 'Jurassic Park' for the first time blew my mind. I want music to feel like that.

Unlike many Sixties rockers,[Bob] Dylan sang about getting old, about broken dreams. His return to roots music pointed the way for many of his contemporaries to forsake trying to sound 'current' and to instead make music that would stand the test of time.

One of the most important times in my life was the first time that I remember seeing my daddy get onstage and play music with a bunch of guys. All of them playing something different at the same time and all becoming one, and me soaking that in at 5 years old and going, 'That's my daddy up there, and he's a part of something.'

Nowadays, especially when you think of electronic music, it's like, the producer is mostly the one who makes the music or the beats and everything. But I am more, since I'm that old, when I started to make music the producer was just sitting in the back shouting and drinking beer.

Suicide is what everyone young thinks they'll do before they get old. But they hardly ever get round to it. They just don't want to commit themselves in that way. When you're young and you look ahead, time ends in mist at twenty-five. 'Old won't happen to me', you say. But old does. Oh, old does. Old always gets you in the end.

Music, from the time I was probably about five years old, was my obsession. I was going to say 'passion,' but I really was obsessed; I really didn't want to do anything else.

The first time I played in front of a live audience, I realised I wanted to be a musician. I was about four years old and had always liked music.

The music I write, I feel, is not the kind of music for a 25-year-old.

I been doing music since I was 15 years old. I found it intriguing, just from liking and listening to music.

I liked seventeen-year-old me, I was happy when I was seventeen. I was this troubled goth kid that wore eyeliner and make-up to school and listened to punk-rock music and I loved my friends and I started to make music - I like seventeen-year-old me.

I confessed recently to an old friend, "I realized I was looking at you, in your visit, through old glasses. Speaking old words. Telling old stories. I realize that in my life I've made so many physical changes and I need to give my spirit time to catch up." Time for my spirit to look at my friend through the new glasses of current life experiences. Old friends are precious. They become even more treasured when they are wrapped in the currentness of life experiences and not relegated to the past in which they once lived.

When I was a little girl, I watched all old movies. My mother liked old movies, and she loved shopping for antiques, so I was around old things all the time.

I do not wish to grow old, to outlive my illusions. Only a short respite from cares and sorrow, a brief time of flowers, and music, and love, and laughter, and ecstatic tears.

There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.

I love researching, whether it's old Western documentaries or old Western country singers or John Ford Westerns, which are heavily influenced by family values, which so many of these country songs are related to. I'm having a good time doing that, and writing some treatments and hoping to bring a new style of music video to the country genre, that is starting to become very poppy.

I've been working in the music industry since I was 15 years old, and I feel like I've always been ahead of my time.

My earliest memories of music are probably my dad listening to a bunch of outlaw country, but also old R&B and Ray Charles, Aretha Franklin. But, you know, I had rock phases and liked more modern R&B acts. I've always listened to all kinds of music, and I like all kinds of music.

There was such hostility to the idea of a banjo being a black instrument. It was co-opted by this white supremacist notion that old-time music was the inheritance of white America.

My wife and I are parents to a 4 year old and a 2 year old. It's really important for me to always be there for bath time and breakfast time and on the weekends.

I would find myself being inspired by things that I've heard as a kid: Nigerian music or African music, some French music or some Jamaican music. When it's time for music to be made, it's almost like my ancestors just come into me and then it's them.

I can't listen to so much music at the same time. I think you really have to have a diet. You're just processing too much, there's no place to put it. If you go a long time without hearing music, then you hear music that nobody else hears.

OLD, adj. In that stage of usefulness which is not inconsistent with general inefficiency, as an "old man". Discredited by lapse of time and offensive to the popular taste, as an "old" book.

Youth is not entirely a time of life; it is a state of mind. Nobody grows old by merely living a number of years. People grow old by deserting their ideals. You are as young as your faith, as old as your doubts; as young as your self-confidence, as old as your fear; as young as your hope, as old as your despair.

We created Apple Music to make finding the right music easier for everyone - men and women, young and old.

Through music time is tamed, although music never forgets to remind us of time's faceless mission.

From a very young age, music was very much in my house. I would sit with my mom, with the old LPs, listening to The Beatles and Carly Simon and Lionel Richie. The old LPs used to have the lyrics. From there, I would put on dance and music displays for my family, just to entertain them and make people laugh and smile.

Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever.

I want to be around for a long time, I don't want to be a flash in the pan. I hope I'll be 50 years old and still making music.

If you're only a fan of the old music, that music's gonna wind up sounding even older.

I listen to a variety of music. I like everything from old Arabic music to Portuguese fados.

I noticed things in my computer music that were getting old, and I started to figure out that this has to do with the way the listener interacts with music.

For me, being Christian Armenian, born into the Islamic culture in Iran and then, at the age of 13, being sent to England and embracing the English culture and becoming part of so-called swinging London and the era of euphoria and celebration that the '60s represented is very critical. It was a moment when, for the first time, the business of internationalism was being effectively represented-in music, art, cinema, design. Before that, everything was directed toward the old industry, the old school, the old format, and there was no room for varieties to evolve.

What I do remember is visualization of the sound of music, seeing bodies in movement in relation to how music sounded, because my mother practiced at the keyboard a lot and I also went to her lessons. As a two year old, three year old I remember seeing things in movement.

Once upon a time there was an old country, wrapped up in habit and caution. We have to transform our old France into a new country and marry it to its time.

Old music is the same as new music - it's just a different way of delivering it.

I've always been a fan of old-time hymns and Scots-Irish dirges, though I wouldn't necessarily consider myself an expert on the type of music that was performed in those days.