Top 1200 Onto Quotes & Sayings

If you can see a thing you don't have anymore it's very heartbreaking. To hold onto things longer than we actually can hold onto them is a desire. Writers and artists are trying to record these things they can no longer have. We're a heartbroken lot. Taking pictures is a brave act in which you try to explain and remember a thing you can't have anymore.

You don't have to hold onto the pain to hold onto the memory.

For a lot of explosions and stuff like that [in Transformers] you're harnessed to something getting swung in the air or dragged onto something or thrown onto something.

In fact, I am a pessimist. But when I'm making a film, I don't want to transfer my pessimism onto children. I keep it at bay. I don't believe that adults should impose their vision of the world on children, children are very much capable of forming their own visions. There's no need to force our own visions onto them.

The best part of acting is the rehearsal, because that is where the real discovery comes. And if you're lucky, some of that actually makes it onto the page and some of that actually makes it onto the screen.

People try to hold onto the sameness. This holding onto prevents growth.

Having my dad play for the Falcons, what it did was really to expose me to a whole bunch of other elite-level athletes, which I think gives me an advantage and allowed me to understand what goes into sports. It is more than going out onto the field and going out onto the ice and competing.

I always tell myself that nothing ever is worth holding onto if it hurt you, because the longer you hold onto anger and resentment, the longer you feed it and keep it alive.

Once we realise that utilitarianism comes with the idea of blameworthy rightdoing (such as when you push a big man onto the tracks in order to save five lives) and blameless wrongdoing (such as when you don't push a big man onto the tracks in order to save five lives), then utilitarianism all of a sudden appears to give the right answers.

Kat," Hale groaned, then fell back onto the pillows. "Funny, I didn't hear a doorbell." "I let myself in; hope that's okay." Hale smiled. "Or the alarm." She stepped inside, tossed a pocket-size bag of tools onto the bed. "You're due for an upgrade." Hale propped himself against the antique headboard and squinted up at her. "She returns." He crossed his arms across his bare chest. "You know, I could be naked in here.

Tennis is a great game, a great sport because you're out there by yourself, so you have to move on to the next point, next game, next set, whatever. It's the same thing in basketball. If you miss a shot, you move onto the next one. If you turn it over, you move onto the next play. That certainly helped me.

I’m not telling people where to give money, but if there is to be a spotlight shed on me, then I’d like to direct that spotlight onto causes I think are worthy or onto interesting, progressive figures.

I often find out, once people have trained, you can never really re-train. When you get trained, you learn to lock up; you learn a wrist lock and, okay, onto the next thing, onto the next thing. You never really go back to the fundamentals.

Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped in my shirt hem, my heart hammering so hard I was sure he could hear it. when I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one army going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think.

I sank down onto the bed against the headboard and leaned back. I crossed my legs underneath me. "Then we'll talk." I said with a smile. Rush sat down onto the bed and leaned back against the wall. A deep chuckle came from his chest and I watched as a real smile broke out on his face. "I can't believe I just begged a female to sit and talk to me." In all honesty, I couldn't either.

Some people record onto tape, and then they pay for the tape, and download those onto a hard drive. Initially in a Pro Tools program. Other people go straight into digital, and use no tape at all.

I've been picked up by Big Cass and thrown down the ramp onto metal. Have you ever seen that before in this business? No, no, that's a mighty big fall from the top of the ramp, straight down to the bottom onto concrete. He picked me up over his head and thrown me 14 feet to the ground.

As musicians it's often difficult. You go to a dinner party and most people treat you like some kind of exotic animal and in a way like you don't have any problems and that it's all fantastic and glamorous and that you wake up in the morning, you kick the groupies out of bed, you roll onto the floor onto a needle, right, which fills you with a lovely substance, you roll into the gutter and you stare at the moon and out comes beautiful poetry. The fact of the matter is that that's nonsense. It's a lot of hard work.

Criticism is the best sign you're onto something.

I think of myself as a catalyst of action and a messenger of hope, turning people onto themselves and turning people onto their dreams.

When you are willing to shine the light of love onto the parts that you are not proud of - onto the unaccepted parts, the unloved parts, the unwanted emotions, into all the darkened corners of your soul - love will suffuse them, embrace them, until you are left as nothing but love itself. Love arises when you expose everything.

I hang onto my prejudices, they are the testicles of my mind.

I'm not telling people where to give money, but if there is to be a spotlight shed on me, then I'd like to direct that spotlight onto causes I think are worthy or onto interesting, progressive figures.

My feet are definitely more grounded than before. And I know that I'm not holding onto a dream. I'm holding onto my life.

The world cannot hold onto you, for the world is not sentient. The world doesn't have a mind nor does it have desires; it is only your mind's objectivisation. It is your own mind's play which imagines that an object-call it the mind or whatever-can hold onto you. It is the idea you have of who you are that is holding onto its own fearful projections as the mind. Leave all of this and remain as the pure, joyous Self.

I think sometimes you can grow up with faith, or if you're just the kind of animal who grabs onto it or doesn't grab onto it. I wasn't a big grabbing-onto-it kind of animal. I found my faith to be more about my belief, my spirituality, about nature.

You have to risk to get ahead The person whos always hugging the tree trunk and never walking out onto the skinny branches will never succeed. Sometimes you have to walk out onto the skinny branches, and that means having goals, taking a risk.

I'm not asking a poem to carry a lot of rocks in its pockets. Just being an ordinary observer and liver and feeler and letting the experience get through you onto the notebook with the pen, through the arm, out of the body, onto the page, without distortion.

We are a new nation conceived in liberty, and dedicated to the proposition that all men are created equal. That's what makes us Americans. When we sign onto that belief, we sign onto the core American identity, and that's very deep in us.

Hang onto that goal and you do what you have to do to make it happen.

The Creator favors the man who LOVES over the man who HATES. If you teach hatred to your children, one day your child will have that hatred reflected back onto them...and onto YOU.

People say that I'm a boxer. I actually started with kick boxing, and then I moved onto boxing, and then I moved onto grappling.

When I came to write my Thomas Cromwell books, I moved onto the center ground of English history, but I was never there before. I didn't feel it was my history particularly, coming from Northern Britain, being of Irish extraction, being a cradle Catholic. The image of England I grew up with felt somewhere else. There was an official England in postcards, but it wasn't one I had visited. But I decided to march onto the center ground and occupy it whether it was mine or not.

I anticipated we would go to college, and then we would fade out - that was kind of what we wanted at the time - but social media hung onto my brother and I, and thankfully, fans hung onto my brother and I, and I think it's one of the reasons that this reemergence can come back with a little more strength, and I'm very thankful for that.

In order to make Alma innocent and open, I had to forget that I'm stressed as an actress because I'm making a film with Paul Thomas Anderson. I had to let go of everything and hold onto the text. The language was like a rope I could cling onto and make my way blindfolded through the shooting.

I wasn't interested in holding onto the evidence of things.

The Yardbirds sort of disbanded, and I was disappointed because I thought what we were doing was really good. I thought we were really onto something. I thought I was really onto something with these ideas that I had.

I was at a restaurant, and I ordered a chicken sandwich, but I don't think the waitress understood me. She asked me, "How would you like your eggs?" I thought I would answer her anyway and said, "Incubated! And then raised, plucked, beheaded, cut up, put onto a grill, and then put onto a bun. Damn! I don't have that much time! Scrambled!"

When I recollect her, I see a long list of colors, but it's the three in which I saw her in the flesh that resonate the most. Sometimes I manage to float far above those three moments. I hang suspended, until a septic truth bleeds toward clarity. That's when I see them formulate: THE COLORS RED: [rectangle] WHITE: [circle] BLACK: [swastika] They fall on top of each other. The scribbled signature black, onto the blinding global white, onto the thick soupy red.

She lights a match in the dark hall and moves it onto the wick of the candle. Light lifts itself onto her shoulders. She is on her knees. She puts her hands on her thighs and breathes in the smell of the sulphur. She imagines she slap breathes in light.

I went onto reality TV as a business decision.

We are so attached to the earth, and yet we are incapable of holding onto it.

Climb onto my shoulders. I will not let you fall.

From Day One, I've always had to work to find my way onto the court or onto the top position or whatever it may be.

You can go onto that stage every night, and it's always the equivalent of going onto the topmost diving board, and you don't know if there's any water in the pool.

What we don't recognize is that holding onto resentment is like holding onto your breath. You'll soon start to suffocate.

You can't lose what you serve. That's the secret. What you serve, you can't lose. What you don't serve and what you try to hold onto, you can't hold onto. It's always slipping out of your fingers.

I am in that position where I finish something, it goes out, and I'm onto the next thing. I finish it, it goes out, onto the next thing.

When we hold onto the negative in ourselves it comes with endless guilt. We hold onto a lifetime of floating visions and regrets about what we should have done or should have become. Conscience recognizes wrong and tries to atone. But guilt turns into resentment. Conscience brings us closer to each other; guilt drives us apart. Create a new feeling. Every time guilt settles in your stomach, write "I forgive" on a piece of paper. Send it up the chimney, tear it up and flush it, put it in the garbage. Don't eat it.

As I got older, I got more Victorian and morbid. I got into things that circled around death, like skulls or morgue photographs or handwritten diaries. They can be almost haunted with all this history, and you project onto it and then it gets onto you.

Where we start to lose it is when we start to grasp onto what we think is ours. No, this is mine. No, that's my career. That's my money. That's my platform. But really, no, it's yours, God. It's not mine. You might lend it to me for a little while. You might let me hold onto it. You might let me use it for a little bit, but that's not mine; it's yours. Thank you for letting me use that for a little while. I think that's what staying grounded means.

You come to work knowing you're going to do good work without any doubt. You can go where you need to go and nothing is wrong and you pick the rightnesses out. If something doesn't work, you let them go, but you don't hold onto those wrongnesses. You just hold onto the rightnesses, so it's a playing field that anyone would want and feel much more comfortable with.

No, no, I don't watch football. The last time I tried watching was the last Super Bowl. The problem I have is, you know, the graphic nature of my imagination; when I watch and see them meeting head onto head, helmet onto helmet, what flashes through my mind is what's going on in their brains. It's like torture to me.

In life,you're going to have risk, so you have to say, 'My attitude going forward is how to I fix the problem.' And it's not trying to cling onto the past. When I look around, most problems happen because people are trying to cling onto the past.

Not to be onto something is to be in despair.

The first time I stepped onto the rooftop of the Potala Palace in Lhasa in 1985, I felt, as never before or since, as if I was stepping onto the rooftop of my being: onto some dimension of consciousness that I'd never visited before.

The search is what anyone would undertake if he were not sunk in the everydayness of his own life. To become aware of the possibility of the search is to be onto something. Not to be onto something is to be in despair.

You have to hold onto your fantasy.

The culture of buying an album on CD or vinyl has gone out of the window. A lot of kids don't really understand that, they just hop onto Limewire, or find a BitTorrent, or even just go onto iTunes if they're going to pay for something. It's just right there, there's no searching about.

We have landowners, small growers. We have people who are holding onto land that was acquired by their families after slavery. They need to produce some of the food we eat, so they can pay the taxes and hold onto the property. Taxes keep going up. We, and by we I mean black people, are rapidly becoming a landless people. Our ancestors, coming out of slavery, acquired more than 15 million acres of land. Today, we're probably down to less than 2 million acres.