Top 1200 Opera Singers Quotes & Sayings - Page 18
Explore popular Opera Singers quotes.
Last updated on November 15, 2024.
I never really thought I was going to be a singer, honestly. I never listened to singers; I always listened to rap music.
My aunt Marcia Cope-Hart was in 'Phantom Of the Opera' in San Francisco for quite a few years when I was growing up, so we would go into the city a lot to see her.
It is essential to do everything possible to attract young people to opera so they can see that it is not some antiquated art form but a repository of the most glorious music and drama that man has created.
I've always felt that the comic strip medium stands equally beside all the other story telling mediums: novels, movies, stage plays, opera, you know, you name it.
Theatre is different. We can spend two weeks around a table talking about subtext. In opera, there is a score, and people already know their parts. And they move differently. I find all this liberating.
Order in a house ought to be like the machinery in opera, whose effect produces great pleasure, but whose ends must be hid.
They crested a rise, and there it was, in the hollow between rolling hills—a low, square building, ghostly gray in the moonlight. "Is that it?" asked Hamilton. "It probably isn't the local opera house," groaned Ian.
I ride horseback - arthritic knees permitting - or listen to opera. Sometimes I cook. I used to do needlework, but it's hard on my hands now, so I only do it occasionally, but I like it. And, of course, I read.
It took so long to make it in America. The year I arrived was a bad year for women singers, the record company told me. So I starved. I lived in a hotel so dreadful I can't even talk about it.
World music can be sometimes like the lumber room in which all the non-English singers are dumped. When you are singing in Arabic, no matter what your style of music or artistic proposition is, you are faced with some of that reality.
Honestly, I just want to have a good time, listen to great singers and great music, and just use my instincts, as usual.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn, and I would skip class to shoot my scenes.
I listened to a lot of what my grandparents listened to: George Jones, Johnny Cash - a lot of old country singers. Patsy Cline.
My mom was an opera singer, and she gave up her career to raise a family. But she also taught my sisters how to sing.
I have a very clear understanding of what my voice is. It's like a B voice. It hovers around B-minus, B-plus. I have great friends who are wonderful singers, and I know I'll never be able to do that. But singing through a character is something I can do.
Excepting a religious ceremonial, there is no occasion where greater dignity of manner is required of ladies and gentlemen both, than in occupying a box at the opera. For a gentleman especially no other etiquette is so exacting.
There is a fault common to all singers. When they're among friends and are asked to sing they don't want to, and when they're not asked to sing they never stop.
Backup singers just bring so much more life to the situation. When a voice opens up, there comes the life.That's when it's a person-to-person connection.
The political nature of 'Threepenny Opera' is immediately visible. I just think that that's not always a part of acceptable and fun entertainment that we're exposed to - that political side.
I have almost no memory of my parents ever speaking to each other. They split up on bad terms. I assumed that's what family life was like. Just essentially a soap opera.
When I listen to gospel singers pouring their heart out to God, it's the act of pouring their hearts out that interests me.
I had opera training for three years, and I have three albums out. I also did a Broadway show. I'm an actor that sings, so it is in my blood. It is in my system.
I listen to all kinds of music myself; it can range from practically anything: Opera, Jazz, to Blues, good Pop, just about anything.
I change the language with which I use my voice. In opera, I know I have an orchestra behind me; I have to communicate to people very far from me.
'Phantom of the Opera' started in my little 100-seater converted church in Britain with a stage where we did what we did. But it was the score itself was what made it.
In a film score, the last thing you want to do is take people out of the movie. The music is secondary. In opera, the music is the main event.
This is a fault common to all singers, that among their friends they will never sing when they are asked; unasked, they will never desist.
Anyone who wants to promote a car or a football tournament turns to opera. There's a much greater public connection than the image of plush corporate boxes would suggest.
You can't tell the story of a 13-year-old boy who knows every lyric to 'Phantom of the Opera' without also referencing how much teasing he gets at school.
I wanted to be Whitney Houston at first, and when I started taking voice lessons, my voice teacher kind of geared me more towards opera.
One gets, sensitive about losing mornings after getting a little used to them with living in a country. Each one of these endlessly varied daybreaks is an opera but once performed.
In a general sense, to convert any short story, novel, play, or opera into a movie, you have to re-rig it. Even though they're all narratives over time, they're very different forms.
I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on.
My main object is to write, to keep learning. I always try to perfect my composition. But I do like writing film and opera music. I believe that it fulfills the needs of particular situations.
I sing what I sing. And that's recitals and orchestra concerts. To appease - no, that's not the right word - let's say to satisfy - any opera urgings that my public has, I'll put in an aria.
Young singers are much better educated musically, much better informed, through discs and videos, than I was.
Oh, man, I love the Staple Singers. I love Pop Staples' guitar playing, too. He's one of my favorite guitar players.
For a producer, you want to be in L.A. You want to be close to the action, and in L.A. there are always singers, artists, songwriters, collaborators and other producers. It's easy to get access to all that, which gives you more opportunity to work records.
We singers have a different level of responsibility from other musicians. We have words that we must convey; we have meanings that we must convey through these lyrics.
I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
I had an amazing French teacher in high school - it was the one class that I enjoyed. And I studied opera for 11 years, so I did a lot of singing in French.
I knew it, I just knew it! The person who had the job of writing my life's dialogue used to work on a very low budget soap opera.
Politics in a democratic society should not be treated like a baseball game, a game show or a soap opera. The times are too serious for that.
In Europe, it is not so unusual for directors to move between opera, theatre, and film, and I have at least three girlfriends I can think of who have directed in all three genres.
I don't limit my taste. There's some jazz that I like and there's some opera. I've been listening to what was essentially country music, but it crossed over to rock.
My mother sent me to dance and drama classes when I was young, and then I got a stage role in 'Set To Partners' when I was 12, followed by Benjamin Britten's 'Let's Make An Opera.'
It's always beautiful to sing with other great voices. I like voices in general. It's a big privilege to have great singers next to me.
When you look at sort of pop stardom now, some of these singers, it seems like the idea of them was created in a marketing meeting, and then they just found someone to sort of fulfill that role.
I've known my lady (for she loves a tune) For fevers take an opera in June: And, though perhaps you'll think the practice bold, A midnight park is sov'reign for a cold.
I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.
I don't feel like I look like the other perfect little pop singers. I think I'm changing what people think is sexy.
European operetta and German singspiel provided the American musical its combination of spoken dialogue and song; the inclusion of dance traced a lineage to French baroque opera. But what a difference!
You could probably prove, by judicious use of logarithms and congruent triangles, that real life is a lot more like soap opera than most people will admit.
I can't distract myself enough here, for sketches to a new opera are constantly buzzing around in my head, to the extent that I need all my strength to wrest myself from them.
Old Americana vintage gangster stuff has a fantastical feel; it feels less dirty in a way. It feels like the opera of crime.
I had no sense of having reached some goal because I was an etoile at the Paris Opera. My ambition, if you can call it that, was to discover and learn and be excited by what I was doing. If I didn't have that, I would find it elsewhere.
I think every singer should be able to jump in for a singer who has been sick, for instance, and learn an opera in two days. I know people who can do it.
I've been singing my whole life, since I was a kid; but never formally as a career. I did it in plays when I was younger, and I sang all styles of music: everything from Italian opera to blues.
Life is like a lunchroom at school. In this industry you've got little individual tables of actors, singers, rap stars, this, that, the other. But it's a big industry that also encompasses anyone in the public eye.
