Top 1200 Our Music Quotes & Sayings - Page 18

Teenagers are passionate and they want music that speaks within their hearts. It's a big deal for students to listen to Christian music and talk about it at school. Music is a very exciting element of your life when you're love. I think it's huge.

We've been lucky with our music; people have liked it.

I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.

Everything we release with Tool is inspired by our music.

Our mothers and grandmothers ... moving to music not yet written.

I definitely see myself as an international musician. When I play, I respect the source of the music, whether it's Cuban, Brazilian or Israeli. I try to bring that to all of the music I play. Music has no borders and no flags.

Music, art, writing - it gives us a sense of who we are, a sense of our history, a sense of our future and it should provide some kind of comfort. It's not just entertainment for entertainment's sake, it's an investment.

The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.

I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.

I started when I was really young. I was playing classical music when I was 4 and when I turned 11 I started to write pop music. I guess you could say it was my intellectual evolution and my love of music began to change.

Music is one whole force. And I think the Proms have always represented very clearly that music is a universal language, one that everyone can speak. I've just followed my goosebumps in every direction and have found a recipe for what my music feels and sounds like.

As in music, when we hear the crescendo building, suddenly if the music stops, we begin to hear the silence as part of the music.

As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.

We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.

When I'm feeling stressed out and overwhelmed, sometimes I'll read a book. But most of the time, I will either listen to music or play music. I'm basically always playing music, even if I'm not stressed!

I know who buys our music: we have such a diverse fanbase.

To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.

Before the birth of the New Woman the country was not an intellectual desert, as she is apt to suppose. There were teachers of thehighest grade, and libraries, and countless circles in our towns and villages of scholarly, leisurely folk, who loved books, and music, and Nature, and lived much apart with them. The mad craze for money, which clutches at our souls to-day as la grippe does at our bodies, was hardly known then.

There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.

I think that the best music and the music that people relate to the most is the honest music that people feel themselves in it.

If all the skies were sunshine Our faces would be fain To feel once more upon them The cooling splash of rain. If all the world were music, Our hearts would often long For one sweet strain of silence, To break the endless song If life were always merry, Our souls would seek relief, And rest from weary laughter In the quiet arms of grief.

I felt like hip-hop was my music, it was like my outsider music... but then my mom started answering our phone, 'Yo, what's up.' She was hearing me talk to my friends. I was like, 'No, mom, don't cop the hip-hop talk.

I think whatever we've done as a band at The Clientele, we've done because it's so natural. Our "old" sound isn't really like any actual bands from old times. We take elements of past music styles and past sounds as a way to... this is going to sound very pretentious and perhaps overly thought-out, but as a way to strike chords of vague nostalgia, and strike chords of, "I've heard this before somewhere." That's what a lot of our music is about in terms of the words and ideas behind it, so we really use old sounds as a way to serve that agenda.

To me, dance music is a lot of space - to listen to other things than melodies. I think club music and dance music really require a different way of listening.

Our goals, our dreams and ambitions have always been towards performing live music across the globe, and so when we were told we were performing at The Billboard Awards or being nominated for a VMA, they're like extra bonuses.

Doors music is not a simple kind of music. It's like the Bauhaus. It's clean and pure. Morrison's lyrics are psychologically deep. So for people to understand Doors music is certainly a testament to their intellects.

In school I was interested in music, but I never saw myself being a musician at that point. Music technology was the only subject I cared about: it taught me the basics of music production and I started making beats and freestyling with my friends.

I don't want impersonators playing our music badly.

It's nice to have fans who want and need our music.

The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.

It's pretty weird to me that our music is as popular as it is.

I really think that the music is the food for our souls.

I think our music reflects us and has grown with us, and as our fans have grown, too.

Our music, you either get it or you don't. There's no middle ground.

Poets sing our human music for us.

Music is more of a hobby to me than my hobbies, if that makes sense. I love music; my dad and brother were very musical, and music just happens to be one of my hobbies that became my vocation.

My entire life has really revolved around music that was written about the time that I was born, 1908, to just before the First World War and shortly after it. This music I've always known, and it is that music that's most important to me.

As a young woman, I experienced high school and heartbreak, and the music I started to write was a little bit more poetic, and more inspired by spoken word. The real raw emotional things that sit in the back of our minds, that you were afraid to say? That's how I started to write my music. And that's how 'H.E.R. Volume One' came about.

I'm a real guy. I'm not money-laundering. I make money off music, and music is my source of income. It feels good. I'm not selling T-shirts, I'm not doing none of that other crap. Straight music.

As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.

I have moved around a lot, and I've lived in all of these different environments - that has affected the kinds of music and the range of music and influences I've had in my life. All of those influences - more subconsciously - play into the music I make.

I felt like hip-hop was my music, it was like my outsider music... but then my mom started answering our phone, 'Yo, what's up.' She was hearing me talk to my friends. I was like, 'No, mom, don't cop the hip-hop talk.'

Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.

My musical style was developed basically by listening to music. The music I like helped to mold my style. I used to listen to the majority of down south music when I was a shorty coming up.

I love pop music, but I also love noise music, IDM - anything really, I get something out of most kinds of music. I just need to enjoy the process.

I had no idea that I was ever getting into music. I did not prepare for a music career, and here I've found, out of pure luck, that I did have, not only a talent and an ear, but a passion for music. And I have it to this day.

The music was always the thing that has been in our world.

An organist who has the sensitivity to quietly play prelude music from the hymnbook tempers our feelings and causes us to go over in our minds the lyrics which teach the peaceable things of the kingdom. If we will listen, they are teaching the gospel, for the hymns of the Restoration are, in fact, a course in doctrine!

I think the [music] industry really suffered from music being available online because it made young people feel, "why should you pay for music, if it's so readily available for free?"

We missed a lot of church, so the music is our confessional.

I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.

That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.

My object is to make people happy with our music.

We suffered for our music. Now, it's your turn.

My mother got me into music when I was a little kid. She used to play music, blast it, when she was cleaning the house, while I was crawling around. I just love loud music.

Elemental Music is never just music. It's bound up with movement, dance and speech, and so it is a form of music in which one must participate, in which one is involved not as a listener bust as a co-performer.

The native music of North America, the original-roots music of this country, is also the underworld music of this country.

What is the best music is impossible to define. Just because it's played by a virtuoso player, doesn't mean it's great music. It might not reflect the soul of a people, which is really my criteria for great music.

I don't think our music has much to do with math rock.

Rock stars are idiots. You know that! Remember this moron never went to music school, never learned music theory and can't read or write music. So why not be suspicious of everything this idiot says?