Top 90 Pablo Escobar Quotes & Sayings - Page 2

The panic disappeared under those soothing old fingers and the breathing slowed down and stopped hurting the chest as if a fox was caught in it, and then at last Mr. Kroger began to lecture the boy as he used to, Pablo, he murmured, don't ever be so afraid of being lonely that you forget to be careful. Don't forget that you will find it sometimes but other times you won't be lucky, and those are the times when you have got to be patient, since patience is what you must have when you don't have luck.

I read once that [Pablo] Picasso felt if an artist ever felt totally satisfied with a work she ceased to be an artist. With that in mind, it seems like goals are a terrible idea then.

Sometimes it works. Sometimes I feel like playing 'Hospital'. Sometimes I feel like playing 'Pablo Picasso'. I've been playing a lot lately. I do it as long as I feel like it.

My dad likes to recite the story of 'Pablo the Donkey' before dinner to teach us the real meaning of Christmas. Every year, it's the same; every year, we cringe!

I will never get tired of looking at works by Pablo Picasso. I will never get tired of looking at work by Francis Bacon or Henry Moore or Francisco Goya. You cannot tire of the work these people have made because you can look it over and over again - the same thing - and always see something different.

All of a sudden I got a vision of Guernica - Pablo Picasso's painting, which is one of my all-time favorite paintings in the world. I remember reading that it was very controversial at the time - some people said even used the word "childlike drawing" - and all of a sudden I thought, "This is like Guernica in Los Angeles!" And then it all made sense to me. It was all the elements that are the Southland.

I carried on buying paintings, works of art, and Yves Saint Laurent, if I may say so, had a right of inspection. We even shared a common reading of the history of art. It would never have crossed Yves's mind to say to me, "Ah, I saw a Pablo Picasso . . ." He knew perfectly well what was interesting with Picasso, as did I.

'Safety', the wife of Pablo said. 'There is no such thing as safety. There are so many seeking safety here now that they make a great danger. In seeking safety now you lose all.'

Pablo Casals is a very great artist. What I admire is the firm stand he has taken not only against the oppressors of his countrymen, but also against those opportunists who are always ready to compromise with the Devil. He perceives clearly that the world is in greater peril from those who tolerate or encourage evil than from those who actually commit it.

Pablo really felt the suffering of people and so became a political animal. But he wanted to bring down extradition because this was the only thing he feared, and it became his obsession, his crusade, his cross.

This left-wing kind of speech, the Robin Hood thing that Pablo had, of course he was a criminal and a mean person, but it wasn't a false. He wasn't false. I don't know what kind of president he would be, maybe a very bad one, but I am sure he would do things for poor people - popular things that wouldn't solve their lives but would help them.

Pablo Casals is a great musician in all he does: a cellist without equal, and extraordinary conductor and composer with something to say. I have been profoundly impressed by all I have heard of his work, but he is a musician of this stature because he is also a great man.

Real failure comes when we consider ourselves good enough at something to be able to repeat it rather than to develop it. "Success is dangerous," the painter Pablo Picasso said. "One begins to copy oneself, and to copy oneself is more dangerous than to copy others. It leads to sterility."

One Christmas I had no money, and so I went home and just, like, wrote a poem; I mean, I didn't write them, but I just handed out poems as Christmas presents. Like, 'Here's a Pablo Neruda poem that really made me think of you.'

Pablo Picasso would paint a painting and hang it on the wall, and you would go and see the painting exactly how he wanted it to be made. But if you have an idea for a TV show, for example, you're beholden to studios to produce it and distributors to distribute it.

Warhol was definitely an inspiration when I was younger. I wouldn't quantify his sort of influence. I've been influenced by nature and science, and I've been influenced by people like Ernst and Rauschenberg, Cornell and Bosch and Bruegel, by writers like Haruki Murakami to Pablo Neruda to Artaud.

Yeah, after making Pablo Honey, we started experimenting with cloning myself in order to double the band's creative energy. However, the experiment was a failure, and the defective Thom Yorke clone escaped. And formed a band called Muse.

I was in a group called Pablo, while Will.i.am and apl.de.ap were a part of the Atban Klann. They signed to Ruthless Records with Easy-E. When Easy-E passed away in 1995 they changed their name to the Black Eyed Peas and asked me if I wanted to be a part of it. The rest is history.

In the Chauvet Cave, there is a painting of a bison embracing the lower part of a naked female body. Why does Pablo Picasso, who had no knowledge of the Chauvet Cave, use exactly the same motif in his series of drawings of the Minotaur and the woman? Very, very strange.

Look at all the stuff the Existentialists did. You can start with [Pablo] Picasso, you know, and then Francis Bacon and other guys like that. What they were doing is depicting suffering. And that's exactly what a demon is, he's pretending that he isn't. So he can get more people down there. You know, misery loves company, that's the whole thing. So that's basically the pitch that I'm working on.

One of the things that I like about 'Narcos' is that not only Pablo but with all the characters - this is not a black and white show. This is not a regular American cop show where two cool cops go to save a country from a bad guy. All the characters are very complex.

It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art.

With Pablo, I lose my reason, and with me, he loses his head; and then all that's left is a man pursued by justice and a woman pursued by the media who know and take care of and need each other, despite the pain caused by all the absences, all his crimes and her sins.

Don LaFontaine passed away. He passed away from a blood clot in the lung. It was unexpected. It just happened. I was just blown away by it. He was like, "Pablo, I've got something in my lungs, I don't know what it is." And I said, "What is it?" And he says, "I don't know, it just keeps hurting." And then he left me a message saying, "I'll come see you when I get out of here." And it never happened.

Pablo Picasso, Frank Sinatra, Ernest Hemingway, Mel Gibson, Lou Reed, Norman Mailer, Vanessa Redgrave, Van Morrison - each is distinguished by controversies unrelated to his or her art; by many accounts, some of them are not nice people at all.

A good president does with executive power what Pablo Picasso did with paint. He takes bills into new and slightly discomfiting territory. He puts extra eyes on policies. He moves the mouth of the Supreme Court from where it should be to where it must be.

When I hit a block, regardless of what I am writing, what the subject matter is, or what's going on in the plot, I go back and I read Pablo Neruda's poetry. I don't actually speak Spanish, so I read it translation. But I always go back to Neruda. I don't know why, but it calms me, calms my brain.

A writer has to take all the risks of putting down what he sees. No one can tell him about that. No one can control that reality. It reminds me of something Pablo Picasso was supposed to have said to Gertrude Stein while he was painting her portrait. Gertrude said, “I don’t look like that.” And Picasso replied, “You will.” And he was right.

The fact that for a long time Cubism has not been understood and that even today there are people who cannot see anything in it means nothing. I do not read English, an English book is a blank book to me. This does not mean that the English language does not exist. Why should I blame anyone but myself if I cannot understand what I know nothing about?" -Pablo Picasso.

The thing about Pablo is that he wasn't happy with what he had - just being the sixth richest man in the world. He wanted to be loved. He wanted to be accepted. He wanted to be President of Colombia; he wanted his kids to go to the same school as the Colombian elite. But he wouldn't be accepted by the elite.