Top 1200 Pages Quotes & Sayings - Page 18

The library would've cheered me up, most days. I loved the heavy oaken tables, the high walls stacked with books to the ceiling, the musty smell of old pages and the heavy brass fixtures that had gone dark with age and wear.

There is not a single line in this diary that does not call for a correction or a denial...Yes: throughout these pages I meant what I was writing and I meant the opposite; reading them again I feel completely lost...I was lying to myself. How I lied to myself!

When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.

Not only that, but when I first met Joe, to my intense delight, he showed me that he was a collector. He was collecting some of the early Tarzan pages by Hal Foster, and, later, early Flash Gordons; and I found that we were both absolutely interested in the same type of thing.

Once, I thought I had a novel, and it turned out it was only a short story. I wrote about 800 pages, but it ended up being a short story. And if it ever happens to me again, I Will Go Insane.

You cannot open the pages of the New Testament without realizing that one of the things that makes it so 'new,' in every way, is that here men and women call God 'Father.' This conviction, that we can speak of the Master of the universe in such intimate terms, lies at the heart of the Christian faith.

Whatever I'm thinking about has got to fit into thirty-two pages, the standard picture book size. So that's something. But the structure and the form for me are almost the most important, because these will express as much as words and images will the content of the work.

There is no need for advertisements to look like advertisements. If you make them look like editorial pages, you will attract about 50 per cent more readers.

Probably my English teacher because she got me into writing instead of just answering the question. I used to hand in homework with 20 pages of nonsense and she'd still mark it. She was a really amazing teacher.

There are writers, and I know some of them, who are very disciplined. Who write, like, four pages a day, every day. And it doesn't matter if their dog got run over by a car that day, or they won the Irish sweepstakes. I'm not one of those writers.

So then the year is repeating its old story again. We are come once more, thank God! to its most charming chapter. The violets and the Mayflowers are as its inscriptions or vignettes. It always makes a pleasant impression on us, when we open again at these pages of the book of life.

Let my life as Poet begin. I want the life of the Poet. I have labored for over twelve years, one thousand pages of prose. Now, I want the easiness of poetry. The brevity of the poem.

The pages and the words are my world, spread out before your eyes and for your hand to touch. Vaguely, I can see you face looking down into me, as I look back. Do you see my eyes?

I love chapbooks. They're in some ways the ideal form in which to publish and read poems. You can read 19 poems in a way you can't sit down and read 60 to 70 pages of poems.

It may take hundreds of pages before you begin to get a handle on the craft of writing, and your first scripts may not work. The next five to twenty may not either. However, the ones that do work owe everything to the ones that didn't.

Working on 'Jekyll' required a lot of concentration and energy. The script is written in a very filmic way most of the time; unusually for television there are a lot of descriptive pages, tiny little fragmented scenes with no dialogue but huge energy.

On my last two days of 'Young and the Restless,' I had 120-something pages of dialogue. My last two days.

I love to read. And right now I'm on my last hundred pages of 'The Corrections' by Jonathan Franzen, and I really enjoyed it. His writing is just - he's one of those writers where you just go, 'There are people just meant to be novel writers.'

I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.

Our line of work is very cynical, and a lot of it is driven by cynicism, cruelty, and meanness. It's easier to believe the negative stuff than the positive stuff. The feel-good stories don't usually spend a lot of time on the front pages.

There are nineteen Harry Bosch books, and someone told me if you add up the descriptions of Harry from all of them, it would come to less than three pages. He's very elliptically described over the two decades during which the novels occur. I did that by intention.

Really, the greatest compliments about a book [One Thousand Gifts] are never about the book, or the author of the book, but about the reader and God and how the pages helped them connect at a deeper level.

When you say 'design,' everybody thinks of magazine pages. So it's an emotive word. Everybody thinks it's how something looks, whereas for me, design is pretty much everything.

I can tell very early on, reading a script, within six or seven pages, whether I'm looking at real people, and whether I can see and hear real people.

I try to write 1,000 words a day - about three pages. When I reach 1,000 words I feel good. Less than that: a failure. More than that: tired.

[T]he ways in which the information we give off about our selves, in photos and e-mails and MySpace pages and all the rest of it, has dramatically increased our social visibility and made it easier for us to find each other but also to be scrutinized in public.

A good novel is an out-of-self experience. It lifts you off the ground so that you have the sensation of flying. It says, 'Look at the world around you; learn from the people in these pages, neither quite me nor quite you, how life is lived in so many different ways.'

Kind of like Google crawls the Web, we crawl the social networks. Where Google analyzes links and Web pages, we look at the same thing with people. So we can tell, for example, who you interact with more frequently. Or if it's not frequency, maybe it's consistency.

The Washington Post speaking out against state legislation that he believed would let businesses deny services to gay, lesbian and transgender people. [Tim] Cook himself came out as gay in the pages of Bloomberg Businessweek.

You can lie to your wife or your boss, but you cannot lie to your typewriter. Sooner or later you must reveal your true self in your pages.

One of the most common questions writers are asked is "Where do you get your ideas?" But the sad truth is, we don't know. Ideas can come at any time and from any direction: in the shower, waiting for an elevator, or while bouncing across Wikipedia pages.

Cognitive psychology has shown that the mind best understands facts when they are woven into a conceptual fabric, such as a narrative, mental map, or intuitive theory. Disconnected facts in the mind are like unlinked pages on the Web: They might as well not exist.

I met Charlie Trotter before I actually saw him in person; I was 24 when I first opened the pages of Charlie's cookbook 'Charlie Trotter's' and was greeted by a man I would know and admire for the next 20 years.

I read a ton of scripts. I read a lot of scripts, and you read one, and first of all, you felt like you read it in 14 minutes, because you're turning the pages so fast you can't wait to see what's going to happen.

One of my rigid goals is to keep each book under 300 pages because I think so much nonfiction is literally weighty that people don't get through these books ... If people don't finish your book, then they don't know what you're talking about.

There is a kind of belief among my students that things that are true are interesting. But most things that are true are not interesting. Four pages describing how I got up and brushed my teeth in the morning would kill you.

The first pages of memory are like the old family Bible. The first leaves are wholly faded and somewhat soiled with handling. But, when we turn further, and come to the chapters where Adam and Eve were banished from Paradise, then, all begins to grow clear and legible.

It's still incredibly hard. Not just honing my craft but kicking down doors, getting my work published. Early on, I could have wallpapered my house with all the rejection letters sent my way. I put thousands of hours and pages into four novels that never saw the light of day.

I'm not reading any novels right now, though not for lack of trying. Unless they're really good, my attention in most novels tends to sputter out after a hundred pages or so - an awful admission for someone who is trying to write one, but it's true.

How idle a boast, after all, is the immortality of a name! Time is ever silently turning over his pages; we are too much engrossed by the story of the present to think of the character and anecdotes that gave interest to the past; and each age is a volume thrown aside and forgotten.

I always want to try to bring something fresh to every book. It's getting harder instead of easier. I feel like I work harder with each book. But I don't want it to show on the pages, that's for sure.

Even before I started going to movies, I loved the idea of them. When I started learning to read as a kid, I started reading the movie pages in the paper and I could tell you what was showing at every theater within a ten mile radius of our house.

Basically, we convert the entire Web into a big equation, with several hundred million variables, which are the page ranks of all the Web pages, and billions of terms, which are the links. And we're able to solve that equation.

I am a highly disciplined person. I get up at seven every morning and, still in my pajamas, sit down at my desk where my checkered ring binders and my fountain pen are ready for use. I try to write two pages every day.

Don't just tell me a mystery; give me a world. Suzanne Myers delivers a hurricane-ravaged island shimmering with atmosphere and dense with secrets. This tight, terrific tale had me turning pages all night long.

I'd like to read a book sometime. I've never read a book before. That'd be an adventure. I understand they have pages and everything. Yeah, I've got to do that sometime.

I think of a child's mind as a blank book. During the first years of his life, much will be written on the pages. The quality of that writing will affect his life profoundly.

There are a lot of Chinese comics, but the Chinese comics tend to be more historical and conservative. Japanese culture, just the comics are amazing. They're like films: very few words; they move so much in these books with hundreds of pages.

Visual art and writing don't exist on an aesthetic hierarchy that positions one above the other, because each is capable of things the other can't do at all. Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

I finally get to the place where the book has matured in my mind and I can hardly wait to start writing it. Then I just sit down and I start. I hit the go button. I have an outline, which is 70 pages, but I don't look at it. I never have to look at it.

There are quite a number of people in the reading-room; but one is not aware of them. They are inside the books. They move, sometimes, within the pages like sleepers turning over between two dreams. Ah, how good it is to be among people who are reading.

If you haven't got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you'll only have to throw away the first three pages.

I got a young black woman agent, and she kinda just knew what I would be attracted to. She sent me this pilot for 'Insecure.' I never saw myself as a comedy director, but when I read those pages, I said, 'Wow - this is my life on the page.'

The Internet is a medium only at the bit level. At the human level, it is a conversation that, because of the persistence and linkedness of pages, has elements of a world. It could only be a medium if we absolutely didn't care about it.

I am trying to give the best performance possible in 400 pages. I want readers to be scared; I want them to be moved. Entertainment doesn't necessarily mean something trivial, but it does mean people wanting to get to the end of a book.

Sometimes they would sit in the parlor together, both reading – in entirely separate worlds, to be sure, but joined somehow. When this happened, other people in the family couldn't bring themselves to disturb them. All that could be heard in the parlor was the sound of pages, turning.

I start a book and I want to make it perfect, want it to turn every color, want it to be the world. Ten pages in, I've already blown it, limited it, made it less, marred it. That's very discouraging. I hate the book at that point.

I don't look at 'Vogue' to ask what I'm going to wear. Because it's something on a body too young. I have to look at the social pages to see women my age. To see how Amanda Burden is dressed and say, 'Hmmm. Maybe I should try that.'

Just as good books give me the joys of being alive, bad novels depress me, and as I notice this sentiment coming from the pages, I stop. I also do not hesitate to walk out of a movie house if the film is bad.

I had received my first establishment grants in response to applications filed the year before. To the pages of baffling forms I had simply attached a handwritten note saying, 'I make dances, not applications. Send the money. Love, Twyla.