Top 1200 Pages Quotes & Sayings - Page 20

Perfection is an unattainable goal. It isn't going to be perfect. Just get words down on paper, and when you stumble to what you think is the end of the book, you will have hundreds of pages of words that came out of your head. It may not be perfect, but it looks like a book.

Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

In the Sixties, there were no guidebooks to Asia, at least none that suited young shoestring travelers. No one on the hippie highway carried a copy of Fodor's 'Islamic Asia.' The route to spiritual enlightenment wasn't revealed in the pages of the latest Baedeker. Intrepids were on a journey of spontaneity and reinvention.

I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft. There will be some tweaks along the way, but it's not like I'll go 20 pages and throw it out and start again.

As a writer, you're making a pact with the reader; you're saying, 'Look, I know and you know that if this book was really a murder investigation, it would be a thousand pages long and would be very dull, and you would be very unhappy with the ending.'

I see so, so many novels written by people who are obviously short story writers. What they end up doing, it's going the full distance, covering three hundred pages or so, but they do it by just writing five or six long stories, and weaving them together, making them interdependent.

You write a book, and after 50 pages you think it's about one thing, and then you write another hundred and you realize it's about something else, and then by the time you're done, you can look back and say, 'Oh, this is what it's about.'

The whole point of diaries is that other people find them and read what you've put. I did once take to writing my inner thoughts on the computer at the end of other things I was writing and ended up faxing four pages of hideous stuff to my accountant so I don't do that now.

People do judge books by their covers, and the magazine editors deciding whether to include your book on their pages are working in a visual medium. So if you're less than thrilled by the cover your publisher proposes, don't be afraid to ask for an alternate version. Odds are that they want you to be happy with the final product, anyway.

A bran' new book is a beautiful thing, all promise and fresh pages, the neatly squared spine, the brisk sense of a journey beginning. But a well-worn book also has its pleasures, the soft caress and give of the paper's edges, the comfort, like an old shawl, of an oft-read story.

In 1970 or '71, early in the magazine, Michael O'Donoghue did maybe eight pages of a 1958 yearbook, from Ezra Taft Benson High School. But by the time the [book-length] high-school yearbook came around, he didn't want to be involved.

So give yourself that chance to put together the 80, 90 pages of a draft and then read it very in a nice little ceremony, where you're comfortable, and you read it and make good notes on it, what you liked, what touched you, what moved you, what's a possible way, and then you go about on a rewrite.

Iwas not a reader at all, not until I discovered 'The Hobbit.' That changed my life. It gave me the courage to read. It led me to the 'Lord of the Rings' series. And once I'd read that, I knew I could read anything because I had just read thousands of pages.

Jessamine recoiled from the paper as if it were a snake. "A lady does not read the newspaper. The society pages, perhaps, or the theater news. Not this filth." "But you are not a lady, Jessamine---," Charlotte began. "Dear me," said Will. "Such harsh truths so early in the morning cannot be good for the digestion.

My dad was a keen philatelist and, when he died, he left me an album he'd curated over some 40 years. He'd handpicked every item, saying each one reminded him of me. I opened it to discover the pages were full of beige stamps bearing the image of George V. Take from that what you will.

As I leafed through the book in front of me and watched the dust swirl in the air, I wondered if maybe there was some evil dormant virus in the pages that would infect me, like the mummy dust that used to kill archaeologists. Death by research. That was not a glorious end.

Whether you do stand-up comedy or write a story, you have a duty to deliver. As a comedian, you walk out on stage, and you have a minute to hook them, or they'll start booing. As a writer, it's very similar. A reader doesn't have time to say, 'I'll give him 50 pages, as it's not very good yet, but I hope it'll get better.'

I found out about it probably 9 - 10 months before we shot the film [Don't Kill It] because it was postponed a couple of times, which was actually a good thing because once it all finally came together, I had to get in there and roll off different pages of dialogue and monologues pretty quickly.

Fashion pictures show people looking glamorous. Travel pictures show a place looking at its best, nothing to do with the reality. In the cookery pages, the food always looks amazing, right? Most of the pictures we consume are propaganda.

I'm about 75 pages into a book on poetry. I don't know if anybody wants to read it. It's on any broad variety of subjects. I walk down the street and think of a topic and jot it down and say, 'Okay, that's another one.' They go from the humorous to the serious to every topic imaginable.

I don't read anything electronically. I don't write electronically, either - except e-mails to my family and friends. I write in longhand. I have always written first drafts by hand, but I used to write subsequent drafts and insert pages on a typewriter.

Tell me my copy is missing the last twenty pages or something. Hazel Grace, tell me I have not reached the end of this book. OH MY GOD DO THEY GET MARRIED OR NOT OH MY GOD WHAT IS THIS?!

The only way to find out if you can write is to set aside a certain period every day and try. Save enough money to give yourself six months to be a full-time writer. Work every day and the pages will pile up.

I started writing my own things when I was about 8. I used to try to bully my friends into imitating the Spice Girls on the playground. Then I realized, Oh god, my career's going nowhere, so I looked in the Yellow Pages and phoned up the first cheap studio that I found and started recording.

I've always had a lot of story ideas rattling around in my head, but 'Nimona' felt very tangible very early. I knew the ending. So I just started making more and more pages, and then I made it a webcomic, like, 'OK, I'm really gonna do this.'

I've been known to write 10 pages a day for 10 days running before I take a breath. I am not a disciplined writer. I'm one of those people who laughingly call themselves inspirational writers, which basically means someone who has no control over their own creative process.

I use a lot of narration; I have a very prosaic style. I like to get you invested in the character first and do a lot of work in the first pages of each issue to try to re-establish things and keep the symbolism of a story very tucked beneath the surface.

I feel if some kid has sat down and felt I'm important enough to write two pages of words to and take up a lot of his valuable time, then he deserves a few words back, or even a phone call as I have done on a few occasions.

Beginning in middle school, the era of wide-margined, Bible-paged anthologies, short stories develop unpromising associations - and these associations often linger through college, when stories become the things distributed in Xeroxes missing entire pages of line-endings.

I work most days and if you work most days and you get at least a page done a day, then at the end of the year you have 365. So the pages accumulate and then I publish the books.

I didn't want a guru or a kung fu master or a spiritual director. I didn't want to become a sorcerer or learn the zen of archery or meditate or align my chakras or uncover mast incarnations...I was after something else entirely, but it wasn't in the Yellow Pages or anywhere else that I could discover.

Reading the several thousand pages of Christopher Isherwood's complete journals is an instructive corrective to the prissiness of reading fiction. Isherwood had faults that we'd say were unforgiveable in a novel (he was careful to distance himself from these in his autobiographical fiction).

In the political environment that exists today, the opposition research of the Obama campaign is looking for anything they can use to distract from the failure of the president to reignite our economy. And Im simply not enthusiastic about giving them hundreds or thousands of more pages to pick through, distort, and lie about.

I remember the special quiet of rainy days when I felt that I could enter the pages of my beautiful picture books. Now I try to recreate that feeling of believing that the imaginary place I'm drawing really exists. The detail in my work helps to convince me, and I hope others as well, that such places might be real.

Chiromancy is a stupidity! No man's fate is ever written on nowhere! In this universe, all the roads are our fate; all the stones and all the flowers are waiting for us! All the pages and all the days of the future are empty! On the roads to future, no one has footprints; we create them through walking!

Generally my typical books have lots of twists and turns a big surprise ending and then usually another surprise at the end and ideally, as in Garden of Beasts, we get to the very end and we find at the last few pages that there's yet another surprise.

My compositions are, I would say, like pages ripped from a diary that I don't really want to share, but that I almost feel the need to share. It's a way for me to get things out that I can't get out in life, you know, in real regular conversation with people.

I'm kind of a social person and I enjoy corresponding with people and checking out their Facebook pages. And it really doesn't take much time. Ten minutes in the morning, 10 minutes at night and a little bit during the day. It's just something I really enjoy.

Motion comics are a medium all their own. It is certainly not animation, in which a large number of artists do tens and even hundreds of thousands of drawings. The animation, or 'the reality,' is created in a computer, and the work of the original artist is the work. Nor is it a comic book. You can't turn the pages. You can't read the dialogue.

Nothing bores me more than books where you read two pages and you know exactly how it's going to come out. I want twists and turns that surprise me, characters that have a difficult time and that I don't know if they're going to live or die.

Times have changed and so have heroes and heroines, but the core of what makes readers happy has remained the same: Does the material touch you, resonant with you, stick with you? Do you feel yourself in the pages, see yourself walking in another person's shoes, hear the voices as they speak? Are you in love with the way they are in love?

Everybody in Washington wants one of these jobs studies this book. It`s called the Plum Book because the people in Washington turn the pages looking for the plum that they want, the job that they want.

You have two pages, that's the whole credit card agreement. The terms are clear and flat and easy to see so anyone can read them. So you could lay four credit cards in front of you and say, 'Oh, that's the one that has the highest rate, that's the one that has the really scary provision that could hurt me.'

Incorporating in their colorful, slashing, superbly readable pages, the major themes of the "left" opposition under Walpole, these libertarian tracts, emerging first in the form of denunciations of standing armies in the reign of William III, left an indelible imprint on the "country" mind everywhere in the English-speaking world.

To many Congressmen and Senators right now, there's a ceaseless antagonism toward Hollywood because politically, it is high-reward and low-risk. So when you can't do anything about poverty or the budget deficit, and you can't deal with Bosnia or the possibility of nuclear explosions in Russia, what do you do? You bash Hollywood and get on the front pages.

I love writing picture books because they are very child-centered and family-focused. The idea of creating a story within 2-5 typewritten pages is very magical, especially what comes after that. When the words are matched with illustrations - I consider this a kind of high magic. It is amazing to witness the way the process comes together.

The outraged citizens of Indonesia - lawyers, doctors, engineers, scientists - should be speaking up; they should be shouting. And of course, the voices of farmers and workers, their terrible stories, should be read and heard from the pages of independent magazines and blogs, from YouTube and independent films.

I had a great experience working with Dynamite on Masks, and had just gotten started on a stint on The Shadow with them when they floated the idea of a Captain Action series. I've been a little obsessed with the character since I was first introduced to him in the pages of Amazing Heroes back in the early 1980s.

I enjoy a good cliffhanger. As a reader, I relish that nervous feeling you get when you're engrossed in a story, but in the back of your mind you're aware that there aren't that many pages left. How will it end? Everything can't be wrapped up! This can't end! Then it does, and your heart seems to stop.

That is what I want to make clear today. A man with a long history of racial discrimination, who traffics in dark conspiracy theories drawn from the pages of supermarket tabloids and the far, dark reaches of the Internet, should never run our government or command our military.

Every now and then I'll read a book, I'll be so proud of myself, I'll try and squeeze it into conversation. People will be like, "Hey Jim, how ya do-" "I read a book! Two hundred and fifty pages!" "That's great, what was it about?" "No idea! Took me three years!"

A movie can evoke feelings, thoughts, it is all there and happening, there is no control over the images when you are watching a movie. You are transported for three hours to a world where you see real people. In a novel it is private - there's only you, and words on pages. The landscape is in your mind and in your feelings.

...book-buyers aren't attracted, by and large, by the literary merits of a novel: book-buyers want a good story...something that will first fascinate them, then pull them in and keep them turning the pages.

I have to learn sometimes 25 pages at a time. The takes can last 20 minutes - we do big, long takes. You always hope that you get a couple of days in between so you can learn the next one because you can't keep everything in your head at the one time.

With the television thing you have this lull of time where you're not with the character. And when you get those first pages, you're like, "Who is she again? Huh? Where did we leave off?" Then you show up at the read-through and all of the sudden the voice is there, and you realize that the character is still stewing in you all that time, even in the downtime.

I've always liked language and been a big reader. I always loved books as objects. My favorite time of year as a child was September when we'd go buy all kinds of notebooks and pens and markers for school. I think I wanted to be a writer just so I'd be able to fill up all those pages.

It never failed—I'd buy a new journal, write like a madwoman for ten pages, then lose total interest in the process. Three months later, I'd start the whole process all over again. I think I just liked buying new notebooks.

As for my father, few souls are less troubled. He can be simply pleased with us, pleased that we exist, and, from the vantage point of his wondrously serene old age, he contemplates our lives almost as if they were books he can dip into whenever he wants. His back pages, perhaps.

If you look at the back pages of 'New York Times Magazine,' and they talk about these 6.5-million-dollar condos with a great view, like you're going to pay for a great view. Well, the top floor of the projects have a great view, too.

One of the things that kept most comics from being monthly was that very few artists could produce 24 pages per month. Jack Kirby was very much the exception to the rule, but his towering presence at Marvel started to dictate the whole shape of the industry - and that's where problems set in!