Top 1200 Paint Brushes Quotes & Sayings - Page 20

Explore popular Paint Brushes quotes.
Last updated on October 4, 2024.
I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over.
Everyone was messaging me like, 'Yo, 'Rubbin Off the Paint' goes hard.' Everybody in school knew it. The teachers know my song.
Draw places you have seen from memory. I used to paint things I had glimpsed through windows while riding in the elevated train. — © John French Sloan
Draw places you have seen from memory. I used to paint things I had glimpsed through windows while riding in the elevated train.
If you keep pushing paint when you're tired of it, you lose sensitivity. I can only focus on painting for a few hours, so I'll stop and work on something quite different.
when a poem says something that could not have been said in any other way, in music, prose, sculpture, movement or paint, then it is poetry.
We have embraced the 21st century by entering such cutting-edge industries as brick, carpet, insulation and paint. Try to control your excitement.
They will come, not to paint the bay and the sea and the boots and the moors, but the warmth of the sun and the colour of the wind. A whole new concept. Such stimulation. Such vitality.
Illustrators are word people who happen to draw. We work with one foot in a book, the other stuck in a paint pot. Our shoes are a disgrace.
We know evolution happened because innumerable bits of data from myriad fields of science conjoin to paint a rich portrait of life's pilgrimage.
I've met a lot of artists who wanted to paint me. LeRoy Neiman was one. He did it from a photograph. He made 20,000 copies, and we sold them all.
Republicans always try to paint Democrats as weak on defense. This time, they can't. After all, Mitt Romney's idea of an overseas accomplishment is sending U.S. jobs there.
In order to build a career and to be successful, one has to be determined. One has to be ambitious. I much prefer to drink coffee, listen to music and to paint when I feel like it.
I'm impressed by the way some illustrators develop their images on computers, but it's too late for me to start, and I'm still in love with paper and paint and pencils.
I assisted with Russ [Manning] for about eleven months and my day job for 5 days a week was credit manager and paint salesman for Sherwin-Williams. — © Mike Royer
I assisted with Russ [Manning] for about eleven months and my day job for 5 days a week was credit manager and paint salesman for Sherwin-Williams.
I can't understand how anyone is able to paint without optimism. Despite the general pessimistic attitude in the world today, I am nothing but an optimist.
I've always worked with different mediums whether it's melting gold to make teeth, working with wood and paint or bending sound in a music studio.
Light is the photographic medium par excellence; it is to the photographer what words are to the writer; color and paint to the painter; wood, metal, stone, or clay to the sculptor.
Lie bills and calculations much perplexed, With steam-boats, frigates, and machinery quaint Traced over them in blue and yellow paint.
It is better to paint from memory, for thus your work will be your own.
Often, contrasts bring art to life: the bright speck of paint on a dark canvas; the tightrope walk between humor and tragedy.
I love to paint and beautify the most unexpected of places - I've painted everything from doorways to trains but have always wanted to do something really huge and different.
I paint American people, and I tell American stories through the paintings I create.
I really enjoy squeezing out a big lump of paint directly onto the canvas and leaving it; fresh, immediate and sometimes shocking.
It doesn't make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement.
It's not just a boring exercise in pushing oil paint around a canvas. It's a way of opening a threshold to an exciting new world of vision.
Paint right into the darkness. While painting in these conditions the mind shifts gears, engaging the unconscious. Unique 'insights' happen in the dark.
Affection is like bread, unnoticed till we starve, and then we dream of it, and sing of it, and paint it, when every urchin in the street has more than he can eat.
We have to start spreading that news - that real men change poopy diapers and coach the soccer team and let their daughters paint toenails all kinds of colours.
Addie, please." More tears dripped down her cheeks. "Don't be so hard." "Oh, please," I muttered...and that was as far as I got. 'You broke my heart' were the words that had risen to my mouth, but I couldn't say them. That was what you said to a boyfriend, a lover, not your best friend. She'd laugh. And I'd had enough of being laughed at. I'd worked hard to get to a place where it didn't happen anymore, where I didn't move through life like a walking target, where it was just me and my paints and brushes and my big empty bed every night. "You weren't a good friend," I said instead.
I paint people not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
I question the political judgement of those who would have the nerve to paint Christ white with his obvious African nose, lips and wooly hair.
I had to find a way to paint abstractly, which is what I wanted to do. I couldn't forget Wassily Kandinsky and Kazimir Malevich and Piet Mondrian, I mean that was the basis.
When I paint, I liberate monsters They are the manifestations of all the doubts, searches and groping for meaning and expression which all artists experience One does not choose the content, one submits to it.
I've always leaned toward a feminine, funky style, even in business settings. I used to paint my nails blue in 1993, before it was mainstream.
Whatever makes a child want to glue macaroni on a paper plate and paint the assemblage and see it on the refrigerator - that has always been strong in me.
Who is able to paint the existence of a dog as Picasso paints the existence of a cubic shape?
Take criticism, smash it into dust. Add color and use it to paint breathtaking images of unicorns frolicking through endless fields of greatness.
Lots of artists who paint have the experience to one degree or another... where their thinking doesn't precede their doing... It's a funny thing, what I really hate yet I have to go through with it, is the preparation.
Great is paint; nay, God is the painter; and we rightly accuse the critic who destroys too many illusions. Society does not love its unmaskers. — © Ralph Waldo Emerson
Great is paint; nay, God is the painter; and we rightly accuse the critic who destroys too many illusions. Society does not love its unmaskers.
Growing up in South Jersey, I have always been an Eagles fan. I don't paint my face or anything like that, but I deeply care about the team.
I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.
Filmmakers are going to make films, just like painters are going to paint.
I wish there was a painter who could paint as well as Ted Williams could hit.
In computing, everything happens inside this rectangular screen. I want to get the pixels out, paint the world, and allow us to interact with it.
When I got my first loft, I still didn't know what I was going to paint... There were long stretches when I just sat there and thought without interruption.
Night is a curious child, wandering Between earth and sky, creeping In windows and doors, daubing The entire neighborhood With purple paint.
My method is subtraction. I use erasers to make the images in my paintings. You really have to see it to fully get it, but it is basically erasing shapes from a background of paint.
I think mid-range shooters are hard to get to a lot of times. Guys are going at you all the way to the paint or looking to swat it at the 3-point line.
I want to paint Montreal as a rather fantastic city, which it was, because nobody knows today what it was like. And I'm one of the last survivors, or rapidly becoming one.
I asked Bob Dylan to paint the album cover for 'Music from Big Pink.' He said, 'Yeah, let me see what I can come up with.' — © Robbie Robertson
I asked Bob Dylan to paint the album cover for 'Music from Big Pink.' He said, 'Yeah, let me see what I can come up with.'
I'm not going to say paint is an easy spruce-up. It takes time, it needs touch-ups, and you have to be very methodical. But it is worth it, and it isn't particularly expensive.
There's a kind of slowness and inefficiency about rendering text in paint. We're in a world that's very fast, so things that slow you for a minute-give you pause-are good.
In the beginning, it's why I stopped correcting my appearance - because the articles were mean and would repeat the image that my ex-husband tried to paint of me.
I realize how quickly lies compound. They cover like a coat of paint, one on top of the other, until you cannot remember what color you started with.
I worked in my parents' decorating store from six. My mum would get me in every Saturday polishing the paint and straightening the wallpaper for 50p.
We make the patterns on the computer, but we also paint them by hand - it's a combination of digital and screen-prints. I'm trying to do as much as I can myself in the studio.
When I travel, I draw and paint sketches which is great fun. And as long as you are fully aware that it has nothing to do with actual art, I think that's all right.
The biggest thing is to just keep your voice in shape so that when the emotion hits, it's there to have the colors to paint those pictures with the lyrics as well as the sound.
While I was at college studying design I decided to paint. I was also greatly inspired by the colours that I had seen on my travels in the Brazilian Rain forest.
If thou shouldst paint mountains in a good style and to look natural, take some large stones full of cracks and copy them.
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