Top 740 Pale Quotes & Sayings - Page 13

...solitary like a pool at evening, far distant, seen from a train window, vanishing so quickly that the pool, pale in the evening, is scarcely robbed of its solitude, though once seen. *** Here sitting on the world, she thought, for she could not shake herself free from the sense that everything this morning was happening for the first time, perhaps for the last time, as a traveller, even though he is half asleep, knows, looking out of the train window, that he must look now, for he will never see that town, or that mule-cart, or that woman at work in the fields, again.

On a cold, fretful afternoon in early October, 1872, a hansom cab drew up outside the offices of Lockhart and Selby, Shipping Agents, in the financial heart of London, and a young girl got out and paid the driver. She was a person of sixteen or so--alone, and uncommonly pretty. She was slender and pale, and dressed in mourning, with a black bonnet under which she tucked back a straying twist of blond hair that the wind had teased loose. She had unusually dark brown eyes for one so fair. Her name was Sally Lockhart; and within fifteen minutes, she was going to kill a man.

There was a Yale even before Larry [Kramer] and I got there, and there were three designations of students: "white shoe," "brown shoe," and "black shoe." "White shoe" people were kind of the ur-preppies from high-class backgrounds. "Brown shoe" people were kind of the high school student-council presidents who were snatched up and brushed up a little bit to be sent out into the world. "Black shoe" people were beyond the pale. They were chemistry majors and things like that.

And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.

What did you do?” I mumble. He is just a few feet away from me now, but not close enough to hear me. As he passes me he stretches out his hand. He wraps it around my palm and squeezes. Squeezes, then lets go. His eyes are bloodshot; he is pale. “What did you do?” This time the question tears from my throat like a growl. I throw myself toward him, struggling against Peter’s grip, though his hands chafe. “What did you do?” I scream. “You die, I die too” Tobias looks over his shoulder at me. “I asked you not to do this. You made your decision. These are the repercussions.

It is moonlight. Alone in the silence I ascend my stairs once more, While waves remote in pale blue starlight Crash on a white sand shore. It is moonlight. The garden is silent. I stand in my room alone. Across my wall, from the far-off moon, A rain of fire is thrown. There are houses hanging above the stars, And stars hung under the sea, And a wind from the long blue vault of time Waves my curtains for me. I wait in the dark once more, swung between space and space: Before the mirror I lift my hands And face my remembered face.

I feel the urge, familiar now, to wrench myself from my body and speak directly into her mind. It is the same urge, I realize, that makes me want to kiss her every time I see her, because even a sliver of distance between us is infuriating. Our fingers, loosely woven a moment ago, now clutch together, her palm tacky with moisture, mine rough in places where I have grabbed too many handles on too many moving trains. Now she looks pale and small, but her eyes make me think of wide-open skies that I have never actually seen, only dreamed of.

What you think of as they past is a memory trace, stored in the mind, of a former Now. When you remember the past, you reactivate a memory trace -- and you do so now. The future is an imagined Now, a projection of the mind. When the future comes, it comes as the Now. When you think about the future, you do it now. Past and future obviously have no reality of their own. Just as the moon has no light of its own, but can only reflect the light of the sun, so are past and future only pale reflections of the light, power, and reality of the eternal present. Their reality is "borrowed" from the Now.

... He went under the stars, and the tender light of the moon, when it hung like an eyelash and the tree trunks shone like bones. He walked through wind and weather, and beneath sun-bleached skies. It seemed to Harold that he had been waiting all his life to walk. He no longer knew how far he had come, but only that he was going forward. The pale Cotswold stone became the red brick of Warwickshire, and the land flattened into middle England. Harold reached his hand to his mouth to brush away a fly, and felt a beard growing in thick tufts. Queenie would live. He knew it.

You must have seen great changes since you were a young man," said Winston tentatively. The old man's pale blue eyes moved from the darts board to the bar, and from the bar to the door of the Gents ... "The beer was better," he said finally. "And cheaper! When I was a young man, mild beer - wallop we used to call it - was fourpence a pint. That was before the war, of course." "Which war was that?" said Winston. "It's all wars," said the old man vaguely. He took up his glass, and his shoulders straightened again. "'Ere's wishing you the very best of 'ealth!

'Established' is a good word, much used in garden books, 'the plant, when established' ... Oh, become established quickly, quickly, garden! For I am fugitive, I am very fugitive - Those that come after me will gather these roses, And watch, as I do now, the white wisteria Burst, in the sunshine, from its pale green sheath. Planned. Planted. Established. Then neglected, Till at last the loiterer by the gate will wonder At the old, old cottage, the old wooden cottage, And say, 'One might build here, the view is glorious; This must have been a pretty garden once.

Her underwear, her jeans, the comforter, my corduroys and my boxers between us, I thought. Five layers, and yet I felt it, the nervous warmth of touching – a pale reflection of the fireworks of one mouth on another, but a reflection nonetheless. And in the almostness of the moment, I cared at least enough. I wasn’t sure whether I liked her, and doubted whether I could trust her, but I cared at least enough to try to find out. Her on my bed, wide green eyes staring down at me. The enduring mystery of her sly, almost smirking, smile. Five layers between us.

Girl with the burning golden eyes, And red-bird song, and snowy throat: I bring you gold and silver moons, And diamond stars, and mists that float. I bring you moons and snowy clouds, I bring you prarie skies to-night To feebly praise your golden eyes And red-bird song, and throat so white. ~Vachel Lindsay "To Gloriana" God wrote His loveliest poem on the day He made the first silver poplar tree, And set it high upon a pale-gold hill For all the new enchanted earth to see.

You, sleeping on your bed of nails. Weeping an ocean beyond the pale. Strange, sorrow is your greatest skill. You're suffering from overkill... Choose whether to laugh or to cry. Menace and promise mingle in your eye. Wait, it's only a matter of time. You know everything will be fine... Rain falls down and the seas run high. When you're by my side we can rise above it. Let me dry all the tears inside. On your way you cannot hide from the howling wind and the roaring tide. You might get hurt but your fears will subside when you at last escape from the tears inside.

The Holy Night We sate among the stalls at Bethlehem; The dumb kine from their fodder turning them, Softened their horned faces To almost human gazes Toward the newly Born: The simple shepherds from the star-lit brooks Brought visionary looks, As yet in their astonied hearing rung The strange sweet angel-tongue: The magi of the East, in sandals worn, Knelt reverent, sweeping round, With long pale beards, their gifts upon the ground, The incense, myrrh, and gold These baby hands were impotent to hold: So let all earthlies and celestials wait Upon thy royal state. Sleep, sleep, my kingly One!

To some, the image of a pale body glimmering on a dark night whispers of defeat. What good is a God who does not control his Son's suffering? But another sound can be heard: the shout of a God crying out to human beings, "I LOVE YOU." Love was compressed for all history in that lonely figure on the cross, who said that he could call down angels at any moment on a rescue mission, but chose not to - because of us. At Calvary, God accepted his own unbreakable terms of justice. Any discussion of how pain and suffering fit into God's scheme ultimately leads back to the cross.

At a certain point the family moved to Jaipur, where no woman could avoid the doli or purdah. They kept her in the house from morning to night, either cooking or doing nothing. [My mother] hated doing nothing, she hated to cook. So she became pale and ill, and far from being concerned about her health, my grandfather said, 'Who's going to marry her now?' So my grandmother waited for my grandfather to go out, and then she dressed my mother as a man and let her go out riding with her brothers.

Myrnin, who hadn't said much, suddenly reached out and wrapped his arms around her. She stiffened, shocked, and for a panicked second wondered whether he'd suddenly decided to snack on her neck... but it was just a hug. His body felt cold against hers, and way too close, but then he let go and stepped back. "You've done very well. I'm extremely proud of you," he said. There was a touch of color high in his pale cheeks. "Do go home now. And shower. You reek like the dead." Which, coming from a vampire, was pretty rich.

Eventually she came. She appeared suddenly, exactly like she'd done that day- she stepped into the sunshine, she jumped, she laughed and threw her head back, so her long ponytail nearly grazed the waistband of her jeans. After that, I couldn't think about anything else. The mole on the inside of her right elbow, like a dark blot of ink. The way she ripped her nails to shreds when she was nervous. Her eyes, deep as a promise. Her stomach, pale and soft and gorgeous, and the tiny dark cavity of her belly button. I nearly went crazy.

Cold air rises from the ground as the sun goes down. The eye-burning clarity of the light intensifies. The southern rim of the sky glows to a deeper blue, to pale violet, to purple, then thins to grey. Slowly the wind falls, and the still air begins to freeze. The solid eastern ridge is black; it has a bloom on it like the dust on the skin of a grape. The west flares briefly. The long, cold amber of the afterglow casts clear black lunar shadows. There is an animal mystery in the light that sets upon the fields like a frozen muscle that will flex and wake at sunrise.