Top 1200 Parallel Lines Quotes & Sayings - Page 3

Explore popular Parallel Lines quotes.
Last updated on November 13, 2024.
No relationships are perfect. When they develop, there are things that have happened before in your life that you maybe don't discuss. And there are always fault lines within every relationship. I believe it doesn't take too much pressure to be placed on those fault lines for them to start cracking apart.
I legit can not parallel park. This is no joke!
I don't know why my lines that were cut from the film didn't make it onto the DVD. I have offered to go into the editing room with Christopher and work shoulder to shoulder with him to fit all my lines in. I think he thinks I'm kidding. I'm only trying to help.
As soon as I start to write I'm very aware, I'm trying to be aware that a reader just might well pick up this poem, a stranger. So when I'm writing - and I think that this is important for all writers - I'm trying to be a writer and a reader back and forth. I write two lines or three lines. I will immediately stop and turn into a reader instead of a writer, and I'll read those lines as if I had never seen them before and as if I had never written them.
I find it difficult to work if I don't know the lines, you know, and not just knowing - they're second nature to me. Then, whatever happens in the performance when you're actually doing it, you're not going to go off. You're going to retain all of that. So I like to have my lines.
'Indiana Jones' was me growing up. I could quote lines from 'Tango and Cash' as much as I could quote lines from 'The Searchers'. — © Jeff Nichols
'Indiana Jones' was me growing up. I could quote lines from 'Tango and Cash' as much as I could quote lines from 'The Searchers'.
Theater is a physical activity as much as anything. It's harder for me to learn the lines than it was 30 years ago. At the same time, I'll never quit working in the theater - until I can't memorize two lines back to back.
You get used to the exact amount of space between lines. You write a word and then you write an alternate word over it. You want enough room so you can read it, so the lines can't be too close.
Nowadays they have 12 directors and 15 producers and 30 writers. And all the writers want their lines said a certain way-which isn't necessarily funny. I mean the lines aren't necessarily so funny to begin with.
I am a big Beatles fan. And, you know, unbeknownst to anyone, I used to be one. But I have no problems of putting titles and lines from other songs in my songs, because they're great lines and great titles.
We should probably start searching around a little earlier in our lives for what I call parallel activities, because most of us get entrenched in our careers. And, of necessity, we're earning a living, and it's taking our time, and we're building our résumé, and we want our résumé generally to be our proficiency within our field, because chances are we're going to be applying for another position within the field. So we tend to put off a lot of this sort of what I call parallel discovery until we're either very successful and have the time to do that, or more often until we're retired.
It is possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true.
Fault lines run along color lines in American public life, and the women’s movement is no exception. Over the years, feminism has become more inclusive but there is still hard work to be done to include LGBT women and communities of color.
I want to learn skiing and parallel bar gymnastics.
Beauty comes from a life well lived. If you've lived well, your smile lines are in the right places, and your frown lines aren't too bad, what more do you need?
The American teacher stands on the front lines of poverty and inequity that our fellow Americans refuse to acknowledge, on the front lines of the real social condition of our nation–not the advertised one–and we stand together. When we look over our shoulders, there’s no one there backing us up. The rest of the army is off pretending there is no fight to be had here, no excuses to be made, no hardships to decry, no supply lines to worry about, that things in American society are just hunky-dory outside of the fact that the teachers just don’t care enough
Fault lines run along color lines in American public life, and the women's movement is no exception. Over the years, feminism has become more inclusive but there is still hard work to be done to include LGBT women and communities of color.
Given a blank we can’t help trying to fill it in along lines of customary seeing or saying. But the best poetic lines undermine those habits, break the pre- off the -dictable, unsettle the suburbs of your routine sentiments, and rattle the tracks of your trains of thoughts.
I've always thought that parallel parking was my main talent. — © Calvin Trillin
I've always thought that parallel parking was my main talent.
Acting is probably the greatest therapy in the world. You can get a lot stuff out of you on the set so you don't have to take it home with you at night. It's the stuff between the lines, the empty space between those lines which is interesting.
The secret of many of my deformations - which many people do not understand - is that there is an interaction, an intereffect between the lines in a painting: one line attracts the other and at the point of maximum attraction the lines curve in toward the attracting point and form is altered.
Most great entrepreneurs I know are nothing like the other kids. They're almost like tangent lines - those lines that seem to go nowhere. Nothing connects them, until they get out in the real world. Then they connect just fine.
So for whatever reason those short lines just felt right to me, in my physical self. They were right for the movement of the poems. Some poems in the book have longer lines.
When I went to auditions, if I didn't know the lines, I wasn't getting the job. If I knew my lines, if I knew what I was supposed to be doing, I got the job. And it was always like that - if I'm working hard, I get the result that I'm looking for.
Playing somebody who's obsessed. Playing somebody who is transgressing, and who is really crossing moral lines and ethical lines. That's always interesting.
Ted Cruz, Rand Paul, Mike Lee, and others who raced to the microphones at the slightest hint of Obama overstepping the lines were damn quiet as Trump wildly colored outside the lines of any rational version of executive power.
I never don't know my lines. I never take the audition pages into the room. I end up relying on them or looking at them too much, and it makes me feel unprepared, so I always learn my lines without fail.
I used to believe in em (lines). I don't anymore. They in our heads. Lines between black and white ain't there neither. Some folks just made those up, long time ago. And that go for the white trash and the so-ciety ladies too.
Once working people discover that, collectively, we have more power than we do as individual silos, then we become an incredibly powerful force. But I think that there are powers that be that are invested in us remaining divided along racial lines, along economic lines.
The less lines, the better. I am the silent film actor, but not in a slapstick sort of way. Film is an image-based medium, so whatever you can say without the words is far more provocative and punctuating. If the lines are not funny or if they don't advance the story, sometimes it's hard. I hate talk in movies.
When you act for a living, you are lucky enough to get to say things you really want to say. You get lines that you look forward to, lines that jump out like a jack-in-the-box; you're thinking: 'Wait till you hear this.'
Nature works in parallel ways.
Singing is all about certain inflection on certain lines. I used to listen to tapes of everybody from Michael Jackson and Prince to Earth, Wind and Fire. They would have different vocal inflections. If the line insinuated pain, they would cringe on some lines.
India does not need to become anything else. India must become only India. This is a country that once upon a time was called 'the golden bird'. We have fallen from where we were before. But now we have the chance to rise again. If you see the details of the last five or ten centuries, you will see that India and China have grown at similar paces. Their contributions to global GDP have risen in parallel, and fallen in parallel. Today's era once again belongs to Asia. India and China are both growing rapidly, together. That is why India needs to remain India.
None but himself can be his parallel.
I knew that I wanted to be in parallel cinema and do meaningful films.
There are still forces in America that want to divide us along racial lines, religious lines, sex, class. But we've come too far; we've made too much progress to stop or to pull back. We must go forward. And I believe we will get there.
I have a lot of interest in interior rhyming; not just rhyming at the end of the lines, but playing around with rhymes within the lines, playing with where the syllabic emphases in the sentences are, lining those up at strange moments in the line of the song. I’m not sure if that comes across or not.
If I know I have to memorize lines, I'm really gonna try to memorize lines. It's hard for me sometimes, because somebody wrote these words and you're trying really hard to get them the way they said it.
Probably in a parallel universe not far from here, I'm working for Nintendo.
Politics and acting are two parallel paths of my life. — © Jaya Prada
Politics and acting are two parallel paths of my life.
I believe I'm very conscious of exactly what I'm doing. I'm auditioning lines of dialogue, and I'm interrogating whether the lines would translate from Russian into English the right way. The English that results can perhaps seem somewhat more formal than colloquial, but not so formal as to feel academic.
I still think in a parallel universe, I became a mathematician.
A true sonnet goes eight lines and then takes a turn for better or worse and goes six or eight lines more.
The touch was exactly what the touch of a lover's hand should be: familiar, yet exciting as a whispered promise. I felt an almost irresistible urge to take her hand and place it flat against my chest, near my heart. Maybe I should've done it. I know now that she would've laughed, if I'd done it, and she would've liked me for it. But strangers that we were then, we stood for five long seconds and held the stare, while all the parallel worlds, all the parallel lives that might've been, and never would be, whirled around us.
I just had a throwaway part, really, if you think about it. I'm not a natural actor, you know? I'm a comedian, through and through. And I really love my lines. Those are the lines I want to do.
Growing up in D.C. there are so many different types of educational and professional levels. They call D.C. 'Chocolate City' but just because we're all chocolate doesn't mean we're all the same. In D.C., everyone co-exists harmoniously but the lines are still drawn. And people don't really step over those lines.
I think that Malcolm X was envisioning, even while he was in the Nation of Islam, a black nationalist progressive strategy toward uniting black people across ideological, class lines, denominational religious lines, Christians, as well as Muslims, to build a strong movement for justice and for empowerment.
I don't worry too much about learning lines per se. The memorization is the easy part for me, usually. For me, it's more about working on the context, back story, intention, motivation, etc. Once that's in place, the lines come pretty naturally.
I'm a terrible parallel parker.
There is nothing in history to parallel the influence of Jesus Christ.
Extracurricular Parallel to none I am perpendicular
Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.
Art is a harmony parallel with nature. — © Paul Cezanne
Art is a harmony parallel with nature.
I can parallel park pretty well - I'm a great driver.
We have made, and still are making, enormous advances on material lines. It is necessary that we commensurately advance on moral lines. Civilization, as it progresses, requires a higher conscience, a keener sense of justice, a warmer brotherhood, a wider, loftier, truer public spirit.
The official name of the project is 'Jewish Museum' but I have named it 'Between the Lines' because for me it is about two lines of thinking, organization and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely.
Music and film are parallel experiences: they are linear, they are narrative.
Often the lines that define the traditional European arrangement of fiction, non-fiction, history, etc. are not useful. These lines can distort the world we, people who look like me, live in - and by the world, I mean our personal experience of it.
When you built television sets, you have all this test equipment. And you'd have all these lines and squares on the screen to test it. So it occurred to me that it might be fun for people to control the lines and squares on the screen.
This site uses cookies to ensure you get the best experience. More info...
Got it!