Top 87 Percussion Quotes & Sayings

Explore popular Percussion quotes.
Last updated on September 18, 2024.
And, you know, I think the original recording of Ravel's Bolero, probably whoever played percussion on that, will never have It played better than that.
When I was 12, I happened to see a schoolmate playing percussion, and it looked interesting. I asked for lessons, and it felt right.
I've been down there 6 times and there's nothing like Brazilian percussion. — © Les Baxter
I've been down there 6 times and there's nothing like Brazilian percussion.
My father moved to Hawaii from Brooklyn and my mother came there as a child from the Philippines. They met at a show where my dad was playing percussion. My mom was a hula dancer.
I studied percussion as a music student, and I didn't have the best of timing, so I could never make it as a professional, unfortunately.
Percussion is so good for me!
I mean, I can sit down with a guitar, and in fact, we do two, three songs with just guitar and percussion.
I grew up playing classical piano and percussion.
I like to listen to my iPod and also play music. I've been doing percussion since I was eight or nine. Rhythm is crucial in long jump but also in life.
No one can get really drunk on a novel or a painting, but who can help getting drunk on Reethoven's Ninth, Rartok's Sonata for Two Pianos and Percussion, or the Reatles' White Album?
Mad World's distinctive percussion intro was played on a Roland CR-78 drum machine. We first recorded it at twice the speed, but it sounded great slowed down.
I played djembe, percussion, keyboards and I sang.
I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound.
I was drawn to West Africa. I did listen to a bunch of different styles of African music, and there was something about the percussion and the drums of West Africa, and the energy, that felt so cinematic to me.
I play a percussion instrument, not a musical saw; it needs no amplification. Where it's needed, they put a microphone in front of the bass drum. But, I don't think it's necessary to play that way every night.
Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit. — © Charles Bukowski
Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit.
After I learned the piano, I went on to learn percussion, the tuba, b-flat baritone, French horn, trombone, trumpet, most of the instruments in the orchestra. Trumpet was my instrument.
The musical mystery is: How do you marry tuned percussion and voice? On a metaphorical level, everything that's really important - like the clouds, the sky and the earth - is a giant mystery.
The thing with the piano is, the piano is like percussion almost - well, it is. You have to... not beat on it, but there is more work involved than a Hammond. With a Hammond, you just lay your hands on the keys, man, and you're gone.
The possibilities of percussion sounds, I believe, have never been fully realized
I like music more balanced between the voice and the guitar and the percussion. I don't like heavy metal.
When I heard We Are the World do a techno version of one of my songs, I didn't know the word techno, but I said, "That percussion is astounding, will you help me do a piece?" Nobody said, "Techno isn't allowed for you."
I'm more a percussion instrument than a dancer.
I studied classical percussion for ten years.
I play guitar, piano, bass and percussion.
My son Wesley has just turned 13. He was 12 during the recording of this record and he is quite a drummer already and has been studying drums since he was four, but he's also very interested in African percussion and studies percussion.
I really just wanted to play the drum set and match that. I was never really into the percussion thing.
I played in the percussion section 4th grade through high school - snare and timpani mostly.
I've figured out what to do with my hands... onstage. I'm a percussion player, so I grab a tambourine as much as I can.
I played the drums. I basically started off in drum line. So it was just straight percussion. Then I got into the drum set. I was in the jazz band and then all through high school I was in orchestra.
On an ideal Saturday night, I'll go to the New York City Ballet, where my friends play percussion.
Heaven to me is percussion and bass, a screaming guitar and a burbling Hammond B-3 organ. It's a soup I love being immersed in.
I have always been drawn to percussion and drums, to bass and piano, in music much more then I am drawn to the guitar and the other lead instruments.
I studied classical percussion for ten years. At one point I was thinking about going to the Sydney Conservatorium of Music, but then I realized it's actually not what I wanted to do.
I think I can only help to expose percussion to all sorts of people. The balance between the lighter and more serious side is important.
I've had a lot of fun writing percussion music. It feels quite similar to writing computer music. But I found myself in the role of choreographer in a way, worrying about physical movement and such.
My first memory of playing music was when I was 3 years old in Puerto Rico. I played percussion on a tin can behind my uncle, who played the cuatro.
For a million years the sound of making handaxes provided the percussion of everyday life. Anyone choosing a hundred objects to tell a history of the world would have to include a handaxe.
Percussion is physical, as most instruments are. The body must function well in order to play the instruments well. Last year I climbed Mount Kilimanjaro. — © Evelyn Glennie
Percussion is physical, as most instruments are. The body must function well in order to play the instruments well. Last year I climbed Mount Kilimanjaro.
Rhythm was a very strong element in KVM's music. He used to be called Udukkadi Mannan, because of his wide use of percussion instruments, which included ghata sanjari.
The thing about playing percussion is that you can create all these emotions that can be sometimes beautiful, sometimes really ugly, or sometimes sweet, sometimes as big as King Kong and so on. And so there can be a real riot out there, or it can be so refined.
Our main thing we'd have to entertain us: All my uncles would come over, and we'd sit around the living room on a weekend night, and we'd play. That was a big event for me, getting to play. We never did have any percussion.
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the music would conventionally have a lot of Hollywood-style percussion or brass, because that's the only thing that will cut through.
My mother says I have boring percussion.
And this is our time-keeper, with a passion for percussion
The American drummer is a one-man percussion orchestra.
A large part of my work has been collaborating with composers; I think we've commissioned about 140 pieces now, a lot of them percussion concertos.
I play the piano and that's how I learned about music. I then taught myself the guitar, drums, percussion and various other things, such as the bazooka, the mandolin, the Theremin, the alpine horn, the didgeridoo.
There's always something in most world folk musics that always seems connected; whether it's a bagpipe or a tambura, there's always some sort of drone instrument, and there's always percussion.
Since I was a child, I was yearning to learn about percussion because that's what I loved.
I was able to interpret the difference between the sharp, quick sound and the slow, deep sound of percussion and manipulate it, get a third sound out of things, if the beats were rapid enough.
All the instruments of percussion known to European science are essentially nonmusical and can only be tolerated in open air music or in large orchestras where a little noise more or less makes no difference.
'Music for Strings, Percussion, and Celesta' is a kind of expansion of chamber music. — © Pierre Boulez
'Music for Strings, Percussion, and Celesta' is a kind of expansion of chamber music.
My father was a jazz listener, and I think, at least before I was 5, I was not so into that. Although there were records that emphasized percussion that I liked, like Baby Dodds.
That was a very natural process because as I was creating the animatic I added music clips as reference of the kind of music I wanted in the film. These were from musicians like Naná Vasconcelos and Barbatuques, the body percussion group.
Percussion is the most adaptable family of instruments. The biggest challenge is to project percussion in a lyrical way.
I read and write classical piano and percussion, also guitar.
I have to have the reasons to make the record. There are just too many records out there, especially when it's something as audacious as a solo percussion record with solo drumming music on it. There better be a reason behind it.
I identify more as a musician than as a singer, because I play piano and percussion, and I engineer and produce everything that I do.
The age of the rock star ended with the passing of physical product, the rise of automated percussion, the domination of the committee approach to hit-making, the widespread adoption of choreography, and, above all, the advent of the mystique-destroying Internet.
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