Top 1200 Performing Artist Quotes & Sayings - Page 6

Explore popular Performing Artist quotes.
Last updated on December 2, 2024.
Because fashion essentially is art, and as an artist and someone who is also a musician and an artist in regards to drawing and painting, anything I can do that expresses my feelings is something I'm really drawn to.
An artist is only an artist on condition that he neglects no aspect of his dual nature. This dualism is the power of being oneself and someone else at one and the same time.
I could draw ideas. I remember writing a paper for a seminar class. I remember writing a paper about - and this is going to sound really sort of pretentious, but that's where my mind was at the time - how acting and the performing artist can really be like a Bodhisattva, how they can communicate ultimately an idea in a way that can move and shift things. And that was wonderful. I didn't know many classes where I could try and relate the thing that I really loved and wanted to do into an intellectual idea, and that happened to be one of them.
My life had been defined by the apartheid years. Now we were going into an era of democracy... and I believed that I didn't have really a function as an artist, as a useful artist, in that anymore.
Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience--but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.
Every successful artist comes from a family - parents or siblings or both - who, although equally gifted, chose not to pursue the treacherous and difficult path of the artist.
What an artist is trying to do for people is bring them closer to something, because of course art is about sharing. You wouldn't be an artist unless you wanted to share an experience, a thought.
I feel it's my social responsibility to shine a light on areas that don't get seen. My personal feeling is that it's an artist's responsibility to be engaged with the culture. And when the culture is going through turmoil, I think an artist can't ignore that. I don't feel that every artist has to be politically engaged, but I can't imagine that you can be an active participant of this culture and not in some way reflect that in the work you are creating.
If an earthly king was to issue out a royal proclamation, on performing or not performing the conditions therein contained, the life or death of his subjects entirely depended, how solicitous would they be to hear what those conditions were? And shall not we pay the same respect to the King of kings and Lord of lords and lend an attentive ear to his ministers, when they are declaring, in his name, how our pardon, peace, and happiness may be secured?
An artist's creative energy is ephemeral as a flower. It blooms and soon dies. No artist is great forever. Personally, I think I reached my peak in 2004 when I shot 'Samaria' and '3-Iron'.
Guillermo del Toro. He's in his pure artist's stroke. He's just hitting it out of the park. I would go anywhere to work with him. He's a real artist.
Why do you think my name is Artist? I'm an artist. — © A Boogie wit da Hoodie
Why do you think my name is Artist? I'm an artist.
In the end, I feel that one has to have a bit of neurosis to go on being an artist. A balanced human seldom produces art. It's that imbalance which impels us... The artist lives with anxiety.
Whenever a dope artist comes out of nowhere, the first thing you do is try and compare it to stuff until you realise that that artist is just them, and eventually those comparisons will stop.
Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists. An artist is someone who makes art too. He did not invent it. How it started — "to hell with it." It is obvious that it has no progress. The idea of space is given him to change if he can. The subject matter in the abstract is space. He fills it with an attitude. The attitude never comes from himself alone.
Every child is an artist. The problem is how to remain an artist while still achieving milestones and outcomes as required by certain funders and policy-makers.
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this.
There's traditionally been a large disconnection in contemporary art between the audience and the artist. Generally, audiences are looking towards what they like, and I can tell you, that's the last thing on an artist's mind.
When I was setting out to be an artist, I said: If I can just produce one work that some people think is good, if I can become an obscure cult artist, that's all I want. Well, I attained that. I'm an obscure cult artist, and I think now, Why didn't I say I want to be another Picasso or something? What other options were open to me? But I was convinced I couldn't achieve great things because I don't have a steady-state mind.
I'm an artist because that's what I was best at as a kid. It was fun... I continue to be an artist... for the freedom that an art career can bring. I don't need an alarm clock and I am my own boss.
To express himself well, the artist should be hidden. The trouble is that if an artist knows he has genius, he's done for. The only salvation is to work like a labourer, and not have delusions of grandeur.
The role of the artist is like that of an explorer and a teacher - a teacher of seeing. No one is more capable of conveying this enlightenment than the artist.
The cultured man is an artist, an artist in humanity.
If you're an artist, you're an artist; that's the only way I can explain it.
I'm not a Reggaeton artist and I'm not a Crunk artist either. — © Pitbull
I'm not a Reggaeton artist and I'm not a Crunk artist either.
The role of the artist I now understood as that of revealing through the world-surfaces the implicit forms of the soul, and the great agent to assist the artist was the myth.
To be an artist at all is like living in Switzerland during a world war. To be an artist in Zurich, in 1917, implies a degree of self-absorption that would have glazed over the eyes of Narcissus.
I think the definition of an artist is not necessarily tied into excellence or talent; an artist is somebody who, if you took away their freedom to make art, would lose their mind.
As an artist, there were different levels in my career that brought me to a realization that I am what you would call a pure artist. And I don't say that with any type of vanity.
An artist requires the upkeep of creative solitude. An artist requires the healing of time alone. Without this period of recharging, our artist becomes depleted. Until we experience the freedom of solitude, we cannot connect authentically. We may be enmeshed, but we are not encountered. Art lies in the moment of encounter. We meet our truth and we meet ourselves and we meet our self-expression.
The only difference between an artist and a lunatic is, perhaps, that the artist has the restraint or courtesy to conceal the intensity of his obsession from all except those similarly afflicted.
An artist never works under ideal conditions. If they existed, his work wouldn't exist, for the artist doesn't live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it.
The idea of changing or improving the world is alien to me and seems ludicrous. Society functions, and always has, without the artist. No artist has ever changed anything for better or worse.
Performing is really close to being in studio but performing takes over because being in the studio is two things; the first thing is that it is really beautiful to improvise and jam, but afterwards it becomes hard because it's very rare that a song will come together quickly. Most of the time it's back and forth and trial and error. You start questioning whether the song is good or not. So that can be quite tough.
An improv artist's best instrument is their ability keep their antennae clean so they're able to receive what I call the connection to creativity. It's the thing that you see in any amazing moment that any human being is performing. Whether it's watching Michael Jordan navigating through all these attackers and then suddenly rising up and putting the ball in the most amazing way, or watching an actor on stage playing Shakespeare, but not thinking about the actor anymore or the stage or you or the chair, any of these kinds of moments of transcendence.
There are dangers for an artist in any academic environment. Academia rewards people who know their own minds and have developed an ironclad confidence in speaking them. That kind of assurance is death for an artist.
It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product. — © Ai Weiwei
It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.
I feel ever so strongly that an artist must be nourished by his passions and his despairs. These things alter an artist whether for the good or the better or the worse. It must alter him. The feelings of desperation and unhappiness are more useful to an artist than the feeling of contentment, because desperation and unhappiness stretch your whole sensibility.
The way to liberation lies through this realization of the Self, by God-communion and by remaining in this God-aware state of the soul while performing dutiful actions. Any individual can reach this supreme actionless state by the renunciation of all fruits of actions: performing all dutiful acts without harbouring in his heart any likes and dislikes, possessing no material desires, and feeling God, not the ego, as the Doer of all actions.
The child is really an artist, and the artist should be like a child, but he should not stay a child. He must become an artist. That means he cannot permit himself to become sentimental or something like that. He must know what he is doing
Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist.
I think that any actor - any artist, period - would love to work with an artist like Lee Daniels.
An artist sees that which does not yet exist. He or she imagines a future others cannot perceive. The artist - and the writer - reshapes reality so that it becomes even more vivid and lasting.
Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists.
It's not for me to determine what a country artist has in common with a hip-hop artist. You go for those with long-lasting careers. And that's what I've had as my target all my life.
In Korea, I'm not a K-pop artist, I'm just an artist.
There's an idea that it's hard to be a woman artist. People assume that women have fewer opportunities, less power. But it's not any harder to be a woman artist than to be a male artist. We all take what we are given and use the parts of ourselves that feed the work. We make our way. Photographers, men and women, are particularly lucky. Photography lets you find yourself. It is a passport to people and places and to possibilities.
If you're a young artist, wondering what to call yourself, consider 'multimedia artist.' It's so vague. Then, no one can say, 'Hey, how come you're a jazz person, and you're making a pop opera?
Being an artist isn't a genetic disposition or a specific talent. It's an attitude we can all adopt. It's a hunger to seize new ground, make connections, and work without a map. If you do those things, you're an artist.
An artist must be very careful not to look for models. As soon as one artist takes another as model, he is lost. There is no other point of departure than reality. — © Pablo Picasso
An artist must be very careful not to look for models. As soon as one artist takes another as model, he is lost. There is no other point of departure than reality.
The skills of the modern artist are the opposite of those of the craftsman: instead of acquiring techniques for producing classes of objects, the artist today perfects the means suited to his particular work.
The stuff of thought is the seed of the artist. Dreams form the bristles of the artist's brush. As the eye functions as the brain's sentry, I communicate my innermost perceptions through the art, my worldview.
An artist, if he is truly an artist, is only interested in one thing and that is to wake up the minds of men, to have mankind and womankind realize that there is something greater than what we see on the surface.
Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
Maybe I'd be a storyboard artist. Graphic novel/comic book artist. Backup dancer. Singer. It would be cool to focus on one of these full time. But I like seeing them all intertwine.
The young artist of today need no longer say 'I am a painter,' or 'a poet,' or 'a dancer.' He is simply an 'artist.' All of life will be open to him.
[The artist's aim is] not to instruct the viewer, but to give him information... . The artist would follow his predetermined premise to its conclusion, avoiding subjectivity. Chance, taste, or unconsciously remembered forms would play no part in the outcome. The serial artist does not attempt to produce a beautiful or mysterious object but functions merely as a clerk cataloguing the results of his premise.
When a painting is finished, it's like a new born child, and the artist himself must have time for understanding. How then do you expect an amateur to understand that which the artist dos not yet comprehend.
With the Internet today, it is possible to do some mixed media things where you can write about an artist and link to a song or video by that artist. But that was unheard of in the years I was at the paper.
Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny.
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