Top 1200 Performing On Stage Quotes & Sayings - Page 3

I became a very passionate Christian when I was 17. I started writing and performing poetry at different venues across the U.K. I started performing from then, really.

I was painfully shy, so my aunt suggested to my mum that me and my brother go to Stage 84, a performing arts school in Yorkshire. I've probably romanticised it in my head, but I seem to remember that in the space of an hour's drama workshop, I was transformed. I went in really shy, and I came out full of confidence.

What an incredible honor for us to share the stage with real life rock n' roll icons, the Rolling Stones. There are a lot of bucket list moments that you dream up as a performing musician, and this is a pretty wild one to actually have come true. You, in fact, can get some satisfaction!

This is what I believe about performing: There is no reason to be on stage - there is no reason to be there - if you're not going to put all your baggage somewhere else and just be honest. Whatever you're doing - screw it up, do great - just be there, and be honest. That's the most important thing.

Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene.

I couldn't see a future of doing anything other than performing. I didn't like school if I'm being honest. I would have settled for performing in any capacity.

I'm huge on the dynamic of my show and the experience, not just performing songs. It's important to me to make sure that people experience every song, and feel like I'm singing directly to them. Your eyes never want to leave the stage because there's always something happening.

I have some sort of performing gene that's just there and I cannot explain it but I want to connect with people through a camera or on a stage. I just can do it. I just have an intuitive sense of it. So I love doing that, I love going into that trance.

The whole concept of stage fright is fascinating. Actors get stage fright, but they wouldn't be on the stage in the first place if they just succumbed to it. There's this love/hate relationship with the spotlight.

When a new truth enters the world, the first stage of reaction to it is ridicule, the second stage is violent opposition, and in the third stage, that truth comes to be regarded as self-evident.

My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.

My show mode is that the dressing room is like going into the cockpit. Going down the stairs is like going on the runway, and once we begin performing, it's flight time. I'm just floatin' on that stage.

Going to the theater or having the honor of performing in theater reminds you of your humanity in a very different way. It's a real release and an incredible challenge. But the stage is a dangerous place. You gotta be trained. Plus, crowds like when things go wrong. I think that's part of the thrill. Anything can happen.

I become exaggerated, and loud, and obnoxious, and full of the spirit of improvisation. That's one of the weird things about performing, I think that any performer will say the same thing when you're on stage in front of a crowd there's a certain moment when you kind of click into a trance-like state and you just kind of go with it. I love getting into that mode. It's transcendental.

I was excited to play Lil' Kim and I wanted to do the role justice. I worked really hard on that role, whether it was performing the rhymes, studying the dialect, her swagger and her stage performances. I wanted people to see my range and stretch my wings as an actress.

Before I even knew what that half of my family did, I was interested in performing. I remember being seven years old and up on a stage and loving it. I've always adored it. Not just acting, but the whole process of writing and directing movies, everything that has to do with that part of life. Maybe it's in my blood.

When I was little, all I could think about was just being on some kind of stage, whether it be on a live stage, whether it be on a set stage.

The magic in performing as an entertaining ventriloquist happens when the characters come to life and the interaction between the separate personalities on stage becomes 'real.' Then don't forget that the act has to be funny, and to me, being funny and entertaining any given audience is more important than anything.

There is what Steve Blank calls the stage where you are searching for a scalable business model. Then, there is the stage when you have found that model and need to scale it. In the former stage you have to have a "beginner's mind," be in learning mode, and expect to learn things you didn't anticipate.

It was a relief to get dropped which is sad in a way because you never want to miss a game. But I was not performing and mentally I got to a stage where I was not concentrating and did not want to be there. I was not enjoying walking out there and feeling like I didn't know where the next run was coming from.

What I do on stage, you won't catch me doing off stage. I mean, I think deep down I'm still kind of, like, timid and modest about a lot of things. But on stage, I release all that; I let it go.

Steven and I stood on the stage at the Boston Garden after the Stones had just played there and the stage was still up. We had been playing cards, maybe a high-school dance, to 400 or 500, maybe a thousand. We just stood on the stage and thought, 'Well,man,maybe someday.' In 4 years that was OUR stage.

I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."

I always wanted to be an artist of some sort and I was really shy growing up, so performing didn't really seem like a natural choice, but whenever I got on stage to do something I felt more comfortable than I did in real life.

That's one of our biggest challenges is finding out how to do that. There are times when you have to scale back. You might be performing on a five-by-five stage in front of 12 people. That's an exaggeration but there are times when you have to turn the corner and do an acoustic set.

I came back to performing with a different attitude about performing and myself. I wasn't expecting perfection any more, just hoping for an occasional inspiration.

It's no secret that women's cricket needs India performing on the global stage, and any male support is welcome - with key voices like Sachin Tendulkar stating that women's cricket is critical to the future of our game, hopefully people will listen.

I pride myself on never using a cuss word on stage. Ever. I headline in Las Vegas every year, and this summer I am performing on an Alaskan cruise. Not too many comedians can pull that off. Funny thing is, my show doesn't change for Vegas.

On stage I'm slightly nervous than when I'm in front of camera. Because when on the stage, the mind can't waiver but at the same time, the energy to be on the stage makes me feel alive.

To be confident going out and performing, I need to be with my son for as long as possible; then I know I'm happy, and he's happy, and I can go out and put all my energy into performing.

Well I started out as a dancer, so I was used to this performing - performance arts. Started out getting used to being on stage. As I got a lot older that became public speaking or debate.

If you do live shows long enough as a comedian, you can still hear that rhythm of laughing. It's ingrained in you, and it's not something you can really teach somebody. It comes from doing hours and hours and hours and years and decades on stage, performing in front of live crowds.

I realized that I needed to be anonymous on the street and somebody else on the stage. I had tried to put my street self on the stage, but what they want is an actor on stage.

One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a kind of a description of meditation.

I started as a child artist, and not as a heroine, as most would think. I was performing on stage once when the late Bimal Roy saw me and asked me if I would work in films. I was too tiny. Without realising, I just said yes.

According to Buddhist practice, there are three stages or steps. The initial stage is to reduce attachment towards life. The second stage is the elimination of desire and attachment to this samsara. Then in the third stage, self-cherishing is eliminated

There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.

Technology is improving to prevent musicians from losing their hearing while performing on stage... audience members losing their hearing from listening to loud music... people being able to experience music not just with their ears, but with touch or with through their eyes.

Performing live on stage is such a community, whether it's my musicians or a cast of a show that I'm in. And then when you're in the studio or on set, it's a much more solitary experience. Both can serve me at different times in my life. And when I go back and forth from one to the other, it helps me appreciate all of them much better.

When we look at really good high-performing companies abroad, they are always at the back of an extremely high-performing board, and that is something which is very lacking in this country.

When you're on-stage, you're expected to perform in the bar business. You shake hands. You smile. You're all positive energy: you add to your environment. When you walk in the door to the back of the house, that's like a stage door. You're off-stage now.

I was just trying to be immersed in my technique and I was actually immersed in it. That is the difference between really performing well and not performing well at the highest level.

I'm a stage actor. You know, I was - I cut my teeth on stage, you know. So I've always had a love affair with the stage, first off, what I was raised in, you know.

Each department of knowledge passes through three stages. The theoretic stage; the theological stage and the metaphysical or abstract stage.

The normative theoretical claim that a higher stage is philosophically a better stage is one necessary part of a psychological explanation of sequential stage movement.

I definitely suffered from stage fright. I had to work really hard to come out of my shell. When I was little, I was very loud and loved performing in front of people. I was fearless. When I hit puberty, I became very shy and self-conscious.

Starting in music, where I get a chance to connect with the lyrics of a song, I learned so much about performing on stage and connecting to your audience and to what you're singing about. Singing is very emotional. Every song has its own purpose.

You should make an effort on stage because it's a performance. The stage should be glittery and camp, but I don't go down the shops in full stage gear.

I am bigger and stronger than ever. My Chen Taiji and health regimen has served me well all of these years, thanks to Master Ren Guang-yi. I look forward to being on stage performing, and writing more songs to connect with your hearts and spirits and the universe well into the future.

I think actually performing on stage when everyone's facing you and you're one person facing them, that is quite a lonely thing in a strange way. You have to be quite insular from everybody else, you've got thousands of people staring at you and you're just on your own.

Just giving the people a great show, leaving it all on the stage. Like when I'm finished I don't want to go home with nothing, I want to leave it all there on the stage, that's what I'm thinking about before I hit the stage.

For me, someone like the Eddie Murphy character doesn't live anywhere; he lives on a stage and when he's not on the stage he's on a bus getting to the next stage. You don't really want to see him at home, or all those things you can do in the movie.

I mean, there's definitely a difference between film and live performances or live television. But at the same time, it's just performing. No matter what, it's performing.

I was always in dance and performing arts school. All of my schools were performing arts. I'm the one that, like, turns up the whole party.

I have been performing as long as I can remember, so I built my craft. People think I was discovered after the first show I played once I landed in L.A., and it just happened instantly - overnight. The truth is, I was performing wherever I could for five years.

Morality is a venereal disease. Its primary stage is called virtue; its secondary stage, boredom; its tertiary stage, syphilis.

I really look forward to revisiting this body of work which has been such a huge part of my life and bringing it to the concert stage. And the idea of performing some of Jack Skellington's songs from The Nightmare Before Christmas live for the very first time is immensely exciting.

I love performing, and I love being in front of people. I love the pressure you get and the pleasure performing brings.

I had a real passion for performing. I craved the attention. I was a goofy kid just like I am a goofy adult. So as soon as I got the bug of getting laughs and getting on stage I just couldn't stop.

I remember performing with the Choir as an instrumentalist when I was still in school and it was wonderful to share the stage with them again more recently in Rhyl and at the opening of the Wales vs New Zealand rugby international at the Millennium Stadium. Here's wishing everyone involved in the Choir every success - I can't wait to perform with you again.