Top 1200 Personal Space Quotes & Sayings - Page 3

Explore popular Personal Space quotes.
Last updated on December 22, 2024.
Time is said to have only one dimension, and space to have three dimensions. ... The mathematical quaternion partakes of both these elements; in technical language it may be said to be 'time plus space', or 'space plus time': and in this sense it has, or at least involves a reference to, four dimensions. And how the One of Time, of Space the Three, Might in the Chain of Symbols girdled be.
That's one of the things I haven't had time for in my personal life, is art, and I probably should make more time for it. I also don't have space where I'm living right now to set up a studio, but I'm sure at some point, I will.
You know the Einstein waves can be thought of as a distortion of space and time. But the way we see it, we see it as a distortion of space. And space is enormously stiff. You can't squish it; you can't change its dimensions so easily.
I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Actually, I was the seventh private explorer but the first Canadian 'space clown.' I never dreamed of going into space; I just dreamed of traveling. But I admit that space is an incredible destination and the absolute traveling experience.
When I was in high school we had the first shuttle launch, and it reinvigorated my enthusiasm for the space program. I was in awe of the space shuttle as such a tremendous machine taking people into space. It seemed like such a wonderful thing that I wanted to be a part of.
You're over there in the corner either thinking about the dead dog or whatever, you're bringing up your personal life and you need the space, and then somebody throws you a joke. Especially if it's an emotional scene, you don't want the joke.
Being a sci-fi geek, it was just lovely to be on a show where I pretend I'm in outer space. That's always been my dream: to pretend to be out in space or actually be out in space.
We name one thing and then another. That’s how time enters poetry. Space, on the other hand, comes into being through the attention we pay to each word. The more intense our attention, the more space, and there’s a lot of space inside words.
We all have different brow bones, and different amounts of space between the eyebrow and the lashes; the space on the upper lid is bigger or smaller, the space on the bridge of the nose or between the eyes is wider or narrower. Everyone is different.
Now with the international space station generating a bunch of video, and Space X and other companies pursuing private space flight, I think it's on all of our radars much more than it has been since the moonshots. The science of filmmaking is making these visions possible now.
A trip to space is a big motivator to give up some things in your personal life. Obviously, you can't give up everything and you don't want to. — © Mark Kelly
A trip to space is a big motivator to give up some things in your personal life. Obviously, you can't give up everything and you don't want to.
The great thing about space films generally, with the exception of Apollo 13, is that big stars tend not to work in space and I think that's because space is an equaliser. It makes everyone the same really and suits an ensemble cast and actors who are prepared to work with each other.
What greatly attracted me - and it was the main line of advance of Cubism - was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still lifes, because in nature there is a tactile, I would almost say a manual space... that was the earliest Cubist painting - the quest for space.
If you look on Amazon - if you do a search for personal finance, there are literally 20,000 books written on personal finance, and there's no real reason for it. I mean, personal finance is pretty simple.
We dig a well and create a huge pit. The space in the pit or well has not been created by us. We have just removed the earth which was filling the space there. The space was there then and is also there now.
I created my own space, which was called the cave. It was a live/work space in downtown Los Angeles on 7th and Spring. When I lived there it was quite derelict. I got this massive space and half of it was my bedroom and the other half of it was the back room - no [natural] light, all fluorescent lights.
The future of humanity in space will be determined by the answer to a key question: What will happen first, the first human born in space or the first combat fatality in space?
And the fear of not being is born in that space. But in meditation, when this is understood, the mind can enter into a dimension of space where action is inaction. We do not know what love is, for in the space made by thought around itself as the me, love is the conflict of the me and the not-me. This conflict, this torture, is not love. Thought is the very denial of love, and it cannot enter into that space where the me is not. In that space is the benediction which man seeks and cannot find. He seeks it within the frontiers of thought, and thought destroys the ecstasy of this benediction.
Healthy mysticism praises acts of letting go, of being emptied, of getting in touch with the space inside and expanding this until it merges with the space outside. Space meeting space; empty pouring into empty. Births happen from that encounter with emptiness, nothingness. . . . Let us not fight emptiness and nothingness, but allow it to penetrate us even as we penetrate it.
To all the women that I've offended, I had no intention to be offensive, to violate any physical or emotional space. I was trying to establish personal relationships, but the combination of awkwardness and hubris led to behavior that I think many found offensive.
I think I need to continue to think and plan and marry all of the different things that we could do that make transportation in space from the earth to the space station, from the earth to the moon to space stations around the moon to visiting an asteroid.
I believe that all centers that appear in space - whether they originate in biology, in physical forces, in pure geometry, in color - are alike simply in that they all animate space. It is this animated space that has its functional effect upon the world, that determines the way things work, that governs the presence of harmony and life.
No being exists or can exist which is not related to space in some way. God is everywhere, created minds are somewhere, and body is in the space that it occupies; and whatever is neither everywhere nor anywhere does not exist. And hence it follows that space is an effect arising from the first existence of being, because when any being is postulated, space is postulated.
Personal development is your springboard to personal excellence. Ongoing, continuous, non-stop personal development literally assures you that there is no limit to what you can accomplish.
The team at the Space Telescope Science Institute has a demonstrated record of meeting the high-performance challenges of operating the Hubble Space Telescope and preparing for the James Webb Space Telescope.
The process has now run full circle: Preaching originates in personal counseling; preaching is personal counseling on a group basis; personal counseling originates in preaching. Personal counseling imparts to the preacher a practical familiarity with human nature which he would not otherwise obtain.
My work at MIT had focused on what we could build in space once we had inexpensive space transportation and industrial facilities in orbit. And this led to various sorts of work in space development.
NASA was going to pick a public school teacher to go into space, observe and make a journal about the space flight, and I am a teacher who always dreamed of going up into space.
I think that it's good for us to be able to travel in space and do research in space, and I emphasize the research, because space travel to me is far more than just seeing how far we can go.
I believe in it, and I trust it too and treasure it above everything, the personal, the personal, the personal! I put my faith in it not only as the source, the ground of meaning in art, in life, but as the meaning itself.
My box bedroom can only fit a bed and a wardrobe but it was my whole world. My only personal space to think and dream, to cry and laugh and wait until I became old enough to do all the things I wasn't allowed to do.
Personal power is a feeling that everybody is looking for called satisfaction. It is different from enlightenment, but you need personal power to become enlightened. Personal power is not the end of the process.
As for 'Bigg Boss,' it's a risky territory, I don't know what would happen if I lose my temper or someone does in the house; or they try to get into personal space. It might sound crazy but I feel I am old fashioned and conventional that way.
I've been doing a few interviews since the loss of the SpaceX Dragon on its way to the Space Station. Each one very quickly questions the viability of what they call commercial space in light of the failure. I tell them space is hard: this is what happens early in a program with new technology.
The very common error of young or unconfident cooks is to keep putting more of their own personal ideology into a plate until there's so much noise that you really can't even hear a tune. You can say more in an empty space than you can in a crowded one.
If you ask "Should we be in space?" you ask a nonsense question. We are in space. We will be in space. — © Frank Herbert
If you ask "Should we be in space?" you ask a nonsense question. We are in space. We will be in space.
If you're involved in the gay and lesbian lifestyle, it's bondage. It is personal bondage, personal despair and personal enslavement.
We are always in the space in-between... all the spaces where you are not actually at home. You haven't arrived yet.... This is where our mind is the most open. We are alert, we are sensitive, and destiny can happen. We do not have any barriers and we are vulnerable. Vulnerability is important. It means we are completely alive and this is an extremely important space. This is for me the space from which my work generates.
The memoir was a very personal book. I wrote it as a personal journey and search about who my father was and how my family had come together and come apart - sorting all that out, you know, issues of personal identity.
Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity.
For it is only framed in space that beauty blooms. Only in space are events and objects and people unique and significant-and therefore beautiful. A tree has significance if one sees it against the empty face of sky. A note in music gains significance from the silences on either side. A candle flowers in the space of night. Even small and casual things take on significance if they are washed in space, like a few autumn grasses in one corner of an Oriental painting, the rest of the page bare.
As late as 2007, Facebook was still trying to figure out what it wanted to be when it grew up. An advertising space seemed to be the obvious answer, but how that would tap into the massive value of the personal data uploaded to the company every day remained a puzzle.
'Fowl Space' was a lovechild of boredom. While in class, two of the developers started passing designs back and forth. Somewhere in the middle of all that ink and crumpled paper, a chicken in a space helmet was born and thus we have 'Fowl Space.'
A poem is a construction of inner space. Language is to inner space as light is to material space.
By actively thinking about the implications a space has on its inhabitants, we can create great experiences for those who enter. Make Space is an articulate account about the importance of space; how we think about it, build it and thrive in it.
Adaption of the human body in space is not yet mastered. As soon as you hit space, you feel your body is going through a period of mutation. There's no blood in your head; you have a hard time swallowing. We're not born to naturally be in space.
I remember watching 'The Lunchbox' that released around the same time 'Ship Of Theseus'. Both films found space in the independent cinema circuit. But at a personal level, 'The Lunchbox' is one of the favourite films.
We've been surrounded by images of space our whole lives, from the speculative images of science fiction to the inspirational visions of artists to the increasingly beautiful pictures made possible by complex technologies. But whilst we have an overwhelmingly vivid visual understanding of space, we have no sense of what space sounds like.
In the space which thought creates around itself there is no love. This space divides man from man, and in it is all the becoming, the battle of life, the agony and fear. Meditation is the ending of this space, the ending of the me.
Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. The energy and space around a material are as important as the energy and space within. The weather--rain, sun, snow, hail, mist, calm--is that external space made visible. When I touch a rock, I am touching and working the space around it. It is not independent of its surroundings, and the way it sits tells how it came to be there.
In the original 'Star Trek' TV series, space stations served as deep-space research laboratories, as well as rendezvous points where starships could dock before exploring the unknown. When we were envisioning our own space station, the applications were similar.
reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work.
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
I actually had four space flights altogether, three times on shuttles. My second flight was really unique for me because I was going back into space, first of all. The first one was like an appetizer at a nice dinner. You know, you want to go up and you want more. So, the second time I got into space, it was neat because I got to actually do two space walks.
After Apollo 17, America stopped looking towards the next horizon. The United States had become a space-faring nation, but threw it away. We have sacrificed space exploration for space exploitation, which is interesting but scarcely visionary.
You can't do opera when already from the 10th row you can only see little dolls on the stage. In such an enormous space you can't put much faith in the personal presence of the individual singer, which is reflected in facial expressions, among other things.
My interest in space started early, but for many years, I could not find any space-related investments that really penciled-out for venture. That changed in 2009 when Elon Musk came to us with a big vision to explore Mars while producing rockets at a fraction of a price and making space accessible.
You have got to be one step ahead, as a striker, to create that space you need. Apart from the ball, when you're a striker, it is space that's your best friend. You need space.
In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.
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