Top 167 Philly Quotes & Sayings - Page 3

I never really thought of my neighborhood in South Philly as being a neighborhood; it was more a state of mind. For people who aren't familiar with those kinds of places, it's a whole different thing. Like, 42nd Street in New York City is a state of mind.

There's no secret about it: Every team does things differently. Seattle runs their program one way. New England runs it another way. Philly runs it another way.

The more disgruntled the white people are, the happier they are to see me, that has to be it. I do really well in Boston, I do really well in Cleveland, I do really well in Philly, Jersey, certain parts of Florida. Places where there are really really aggressive white people tend to love me.

I did an internship at the Ardent theatre company in Philly after dropping out of college. I was earning $165 a week building sets and cleaning the toilets. Cleaning toilets is a good way of getting in touch with your creativity. That's when you find out if you got anything going on in your head.

I've been to a lot of different cities around the world. People in Philly are a lot different... We're raised a little more street-smart. We're raised a little tougher. We're raised to never back down and to hold our ground.

There's a lot of haters in Philly, but it's a lot of people that give you support - but way more haters. It's definitely a great city to be from. But it's not really a lot of people that come out of there. So when you, like, make it out of Philadelphia, everywhere else is easy.

Neo-Hoodoo is the 8 basic dances of 19th century New Orleans' Place Congo- the Calinda the Bamboula the Chacta the Babouille the Conjaille the Juba the Congo and the VooDoo- modernized into the Philly Dog, the Hully Gully, the Funky Chicken, the Popcorn, the Boogaloo and the dance of great American choreographer Buddy Bradley.

We first started to rent old VFW halls in Philly or whatever; we rented kegs and did parties and played our own music. We had to find a way to do it because nobody else was helping us, and I think now it's important to keep those dialogues happening, those parties happening.

When I was in high school, I used to have breakfast with my grandpa every morning. He instilled a lot of values in me: hard work, loyalty. He grew up during the Great Depression in Philly in poverty - he didn't have enough to eat as a kid. Sometimes his family would get kicked out of their apartment because they couldn't pay the rent.

Maybe I'm biased because I'm from there. It's close enough to New York but it's not swallowed up by New York's hustle and bustle. Philly's busy enough. There are tons of record stores and record-head friends and plenty of D.I.Y. shows. It's a place where people pass through and bands don't usually skip on tour. There are lots of music resources but it's not too over the top.

I felt like people who had a lost mindset or who occasionally did stupid things were having a 'donkey' moment, or some of them are permanent donkeys, so I just started calling them donkeys. So when I went to Philly to do my own morning show, that's when I first started doing 'Donkey of the Day.'

I went to a mosque in Philadelphia with [my wife] in December 24, 1999. And we we went to this mosque in Philly, and I just had such a strong reaction to the prayer. And I was really emotionally - I felt really grounded at that time. And so to be in this prayer and the imam is doing the prayer in Arabic and I don't understand a word of Arabic but I just remember these tears just coming down my face and it just really connecting to my spirit in a way that felt like I needed to pay attention to that.

I come from a real working class background, and I didn't know anyone sophisticated - except I saw Edie Sedgewick once at the Art Museum in Philly. She had these black leotards and little black pumps and this big ermine cape and all these white dogs and black sunglasses and black eyes. She was classy!

I didn't want any middle-of-the-road creep. I always wanted the toughest guy in school, the guy from south Philly who wore tight black pants. Y'know, the guy who carried the umbrella and wore white shirts with real thin black ties. I was really nuts over this guy named Butchie Magic 'cause he let me carry his switchblade.

I said I deserved a home fight, either Philly or Puerto Rico, since I'm always going to someone else's place to fight. Everyone thought it was a great idea to go back to Puerto Rico.

In Philly, there are a lot of social programs. If you have a degree, you can go and apply. I was basically a social worker, but I became sort of a sub teacher in a special program, helping kids with reading or math. But we would also do plays, learn about music... We were doing lots of fun stuff, but that was such hard work.

I think about growing up back in Philly. It was about friendship with the guys and having a distant crush on some gal. And when you finally got the nerve to take her out on a date, you went to her parents' house with a shine on your shoes, took her to the movies, and got her home nice and early.

You can be in this league for 10-15 years and not win a championship. My boy, Nelson Agholor, been in the league for three years and got a ring with Philly. That's what we live for and dream for. That's why I think a lot of guys stay in Pittsburgh: because we always compete for championships.

After walking off the field feeling nauseous knowing my wrist was broke and hearing Philly fans yelling 'You deserve it,' and, 'That's what you get,' I am motivated to get back quickly and see to it personally those people never walk down Broad Street in celebration again.

I think that people are built the way that they’re built. There’s that Kate Moss quote that’s like ‘Nothing tastes as good as skinny feels’ and I can name a lot of things that taste better than skinny feels: bread, potatoes … a Philly cheesesteak and fries.

It's a city of its own and has its own sound. I think what makes it different is the drama; you know how they say everyone marches to their own beat? Well, I think Philly has its own beat as well, and it's distinctive. It sounds easy, but it's hard to play.

Well, I couldn't play an instrument. I'd just stand up front and announce the numbers. They had me sing a little, but that was a horrible mistake. I can't carry a tune in a bucket. We played black theaters and nightclubs all over hell. One-nighters. Apollo Theater in Harlem and the Earle Theater in Philly - That was big time for blacks.

I like a lot of ratchet, trap music. Definitely 21 Savage. We need some music like that. ManMan Savage. A lot of the Atlanta scene. But Philly, too.

No matter what set she's been on over the last 12 years, my mother always finds a way to get in the way. Not in a bad way. Like, she once got caught on a law show I did called 'Philly' trying to take a picture - she was caught on-camera in the background. She does things like this.

I do really love New York. I feel like there are more Asian restaurants. Philly has a sick food scene, I don't want to diss it at all. But New York is so much bigger and there are more options.

I'm not a DJ - I don't know how to scratch or mix records, but I know how to party, and I know music. I grew up in Philly; it's a very musical city. My house was full of music.

What's the difference in opening from scratch in Philly or opening from scratch in New York? The old out-of-town tryout circuit - taking the show pre-Broadway to cities like Boston, New Haven, Philadelphia, Washington - has sort of been replaced with the amount of workshops we do.

Shamir and Nasir were my homeboys. They were from Philly and they're Muslim. I'm not a Muslim, but I liked their names. They were like, 'your name starts with an N, so just come up with Nahmir.' So I just put 'Nah' in front of 'Amir.'

I grew up in Nazareth, Penn., which was an hour and a half from New York, and an hour and a half from Philly. So bands that were touring came through one way or another. We got to see stuff people in other small towns didn't, like Wesley Willis. I couldn't have asked for a better place to grow up and be into music.

Tastykakes are just another of the many advantages of living in Jersey. They’re made in Philly and shipped to Trenton in all their fresh squishiness. I read once that 439,000 Butterscotch Krimpets are baked every day. And not a heck of a lot of them find their way to New Hampshire. All that snow and scenery and what good does it do you without Tastykakes?

I tried to take advantage of what I could in Philly. But when it was time to move on, I moved on to New York. There, I booked a series regular role on 'One Life To Live.' I played a character named Deanna Forbes. She was my first big job. It was on daytime TV. And it was a great opportunity until that show got canceled.

It's amazing to be a Puerto Rican fighter, we have a great history of fighters. I say this all the time, 'I'm Puerto Rican, raised in Philadelphia so I got the best of both worlds. I got the Puerto Rican power and the Philly toughness. It comes a long way.

I'm 61 now, and I'm comfortable in my lifestyle... I don't yearn for the limelight on a regular basis. I get a kick out of it every so often. I go to Philly and go to a game, and they make a big deal about me. That's fun for a couple of days, and I can go back to my own private life.

I was able to go over [Saxophone Competition] and work a little more in Europe. I'm thankful that those of kinds of things. Simultaneously, some nice things did come in. I got a nice festival that came in, in Virginia through that. There was a club that opened in DC in the famous Willard Hotel near the White House. And the club was called The Nest. I played there a few nights. Some musicians in Philly and D.C. kind of brought me down and got me on a couple things. So things opened up a little bit.

You don't have to treat people differently. You may be living a different lifestyle, but the person living that different lifestyle still can relate to anybody and have the same amazing personality of the guy from North Philly.

I really, really like interior design. I grew up in a really old house outside of Philly that was built in 1821. My mom is really into antiques, and my dad is very mid-century. They're not together anymore, so in the middle of growing up, I, all of the sudden, had two houses that were very different but really well done in each of their own ways.

I think that I identify with Philadelphia for a lot of reasons. Without even thinking about it, I called myself 'Philly's Constant Hitmaker' when I first got a MySpace, before I had any real hits. It was kind of just a funny slogan, basically lifted from the Rolling Stones' first album, 'England's Newest Hit Makers.'

It was Miles Davis who took me to New York, and Coltrane was in the band, as well as Paul Chambers, Philly Jo Jones. 'Trane took me aside, and, of course, we did Blue Trane, which was my first album-and that started everything. He had confidence that I didn't have; he saw something that I didn't see.

Ever see a hot shot hit, kid? I saw the Gimp catch one in Philly. We rigged his room with a one-way whorehouse mirror and charged a sawski to watch it. He never got the needle out of his arm. They don't if the shot is right. That's the way they find them, dropper full of clotted blood hanging out of a blue arm. The look in his eyes when it hit --- Kid, it was tasty.

I grew up - obviously I'm from Philly, where Kobe is from, so we grew up idolizing Kobe. He meant everything to us.

Without even asking, the paparazzi is following me around and I'm like, "I'm just a regular girl from Philly. I don't know why you guys are following me. This is really weird."And then the entire world is ridiculing me for things I've never even done.

To research my book 'Me the People' - in which I have rewritten the entire Constitution of the United States - I flew to Greece, the birthplace of democracy. I bused to Philly, the home of independence. I even, if you can believe it, read the Constitution of the United States.

I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.

I did a film that was similar to that world, which was Brotherly Love, and the audience fell in love with [my character] June. So to be honest, I remembered what I did in that movie and studied that film and my mannerisms while shooting in Philly.

And let's not forget that internally, we are, like all dying empires, being hollowed out from the inside in terms of infrastructure. I live near Philly, I live in Princeton. The school system is shattered with closings and layoffs. Libraries are being shuttered. Head Start is being cut back. Unemployment benefits are not being extended. You know, we've reached a point of both physical and emotional exhaustion.

With messy food, or foods with a lot of sauce, you do 'The Hunch.' I learned it in Philly, watching the dudes in suits eat cheesesteaks. You keep your elbows above your hands because if you don't, the grease runs down your sleeve to your elbow.

This whole 8 for $8 tour, I handpicked every city, every market on this tour, I handpicked myself. I wanted to go to New York, I wanted to go to Baltimore, I wanted to go to Philly, I wanted to go to Chicago, I wanted to go to Atlanta, of course I wanted to go Memphis, I wanted to go to Oakland.