Top 911 Photo Quotes & Sayings

The thrill of a photo-realist painter is if you get really close to the painting, it looks just like a photograph. Whereas in my case, if you get close to my paintings, they totally fall apart - so I'm about as far from a photo-realist as it gets.

There's something about his eyes in the photo. A kind of mystery. His personality comes through. It's always hung on my walls and I've given it to many people as a present. (On his iconic photo of Che Guevara)

For me making a digital photo is like making a watercolor... It's not a painting, and it's not a photo. It's something altogether new.

The word 'Playboy' alone doesn't exactly give most women a warm, fuzzy feeling, yet many of the Playboy photos end up in the most praised photo and art magazines and in critically acclaimed photo exhibitions.

I looked where he was tapping. "Local Girl Missing, Feared Dead" Beneath it was a photo or me-my most recent school photo. "Oh no." My heart filling with dread, i took the paper from Mr. Smith's hands. "Couldn't they have found a better picture?

I am consistently impressed by reddit. I'd say on a near weekly basis, by little things. Whether it's - I absolutely love seeing the Photoshop jobs that people do. Not of silly cats, but of redditors who are like, 'I have this photo of like my mom. This is the last photo I took with her. She was in the hospital. Can any of you clean this photo up?'

Dates can be important. It's a nice way to remember when I took the photo without having to rack my brain or look in the archives. It also makes every photo important, because there is the date. I can take a picture of nothing, but at least we know when I took it.

When you start thinking as far as what's a good photo, unfortunately everything starts looking like a good photo.

I have a great-great-great-grandfather who was a Confederate cavalry colonel, and I still have his military composite photo on my wall. The chemicals in the photo tint have changed over the years to the point that he looks green. One of my family members apparently still has the piece of paper that listed every thing in his pocket when he got shot.

Even now, a year later, people ask me about the Wheelchair Photo: what do I think about it? Does it bother me? The honest answer: I don't think about it. I glanced at the photo once, about a week after the bombing. I knew immediately I never wanted to look at it again.

If you think about all the light that enters - that enters the lens of a camera, that's much more than a photo. The light field is all the higher-dimensional information that's lost in a regular photo. When we record all this information, that provides us the opportunity in software after the fact.

There was a photo of me with weird sunglasses on and a green sweatshirt, some striped thing, with tights and cowboy boots...I just saw that photo and thought, 'God, I look crazy.'

I think that life has brought a lot to fashion, and fashion brings plenty to life. I took my children on photo shoots, at the same time, I borrowed my father's sweater for a photo shoot and, then, I am inspired by a Russian princess because of my Russian roots. Everything is all mixed in together.

I found a treehouse. I found this weird tree, out in a field, and someone had put a piece of a fence, way up in a tree. I just went up there and went to sleep for a few hours, in full cowboy regalia. And someone did take a photo. I have a photo of it, somewhere. It brought me back to when I was 12 years old, sitting in a treehouse and imagining that I was in a Western somewhere.

I was fooling around one day and looking at Yahoo! Jobs. I typed in "photo" and, of course, what comes up is "One hour photo lab" or "Be a photographer in Disneyland" or jobs that no one really wants as a photographer. I saw, by chance, this ad that said, "Wanted: Photographer for premieres and Hollywood events" and I thought, "This can not be real. This is ridiculous. No one advertizes this!" I was really suspect about it.

You see shape, and how the light hits things, how the color changes from one end of the photo to the other, and how movement affects the mood of the photo.

Every photo, every 'ONCE' in time is also the beginning of a story starting 'once upon a time...' Every photo is the first frame of a movie.

The Democratic Party does not want anybody to have a photo ID because that would have a very negative impact on cheating! If you require a photo ID, that pretty much shuts out cheating. Well, it doesn't shut it out. It just makes it harder, and that's why they don't want it.

A photo is a creation.

You take 35 degrees out of 360 degrees and call it a photo. No individual photo explains anything. That's what makes photography such a wonderful and problematic medium.

There was a company that I did a photo shoot for once that manipulated the photo so much, I was like, "That's not even me." Like, what's the point? You wanted my name, and then you wanted the version of me that I'm not. I absolutely hate it.

The photo is the most important thing.

The photo-journalist and the photo-poet are both important. The problem is to separate the major objectives of the various groups and not to attribute qualities and intentions where they do not belong.

I don't have a favorite photo. As a photographer, I have attachments to each image. Not the one photo: the experience of getting the photos is the challenge or the thing.

When you have confidence, when you feel loved by people, you can tell them the truth. It's important that I can say the photo isn't beautiful or the photo shoot sucks.

I think of scientific veracity as an idea from the past - the scientists say it is so, the photo is proof. Even the authoritative power of the word actual - an actual what? An actual retouched photo, an actual collaged photo?

We used to have a photo of me in full clown makeup taken when my son was 5. And when he was 17 or 18, he said, 'Yeah, that thing used to scare me. I hated that photo.' So it is scary; clowning is scary to people.

When I was young, a little guy, I always played videogames, NHL, and always paid attention to the photo on the box. I always wanted to have my photo there.

I've realised that there's art in everything we do in London. Suddenly, a photo of two boys sitting on a wall in tracksuits with a dog can go online and be considered a sick photo. That's what we've done to London.

I hate the photo shoots.

Think about the photo you want to make beforehand. Then do it, but also don't be blind to better options that present themselves at the location. Be flexible, and be patient. Leave ego at home. Get the photo before you yell at the asshole, not after.

A photo says, you were happy, and I wanted to catch that. A photo says, you were so important to me that I put down everything else to come watch.

Sylvester walked up to me and was like, 'Mind if we get a photo?' obviously because I was in all this crazy makeup. I was like, 'No, Sylvester Stallone, I don't mind if we get a photo.'

You know, photo conversations are replacing verbal conversations. I don't know if that's a bad thing. A photo is worth a thousand words.

The Democratic Party does not want anybody to have a photo ID because that would have a very negative impact on cheating! If you require a photo ID, that pretty much shuts out cheating.

Don't say you don't know! It's because of Kim. Meaning there's no photo that I would have put up by myself, or next to one of my smarty friends, that would have got that amount of likes. So now you take this photo that has that amount of likes, and it has a flower wall from the same guy who does the Lanvin shows, and it has a couture Givenchy dress and Givenchy tuxedo in it. That's the point. Now the thing that is the most popular is also communicating the highest level of creativity. The concept of Kimye has more cultural significance than what Page Six could write.

I think celebrity has become almost normalized. I feel like we all live our lives in a pale imitation of celebrity. With Facebook, we choose a photo that is not too good a photo - we're more arch than that. We're our own celebrity publicists. We understand it so innately.

For 10 days after the Olympics, I couldn't go back to my house because people were sitting outside waiting to take my photo. That was a bit rubbish. At first I was open: 'Yeah, of course you can take a photo...' but after a while, it got to the point where I thought, 'Whoa, I don't like this attention anymore.'

The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.

Time is so fast that all times are past times! When you look at a photo of the past, you must know that you are already in the album, someone else is looking at your photo! All times are past times!

If I walk on the street, if I go to a restaurant, people come to me and say: "Can we take a photo together? Can you give me your autograph?" They would bring their expensive Armani or Prada wallet to sign. Other people who are desperate show me a photo of their dead daughter and ask: Can you support me? I tell them: How can I? Morally, of course, I sympathize with you. But I cannot support you and you cannot support me. This is the condition of this society. We are separated.

I hate doing photo shoots.

I don't really enjoy being the center of attention, I find it hard. I think it's the celebrity culture you guys have over here, which we don't have so much, and if we have it I blend it out. I've been very successful by just blending it out, by not going to premieres and things. So if I'm invited to a premiere, I would go behind the photo screen, because why would I get my photo taken? I just don't see the point of myself being photographed. I'm not like this because I think I'm too cool. I'm not judging it, it's just not my thing.

Despite everything we know about photo manipulation, a photo is still considered an objective document.

Sometimes I'll use four or five different photo apps on one photo just to get it where I want it to be.

Just pushing a button is taking a photo. Thinking, lighting, and lots of other things~that's making a photo.

When you look at a photo twenty years from now, if you look at a photo of a moment in your life, or some friends, or yourself, you just have a lot more information about what that memory was. That's exciting to me. It's like a form of time preservation, I suppose.

Here's what I think: the best author photo ever taken is the author photo of you holding your extra-large engulfing rabbit and looking straight at the camera. I never hope to have one so good. The only way I guess it could be any more literary is if the rabbit were smoking a Gauloise and drinking a tiny cup of coffee.

The fellow who wrote the post about sharing a bear suit with a girl at a party saw my illustration and emailed me, which was kind of thrilling. He sent a photo taken on the night, and that was a dream-like experience... but even though I've seen the "real" bear suit, my image of it feels real to me, and his photo the interpretation.

In New York, I have a photo of my parents on their wedding day in 1947. They're beaming at home plate in Houston's Buffalo Stadium. I love the photo because my dad is smiling. He didn't smile much in his later years.

I can't wait to tell him one day," she says with a giggle. "'Hey, Chaz, guess what? We knew where your precious car was all the time.' I'd like to take a photo of his face. What do you think?" "I reckon I'd smile really nicely in the photo," Santangelo says behind me, yanking me out of the way, "knowing that you'll be keeping it under your pillow for the rest of your life.

I don't know how much thought is behind it, but it seems to me highly effective the way that Facebook will let somebody tag a photo with a friend's name, then others who are a friend of that friend can perhaps immediately see the photo, and the friend, in the meantime, has a chance to wander back and un-tag it.

The photo shoot I always feel a bit embarrassed about because I don't really know what to do with myself, but they usually don't use a bad photo, so you can't worry too much. So my main concern is that I just look a bit more like myself.

If you think about photo sharing sites, the mobile photo sharing and social, there's no competitive advantage, there's no obvious business model, so I never play with anything like that. I avoid it like the plague.

What is photojournalism? Occasionally, a very unique photo, in which form is precise and rich enough and content has enough resonance, is sufficient in itself. But that's rarely the case. The elements of a subject that speak to us are often scattered and can't be captured in one photo; we don't have the right to force them together, and to stage them would be cheating...which brings us to the need for photojournalism.

My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken.

My father was a small business owner. When I was growing up, he ran a one-hour photo store - back when there were one-hour photo stores.

I think that my relationship with Ralph Lauren has given me a lot of recognition; the photo is everywhere. You open a magazine and there's a photo of me in a fragrance ad. I think that brought me recognition and made me be able to talk more about the sport of polo. I think it has done a lot of great things for the sport.

For the surf idol Duke Kahanamoku portrait, which I created for the Surfrider Foundation, I took a photo from a book cover and abstracted the photo image into a drawing. This drawing was laminated onto a surfboard and auctioned to a buyer.

I did photography in summer camp; I did it in high school. The only hard decision I've had to make was whether to go towards photo or film. And I ultimately realized that the type of photo I was interested in was actually photojournalism. And it's a very individualist career, whereas film is a very team-driven medium. So that's why I chose film.