Top 1200 Piano Lessons Quotes & Sayings - Page 3

Music and musical instruments were proximal to my life from very early on - I took piano lessons for a brief time, but then my dad had a guitar and when he was not playing it, I would pick it up and mess with it. He jokes that I used to complain that it hurt my fingers.

I call myself the world's best faker. It was hard to get piano lessons, it was hard to dedicate myself into reading the music, but it doesn't stop me from touching the keys.

The moment I started learning to play the piano it changed my whole dynamic with music and with school. Suddenly I had a reason to be there, or at least at my music lessons; it just took hold of me.

The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.

My parents made me take piano lessons from 1st grade to when I graduated from high school, and music never came to me as naturally as my other more visual artistic talents.

I despair about the lack of proper respect shown for the piano. If you want it to sound like a traffic jam, go out in the street and forget the piano. That's not a piano sound.

Mom and sister played piano growing up; my grandma still plays piano in church. They always beat me over the head trying to get me to play piano, but I was more interested in riding dirt bikes and playing in the mud.

I never took any guitar lessons or anything; I never really learned to play covers. I'm actually happy that I never took lessons as a kid. Now, I'd like to take lessons to kind of go deeper. But I think sometimes lessons can steal a person's personality away, because they're trying to do things so technically.

I think that, initially, I was most passionate about music and particularly about playing the piano. I started playing when I was nine, and I was obsessed with it, really. I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent to be able to play the piano professionally.

I cut the scene out, but there was a moment where Christoph Waltz plays the piano in 'Django [Unchained]' - Jamie [Foxx] is a magnificent piano-player but there's never a moment where Django plays the piano.

My parents have been incredibly supportive of me. They've always stood by me, whatever my decisions. When I was younger, I was like a butterfly flitting from one thing to the next - be it gymnastics, karate or piano lessons. They never forced me into anything.

I used to play the piano by listening to it - like Chopin pieces, when I was, like, a little kid - and then the minute my parents got me lessons to read music, I couldn't do it anymore.

I started playing piano and guitar when I was in elementary school, and then I was finally like, 'I want to sing.' So I started taking voice lessons and decided I wanted to go to an art school and take music seriously.

There's this weird game called 'Blueberry Garden.' For that game an artist recorded some piano music, but evidently he only had a really terrible microphone on top of the piano, and I really liked it and wanted to experiment with that. So, I made piano recording and really mangled it, and kept experimenting with the technique.

I took piano lessons when I was really young, like five years old, and I didn't really enjoy that very much. It was kind of too strict. So when I was probably 11 or 12, I started playing guitar and just kind of taught myself.

I got a classical piano training when I was little, and we also had music study lessons where we'd have to listen to a lot of classical music.

The only instrument I can play is piano. Whenever I make songs at home, I play the piano and make them on the piano.

I played piano. I've always liked piano. My father played piano. Actually, to be fair, the sound of the harpsichord did annoy him a bit, and I thought, how can I annoy Dad? I'll play the harpsichord.

I did take guitar lessons as a teenager, though, and I started to teach myself how to play everything I could play on the guitar on piano, so I had a really weird, non-traditional route to proficiency. I think it probably helped me come at things from a new angle.

I loved Queen, Journey, Fleetwood Mac, and people like Barbara Streisand. The thing with me is that classical music was also an inspiration. I took piano lessons at the Royal Conservatory of Brussels for 10 years.

I didn't get into the music business because somebody made me take piano lessons, you know. I got into music because I was a natural writer and had a lot of curiosity about sound.

You will be Presented with Lessons: You are enrolled in a full-time informal school called ‘life.’ Each day in this school you will have the opportunity to learn lessons. You may like the lessons or hate them, but you have designed them as part of your curriculum

My mother always wanted to be in show business, but her parents discouraged her. So when I started performing for the mirror she enrolled me in dancing, singing and piano lessons.

When we hear a Mozart piano concerto today, we're most likely to hear the piano part played on a modern concert grand. In the hands of a professional pianist, such a piano can bury the strings and the winds and hold its own against the brass. But Mozart wasn't composing for a nine-foot-long, thousand-pound piano; he was composing for a five-and-a-half-foot-long, hundred-and-fifty-pound piano built from balsa wood and dental floss.

If you're small and can speak clearly and you're a cute kid, that's the craft, really. The whole child actor thing can be dangerous sometimes. Other kids were taking piano lessons; I did ballet and acting.

Why does the world need a Piano Day? For many reasons. But mostly, because it doesn't hurt to celebrate the piano and everything around it: performers, composers, piano builders, tuners, movers and most important, the listener.

There are no mistakes in life - only lessons. Lessons to be learnt and re-learnt until they are no longer lessons.

I used to raise the devil when my father made me practice the flute and my mother made me take piano lessons.

I want to take piano lessons, I want to study at university, I want to travel, I want to do other parts, make another movie.

I started playing guitar when I was eight. Well, I started piano and really liked it but never practiced, but it taught me how to read music, and then my mom signed me up for guitar lessons, and I connected to that way more.

At one point I had dreams of being in the school band, but I didn't play an instrument that qualified me, and that was a problem. I always had fantasies to be part of that, but I did take my piano lessons quite seriously.

Kylie and I were both taking piano lessons at the time and didn't think of acting. A friend rang mum up and said, 'How about bringing Kylie and Danielle in because they might be right for the part?

My mother wanted me to take piano lessons, but I never wanted to, because that is something you have to learn, like you have to learn to type, and to me, that has nothing to do with music.

When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.

Kylie and I were both taking piano lessons at the time and didn't think of acting. A friend rang mum up and said, 'How about bringing Kylie and Danielle in because they might be right for the part?'

The short story and the truth is that I was taking vocal lessons here in New York... One day, instead of my lesson, the piano player and I went into a studio... and we put down some demos... Those demos got to Quincy Jones through an agent... He listened to them, he called me, and we started to record.

I began to become very infatuated at the creation of my own music rather than someone else's and my piano teacher used to get really cross with me because of the fact that I wasn't studying my lessons, I was writing things of my own.

I feel like I always had a yin and yang experience with music. I've always been able to rock out, and then I've always had to take piano lessons, too.

I was kind of, I would say, even obsessed with music. I wanted to start learning piano when I was six years old, and after that, my parents were very supportive and they took me to several kinds of music lessons. So music filled all my childhood.

I'm trying to learn classical piano, Mozart and Beethoven and stuff. I took lessons when I was younger and now I sort of sight read the music and play it by ear. It's fun. It takes up a lot of time. I practice a couple of hours a day, but I find it soothing.

I had 10 years of lessons at the conservatory in Belgium, studying classical music. I learned how to sing, play the piano, and all the theory that I needed. By the time I left, I had confidence in my skills, and I knew that the experience had prepared me to become a real professional.

Everybody in my neighborhood in the '40s, they played pianos. That's how people partied. They didn't try the TV, the radio was OK, records was cool, but when people wanted to party, they got around a piano. My mother played piano, my sister played. I've been around a lot of piano all my life.

My mother made me take piano lessons, and because I am her oldest and she had not yet been worn down by the task of prodding five children to practice every day, she kept me practicing despite my whining.

I met my wife when we were both 19 or 20, at a music school where she was taking voice and piano lessons and I was doing classes in music theory and composition.

At 16, I was going to church and playing music for church, and Dad would only pay for piano lessons so I could play at church.

I mean you're given all these lessons for the unimportant things--piano-playing, typing. You're given years and years of lessons in how to balance equations, which Lord knows you will never have to do in normal life. But how about parenthood? Or marriage, either, come to think of it. Before you can drive a car you need a state-approved course of instruction, but driving a car is nothing, nothing, compared to living day in and day out with a husband and raising up a new human being.

I sometimes write songs on the piano, even though I don't actually play the piano. I always hire someone to play for me whenever I decide to sing a song I have written on the piano. My song 'Rosa' is one.

In my son's kindergarten, they're telling us how to get him into Stanford. By their advice, I'm doing everything wrong, because I'm trying to make him happy rather than putting him through as many piano lessons as possible.

I began making music at the age of four. According to my mother, once I just sat down at the piano and played back a tune by ear. My parents were watching and said to each other, 'Maybe we should give him music lessons.'

I have owned and played a Steinway all my life. It's the best Beethoven piano. The best Chopin piano. And the best Ray Charles piano. I like it, too.

For the piano and me it is always a blind date! I meet different pianos every single day. I can't take my piano with me like a bassist can take his instrument. So whenever I arrive I am a bit nervous to see what kind of piano is waiting for me.

My little brother and I took piano lessons at a young age and played music together later on in life just to play around at home until we decided to make a record. Eventually we started having more and more songs.

I am big on - even with our whole team - it's always about, well, what were the lessons learned? Something didn't work out? What are the lessons learned? What are the lessons learned?

It is only by demanding the impossible of the piano that you can obtain from it all that is possible. For the psychologist this means that imagination and desire are ahead of the possible reality. A deaf Beethoven created for the piano sounds never heard before and thus predetermined the development of the piano for several decades to come. The composer's creative spirit imposes on the piano rules to which it gradually conforms. That is the history of the instrument's development. I don't know of any case where the reverse occurred.

I started going to a piano teacher at 5 years old, but pretty soon I started picking things out on my own and stopped taking music lessons. I never could read music very well, but I've still been doing it.

I don't think what people realize is I've been through years and years and years of training - piano, dance, vocal lessons.

Although my dad was a doctor, we weren't necessarily a super-artsy family. We were just a classic, traditional family who got to take a lot of piano lessons and became a bunch of musicians.

TV, and the culture it anchors, masks and drowns out the subtle and vital information contact with the real world once provided. There are lessons, enormous lessons, lessons that may be crucial to the planet's persistence as a green and diverse place and also to the happiness of it's inhabitants-that nature teaches and TV can't.

I started taking piano lessons when I was about 5, and there was always a lot of music in my family: my parents both play instruments, my grandparents were classical violinists, and my grandfather was actually a music professor and a conductor.

I was very fortunate to take piano lessons from a young age, and the only times that we were able to play on Steinways was at our recitals, which were really nerve-wracking. Partly because we got to play on a Steinway.