Top 1200 Piano Music Quotes & Sayings - Page 17

What resonates with me now is the acoustic guitar and piano.

I always come back to the piano. It's like home.

The main difference between listening to music on a computer and listening to music on vinyl or disc is not sound quality or even portability; it's that when you listen to music on a computer, you listen to music on the same instrument you use to acquire it.

One day I will go back to my books and piano, but not yet.

I get nervous when they start shooting piano players.

Studying music in a conservatory would be stifling for me, although I respect people who can do it. And by no means am I an expert at notating music or music theory - that's not really my world.

When you own a piano, it's harder to think about moving.

to deny that music powerfully influences our thoughts and conduct is either ignorant or a deliberate lie. Anyone who listens to music has been moved by it. It's music, that's the point.

My mother started me on the piano when I was 3 years old.

I actually write more on guitar than I do on piano.

The piano is not really in the language of the 'Game of Thrones' score.

I find there is room in music to talk with music. It may expand ways people can participate with music. It doesn't sound hokey or like some kind of voice-over.

Dancers are instruments, like a piano the choreographer plays.

The first piano was built long after they didn't have any at all.

I wouldn't trust any man as far as you can throw a piano

It's a pity to shoot the pianist when the piano is out of tune.

One of my earliest memories of writing at a piano was alongside my sister.

Sometimes when it goes really well, you wonder, "who's that at the piano?"

One should leave the piano when Oscar comes in. This man is dangerous.

When you're animating a music video, you have to animate to some set music. You're somewhat restricted by that, but you're also inspired by that. The animation becomes secondary if you're animating to a music video. Either way, it's important. Music has really helped my animation, that's for sure.

I've heard 'Piano Man.' That song is pretty cool.

I am classically trained in piano, flute, and voice.

I always listen to music, my passion and vice is music, I will be denied access to heaven because of the number of CDs I own, and I have gluttony for all types and colours of music.

I'm very easily distracted unless I have music on. Listening to music while I brainstorm makes me think of scenes that would fit the mood of the music I'm playing.

A lot of people are going to hate me for saying this, but one of my least favorite kinds of music, or the kind of music that I feel I've so got out of my system, is musicals music.

My music library has about every genre of music possible. I've really gotten into Ray LaMontagne, He makes amazing music, so I listen to him, and he's a great artist.

I consider a house without books or a piano to be unfurnished.

It's not a bloody piano, it's a clarenARt...you weird talking person.

I studied chord theory and started playing the piano.

I started writing hits the day I sold my piano.

Every time I see a piano, I have this urge to play it.

Bud Powell's probably the biggest influence on my piano playing.

I grew up playing classical piano and percussion.

I took classical piano lessons from the age of five.

I just sit down at the piano and rattle it off.

I play piano and trumpet. I studied classical guitar.

I play piano and write better than I can sing.

I actually don't like playing the piano or conducting the orchestra.

For me, piano is just where I started; I know where to go with it.

I'm improvising all the time. Everything I do is improvised. On the piano, at least.

I play piano, a little Gershwin, before debates.

An atom must be at least as complex as a grand piano.

I play the keyboard, piano - I like making beats.

I think it's important to remember that music supervision is not just about a fantastic record collection or knowledge of music, although that certainly helps for aspiring music supervisors.

We're girls and we're feminine so it naturally comes into the music but at the same time we intentionally put beauty and females and also Japanese culture J-pop into the music so it creates unique music.

There's consciousness in my music, and my music comes from a conscious place. And when people say that, I certainly take it as a compliment. But my job, in terms of selling my music, is to be universal and to try to get it to everybody.

I wrote my first piano piece when I was in 4th grade.

I play piano very badly. That's my great regret.

I grew up at the piano, and I longed to write musicals.

I do piano, violin, guitar, basketball, gymnastics, ballet.

From an early age I've written songs and played the piano.

There are two places where I can completely relax: in nature and by the piano.

I'm learning to play piano. And also the musical saw.

I wouldn't trust any man as far as you can throw a piano.

Piano is unique in that way: it can be both percussive and haunting.

To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.

I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the final characters in the film.

Well, I was interested in playing the piano from as early as I can remember.

I would always write lyrics and songs on the piano.

If I were a piano player, I'd play it in the goddam closet.