Top 1200 Piano Playing Quotes & Sayings - Page 10

I could scream down 90 mountains to less than dust if only one living human had eyes in the head and heart in the body, but there is no chance, my god, no chance. rat with rat dog with dog hog with hog, play the piano drunk listen to the drunk piano, realize the myth of mercy stand still as even a child's voice snarls and we have not been fooled, it was only that we wanted to believe.

Don Baylor, New York Yankees DH, on Billy Martin and his predecessor Yogi Berra: Playing for Yogi is like playing for your father; playing for Billy is like playing for your father-in-law.

I am so extremely busy with what I am doing myself. When I am not playing music, I am usually doing other things. Playing around with my Ferraris and playing tennis and things like that. What I understand, there is a new group of kids that are very serious about playing, which is great; I think that is a good thing.

When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.

The church we grew up playing at was not one of those churches known for its music, but it was just this all-around energy that would be happening because, at the same time we'd be playing in church, we'd be playing in the city jazz band under Reggie Edwards.

Well sometimes I do not listen to music. But when I do it could range from Frank Sinatra to Copeland. I spend a great deal of time playing the piano because it really is my salvation at times. But I am perfectly happy just going on a long bike ride that takes many days to complete and staying away from music for a bit. It always feels so fresh when you return to the instrument with a different observation of things than when you were last there.

I enjoy playing real human beings after playing a lot of larger than life characters. I love playing true to life characters and that is what I intend to do for the majority of my career.

If a player is playing IPL and earning money, it's not his fault that he's not playing for India. He is not quitting. He is playing first-class, one-day cricket and IPL. If selectors don't pick him, what can he do?

I know it sounds stupid, but we're just playing. We're playing hard, but we're just playing.

The early influences, in many ways, were in Baltimore. I was passing open windows where there might be a radio playing something funky. In the summertime, sometimes there'd be a man sitting on a step, playing an acoustic guitar, playing some kind of folk blues. The seed had been planted.

The only reason I'm in 'Kingsman' is because Matthew enjoys playing with the unexpected. I'm not playing Harry Hart because I'm the butchest actor in Britain. I'm playing it because he said I'm the last person anyone would expect to see in that role!

I love playing anyone that does stuff that I don't do. The fun of playing an assassin is that I've never killed anybody. The fun of playing a brilliant musician is that I don't actually play any instruments.

Even back then I really didn't enjoy playing chord changes, riffs, and solos when I was young. The only thing I enjoyed playing were these Robert Fripp-type double-picked loops that no one wanted to hear, including me; I just liked playing them.

Most people would say safety was my best position. To me, the biggest challenge and most gratifying thing I got out of playing football was playing corner, because it was a bigger challenge than playing safety. Playing corner provided me my biggest thrills and my biggest headaches.

The secret to comedy is not playing the comedy, but actually playing the situation, playing the drama of it.

Let me be the first to admit that the naked truth about me is to the naked truth about Salvador Dali as an old ukulele in the attic is to a piano in a tree, and I mean a piano with breasts. Senor Dali has the jump on me from the beginning. He remembers and describes in detail what it was like in the womb. My own earliest memory is of accompanying my father to a polling booth in Columbus, Ohio, where he voted for William McKinley.

When I got to Performing Arts, within the first week, a few days, Bill Charlap walked in and couldn't read music but he's playing all these solos from Keith Emerson of ELP, and Rick Wakeman from Yes. Real impressive rock piano and keyboard things. And we had really, truly amazing young 13-14 year old classical players in our year who had been practicing six, eight hours a day for eight years. So it was like "Whoa."

There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.

As far as I'm concerned, the stakes are always very high. Whether it's playing at the White House or playing for a group in my own house - you know, one of those soirees I play in. Once I start playing, the stakes are somehow higher, in a way, than any of the context.

When I was playing good, nobody was saying I was playing good. When I was playing bad, I would be the first one on the front of the journal.

Romance was a game, like bridge, in which you said things instead of playing cards. Like bridge you had to pretend you were playing for money or playing for some stakes.

We've [me and brother] been playing hockey for a long time, since we were little kids. I started playing hockey at two and a half. Obviously, playing hockey we want to be known as good hockey players and hard working guys that earn everything they get.

I remember playing in Union City, and we had crap games after we finished playing at night. We would go next door to the cab stand where they were playing gin rummy and betting $1,000 a hand.

You're just playing, playing, playing, and then an image or something will come into your mind, and basically you're just narrating it with music, letting it move along.

I remember I'd be playing in the streets with friends, sometimes barefooted. I'd come home with sore feet, but wanting to do the same the day after. That passion made us keep playing. Playing in the dirt was our daily joy.

There's a roller coaster effect when you're playing good. Everything seems to go your way. But once you start playing bad, you're playing bad.

Playing main-draw matches helps, and playing in front of crowds and playing in big matches definitely helps, getting them all under your belt.

Playing normal is hard; especially playing normal that's not you. The biggest challenge in playing Alicia is trying to make a teenage girl seem fully formed and not the quintessential moody teenager with a quippy, sassy line here and there.

Fact is that I played piano and performed, as a young kid, a Mozart piano concerto with the Chicago Symphony Orchestra . Don't forget I was only eleven-years-old and to be on the stage at that age had tremendous impact on me. Basically love for classical music and performing as a kid on the big stage probably led toward this decision, which meant that music is going to be my big love but also my profession.

We grew up in an age of playing reserve team football at the stadium. If the first team were playing away, you'd be playing at home, at Highbury, and there would be one man and his dog there. Even though you'd psych yourself up, you still don't get that push.

I started playing music when I was 18. My heart was just broken so badly that I decided that I really wanted to start playing music. It felt like the only thing that I could do in response to that. And I've been playing ever since.

Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags.

Your body is merely a machine made to express the thoughts that flow through you and nothing more. It is but an instrument for you to express your imagings just as a piano is an instrument for a musician to express his imagings. Just as the piano is not the musician, so, likewise, your body is not you.

Obviously when you grow up in the area you love playing on the street, and to go from playing on the street with my mates to playing at Upton Park is a bit surreal, and 15 years on to still be in the heart of the West Ham midfield is quite good going!

When I was playing week-in week-out, I was playing 46 games a season, and there's nothing better than playing every week.

I used to hear all these guys on 78s at my mother's when I was a teenager... I used to daydream that I was onstage playing the solos; I'm playing with B.B. King, and I'm playing with Lowell Fulsom, Jimmy McCracklin. And I literally ended up being in a band that backed them up at different clubs.

A strange adventure befell me while I was playing my Sonata in B flat minor before some English friends. I had played the Allegro and the Scherzo more or less correctly. I was about to attack the March when suddenly I saw arising from the body of my piano those cursed creatures which had appeared to me one lugubrious night at the Chartreuse. I had to leave for one instant to pull myself together after which I continued without saying anything.

I had never before thought of how awful the relationship must be between the musician and his instrument. He has to fill it, this instrument, with the breath of life, his own. He has to make it do what he wants it to do. And a piano is just a piano. It's made out of so much wood and wires and little hammers and big ones, and ivory. While there's only so much you can do with it, the only way to find this out is to try; to try and make it do everything.

Once you get out there and start playing basketball, whether the NBA or college or whatever arena you are playing in or who you are playing in front of, the juices start going, and you want to just go out there and play to the best of your abilities.

Playing and fun are not the same thing, though when we grow up we may forget that and find ourselves mixing up playing with happiness. There can be a kind of amnesia about the seriousness of playing, especially when we played by ourselves.

I took a private lesson, but it didn't really work out, so I went back to playing along with records. That's really the thing that got me into playing a lot - getting excited about playing along with my favorite bands like Zeppelin and Black Sabbath.

In the last workshop I taught, a woman flew in from Thailand. She's a medical doctor in Bangkok. I asked her in her one-on-one session where she wanted photography to be in her life.Did she want a second career? Was it about earning money? Or was it art? And she said "None of those. I want photography to be serious in my life." It would be like someone wanting music, like piano playing, to be a richer, deeper, and maybe even harder experience.

I've used my experience from playing sports in almost every aspect of my life. Playing soccer is where I found my voice, and playing softball was where I learned precision, and in every game I learned to play as a member of a team - to work not for my own glory, but for a shared goal.

I knew no one in this business, and the only acting I'd ever done was in a first-grade play. I understood some of my talents - growing up playing piano, and my operatic voice led me to All-State in my first, and only, year of singing - but I didn't yet know all of my capacities. My parents felt helpless, as they knew nothing about this world and couldn't help me in any way except through pure love.

The music has a better feeling when you're responding to what's going on. Music is like playing handball, playing catch with someone, not playing golf. Everywhere the ball bounces is where you respond to it.

Most of my music theory knowledge is based on piano. But I write on guitar a lot, too. I'm not a great guitar player by any means. I'm not a great instrumentalist. I play piano on stage. I don't play guitar on stage, but I use it to write quite a lot.

I haven´t written on piano since It Bites. You can tell my songs that I´ve written on piano with It Bites cause they all go like "wrooash", like Old Man And The Angel and Calling All The Heroes and songs like that. It all tends to happen very quickly, I get two thirds of the song within five minutes and then spend rest of the time trying to ruin it in my head, and then I go back to where I was from the beginning.

You're never really playing yourself. You're always acting. It's an illusion that you're really playing yourself. The only time I'm playing myself is when I'm at home!

For me, playing simply is dribbling. For me, playing one or two touches is harder. Playing simply is the most difficult thing.

Prayer is like practicing the piano or ballet or writing: you have to bring your body for a very long time, in spite of your body’s frailties and conflicts and general revolt, and then one day your body is not separate any more. You’ve in a sense become the piano or the dance or the word or the prayer. The prayer is in your heart. The prayer is your heart.

In concertos, I stand up, and I conduct with the bow when I'm not playing. During symphonies, I sit, but sometimes I stop playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.

I owe a lot to playing on the street. And what was even better than playing on the street was playing football with my friends in the local graveyard. It was fantastic. We forgot what the time was and didn't even go home for our meals.

When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.

I am amused when goody-goodies proclaim, from the safety of their armchairs, that children are naturally prejudice-free, that they only learn to "hate" from listening to bigoted adults. Nonsense. Tolerance is a learned trait, like riding a bike or playing the piano. Those of us who actually live among children, who see them in their natural environment, know the truth: Left to their own devices, children will gang up on and abuse anyone who is even slightly different from the norm.

I've had a fantastic career playing great parts. In many ways, the colour of my skin has been an asset because I've been asked to play certain roles as a result. I don't apologise for playing them anymore than Robert de Niro is sorry for playing American-Italians.

Everything I did is because I wanted to do it. If I weren't playing this arena, if I were playing a club, I'd still be doing it because that's what I want to do. I love playing the guitar.

Basketball is a game and their primary reason for participating in the sport is simply for the pleasure they experience while playing. Don't be afraid to lose. Have fun while you're busy playing hard and playing smart.

The source of inspiration can be any of the things:deep emotional experiences - say, romantic love or spiritual contemplation.I think such rare moments come only when you have total concentration. You are consumed in and by the music. I guess you could say that it is akin to contemplation. In order to reach this desirable state of mind you have to rise above the environment you're in at that particular time - a bad piano, glaring stage lights, or the attitude of the audience. Sometimes the inspiration of the other musicians you're playing with helps you reach this stage.

When you play piano, your left hand and right hand are synced. Your brain basically has a clock, so that the right hand knows that 0.3 seconds after I hit this key, I need to hit that one. And the right hand knows not to hit keys that the left hand is playing, so the hands do not collide.

A basketball was in my hands 24/7, playing one-on-one against everybody and anybody, trying to prove against the older guys, just playing. The wind blowing outside, double rims, stuff like that, just always playing ball.